The cover of the book kind of makes you think the story has some tie-in to Usagi Yojimbo with Sakai's name on the cover but that is not to be.  The collaborative of the creative team suggests this is a passion project they have been working on for some time and they hit the mark with their first effort.

This series had the potential of being a one hit wonder but I'm happy to report the second installment is just as enjoyable as the first issue.

The thought of Clark living in a messy one room apartment with people hating and fearing Superman bothers me. Seeing it through the eyes of Grant Morrison gave me the opposite feeling because it was done in a way where you feel there is still hope for this strange new visitor to prove himself. John Corben's ascension to becoming Metallo comes to fruition and Lex Luthor is in league with an alien threat, believed to be Braniac, who has Earth's destruction in mind. Seeing him struggle with his personal life and crime fighting gig makes it easier to relate to him because like the real world, things are not easy.

Less is more most of the time but in Grant Morrison's storytelling it appears to be the exception to the rule.

Sholly Fisch also wrote a heart warming short story chronicling the trials and tribulations that Jonathan and Martha Kent went through to have a child. The art and writing made you root for them from the moment they said "I do" until the night where their little bundle fell from the sky. It was kind of sad in a way, since they are dead in the new universe, so the only time we are going to see them is during flashback scenes and this is probably the most of them we will see.

The saving grace of this book is the backup story by Sholly Fisch that shows Clark's last days in Smallville containing a lot of memories with his parents, Jonathan and Martha in their home on the farm. The entire thing was an emotional roller-coaster that beautiful, sad, nostalgic and promising.

The book is more than worth its $4.99 price tag because it is stories like this swan song that make you believe you are truly reading the exploits of Earth's greatest hero.

There was no Sholly Fisch backup story which was usually the best part of the book. Honestly, as much as it might be missed, it was not required as everything is straight forward. While I worry about future installments due to the creative shake up, this issue is something Superman fans can be proud of.

"This happens right as Lois makes her most passionate argument in the article. I've been very critical about the New 52 and its run of Superman comic books. However, this was a nice surprise. Instead of fighting random creatures that give the Man of Steel a "run for his money" in a half hazard attempt to make" him more vulnerable, Greg Pak gives us a great story that puts everything into perspective as to whether or not the world needs Superman. Yes, this subject has been done before"," but it's the non-heavy handed approach that was much appreciated.

Earlier promotional material advertised last October was the kick off to this event. Good things come to those who wait and if the rumors regarding a major universal shift change are true, we are in for one hell of a ride!

Ray gun shenanigans puts our clawed hero in quite the predicament as a child's life hangs in the balance.

We've reached the half-way point of this mega event and now that the gauntlet has been thrown down, things will no doubt get very interesting.

With four issues left, the light speed pace of this event looks to produce a big finale, especially if the rumors regarding the tenth and final issue are true.

Stark insists that Pym could have found an alternative solution, which is quite the contrast to what he suggested before Wolverine messed up space and time. So far, this series has been getting mixed reviews. No matter what side of the fence you stand on, it's hard to look away from all action in Age of Ultron.

All in all, Age of Ultron came out swinging and ended on a less than stellar note due to putting the titular character in a supporting role and mainly getting us excited for something that ultimately has more sizzle than steak.

This issue was extremely well done across the board and instead of being disappointed that I didn't see the big fight, I walked away extremely satisfied because it made want to see the two monsters lock horns even more. Fans of both franchises will enjoy this book and it also new reader friendly to those who haven't read the companion Fire and Stone titles.

Overall, this isn't the strongest issue in the series, but it does enough to maintain the level of excitement this series had produced thus far.

The overall story goes beyond these pivotal moments as the world is on the brink of a mutant revolution.

Kitty Pryde and Iceman have a hilarious mock conversation in the shadows of some serious banter between chat Beast and Captain America. What makes this series tick is its ability to make every single element matter while being highly enjoyable.

Bendis establishes an enjoyable and perilous tone setting up the characters against threats that they think they know but in this case, they really don't.

The response to this series has been overwhelmingly positive so I think it's safe to say Amala will be back. For my money, it can't happen soon enough.

The writers have done a great job at keeping an exciting and interesting pace as every book is a must read in this event. There was less color in this issue then the previous parts which is understandable since everyone is starting to look the same. My only gripe is there seems to be little to no concern from people who have not changed yet. I mean wouldn't you be afraid if you saw everyone you know going through a horrible transformation and say “Damn, what if that happens to me?”

While nothing was set in stone for the next issue, the seeds were planted for some future developments that fans won't want to miss.

Just as Spidey is feeling as blue as his tights, once again, Mary Jane reminds him of how great he is and gives him the strength that only she can provide. This makes me want them to get back together even more but for now, it is more compelling if they are not together.

Two more Spider-Man bad guys enter the fray and it appears Dan Slott is setting the stage for a reunion that will be detrimental to the web crawler.

Dan Slott's streak continues with another fantastic outing.

There is a lot of hype on the next issue of ASM with a new story arc involving Daredevil. This is an issue that will not get lost in the scuffle.

This issue was Part One of a two issue story arc titled “Devil and the Details and Part Two will take place in Daredevil #8 next week.

This was my pick of the week until I read Batman and that is not a slight at all. Overall, this book reeks of awesomeness and the ending guarantees your next appointment in February.

Still, he doesn't stop Bad Tuesday and with no options left, he meets M.J. for a bite to eat until something in the conversation brings about a revelation and Peter arrives at the Horizon labs just in time to make Bad Tuesday a thing of the past. The script was convoluted but I still enjoyed it. I don't know if that's a good thing or if it makes me weird but at least the art maintained its vibrant nature that has been a staple of this current run.

Uatu was the star of the story and I don't think we have seen the last of him either.

Sholly Fisch provides another Steel back-up story which shows him cleaning up Metropolis while the big guy is out of town. What I truly enjoy about Rags Morales' artwork is when you arrive at the panel of a page layout where there is a shocking reveal; Morales captures these moments with an essence that is few and far between in comic books today.

Solid issue over all that promises good things to come.

Oh yeah, The Avengers vs. Sinister Six is pretty cool too!

If you are on Twitter, I'd recommended following him as he converses with fans on a regular basis.

Now, I wonder what he wished for when he blew out the candles on his cake?

Dan Slott's way out is anything but cheap and at the same time, it leaves you thinking “Why didn't I think of that?” This is a must for any Spider-Man fan and remember, issue #699.1 will be released before the dramatic finale.

The overall strength in this issue lies in the fact that it is a crossover event with a purpose that has real stakes involved for the protagonists. The ending makes for a fascinating turn which should bring about some craziness in the weeks and months ahead.

Olivier Coipel's artwork is always on point and truly shines in making distinguishing all of the Spider-Men so it's not a chore to tell them all apart. This book has a lot of moving parts that are easy to keep track of which produces a fun read that is about to heat up.

Sounds kind of silly but the humor coupled with the high stakes involved made the moment worth wild. I think it was time to increase the danger for our wall crawlers because having nowhere to hide will create even more tension as this event progresses. ASM #11 covers a lot of ground while setting up bigger things on the horizon.

I can't wait to see what Ross has in store for the series as it captivates your attention in a way that makes you want to throw your money down. While the art is pretty decent, the interesting plot is what makes this series tick. I would highly recommend to pick up issue one if you haven't read it yet.

Christos Gage provides a dark and thrilling story that reads like you're watching the TV series. Rebekah Isaacs' work reminded me of the Tales of the Crypt comics and sets the appropriate tone for what the story is trying to accomplish.

Buddy's fight against the Rot is more personal than any other fight going on in the DC Universe. His son is sick and his family is in danger as they fight alongside their super-powered father. Part two of this story arc takes place in Swamp Thing #12 also released this past week.

Spencer and company have put together a great first installment that firmly establishes the hero's motivation which will play a key role in everything that occurs going forward. Those who never heard of Ant-Man and are jonesing for more information after watching the trailer would be well-served to pick up this book.

Great first issue that makes me excited to see what is next since you know The Trench are bound bring Aquaman back to Atlantis.

The story is told at such a fast pace that I thought it was cut short for the Batman Noel preview until I went back and counted the pages. The artwork nicely captures the Trench attack on the fishing harbor. The colors and the gruesome purple sledge coming of their mouth looks like a scene out of a horror movie. The book will suck the reader in from the opening panel and peak your interest until the last page.

