Amy Reeder has remade the story of Amethyst. A story grounded in the concepts of the original series from the 80s and the recent inclusions from books like young justice. Reeder uses the established backstory as a launchpad. As a result, the story of Amethyst reaches new heights.

The campy fun of Batman 66 meshes magically with the characters from Riverdale. Book Worm and Foot Note are a nice piece of DC nostalgia to add to the classic rogues, and the wink and nod to electronic books in the future is a clever trope for anyone reading the digital or analog version of this book. Solid marks all around.

It was nice to see the development of characters in Riverdale, and the injection of Dick and Barbara. If it is a compensation for the amount of time spent on Batman in the last issue, I can be understanding as long as the next issue gives Archie and Batman equal time. Other readers, might not be so forgiving.

Aside from a few missed opportunities to use the Bat-familys abilities to their fullest, this was a fun ride. Its clear that a collision of opposing forces is soon approaching. The only question left to answer is where? And maybe when. Oh, and how. So, its not that clear. But something is going to happen. I recommend staying tuned for the next issue. Its going to be batty.

Writer Marc Guggenheim does an amazing job of creating tension. It starts on the first page and like a snowball down a hill builds into a terrifying boulder demolishing everything in its path. From the use of Catwoman to the suggestion of Tim Drake's assistance to the lovely reminder of the role that Alfred provided as the anchor, this story is an homage to all the wonderful elements that fans love about Batman. It even ends with the famous line, "I'm Batman."

In conclusion, Batman Universe showcases the goldmine of stories that first appeared in the 80-page Walmart Giant books. It deserves to shine in its own book.

I like a good mystery, but I wish it was not following a cliche through a series of scenic backdrops. Locations are great when they drive the story. It will take time to see if the destinations are more than just eye candy. I like the pacing and overall story are fleshed out with developments and dialogue.

The journey from Hawkman's homeward, to Gorilla City, and then Dinosaur Island feels like a series of spontaneous events. The item in question a portal that is out of the control of those who make contact with it. The questions are a puzzle and only Bendis knows the answer. By sticking with more Batman and less Bruce in collaboration with Green Lantern, the journey won't be boring.

Donny Cates has suggested the crossover will do more and then bring superheroes into the actual world. The knowledge that this story is designed to brush against other worlds separated by that invisible membrane known as imagination, continuity, and universe adds to the heightened sensation that this is a story about comic book fans. That it is in fact a love story. One that is both to and for comics. Get smitten.

There are significant moments when great collaborations upgrade imaginations reveal all that we hope, Wonder, and dream. This book is a celebration of the best hopes and some of the oldest fears of humankind. It is a beautiful reminder of what Comics doevery day, and what they still do in our hearts.

Geoff Shaw is a master of breaking the panel styles into textures that feel like overlapped layers of a comic book collage. Dee Cunniffe's colors offer layers of pixelation and filters that create the timeless appeal of characters from different worlds sharing a canvas of soft swirling colors and stark contrasts. John J. Hill's letters create a distinctive voice for every character and the narrator most of all.

Geoff Shaw's art continues to amaze. The lines cross worlds to capture features, faces, and moments with patient detail. Dee Cunniffe's colors are balanced and beautiful. John J. Hill's letters match the emotion of the narrator and every character's words. So many moments in Crossover #5 are brought to life by the brilliant talents of a team working in synchronicity. Great sports teams thrive on the power of a championship to unite players. The power of this story joins five legendary creators into an unstoppable force.

The thing about an affair is the way it can feel so amazing early on. What makes it last are the moments when one or both parties show how much they care for each other. Cates, Shaw, Cunniffe, and Hill use every issue to show the depths of their love for comics. It's a love they share with fans. How will fans show their love for this creative comics team?

The departure from the story of Elle and her friends seeking a way back to the nexus between her world and another does not pull away from the energy of the series. If anything, it highlights the secondary story of the comic creators whose lives were endangered the moment the wall between worlds was torn asunder.

