The newly-sentient Chrysler Building is sick of the rat race and planning to leave the city. Can Damage Control convince the Art Deco treasure that New York is its home?
No critic ratings have been found for this issue.
The part with the living building was super fun, but it overstayed it's welcome. The rest of the book was very weak.
This was also possibly Dwayne McDuffie's last work at Marvel. May he rest in peace.
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