The end of the book treats us to a sneak peek at the big story arc set for 2012 which is the secrecy revolving around what caused Atlantis to fall into the ocean.

This quickly transitions into a series of altercations that makes her question what Aquaman sees in people. The art and script went hand-in-hand on presenting Mera as a badass who is not to be trifled with.

It's been said plenty of times and I'll say it again; Geoff Johns has made Aquaman cool again. Even if the story sucked, the art makes this book a must own.

While she is loyal to her husband and obeys the kings authority, his safety is paramount to her and she will defy any decree and break any bones necessary in order to maintain Aquaman's safety.

The ending of this issue changes the dynamic between the hero and the villain forever.

Again, this sounds like a harsh criticism but it is not at all because I can't get mad at my star player when they hit a triple instead their usual grand slam.

The art is solid as usual and shows it's strength in the hidden chamber where an unknown eighth relic is discovered.

James Tyrion continues to impress with his story of a cast away Talon looking to strike back at the Court of Owls.

The book ends with a pretty big reveal, while the stage is set for The Others to return next month.

Aquaman swims in the coldest and darkest water he has ever been in while searching for the Scavenger as submarines surround an unsuspecting Atlantis. This book is a tidal wave of fun for all and it serves as a major development in the arc.

These are the questions presented in this debut issue and with Shawn Crystal's dark brooding imagery, things are only going to get more intriguing.

I would recommend this book to anyone who hasn't indulged themselves in the world of Valiant and is looking for something new and to catch them up on what they missed.

I'm completely sold on this series and as a result, it's time for me to do a lot of make-up reading and discover what I've been missing.

This is issue that leads to the gay marriage that everyone is talking about. In my opinion, kudos to Marvel for this incredible step forward.

While Remender is able to convey the gravity of the intense situation our heroes face, it falls a little flat while yearning to be much more. Crossover events are supposed to highlight many characters instead of focusing on the small handful. This is not the worst book in the world, but with two issues in, I expected more from Marvel's big event.

There are a crap load of Avengers books but how many times can you release an issue where the team it taken out and pulls out the hail mary finish at the last minute. After awhile, it starts to get boring and not worth $3.99 for a weak story. If you not convinced just look at the cover. This issue all month was hyped as Storm's debut with the Avenger's and she appears in only two pages and she is out cold in both of them. Trust me, don't believe the hype.

Some feel the Avengers are watered down since every resident super hero is a member. While that bugs me at times, there is nothing watered down about this issue and you will find you made an excellent choice by picking it up.

The art in this issue left me scratching my head as it felt like it was trying to accomplish two different things when there was only one story being told. It's a good issue to pick up if you haven't read the Avengers in a while or you want to know where things stand before Avengers vs. X-Men begins.

It's even better if you are siding with the X-Men because the story examines Steve Rogers at his core and kinda makes you re-think what side you are on.

The sheer look of shock and horror on Beast's face in response to the question was superbly depicted by Gabrielle Dell'Otto. This is a continuation of what began in the New Avengers Annual in September.  I could not say enough good things about that book and this issue is no exception.   

Jonathan Hickman's version of Earth's Mightiest Heroes is all about the adventure and Adam Kubert's sensational art drives the point home. Isabel, an Iowa farm girl, becomes the first human to join the Shi'ar Imperial Guard.  Opening flashback scenes of Tony Stark and Steve Rogers' initiative of an increased Avenger presence serves as a reminder that this is a different world we live in and that threats are more dangerous than ever before.

This is a different kind of tale and you may just enjoy it. What happens in this giant space resort, stays in this giant space resort.

New characters are brought into the fold and the ending will make you want to come back for more.

No complaints with the art and the colors reminded me of the Avengers cartoon. The writing is solid all-around and provided a little bit of everything for comic book fans to enjoy.

You don't know if this is meant to be a long term series with the 30 day timeline or a cheap way to get rid of some characters that will probably come back anyways.

Not too complicated of a story but that doesn't stop it from being a fun read.

That can be attributed to the plethora of questions that still need to be answered, but Al Ewing's entertaining script nicely fills in some of the blanks.

This means hacking into Ultron is a ridiculously huge step up but he is up to the task. Butch Guice's character work is stunning and really brings life to the book as a whole and Frank D'Armata polished coloring is the cherry on top. As we learn more about what's happened to the super heroes of the Marvel Universe, it pretty safe to say these tie-in issues are more than holding up their end in relaying that information.

I just hope it's better that Fear Itself.

Overall, this a highly entertaining book that everyone should get their hands on.

Laura Martin's bold coloring is the icing on the cake that just makes the pencil work come to life.

He not only depicted the tension and respect between the two, but one shot in a particular panel with Cap caving in Logan's face with his shield made me touch my face to see if I had suffered any damage.

The finale of this issue produces the mother of all endings that will make issue six a most anticipated affair.

Now the X-Men are in control and it's hard to see if the Avengers will ever be the same.

Especially, with Spider-Man being the sole character on the cover of the next issue. It has a last man standing kind of feel and if that is the case, how can Spidey do it alone?

This well-written intense drama will captivate your imagination for the entire 32 pages. I thought the series had reached its bench mark until I grabbed this off the rack. With three chapters left, everyone should be excited to see what happens next.

I'm not going to spoil that, but what I will say is that the winner's gain could change the entire landscape of the Marvel universe.

Avengers World has been a hit or miss title over the last twelve months, but this installment does a lot to make things interesting, while fully taking advantage of the main angle in place.

Overall, the book contained a lot of action and easy art and script to follow. Cable's inner thoughts drive the story because there is more narration than dialog which is Jeph Loeb's trademark. Nothing about Ed McGuinness's work in this issue was new or epic. He did a nice job of following the tone of the story which is that time is of the essence. The ending makes you want to come back for more next month and there are some hints as to how the big event next year might pan out.

This is clearly a preamble to the Avengers vs. X-Men event which is plenty entertaining to whet your appetite until the beatings begin in the Spring.

And of course, excellent visuals from Ed McGuinness that shine during the most important scenes.

I wonder if this series has the juice to remain important during its limited run but it is off to an amazing start.

It's going to be hard to make every issue of this series interesting and thought provoking but don't let that stop you from enjoying a fantastic first installment.

This book presents another one of those creative teams that are perfectly in sync with each other.

While the reappearance of Baltimore's arch nemesis Haigus is always something to anticipate, I think The Witch of Harju will give everyone involved more trouble than they can handle and then some. That sucks for someone living in 1920's Estonia but cool for comic book fanboys everywhere.

If capes and cowls are not for you and you are tired of the vampire thing, this is a must read because it's brought so much more to the table than you could imagine.

He is the standard for a tale such as this and his work enhances every panel on every page. In a world where capes and cowls dominate the market, this type of story could be lost on some people. Those who will try anything once are in for a real treat while those who are familiar with the series will be impressed to no end.

My only quip is that most of this issue sets up what we need to know going forward. It took longer than I would have liked to get going; however, those moments were still engaging.

My only gripe is that the story is a little too short due to the Sea Dogs backup tale, which spans multiple titles and has very little meat on the bone. Basketful of Heads would benefit from a full issue because Hill and Leomacs have a lot to tell the reader.

It's no secret that Joe Hill can write a great horror comic book, andBasketful of Headshas quickly become another fun series on his resume. While DC Comics' Black Label imprint has gotten off to a rocky start, the complete opposite can be said for Hill House Comics.

There are a lot of fun horror comic books with a great story. Basketful of Heads brings the creep factor in a gruesome fashion. The story is engaging, and I'm actually worried that June might not make it out alive. In my book, that's $3.99 well spent.

Hopefully, Liam doesn't turn out to be like everyone else in this crazy town of Brody Island.

Joe Hill and Leomacs created the perfect gore-filled primer and next month's finale. Odds are readers who will benefit from the fruits of their labor.

To say this was a fun series would be an understatement. I would always forget that Basketful was in my pull list, yet, every issue got better with each turn of the page. Some of the mystery elements were obvious, while others kept me guessing. Throughout all of the murder, magic, and corruption, June is a worthwhile protagonist that made her harrowing journey an engaging one. Hill made the reader feel as worn down as June most of the time, while Leomacs' visual presentation stole the show more often than not.

Not too much action but more character development than anything else. I'm not complaining though. This was necessary to help fill in the blanks in the new 52.

While these moments jumble up Bat-continuity even more, they were still powerful moments to witness.