Geoff Shaws art brings the characters in the story and even the characters on the roughly drawn yellow notepad pages to life with an emotional presence that channels the magic of powerful art. Dee Cunniffes colors are draped in hues, shades, and sublime subtlety. John J. Hills letters and design are on full display on the double-page spread that opens the book. The layout of every page from issue #1 until now is a visual take on the classic, Previously on, style that makes a great serial stand out.

However, before deciding on anything. Consider the possibility that the art and act of misdirection is a tool in a writer's arsenal. It is not something used lightly or even with malice. Like so many occasions that preceded it and will follow it, it is rarely the only tool in use. Where then is the story going? Perhaps it is found in the brilliant art of Geoff Shaw or Dee Cunniffe's salacious colors. Look over John J. Hill's subtle letters and then take it all in one more time. The answer is everything you see and everything you are waiting to see. See it?

This fourth issue in the seriesfeels like it should be part of issue #1. The development of the backstory and the characters hunting Damage feel like they were developed in fits. Some parts feel very detailed, and others just rushed. This series will grow stronger when the balance is applied to both. Gorgeous art provides beautiful scenery.

Great development of Ethans character. He needed this moment to begin forging ahead with the conditions he is facing instead of avoiding them. It is a strong turning point that will prepare him for the next challenge. Unfortunately, the other aspects of the story suffered without the same level of attention and detail. This series can still find balance, and creating a consistent voice or tone will help. If they continue to bring in new writers, then that responsibility will fall on the editors.

Ethan and Damage end this issue by beginning a new chapter. The Tomb of the Unknown Soldier would be a great time to bring back the original Unknown Soldier and continue the trend of returning timeless heroes like Challengers of the Unknown, Vandal Savage, and Carter Hall. I like the potential that Damage has to become a hero throughout time.

By getting Damage away from the Hunters, he can continue searching for the answers he believes lie at the Tomb of the Unknown Soldier. Learning the secret that drives Jonas makes her a more complete character and not just a military stereotype trying to get back government property. Venditti is mapping not only a larger storyline for Damage, he's also adding layers to characters who continue to play a major role in helping our hero grow.

This was a great introduction for the next arc in Damage's development. The Unknown Soldier is a legendary character and I love his role in this story. I think he has the compassion to show Ethan the two sides to the choices he will need to make. He also has the experience to provide some guidance and maybe a few tricks about how to operate out of the public eye. I think Ethan would benefit from a disguise.

It was nice to see Ethan and Damage on the same side for a long stretch of time. After nine issues of hiding from each other until necessity forces their hand, it was a pleasure to see them choose to be on the same page and attack a target with a shared goal. What remains to be seen, is if they can stand together against a test like the Justice League or is that just too much to handle. I know Ill be back in thirty days to find out.

Robert Venditti does a great job introducing the many elements of Damages origin. The development of Ethans conscience, his manipulation by Colonel Jonas, and the resulting split in his psyche are all introduced nicely. And thankfully, not so neatly that we cant have more intrigue down the road. This story will provide ample material on Damage's journey to change his fate and one day find peace with what he has become.

There was only one way a Porky Pig and Lex Luthor could be told in a modern setting. I mean, the former is a stuttering pig with low self-esteem and the latter is the smartest man in the world. Mark Russell avoids the safe story by including modern references that point to the ways the public sets itself up to be manipulated. It starts with a closeup on Porky and expands to include the global impact of social media platforms.

Comics are a shared passion. One that forges a connection to new friends from backgrounds completely different than their own. In more than one story there is a hint that the narratives will continue. Some characters are slated to appear in upcoming issues of titles that already exist. Characters like the Monkey Prince will star in solo titles. DC Festival of Heroes: The Asian Superhero Celebration #1 is both a launching point and an introduction. In all ways, it is a new beginning.

The warning signs are growing, the trigger is waiting to be sprung, and soon Jo will be facing her greatest challenge. The lucky reader who follows will discover the heart of the mystery behind Jo's mission, City Enduring, and so much more.

Harley is a quiet and obedient voice waiting to explode. She was captured and is being held. Dangerous animals can keep their teeth hidden in captivity. Once they get free the hunt begins. Harley will get her prey.

