Ron Chan doesn't get too much of a workout this issue. His colors come into play when Parker shifts the focus from Wes and Seth to outside rescue efforts. Chan's organic colors sharply contrast the eerie strobe whites in the cave, and this gives the whole story more verisimilitude. Wes and Seth seem to be trapped in an almost alien world, but this world isn't set in the vacuum of space. It's taking place in a very recognizable reality. Read Full Review