Snyder's script hooked you from the first word balloon and the art work is just right. Bruce, Dick, Jason, Damien, Commissioner Gordon and Harvey Bullock all look younger and we get a glimpse of what the villains look like. The Joker seems to be the top bad guy in town while the Riddler now has a green Mohawk shaped as a question mark. The story seems to be current because the GCPD works with Batman unlike Detective Comics where the police are hunting him down. Very good first issue and I can't wait to see how the evidence pans out next month.

This issue is what the Dark Knight is all about. Scott Snyder's work in this series is engaging, insightful and clever. Gotham City is just as important a character as Batman himself. The artwork is presented with painstaking detail. Readers should expect this series to get better and better with each issue.

The conclusion of the book ends with a chilling boom that perfectly displays the danger in store for Batman.

As you read the book, you get to a page layout where you have to turn the book left side up to make sense of it all. When you turn from that layout, the next page is upside down which looks like a mistake. You naturally turn it right side up to examine the page thinking you are correctly holding the book again. As you continue to read, it takes you a minute to realize that you're reading the previous pages over again, thus, experiencing and sharing the mental madness Batman is going through. The ingenuity of it all was simple and brilliant. The art work is in sync with the story almost more than any other comic book I have read in quite sometime. Even this early in the year, Snyder's number 5 has all the makings to be the single best issue of the year.

Capullo's art work captured this moment brilliantly as Batman looked as big as the Hulk, which is obviously a mental depiction of how mad he was since we all know he is not really that big. The price is going up a dollar in May with eight more pages of Bat-Insanity to sink our teeth into.

The games are over and the Court takes flight to begin their reign of terror.

The Court of Owls are the best new villains to be introduced into the world of DC Comics since the reboot. Others that have made their debut have been more or less cookie cutter variety but there are just layers upon layers of depth that you can sink your teeth into with the Owls.

The creative team brilliantly laid this out as the suspense rose with each turn of the page. In the end, Lincoln being Bruce's brother could all be a ruse. However, the events in the back up story “The Fall of the House of Wayne” makes it difficult to believe the vengeance filled March is lying.

It will be interesting to see what the August and September's #0 issue will bring since The Joker will makes his return to the series in October.

Kudos to everyone involved for their work on another great issue and hopefully Becky Cloonan will make another visit to Gotham soon.

Kudos to everyone involved for their work on another great issue and hopefully Becky Cloonan will make another visit to Gotham soon.

The entire Bat-Family, and even Harley Quinn, are intimidated and on high alert as things are about to get very interesting.

It's a cliffhanger for sure because you don't know for sure if he is bluffing or just playing mind games with The Dark Knight.

Not being rattled, in the slightest by The Jokers antics while locked up in Arkham Asylum paints the green menace in treacherous light and he will no doubt; bring The Dark Knight some serious problems in the future.

Instead of the dangerous riddles we are accustomed to; it is his intelligence that Tynion brings to the forefront. Not being rattled, in the slightest by The Joker's antics while locked up in Arkham Asylum paints the green menace in treacherous light and he will no doubt; bring The Dark Knight some serious problems in the future.

I'm sure I speak for all comic book fans when I say that the sky's the limit for this creative team. If you do not read this mega event, then you are doing yourself a huge disservice.

Andy Kubert steps in for Greg Capullo in the art department and draws a ravaged Batman combing the streets of Gotham as he hasn't attended to a single injury, or fixed the holes and rips in his costume. While the next big tale in the Batman universe has already been announced, Scott Snyder proves he can do no wrong when the title of his book starts with the word "Bat".

James Tynion's Batman and Superman backup story concludes as the duo fights a will o' the wisp demon. It was nothing fancy but it was enjoyable to read. With “Year Zero" right around the corner, Snyder and company prove this series is highly compelling under any circumstances.

I would be inclined to agree with that argument, but the little details that Snyder injects into this arc makes it too intriguing to pass up.

Zero Year had some hits and misses along the way, but I think it's always a good proposition to have the main Bat title telling stories in the present.

Creepy is the only word needed to describe James Tynion IV backup tale and Kelly Jones' artwork is an eerie sight to behold. I often wonder when Scott Snyder and company will be unable to top themselves and the first installment of Endgame looks like that won't happen anytime soon.

The fact that Batman has to seek counsel alone lends credibility to Joker's story. The who in this equation augments the investigation to the nth degree and will conjure up endless possibilities of the finality of End Game.

Initially, I wasn't sure if Jae Lee's artwork was right for this story, but I was wrong. Lee presents a dramatically epic feel that would only work with characters of this magnitude. Besides the confusing ending, which I hope is cleared up in the next issue, Batman/Superman looks like a surefire winner for DC Comics and fans everywhere.

The ending has a silver-age flair that should create an interesting dynamic going forward. I don't think I could have asked for more with this book.

It is their relationship that takes center stage throughout the issue and it's revealing to see how Damian became the person he is today. In my opinion, the only zero issues that have really shed any real light on the past are the Batman titles and this is another prime example of the zero concept done right.

It is their relationship that takes center stage throughout the issue and its revealing to see how Damian became the person he is today. In my opinion, the only zero issues that have really shed any real light on the past are the Batman titles and this is another prime example of the zero concept done right.

It truly showed that Bruce has turned a corner where as before, he would have beaten someone up at the drop of a hat. A new villain enters the fray and as he takes out the Batman of Moscow he sets his sights on Bruce Wayne. The creative duo of Tomasi and Gleason makes a new, yet familiar story refreshing. The artwork makes you feel that you are part of the adventure. Bottom line, this book was pure fun to read.

Tomasi's writing of Damien is unique because he is a complete badass which we all love but you sometimes wish Bruce would smack him upside his head. The best piece of art work in the book is when Damien breaks the neck of a bat with a one handed no look catch in response to Bruce complimenting him on his performance.

Two scenes come to mind that exhibit how awesome Patrick Gleason's work is. Robin confronts two criminals and one of them mocks "the little kid in the costume" and pulls out an iPhone for a photo opportunity, only for the Boy Wonder to slug him right in the face. Another is a two page spread where Batman jumps from the Batwing and into the alley in order to help Damian as you see the plane positioned near the moon and the coloring of the night sky made it all that much better. This book gets better with every issue and I'm looking forward to #4.

Gleason and Gray's artwork was entertaining and does a great job of conveying the darkness of the situation. What makes this book really standout is that you never know what Damien is going to do. He is smarter than most adults but he is also more immature than most kids and he is a trained assassin with the urge to kill. You can throw logic out the window when trying to figure him out and that is the draw to this story.

The last page shows an extremely angry Batman when he hears something while on a pursuit.

Damian has been the star but this is the Batman we have been waiting to see in this series.

Will Damien kill again and if so, how many times will Bruce let him get away with it before he has to do something radical?

There is a side story involving a plot to kill Batman but it's very boring and easy to ignore considering it's a plot to kill Batman. The Court of Owls took Batman to his limit in Snyder's Batman series so any other threat toward the Dark Knight seems idle at best.

Yes, there is stuff going on with Batman too but it's not nearly as exciting as the battle of the Robins.

While Scott Snyder is getting all of the props for his Joker portrayal, Peter Tomasi holds his own in that department while producing another exciting chapter in this sprawling story.

Despite what you see on the cover, Carrie Kelley presence in this story doesn't suggest in the slightest that she will be the next Robin. Still, she was an important part of the story as her connection to Damian pretty much guarantees we haven't seen the last of her. I don't want to spoil what her character brings to the table, but it creates a wow factor that opens up a whirlwind of possibilities while creating more questions at the same time. Tomasi and Gleason deserve a standing ovation for their spectacular work on this book as it is a crescendo of action and superb storytelling.

It's about Damian, it always has been. Even after Damian died and various villains took his spot on the marquee, Batman was trying to, in his own way, fill a void in his life. Now with that loss seemingly about to be found again, Tomasi is having Batman walk a very slippery slope.

The first couple of pages takes the story from zero to sixty and delivers loads of fun that never lets up. If the rumors are true and Damien does indeed have super powers, this is going to bring a whole new element to the series since Bruce could barely control the powerless version of his son.

Carlos M. Mangual's lettering carried a strong presence as it relates to Damian since the pint size hero's Batman impersonation reminds you more of Batboy than the Dark Knight. In my humble opinion, annuals suck. This one, however, is exceptional and the best one released in DC Comics new 52.

Pick of the week? Hell, this could be pick of the year!

This one was razor close to being my pick of the week.