Julio Flores inks, Marcelo Maiolo, and Pansica'spencils brighten the lights, darken the shadows, and set the tone,imagination, tension, and mystery in every panel. Future State: Shazam #1 is a reminder for every reader facing the trials of life. No matter the age, there are always obstacles and temptations. The challenge is the decision each person chooses to make. Even when it means turning around to fix a mistake and right a wrong.

In the backupstory, we get to see how Grifter and other characters not as well-known or at least known for taking a role in the spotlight are navigating a new Gotham. These characters offer significantly unique viewpoints and show the layered effect of the Magistrate and the no masks rule that has changed the landscape,andtheheartbeat of fabled Gotham.

Meanwhile, Red Hood is about to learn a powerfullesson about being on the wrong side. He may soon have to choose between what he has, what he wants, and what he believes. It's only going to get more interesting.

This wonderful story is brought to life by Pansica, Ferreira, Maiolo, and Leigh. The execution of the script includes brilliant notes of creative inspiration. A band of storytellers is in sync when the layers of skill are seamless. Shazam's trials are not over. But, when his redemption is final, it will be told with promise and shine with glory.

Harley's stories, past, present, or Future State are about more than just heroes and villains. These stories show the reader so many of the things that people deal with every day and with a healthy mix of the annoyances we all face, in the feelings, we are all guilty of seeing in others and not ourselves.

Likewise, Matthew Rosenberg's Grifter is a glimpse into how the underbelly of a broken city thrives. The morals are loose but the loyalty is for life. Antonio Fabela's colors bring out the light in Carmine Di Giandomenico's art and plunge the darkest moments with shadow. Andworld Design's letters are textbook and methodical.

Joshua Williams transitions from writing The Flash, Justice League, Endless Winter, to one of the most beloved anti-heroes in the DC Universe with ease. A clear-cut grasp of Red Hood is matched by the thoughtful and expressive lines of Giannis Milonogiannis. Fans of Batman and Red Hood will treasure this four-part series and all it has to offer.

You can also keep chocolate and peanut butter separate and never know the bliss of a perfect combination. The choice in the end is always up to you. The question is whether or not you want to miss out on a great treat just because it has new ingredients. So, what's your answer?

Metcalf has the power and even in this first issue the opportunity to end Alpha every single act of violence. Instead, Metcalf attacks Alva's finances. He plans to destroy the vaunted reputation and wealth of the biggest global playmaker in the game. This is a story of revenge in a changing landscape of a country and a world. It's a slow burn that will consume all it touches and leave behind only the fertile soil made better for seeds to grow.

The best thing about Curtis is the fact that he, and allies like Tiffany, have seen this coming. They know that Alva has a pubic side and a private side. Hardware will need to fight his war with Alva on two fronts, and the fact that Alva has both privilege and public perception on his side should not be lost on the reader. Taking down Alva will also require a commitment to the long game.

But the arrival of Metcalf in Singapore is the chance for Cowan to showcase beautiful shots of Hardware soaring in majestic flight. Bill Sienkiewicz sharpens the details with his inks and Chris Sotomayor brings out the rich depth of the night and the fiery flames from Hardwares jetpack as the hero streaks across the sky. Open the newest issue of Hardware Season One and let your dreams take flight.

Harley Quinn: Black+White+Red #7 is a great display of color and artistry. Quinn is precocious and a troublemaker who doesn't know her own strength. Ivy is quick to recognize a problem in the making and like us, she is too drawn in to do more than watch. The ensuing explosion is a catalyst.

Harley + Black + White + Red #8 is a wonderful mashup of classic and not-so-classic tropes. From the "Is this a dream?" to the "Twelve Labours of Hercules" and the aforementioned destination of the Yellow Brick Road, "End of the Line" plops Harley into a surreal world of myth and legend. Everyone knows that another world awakens when the sun goes down, but what really happens can only be explained by those who experience it.

The real treasure in this adventure is the love Ivy and Harley share. Despite her bumbling buffoonery, Harley's commitment to the woman she loves is unmatched. The power of a Lazarus Pit can grant life and rebirth, but it also brings madness. When that madness threatens to destroy the woman Harleen loves, only love and all the risks that can come with it are able to bring two of Gotham's craziest birds together.

