The art on the opening story isn't half bad as there's a nice sense of energy as our villains take on Spider-Man, and the one-page spread where our friendly neighbourhood crime-fighter enters the bank is well presented. There's also a cute visual gag where Spider-Man takes note of the clichs that he encounters in the bank that benefits from a cute series of panels. As for the second story, there's a nice level of detail on the scene where the doctor is moving about the desert landscape, and the visual design of the villain that Spider-Man fights is pretty solid, though I have to say the lack of a black outline around Spider-Man's eyepieces was somewhat distracting. Read Full Review

Well... And I just thought this series won't have any downs. That's more like it. The art wasn't cool in both stories and if you think that Kirkman wrote a decent story here - it's not truth. It's more like Ultimate X-Men Kirkman... Not that bad, but I dunno. He used villains from Spider-Man #15. That woman also was once in Wolverine, but yeah, they are very low-tier, they are boring and generic. As well as the story. Spider-Man defeated them, just like always, but a guy from the hostages fell in love in Powerhouse. Not impressed. The second story of a doctor, who decided to move to wild west after Spidey saved him and told him about power and responsibility, was just as much average as the first one.