Was this book worth the wait? The answer is a resounding yes.

It's just fun to look at and it looks the way a comic book should look.

Its weird that I kind of felt bad for her considering she is responsible for her sons death. We all have come accustomed to the death and resurrection cycle in comic books. Still, we rush out and buy a copy because it will be worth a lot of money someday. Im not passing judgment since I did the same exact thing but it makes you think about what we look for in our comics. Do we want well written and well drawn material, or just shocking events that will get people talking? The bottom line: If you are a collector then you should grab one and if not, check it out for the sake of being in the loop.

Morrison masterfully and slowly elevates tension because likewe'veseen in the past, eventually, Batman is going to snap and take his vengeance. Knowing that this incident hits home more than any before it makes the tension more abundant for the reader. With three issues left on Grant Morrisons run on this series, there is little doubt that heads are going to roll like never before and we all get a front row seat

The first installment of this Ellis/Hitch collaboration is a tale of two cities. The first half fired on all cylinders and established the beginning of an engaging psychological narrative. The second half, however, bogs down the story quite hard with a perplexing script that left me guessing for all the wrong reasons. The first half and the creative cache of the creative team are what will bring me back for next month's second chapter.

However, that won't stop Alfred from trying. This is not exactly new ground being covered. Eillis composes this narrative in a way that is earnest, heartfelt, and a little bit eerie. The idea of Batman's demise amid street-level detective work grounds the character while reiterating what makes him unique. It's good to see Batman working the case again. Ellis's fluid script and Hitch's brings about a tale that is more profound than the litany of Batman books on the shelves today.

The Batman's Grave doesn't have a central villain or a storyline that will eventually lead to a dangerous plot to destroy Gotham. It's much more. The delicacy of Ellis and Hitch's approach to the subject of Bruce's extracurricular activity is the book's overarching theme. Each outing has gotten more difficult for Batman. If that trend continues, well, we're only in the third issue. Nine more investigations with increasing danger make a strong case that Alfred might have the right idea after all.

Even though we know Batman isn't going to die, that doesn't stop Ellis from trying to convince the reader that it could happen, which is ultimately the book's greatest strength. Despite no rogue's gallery or bombastic plot points, the craftsmanship of Ellis, Hitch, and Sinclair makes this series the best Batman book you will find on the shelf.

Overall, the momentum is picking up as new elements are continuously well-executed to produce the desired result.

There are three issues remaining, and it's time to increase the stakes even more now that Batman is in Scorn's crosshairs.

Throughout the series, it felt like Ellis hasn't had a lot to say.

Ultimately, Ellis and Hitch produce an intriguing concept that starts strong enough but hits the wall halfway through and never recovers. Much like this issue, The Batman's Graveis a series you'll forget by the turn of the final page.

A lot is going on here. Sean Murphy was relentless in how much he piled on for the reader to unpack. In addition to the volume of information, everything is executed in a poignant manner that makes it all matter. The risks, rewards, stakes, and danger conceptualize what The Joker is set out to accomplish. The last issue set up everything quite nicely. This chapter doesn't make you wait any longer and goes all-in on Murphy's compelling tale.

Murphy accomplishes both in grand fashion by changing the questions, as readers believe they have the answer.

Sean Murphy unpacked a lot here. Excellent character development, fantastic visuals, and emphasis on the secrets at play has Batman in a position where he can't possibly win on his own.

The results made for a fascinating read that increased the tension with every page examined.

With two issues to go, smart money says Murphy can't top himself as the work he exhibited here is exceptional. Wise money, on the other hand, says never doubt the talents of Sean Murphy.

Whether we're in store for a real conclusion or not, this book is the perfect primer for next month's grand finale.

Sean Murphy delivered one hell of a conclusion and created a sequel series that somehow surpassed the original. If the White Knight series becomes a trilogy, it has a lot to live up to, but it's evident that Murphy is up to the task.

What Batman: White Knight does so well gives readers something to chew on. Murphy's one-shot story adds even more depth to an already in-depth series.

This first issue of Batman: Damned, from a narrative perspective, over promises and under delivers in regards to DC's Black Label format. The artwork, on the other hand, is a gripping visual experience that is worth the price of admission and might have worked better as a silent film on the printed page.

It was a better outing, but there is still a lot of room for improvement.

Establishing Black Label's format for prestige mature content took precedence over telling a compelling story. Swamp Thing and Constantine's reunion was a nice touch and Batman facing off against his worst nightmare was a good idea that was bogged down by faulty execution and poor pacing.

In this world, the caped crusader has a similar stance on murder, until he realizes you can't have rules in a city that doesn't play by them. My only complaint is that the book actually had to end because I was enthralled from beginning to end.

This is the first of a series of digital comics that will be released around the holidays and this Bat-fan will be back on turkey day!

Overall, this season premiere simultaneously serves as an excellent return to the animated series and a good Batman comic for the uninitiated.

In my opinion, this series is the weakest of the four Batman books currently in circulation. This issue was a great step in the right direction as it appears to be finding its own identity.

It's the weakest offering of the White Knight series ,but manages to justify its existence as a horse of a different color.

Two issues in, Collins and Scalera have created a series that feels like it shouldn't work, only for it to perform exceptionally well.

The way Collins and Scalera set it up places more emotional stakes to the conclusion than most endings that question a story's uncertainty. It can go either way, which I can't wait to see unfold in next month's penultimate chapter.

There is no much on the line for the leading players, and I can't wait to see how it ends in next month's swan song.

Marvel will get lots of new readers with The Avengers movie coming out this week, so it makes sense for this interpretation.  Regardless of how you feel about this decision from the Marvel brain trust, this is one of those issues that you will want to add to your collection because it is a huge character shift that will have a major impact on events to come.

The possibilities of which rabbit hole this could go down was fun to explore. Ultimately, they go down a different avenue than whatwas unexpected and that made me immediately excited for the next issue.

Ultimately, they go down a different avenue than what was unexpected and that made me immediately excited for the next issue.

There has been some criticism about Kate's sexual orientation. Public opinion of the issue aside, I liked that her and the detective's interest in each other was not this over done girls gone wild type of moment. It felt as normal as can be and the thought of seeing a gay couple on the panels never entered my mind. While this is a book in the “Bat-Family”, it has a different feel to it as the only thing that reminds me it's a Bat book is the red bat on her costume.

There were a lot of cooks in the kitchen on this one and they all helped to produce an exquisite blend of art and story.

This series is truly a cut above most titles in the DC Comics catalog.

The imagery is not only enticing, but is also drawn differently than other books featuring the other Bat characters because it truly shows Gotham from a similar, but different, perspective of Kane. The bottom line is that you need to buy this issue, and the next one as well, if you want to know how the main event turns out.

Minutemen is the perfect choice to kick off this event since we saw and heard quite a bit about the masked heroes of old. Is it enthralling enough to make you change your mind if you cursed the ground that DC Comics walks on for green lighting this? Probably not. If you are able to read this with an open mind, you will see how good this book is and gain an appreciation for the creative talents of Darwyn Cooke.

Damn, this is a busy week for sad endings in comic books.

His use of illusion starts off heartfelt but turns lethal in the face or torment and ridicule. Moloch's rise to criminality is similar to that of The Penguin. While Gotham City can be unforgiving, the world of Watchmen knows no bounds which goes to show that Moloch is truly a product of his environment.

Jae Lee's grand depictions perfectly capture Adrian's essence through out the book.

Lee Bermejo has an eerie ability to make darkness and despair look beautiful and is the icing on the cake of this gritty title.

He doesn't lose sleep at night over the things he does to the dregs of society.

He is portrayed as good guy in this series who is trying to get to the bottom of a murder in which the most sacred law of “Ape shall never kill Ape” There is more than a murder than meets the eye and the council is not happy with Dr. Zaius' idealistic nature which is weird and interesting to see if you watched the movie. The story also touches on the political aspect of life in Ape City as Chimpanzees are almost considered second class citizens. The artwork did an excellent job of depicting facial reactions of the characters. If you liked the movies, you'll like this book. Bottom line, buy it.

There are a lot of comic books based on a particular franchise that fail to capture what made the original so unique. Bill & Ted's Most Triumphant Return does the opposite in spades with plenty of air guitar shenanigans that provide all of the fun and nostalgia one can handle.

Joshua Williamson did a great job of capturing the strife of a terrible loss while keeping things on track. He could have gotten to the reveal a different way, but he hit all the notes he needed to while taking the reader on a journey that could get a lot more interesting.