A near-perfect issue that only disappoints for a moment in possibility, while continuing to supersede expectations in art, story, and talent.

The reverence isclear in every panel. Long-time readers will enjoy the familiar. New readers will stare with wonder.

A sense of uncertainty is sketched on their faces by Doug Braithwaite's pencils. The contrasts with the expressions of Freeman, Raquel, and their adversaries are balanced and measured by Andrew Currie's inks. Brad Anderson's colors evoke the tension of the shadows and the fire of the flames, while Icon and Rocket glow like beacons across the panels. Andworld Designs letters match and keep pace in the dangerous charge to issue #3.

Reginal Hudlin and Leon Chills are setting the stage for conflicts that the series will need to constantly address. Drugs, rehabilitation, are the beginning of a myriad of oppressive systems they will face. Capturing it all with artistic majesty are Douglas Braithwaite,Scott Hanna, Andrew Currie, and Brad Anderson. The original cover alone is a work of art and a mere suggestion of the magic painted within its pages.

The stories of more tricksters wait to be told. Their legacy and importance are entrusted to the knowing talents of a Storyteller, his dog, and a team of conscientious innovators. Read these stories again for the first time.

Hueko and Kubo are an immaculate duo. The story and art are seamless and wonderfully interwoven. This reviewer plans to keep an eye out for future projects that feature their talents.

Amal El-Mohtartakesthe name of incomparable storyteller Jim Henson and uses it to share stories from many sources. It is a channel fed by many tributaries pouring like a river into the ocean. Sonny Liew andIsa Hanssen'sart bring the waters to life and Jim Campbell's letters give them a voice. On the waters sail the Storyteller, his dog, and all those willing to ride the timeless waters of narrative.

A.L. Kaplan's interpretation of Thor, Freyja, Loki, and the Aesir pantheon is a playful delight for young and older readers. Thor's burgeoning belly, Loki's red hair and pointy nose, and Freyja's penchant for lounging before stirring to action are amusing. Their collaboration will bring a smile to the faces of and hearts of readers.

The power of this book is the discovery of Jessica Cruz. Her growth and dynamic approaches create powerful waves that resonate with every character. The result is a chain reaction of great storytelling. Dan Abnett and his amazing team have cemented this space-faring odyssey into an epic.

If you have been waiting for great books like Justice League Odyssey to return. Breathe in every word and drink in every image. Your patient wait is over. Your faith has been rewarded. Great comics are returning.

Justice League Odyssey is a wonderful story. This issue assembles the pieces and builds the tension with every panel. The rise of Jessica is the heartbeat. She pumps blood into every scene. Dan Abnett and his amazing team should be proud of their work. William Conrad's addition to the team is seamless and keeps the characters readers know and love exactly the way they should.

The momentum of Justice League Odyssey has kept Jessica Cruz front and center. This issue's departure into a past that finally offers more insight into Gamma Knife's identity is a brilliant move. The decision to only reveal certain pieces of information is equally inspired.

Justice League Odyssey is charging to a great finale. I don't care how much of the original mission remains incomplete. If Jessica and her motley crew can stop Darkseid and rescue her friends, then the next issues will be a wonderful ending to this chapter.

Secondly, this book offers the promise of possibility and impossibility in equal measure. Dan Abnett pulls from the legions of stories that abandon the best-known tropes in pursuit of something greater. The result is infinitely grander. Justice League Odyssey pulls back the veil of limitations and shows just how much is still left to hope for even when logic and reason demand that the only conclusion is resigning to hopelessness. Justice League Odyssey refuses to give in. This reviewer stands proudly beside them.

Justice League Odyssey brings to a close the far-flung adventures of a motley crew of leaguers. Through it, all, the heart, the engine, and the touchstone of this story has been the evolution of Jessica Cruz. Her spirit and her moral compass have kept the crew and its starship on course.

