Cliffy is torn between his loyalty to the recently returned Scrappy-Doo and his friendship with Scooby. Meanwhile, Daphne and Scrappy bond during a gruesome monster hunt. And who is the mysterious new creature lurking in the dark?
With a story more depressing than inspiring, this issue does help to guide the reader towards some type of settlement in grief for all concerned, even if it may not be a healthy one for some. Read Full Review
The issue is a dark one, featuring a lot of combat and not nearly as much of writers Keith Giffen and J.M. DeMatteis's sparkling dialogue as fans of the series are used to " but it sets up a curious cliffhanger that just begs to be answered. Read Full Review
Keith Giffen and J.M. DeMatteishave been writing for so long that they really know how to move the pieces into places where they can create the most tension. What I admire and loveis that he does it with humor. Since the days of Justice League International, Giffen has used comedy to keep the tension alive, before he decides to draw the string tight. I cant wait for that moment. Read Full Review
I like it. But even I wobble a bit as I am going through an issue and question if this is what I really want out of these characters. It's also an ensemble cast, and so getting enough time with each character is also difficult. Read Full Review
The main Scooby story and the Secret Squirrel backup are both written well and have art to match the tones, making Scooby Apocalypse #28 another fantastic issue in the series. Read Full Review
Not all that much going on here, and the same goes for Daisy and Cliffy. Their bonding is a nice touch in a very grim issue, but that's it. Read Full Review
The creativeteam adds legendary inker Tom Palmer to its ranks. He has been embellishingcomics for close to 50 years, mostly at Marvel, where he is known for suchseries as the Avengers and Star Wars. Though his skill set has necessarilyevolved over the years, its clear he knows his business, and Scooby Apocalypse is privileged to havehim. Read Full Review
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