I normally don't read the letters to the editor section but there is some great reading that expands on the underlying message Kelly Sue DeConnick is sending. The next issue is going to take a break from the main story arc focus on the origin story of Penny-Rolle which is a great first choice in this outstanding comic book endeavor.

As I stated earlier, this might not sound like the most fulfilling comic book experience, but the synergy of the creative team makes it so with an important message cleverly intertwined into a plot that makes it impossible not to jeer the bad guys and cheer the good women with resilient conviction.

This really should have been the first issue, but I liked the creative switcheroo. Seeing the act after learning how it all came to be really changed my view of things and got me into the characters a little more. Ray is not a monster, but in many ways, he might as well be. Then again, maybe he is doing everyone a favor. After all, does the world really need superheroes that look down on us mere mortals from the heavens?

Of course, that all pales in comparison to the book's dramatic conclusion that will make you stand up and slow clap in approval. While too much of a good thing can take the special out of something so grand, I feel that there is still more ground for this series to cover and hope it gets revisited at some point.

At home, Jamie's parents tell him that he is not allowed to attend Brenda's party. The party is at her Aunt's house where there will be armed security which concerns Mom and Dad. Jamie sneaks off to the party with Paco and they soon show up in the wrong place at the right time as a brawl over a backpack is taking place. Jamie gets the backpack and winds up with a blue scarab on his back, causing a transformation that will change Jamie's life forever. The artwork is fun and the dialog has a mixture of English and Spanish. I found myself being pulled out of the adventure when I came across Spanish words I didn't know, although they were simple enough to figure out.

Observations, winks, nods, bloody imagery along with fun and insightful character development serves as a reminder that everyone has their fight in these politically charged times. Despite the very real message, it's the ridiculous chronicle of events in this first issue that takes center stage. A skeleton monster demonically screaming, ""you fucked up!" made me wonder what the hell I had gotten myself into"and I can't wait to see what happens next!

What else is there to say about this sophomore outing"Oh yeah, there is a twist that comes out of nowhere. The confidence Esquivel and Villalobos have instilled in readers with two issues leaves no doubt we're in for a hell of a treat.

For three issues now, Eric M. Esquivel has not only made this concept work but thrive at every conceivable turn. Illustrations of mutilation, terror, and warmth conjure a deep appreciation for the overall body of work. And, of course, the book ends with another hook that makes the next issue all the more anticipated.

Four issues in and the story gets better with every outing and my excitement increases with each book that is released. Something big is about to happen at the U.S. / Mexico border. Those on both side of the fence, both living and dead, are in for a rude awakening that will serve as the ultimate test of tolerance for everyone involved.

That has happened to all of us at some point in our life so it is easy to relate to but the off the wall hilarity that ensues when trying to get his attention is simply priceless. Generally, I don't read comic books based on a show because I already know what I'm going to get. If you also feel this way then please make this the exception to the rule because you will be very thankful you did.

This series has a Taken meets The Bourne Identity vibe, but has its own voice that is at times verbose but constructs a deep and intense narrative that will hook you right away.

That part is not clear at the moment but there are bread crumbs that could go down either path. Geoff Shaw's artwork produces a cartoony vibe that is filled with great emotion. Facial expressions from Ruben and other characters augment certain scenes that deliver the desired result. The story gets better and better with each turn of the pages as each new development makes the book even more intriguing. This is one of the best single issues of the year. I hope the rest of the series will be just as good because the bar has been set extremely high.

Alan Davis' art was a big improvement from the last issues and his depiction of a skinny and scared Captain America was very well done!

Ed Brubakers time is winding down as #19 will be his last issue on a historic run that began in 2004. Cullen Bunn is an amazing writer and anyone that has not picked upThe Sixth Gunneeds to do so ASAP. However, do you remember how manyCaptain Americabooks you read back in 2003? I can tell you, none. Brubaker is not just another writer who pumped out some great books; he made the character relevant again and beyond. So enjoy the time we have left with Mr. Brubaker and his Eisner award winning talents on a beloved pop culture icon.

Ed Brubaker's time is winding down as #19 will be his last issue on a historic run that began in 2004. Cullen Bunn is an amazing writer and anyone that has not picked up The Sixth Gun needs to do so ASAP. However, do you remember how many Captain America books you read back in 2003? I can tell you, none. Brubaker is not just another writer who pumped out some great books; he made the character relevant again and beyond. So enjoy the time we have left with Mr. Brubaker and his Eisner award winning talents on a beloved pop culture icon.

What's next for our Star-Spangled hero? The ending sequence will make you come back for more!

To say Im excited for next months conclusion would be putting it mildly. This issue will make you feel the same way as it set the stage for either the rise or fall of the Steve Rogers we know.

We know Steve Rogers will eventually find his way but it is the journey that keeps the reader coming back for more.

Kelly Sue DeConnick and Dexter Soy deserve a lot of credit for creating a beautiful book that is full of heart and personality. The creative importance of lettering in comics is often over looked. Joe Caramagna's wonderful lettering of Carol's looks like hand writing you would find in a journal instead of the customary rectangular box with type.

Cloak and Dagger tear apart the city while hunting a fugitive but Miles just won't put the tights back on.

Supernatural crime dramas are popular right now and while Ed Brubaker's Fatale is currently leading the charge, Chin Music establishes its own creative path in that realm.

Image Comics has a real winner here. My hope is that future issues come out monthly instead of it's delayed rotation.

This was an outstanding first effort with more to look forward to next month.

Jonathan Lau's artwork helped the pacing of the story, which really established the tone of the series in many ways. The good guys are being kept on their toes and it has one of those WTF type endings that make it all the more interesting.

Dark Horse has a sure fire winner on its hands the first installment of this psychological thriller has all the makings of an instant classic. This was ridiculously close to being my pick of the week.

Ben Urich keeps pissing off the wrong people in his quest to tell the story of the late Matt Murdock.

Horror today shocks more than scares and this book accomplishes both as this is an intense thriller that will take you on a ride you won't soon forget. The only bad thing about this book is that it is the finale.

To say I'm happy this series is back is an understatement. Colder is on its way to becoming the epitome of horror comic books. It not all about the decapitating scares or the blood splattering imagery. It's an extremely well-woven narrative that truly knows it's audience while appealing to a larger fan base.

An interesting question coupled with a scary proposition looking to garner perilous results as Colder once again delivers a feast of scares.

The ending puts Conan in a situation that a man's man would love.

This is one of my favorite single issues of the year and I'm not saying another word about it because I want you guys to check it out ASAP.

Each death is a crescendo of violence that is masterfully drawn.

The ending of the chapter brings about some grave consequences for the road ahead.

Cyborg host a gather at the Watchtower in recruit new members and of course, it doesn't go as planned.

The splendor of it all augments Conan's despair because you just want the guy to enjoy himself. This may sound like a yawn of a tale considering who the titular character is, but don't let that deter you. This is a well-produced book that takes a break from adventure and journeys into the soul.

The artwork compliments the story's surroundings and the characters have a boastfulness that makes it easy to either like or dislike them. I'm always a fan of comics where the creator writes and draws the book because you're virtually guaranteed that everything will be in sync. The desert planet felt hot and coarse as two suns orbit it's space and the dialog that contains its share of urban slang somehow fits in with the story, rather nicely I might add. If I was a betting man, I'd venture to guess that this series will find itself in the critically acclaimed realm sooner or later."

Overall, this book misses the mark because while I'm told that bad things are about to happen, the stakes involved are not conveyed to the degree where I'm counting the days until the first issue. With a reboot happening in June as a result of this event, the maiden voyage of Convergence feels like we are in for a haphazard means to an end.

While I still have no idea where the overall story is heading, the sophomore release of Convergence gives readers a fair amount of meat on the bone with little fat to cut around.

Overall, I'm not feeling Convergence, but this issue goes a long way in hopefully making this event something special,or at least memorable.

The fact that Lois and Clark are no longer married in the main continuity is kind of a bummer and their relationship in a post Convergence world will probably be the worst it has ever been. While the birth of their child will mean diddly squat in a one months' time, if there were any two comic book couples that deserve a happy ending, it's these two.

If you live and breathe by DC Comics continuity, there are some plot points that will startle you. In the end, it's all too convoluted and I've stopped caring. Just tell me a good story, and Wolfman does in spades.

