After a promising first issue, Mark Millar settles into the meat of his 12-part Spider-Man tale... or does he? Whilst the opening pages play out some satisfyingly realistic concerns often neglected in comics plotting, the rest of the issue seems to take a left turn into irrelevant territory, felling downright illogical at times (couldn't there be better reasoning provided for an Avengers/Spidey throwdown?) and leading to a final cliffhanger which is less than thrilling. Despite some good writing and well-suited art, one has to hope that the next issue will put the more immediate plot-driven concerns back on track, and provide more thrills and character exploration and less nonsensical diversions than are apparent this time around. Read Full Review
However, there are some solid character moments in this issue, as the opening scene between Peter and Mary Jane is a wonderfully written sequence, as is the scene where Spider-Man confronts Norman Osborn in his cell, as the scene drips with menace. As for the art, the Dodsons turn in a wonderfully polished style that manages to perfectly convey Peter's distress in the opening sequence as he's urges Mary Jane to safety, and while I found the battle to be a bit disappointing there are some lovely action shots, with Quicksilver's arrival being particularly impressive. Read Full Review
This situation with the Avengers is very similar to the one Zeb Wells wrote. And I'm really curious about Max's choice
Avengers are the Earth's Mightiest Assholes... The fecking Owl helped Spidey, when Avengers literally were trying to kill him or even read morales...
And... Is Electro bi? I think, he was about to say he wanted a guy. Maybe even Spider-Man, that would be hilarious.