Maya and Kessel leave the world of ruin behind to discover a whole landscape of pure nature. The legend of Athabasca is true, but there is formidable opposition blocking their way and it becomes very clear: they are not alone.
From panel to panel, Rossmos art is unsurprisingly superb; particularly regarding the colossals and action scenes littering the majority of the pages. Even his approach to linework and detail seems to have improved. But whats truly impressive in issue #3 is Owen Gienis colouring scheme. Hes definitely the star of this issue. His vibrant take on Wiebes post-apocalyptic world is a significant reason why Debris is such visually alluring comic. I can only begin imagine what Wiebe, Rossmo, and Co. have in-store for the finale. Read Full Review
With one issue to go, it will be exciting to see how this series concludes. Read Full Review
Overall, another great issue of Debris. Maya continues to be one of the best female main characters currently incomics. Not to mention the cool Umbra monsters and interesting ending. I'm sad to see it go next issue, it's been a fun ride. Read Full Review
The main reason this world works so well, that it feels so bleak and real, is the artwork of Riley Rossmo. His techniques as a storyteller are superb. The monsters he brings to life in this and every other issue of Debris are truly unique and awesome. The art is enhanced by Owen Gieni's coloring. The aforementioned flashback sequence is the only place that things fall a little flat. All in all, Debris #3 is a gorgeous comic book. Read Full Review
From the majestic rolling hills of green, to the roasting rabbit on a spit (something Maya is unable to identify), we view the familiar through the eyes of someone who is effectively a newborn in a strange land. One of the most compelling new titles of 2012, we just don't want this one to end. Read Full Review
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