This issue was the end of the first story arc and the next chapter is loaded with promise and hope for Courtney.

The four bonus side stories added to this extraordinary tale of the little boy Linney makes this without question, a can't miss book. Please, believe the hype. It's all good!

The Third Child is an intense example of how drama can work in a horror story and finds a great balance between tragedy and redemption. While this scares by nature, this is a book that all comic book fans can read with enthusiasm.

There's quite a bit to take in, but everything moves along in a manner that is highly entertaining and will keep you coming back for more.

Purveyors of the pull list should add Crossover to their folder as it has the makings of the next great comic book.

Both add to the overall story while helping the uninitiated become acquainted with the next crossover element. It comes from Cates previous work, and while he alluded to it last July, I don't want to spoil the surprise. Overall, Crossover's ever-growing narrative keeps readers coming back for more.

Bottom line, Crossover doesn't fit in because it too busy standing out.

With the first story arc out of the way, the follow-up is sure to be an exciting ride.

Besides, where else are you going to see Clark Kent wearing Batman slippers while cooking breakfast?

Romance, violence, mystery, and action are all impeccably woven together in superb fashion. Even though this is just a preview of the full length graphic novel scheduled for a summer 2013 release, this is one book you don't want to miss.

The final act of this fun adventures shows a rocketless Rocketeer as the only hope to save the day.

Prince John is a self-centered jerk and despite all he has done, the Mermaid still loves him. It's so frustrating to watch, but it's so well done that you can't put the book down.

I was hesitant to pick this up since I haven't been interested in Daredevil in years. Waid's run has made me a fan and will make you a fan too if you are in the same boat. His writing in this book reminds me of a 1960's spy thriller. Panels are laid out with the some noir style and the art does a fantastic job of displaying how Daredevil's powers are truly unique and make you wonder if most super heroes could escape his perilous predicaments.

The art and writing maintain its stylish noir that really sets itself apart from the other comics on the market.

 If you haven't jumped on the Mark Waid Daredevil bandwagon, this is a great time to start.

The Black Cat's presence is felt in a bitter weet moment and things are set in motion for the Omega Effect crossover event along with the Punisher and Spider-Man.

Not hard to understand why Mark Waid received two Eisner award nominations for his work on this series.

Consistently great writing and art with a $2.99 price point makes The Man Without Fear the best value in comics today.

There are no bad guys being thrashed about or criminal masterminds being unveiled, but Mark Waid's run on this series is about all that and a lot more as I'm convinced he could write an epic about paint drying on a wall.

How can be the man without fear when he no longer knows what he can and can not fear?

Good story, worse kept secret identity ever. Wentworth (The Spider) has to deal with the villain, Anput, threatening those close to him while fighting off rabid zombies in a baseball field. Some cool stuff for sure.

He does a fantastic job with the art and there is nothing else to say about it. I hope he sticks around. Another great issue that everyone should go out and buy right now.

Once again, Loki tricks Thor and this time, throws him in the sea of fire. Thor should know better by now.

Part three of the Winter Wolves saga follows a team of three who all have different ideas in mind for the Six.

There is something deadly coming down the pipe for Daredevil, and the issue serves as a prelude of what's to come. As clich as it sounds, this is truly one of the best values in comic books today.

Like every story arc before this one, I have no idea how he gets out of this one but I cant wait to see how he does it.

However, there is something about this Daredevil run that is completely enthralling. I don't know if it is just the right creator with the right character, but speaking as a comic book fan, it is a true privilege to read, examine and explore. My imagination is better off for doing so. Pick of the Week? Maybe Pick of the Year.

I don't know if it is just the right creator with the right character, but speaking as a comic book fan, it is a true privilege to read, examine and explore. My imagination is better off for doing so.

Now that the Battlestar has never existed, Starbuck and Apollo find themselves stuck in an unusual time.

In fact, every facet of the story is executed with brilliance that not only highly entertains, but makes you think about the situation as a whole as you take in all of the awesomeness that is the twenty eighth installment of Daredevil.

This issue has a  little bit of everything from comedy to action and everything else in between. This is definitely one of the best single issues of the year and you owe it to yourself as a comic book fan to read this issue.

Lee Weeks beautifully pens and illustrates a tale of struggle in the direst of circumstances. Daredevil gained more than he lost when his vision was taken away from him, but he is still just flesh and blood and has the same tolerances to heat and cold as the average Joe.

Brian Michael Bendis and David Mack script negatively characterizes the inhabitants of Hell's Kitchen, and maybe the world. These sentiments are fiercely expressed through the narrative of Ben Urich and the art of Janson and Sienkiewicz.

Nimble Jack's insane mind games are cooling Declan towards death as the woman who cared from him is n inch away from death's door herself.

Overall, I really enjoyed the movies and appreciate what is being done here, but this might not appeal to those who aren't avid Apes fans and don't need every blank filled in.

It can be hard to take these one-shot comics seriously because the Hanna-Barbera side of things is a far cry from what we used to know. Putting that aside makes a pairing such as Green Lantern and Huckleberry Hound an exceptional way to approach serious issues without trivializing them while using a unique hook to provide enough of the escapism readers look for in comic books.

I'm just happy that it wasn't the whole “Earth looks weak so I'll rule there instead of Eternia” direction they could have gone in.

Twenty-four quality pages, with eight of them being gorgeous, is not worth the price of admission on this ride.

This was probably one of the best first issues I've read in quite some time. There was no exposition or background filler. We knew what we were getting and the creative team used their strengths to present worthy wild story with common stakes that I actually cared about. If I'm correct in how the other heroes of the Valiant universe are going to be implemented in future issues, the creative force behind this series will have a lot of good things in store for readers!

Val Staples' color treatment was delightful and brought the pages to life. Deadpool is a comic that doesn't take it too seriously and with the Marvel NOW initiative in full swing, Gerry Duggan & Brian Posehn have done a phenomenal in the opening salvo of In Wade we Trust.

Some runs have a strong first issue and so-so issues after that. I don't think that is going to be a problem with this series.

I think this speaks volumes to how well Death of Wolverine was produced because while he will be resurrected at some point, the road along the way towards his finale already boasts a sense of bereavement that is gripping and chocked full of exciting possibilities.

Making this series a weekly event was the right call. Having to wait a month with such an emotionally charged and action filled story would dilute the gravity that the creators are trying to convey. Two down, two to go, and it looks like we are witnessing a classic in progress.

Forecasting aside, this is a fun book that doesn't disappoint.

If you are unfamiliar with Titan Comics, this is an awesome book that will serve as your introduction to their catalog.

If you liked the first two issues, then you will thoroughly enjoy this one as there is a lot of meat on the bone in this book.

I found Higgins story intriguing because he creates an enviorment where there are people actually dumb enough to doubt Slade Wilson. It's the ultimate slap in the face. I compare it to watching someone poking an alligator with a stick and you can't wait to see how the gator is going to strike.

It is not the worst book in the world but there were a lot of great books that came out this. This is the basic nuts and bolts to a plot finality you saw coming on the first page is something you can pass on. If you're a Deathstroke fan, I suggest reading it at the store and save your money for something else.

I initially found this to be a boring read. However, I'm believer in second chances, so I read it again and it's pretty damn good.

With one issue to go, it will be exciting to see how this series concludes.

If you haven't had a chance to read this series from start to finish I would suggest picking up all four issues, or wait for the trade paperback to come out.

While there was no Earth-shattering reveal in this issue, it is still a fine read with lots of entertaining content.

Bruce is on a quest to secure Gotham's future while The Dark Knight investigates the gruesome murders caused by the Dollmaker. The writing and art work go hand in hand as they bring mystery and a bit of suspense to the story. Daniel's dialog really hits its stride with Batman's crime scene analysis. This book gets my pick for artwork and cover of the week!

There is not a lot of hype around this book but for my money, it has consistently been the best book of the new DCU!

He really gets Batman more than most and draws him in a way that makes me think, “Now, this is the Dark Knight”. The page layouts are fantastic and portrayed intense action. This twisted and terrifying adaptation of Gotham City makes you wonder if it's even worth saving. The Dollmaker is a horrifying villain who has made an indelible impression with the caped crusader. The Joker's face, which was cut off by the Dollmaker in the first issue, becomes a point of interest and one of Batman's most popular foes plays his hand in this wicked game of puppet master.

The price of this book is going up to $3.99 next month but don't let that mess you up as this title has been the most consistent title in the New 52.

I have no complaints about the art as it maintained it's charisma. The story is not as captivating as the last five issues, but it worth a gander because it some key components to the current story arc.

When a gangster can't get his way, a certain billionaire has gotta go.

This is one of the best Detective issues since the New 52 began and it something you will not want to miss.

While there is nothing innovative going on, this is the first Detective issue in a few months that feels like a true Batman book.

If this book were authored by anyone else, I would be disappointed by not entirely knowing where the story is going. However, Matt Kindt is one of the few writers that can get away with that sort of thing. Anyone who has read his work on such titles as Mind Mgmt knows that patience will be rewarded ten fold. Different + Weird = Success.

This series has the juice to go a long way and I hope that this creative team will stay intact in order to ensure it's success.

This may seem weird, but even though we are only two issues in, I'm enjoying Earth 2 a lot more than anything in the regular DC Universe. Just like I have said about Ultimate Comics Spider-Man, the creative team deserves a lot of credit and needs to stay intact in order for this series to go down as one of the greats.

If you are looking for something new, you've found it and if you have heard the hype surrounding this release, believe it.

Again, another good issue to read if you are unfamiliar with the concept.

I know I've been missing out on something when even my wife couldn't believe that I had never heard of Emily Strange.

The story is great and left me wanting more and the pages are nice to look at as explosive action and bloody fisticuffs ensures that the title lives up to its name.

The creators have produced an excellent follow up that has me super excited to see how the last two issues play out.

Overall, Event Leviathan is off to a good start. Hopefully, we get a little more meat in the next installment with that pattern increasing in each outing.

There is a lot of ground to cover and a new plot point to explore with only two issues remaining. My optimism is starting to turn to pessimism, and I hope the next offering can change my mind.

However, if the reveal falls flat, Bendis will be damned with faint praise. There is always the possibility Bendis has been brilliantly and meticulous, setting everyone up for the ultimate swerve by deception. We will have to wait and see. If you needed a reason to get excited about next month's grand finale, this book does the job!

The artwork is great and chocked full of awesome character work but it's the coloring of Chris Blythe that makes the illustrations pop. You can tell that Max Bemis is a musician because everything in Evil Empire is executed with a cadence at is perfectly timed on all fronts.

This, in a way, makes her the only genuine beacon of hope amongst piles of cultural corruption. Ransom Getty's character work serves this particular story well because emotion, facial reactions, and body language is what has sold the pivotal moments through the series. Real talk, if you will, is something that Bemis prides himself on. He's not trying to shove his views down anyone's throat, he's just providing comic book fans with an entertaining cautioning of a what-if scenario should society slip down the rabbit hole of despair.

This issue is new reader friendly enough to get you interested, but I recommend going back and reading the previous issues them in order to appreciate the scope of what Max Bemis has laid out in his Evil Empire.

Andrea Mutti perfectly complements the narrative with stunning visuals and chaotic. There are a lot of possibilities surround what's next for Reese and her resistance movement. The scary thing is, all of her work may be for nothing, but only time will tell.

Throughout this series, Max Bemis is trying to get the reader to look at some sociological what-ifs through a prism of unpredictability that makes this series standout on a consistent basis.

This company has some good things in the works for 2013. Make sure you check them out!

This is a decent first issue, but I fear it may not have the juice to present anything intriguing in future installments. The con become the mark in a scenario that was evident but inquisitive, while lacking importance. Still, I'm just interested enough to stick around and give it a second chance next month.

It's nothing to complain about by any means but Jordie Bellaire's coloring is what makes the page layouts to life. We are in the midst of a human rebellion where they don't need to speak to find their voice.

Whether you are looking for a sociology lesson or a kick ass comic book, this title will surely fit the bill.

I'm excited to see where this series goes and to start off with a dollar for the first issue, there is no reason not to pick this up!

Fairy Quest is a very fun read that is filled with thirty-two pages of quality storytelling and imagery that is worthy of our hard earned money.

Humberto Ramos' magical artwork is the perfect fit for this fabled adventure and it shines in every panel of the book. The opening page shows the real world implications when one deviates from the script, and despite this you still find yourself rooting for Red and Wolf to succeed, without a second thought, even though one of the most popular stories of all time will be erased from existence as a result.

Every little crevice of the story just keeps you sucked in because there are some real stakes involved that effect the entire Marvel Universe.

So far, Sue Storm is the only FF member to make an appearance in AU and this issue tells us why. Matt Fraction delivers to his readers an emotional punch in the face as Reed, Johnny, and Ben's last words to the children via a holographic message is somehow heart wrenching even though you know not only the end result, but you know that result will not last forever.

She read this one and can not stop talking about it and feels February is too long of a wait for part two to be released. I completely agree and so will you if you pick it up.

I read Criminal to get more familiar with Brubaker's independent titles and I have a much better appreciation for his work. He's a natural storyteller who's clever plot devices are a thing of beauty. Sean Phillips' art is perfect for this stunning, tense, on the edge of your seat thriller that is the definition of cool. Brubaker has struck gold twice this week with Winter Soldier and Fatale!

Besides the new Ultimate Spider-Man, I didn't think there was a series where the writer, artist and colorist could be so in sync with each other until Fatale. The story sucks you in from beginning to end; the art and color make you feel that you are witnessing these events in person instead of reading them on a page.

Each issue hooks you more and more as the evil things that lurk in the shadows will consume your imagination.

Sean Phillips' drawings are always spot on, but it's Dave Stewart's coloring that truly makes the artwork shine in this issue as it flawlessly conveys Brubaker's dark noir.

Stuff like that happens all the times in comics but the way Sean Phillips draws it makes the image eerie and real when your imagination is captured to such a degree. Dave Stewart's coloring is the icing on the cake of this dark noir that brilliantly keeps every guessing.

This is another excellent issue in this remarkable series.

If you haven't read Fatale yet, then please do so, like yesterday. All you will get is quality storytelling and quality art in spades.

I'm not going to spoil the ending but let's just say that it makes you realize how important that manuscript has been, and it was right under our noses all along.

There is nothing that needs to be said about Sean Phillips artwork because it is spot on as usual. Elizabeth Breitweiser takes over the coloring duties for Dave Stewart and fits in quite nicely. This issue serves as a great jumping on point and another jam packed issue for the committed readers of this series.

The slow burn nature of Fatale gives us little bits at a time without making the reader feel that they are not getting enough. If anything, Fatale makes the bread crumbs feel like a feast that ultimately keeps us satisfied until the next time dinner is served.

I expect even more at $4.99 and was disappointed to see the last 17 pages were ads and previews.

This story has no effect on the main story going in Fear Itself. I had no problem with the art work and the story wet my palate to read the next issue because we know at some point Dracula is going to get his hands dirty.

The piece of the story regarding the new powers and the fallout of using them is the crme de la crme that will make you come back for seconds.

With this story arc wrapped up, The Rogues are right around the corner and will no doubt turn up the volume to an already loud and exciting series.

In many ways the art is just as fun as the story and it gets my vote for artwork of the week.

The ending introduces a new bad guy who is connected to the Speed Force and will makes things a lot more complicated for the Flash.

It's a heck of a marketing strategy and very few series make me want to hand over my paycheck more.

It is a welcome change in my opinion and I can't wait to see what the creative team cooks up next.

What will come of our beloved speedster? Tune in next month. Same Flash time. Same Flash channel.

The mystery within the mystery is paramount to everything Meru is about to discover.

However, the Reverse Flash is so hell bent on his objective that any other element of danger seems moot. This doesn't take away from the story in any way, shape, or form, but it is something to examine considering what the big reveal means for the series going forward.

Flash #34 brings a lot of things into the limelight. The first half is great and if you are a "Futures End" fan, the second half is even better.

The grand finale serves as the ultimate holy shit moment that brings a set of insurmountable odds that the Fastest Man Alive might not be able to out run.

Nicole Duback penned a nice back story highlighting how even a hero can't save everyone all of the time, but you can help push things in the right direction. This was the right story to tell for this second annual because Hal is away on Oa running the Lantern Corps and Flash is doing his thing on Earth with the Justice League. It may be awhile before their shenanigans can entertain us again.

I was critical of Dynamite Entertainment's Pantha comic book that debuted last week. While it was a good effort with potential, there was way too much going on story wise. Sometimes, less is more and other times more is absolutely awesome. This series has a lot going for it with Daniel Indro's grand art style complimented by Mujiono's wonderful color treatment. Eric Trautman's script provides a real sense of adventure for an entire 32 pages that I urge everyone to get their hands on.

Strong visuals, great script, and excellent direction keeps this series in the hunt for best Star Wars comic on the shelves today.

There are several developments that will make the course of events over the next few months full of speculation and intrigue.

Things start to unfold as Geoff Johns sends lot of characters down many different paths that will no doubt make things even more interesting as we move forward in the series and beyond.

Are the Rogues the heroes of the day or are they just roadblocks in the much larger scheme of things to come? I don't know, but I can't wait to find out!

The ending is guaranteed to make you come back for next month's issue. I know that is what comics are supposed to do and the good guy is always able to MacGyver their way out. Bunn has created a situation that truly has me scratching my head because I have no idea how Wolverine is going to get out of this situation.

If you are looking for something different, make this a top priority on your next trip to the comic book store. You'll be glad you did!

The dark and rough style of Dell'edera's artwork doesn't offer a lot of detail, but it does what it needs to do in order to convey the story being told.  While this book won't have you screaming “Yo, Joe”, it serves a different purpose on the spy front that is equally exciting to see unfold.

The execution of these moments is what makes this book stand out because you just get the feeling that the payoff is going to be huge when it all comes to a head in the series' conclusion, issue nine.

The script is clever from beginning to end and Clay Mann's art is the perfect compliment to the story being told. Marvel has come out of the gate with two great first issues with Captain Marvel and Hawkeye and we can safely add Gambit to the list.

Mark Evanier's script provides the perfect balance for fans who want that Sunday comics feel and those who prefer contemporary comics off the rack. Jim Davis' influence is all over this issue with tons of lasagna scarfing moments and a first appearance variant cover.

I have to admit, I didn't like this book at first, but it won me over as it went along. The set up serves of a sign of things to come which could be very promising. The gloves are off as there is no cooperate editorial process stopping George Prez from telling the story he wants to tell.

Revival just gets better and better with each issue.

Simply put, this is a main-event slugfest that is more than worth the price of admission.

Hiroshi coming to terms with his part in the Cataclysm was poetic and carried enough gravitas to make the moment a powerful one. Dave Wachter can draw one mean monster. His artwork is gorgeous and his well-constructed page layouts make all the difference in Godzilla vs. Destroyah looking like a battle instead of two giants stumbling into buildings. The ending could have been a little better and while I can't tell if a sequel is in the cards, this book is still worthy of your hard earned money, just for the art alone.

Overall, this is the perfect example of why some people feel comic books are lame. It's as if Jurgens and Krul were trying to make this a corny comic book because that is exactly what we have been given with the Green Arrow.

Now, I hope this trend will continue going forward.

***This particular edition of The Pull List marks my one year anniversary with Forces of Geek.com. I have thoroughly enjoyed reviewing the comic books we all love and cherish. None of my friends are comic book fans and while I chat every Wednesday with various people at my local comic book store, this is the outlet I use to express how I feel about comic books. I want to thank Stefan Blitz for giving me the opportunity and the platform to talk, rant, scream and shout about one of my favorite pastimes!

While I feel this series may end up going through the motions until next year, this issues gives me hope that I may be wrong.

It will be intriguing to see how much of a role Simon Baz will play in the ‘Rise of the Third Army' story arc.

Sinestro flees from OA as he searches the galaxy for a way to rid himself of the ring. Meanwhile, on Earth, Hal Jordan is adjusting to life after the Corps. His bills are past due and he is months behind on his rent. He comes to realize how difficult his transition back into civilian life is going to be as he might have to get a 9-5 job in order to make ends meet. After Jordan explores a few options that are no longer available to him, Sinestro appears on the final page and makes Hal an offer that he better not refuse. Geoff Johns penned a great script which really conveys to the reader the difficulties Sinestro and Hal Jordan are facing and the art work was excellent, especially the last page as you feel as if Sinestro is right in your face.

This is an entertaining book with an ending that will bring you back in November.

The artwork on Sinestro was a big improvement from the last issue, where his facial reactions were the same, while in this issue you see many emotions from our pink-skinned friend. Geoff Johns produced a clever and intriguing fail safe for Sinestro to stop the Corps that is going to produce much speculation. Things are getting interesting with the Emerald Knights and I will most assuredly return for issue number four.

It will be interesting to see how this develops over future issues because it makes you wonder if Sinestro will be more ruthless than ever since this is how he was repaid during the one moment he showed compassion.

No complaints about the artwork and the end of the book expose the Guardian's plan and it's not going to be good for anyone.

Something big is on the horizon and Geoff Johns is leaving us plenty of bread crumbs to get there.

This is a solid issue that builds a bridge to something bigger that looks to be coming sooner rather than later.

Make no mistake about it; this is the definitive issue where the past and the present collide to dictate the future.

Doug Mahnke's exceptional work remains underrated by the masses. This will sound weird but I believe he was born to draw a comic book about space cops. All of the characters have a fresh and unique look to them and each is a distinct individual. All of this combined with Tony Avina's coloring sets it apart from the rest because it looks different than anything else on the rack.

When you can maintain a high level of entertainment in Hal Jordan and Sinestro butting heads - buddy cop style - for one year, you can consider that a mission accomplished!

The fallout from the moon being blown up and crashing down on Ape City shows no prejudice with it's destructive power.

I think it is safe to say that Green Lantern has taken that spot and it is all thanks to Geoff Johns.

This issued screamed “Allow me to reintroduce myself, my name is Mongul” in a way that was completely badass and the execution of it all will make you realize why bad guys are the coolest dudes in school.

With Green Lantern Corps, Green Lantern: New Guardians, and Red Lanterns recently being canceled and ending their runs in March, Venditti will have more color coded toys to play with on a consistent basis and that will only make the series stronger going forward.

Did you notice the cover? Yes, someone dies in the book. While we all know what to expect from comic book deaths, this one makes the story more intriguing on multiple levels.

They are up against an unknown enemy dubbed “The Ring Slayer” on the cover. These slayers are immune to anything the green power rings can dish out and Lanterns are being lost by the minute. The slayers weapon of choice is a green light saber except the blade is shaped as a machete. I think it's poetic that these slayers used this weapon since, well, it's green. The ending will make you come back for the next issue and you also have to wonder if the Slayers are the “third option” the Guardians talked about in the last Guardians book?

There was nothing bad about the artwork at all and Tomsai's script is getting better and better with each issue.

Tomasi's writing was fantastic through out the book and was topped off by a chilling statement from J'onn as he addressed the Corps saying "You failed Krypton, you failed my home world of Mars, DON'T fail Earth". There is so much more that unfolds in this book but I'm not going to spoil it all.

Tomasi's writing provides a solid story that is fun for the entire 32 pages.

Peter J. Tomasi should pat himself on the back for producing two of the best comics of the week.

This hits home because their relationship is different because Ganthet chose Kyle to become a Green Lantern instead of the ring choosing him. Let me ask you one question: what happens when Kyle's back is against the wall and he has no choice but to wield the power of the seven rings at once????

While I wonder how this series will do down the line, de Campi and company are off to a great start, and I'm looking forward to the next installment.

I'm not kidding, however, when I say Happy could be the crown jewel of your comic book reading experience this year.

Well, just like Happy, his importance has increased too, and not in a good way. Merry Christmas!

That makes it hard to get into a story but the overall story that Morrison and Robertson produced does a good enough job of getting their point cross.

The illustrations are amazing and makes you feel a part of the spectacle unfolding with each turn of the page. My favorite panel of the week shows Harada using his powers to deconstruct missiles that were shot at him right before they explode. I have a feeling that the events in this three part series are going to be critical to the comings and goings of the Valiant universe.

Bunn's ability to turn the horror volume up at precisely the right moments helps this book obtain the desired result of something special that firmly belongs in the must read category.

If you are looking for something different and interesting from cover to cover, you found it!

With one issue left, Lieberman will no doubt keep fans on the edge of their seat.

Fraction does a fantastic job of painting him as the everyman's hero of Queens New York. David Aja's art felt like something I would see drawn on a subway wall and Matt Hollingsworth's coloring gave the story a Bohemian motif to match the grittiness of the story.

A side note; anyone know why one of the variants has Spider-Man surrounded by the many incarnations of Doctor Octopus? It's a cool cover and the one I purchased, but I can't seem to discover the reason for it's creation. Please let me know in the comment section below. Thanks!