Hands down this was a lovely transition issue. I was dropped right into a story of suffering and pain and love and heartache and I wanted more. Much like the birth of Caliban, the result is something dark and foreboding and burning with the hellfire of his father and submerged beneath the deep waters of his mothers soul.

Lucifer is clearly fighting to keep Sycorax alive for his own reasons, despite claiming otherwise. The time alive allows her to make amends with her son Caliban and it is a tender moment that leaves the reader rooting for Lucifer to find a way to let them spend more time together.But, something about the closed doors to the enclave of Anubis feels uninviting.

In conclusion, Lucifer #8 feels like the first of many stops on a journey to avoid spending time with the woman the Morningstar failed. His penance is a tagalong bastard that embarrasses him in every moment. So, why is he still smiling and able to pass the light-as-a-feather test? One thing is certain, only the devil knows the answer.

VerdictI thought this was a great in the larger story that is developing to introduce what motivates Caliban. He is an impressive detective and cook and his patience is something that would make his father Lucifer proud. Caliban is about to play a significant part of the upcoming story. Understanding how he thinks will make clear the choices he will soon have to make regarding the fate of his mother, his father, and ultimately his own.

It's not easy to craft a genuine mystery. I love the misdirection while exploring the details of theological underworlds. In conclusion, I can only imagine how far beyond the Ocean of Nothingness this story will continue to dive. I look forward to reading more about the search for refuge in the afterlife.

Lucifer is playing a long game. Like the strongest hand at a poker table the First Fallen is using patience to wear down those around him. It is already working on Caliban, Raguel, and every underworld he visits. It's a great tool for expanding the cast of characters beyond heaven and hell. It's also a brilliant way to connect them all with one thread of narrative and then to tie them all together in a final master stroke at the end of this story's arc.

Dan Watters does an amazing job. In this case, the journey is about more than finding a new home for Sycorax. It's about scouting for allies and resources. Whether the end of the trail will lead to a war or just a strong showing, Lucifer will be prepared.

Brilliantly written. Wonderfully written. Dark, thoughtful, and mysterious. Lucifer continues to show me that there is always another plan in motion; spilling from the thoughts of a restless mind cursed with immortality. I remain enthralled. I'll be patiently waiting for the next installment.

In conclusion, this issue was clutch. By which I mean hold it tightly between chuckles and a few outright guffaws. I want Lucifer!

To summarize, following up a war with heaven is no easy task. Together with his gang Watters has made the next story even more compelling than the last. Finally all of the pieces are now in place for the hunt to begin. It's going to be fun watching Lucifer try to play the hero and protect the target.

You need to trust a writer likeDan Watters. Then you need to trust his art team starting withSebastian Fiumara,Dave McCaig,Steve Wands, and ending withTiffany Turrill. There is more than just communication at work. This is a team. The result is a brilliant story that reflects the potential of comics as a medium that enhances great storytelling.

The book is Lucifer, but the story is all about Beverly. Dan Watters has introduced another character who puts the Devil into fits. That alone is a commendation of literary prestige. Placing Beverly between Odin and Lucifer guarantees that the tension will continue to rise. Just like my esteem for Watters and the amazing team of Max Fiumara, Steve Wands, Dave McCaig, and Tiffany Turrill.

Dustin does an amazing job creating characters that the reader can care about. His legendary work in gaming is on display with stunning originality and world-building. Young gamers, comic book fans, and lovers of great adventure will find this book is a perfect addition to their reading collection. Reserve space on your physical or digital bookshelf today.

By tapping into a rich vein of DC history, it might be a herald of the non-powered characters in storytelling that has always made titles like Justice League stronger. This issue opens with enough history and mystery to give itself a fair chance. Make it all sing by the fifth issue and all will be right again in the DCU.

The first issue was an ugly twist on the clean-cut history of the original Challengers. It leads to a great setup for this reveal at the end of issue 2. It creates an emotional tug that will make fans of the original characters long for the world to be made or set right. I dont think that is what will happen, but I like the creation of multiple expectations for the next issue and the rest of the series.

Its not the best chapter in this New Heroes title. I like the revelation about the new Prof and his connection to the Dark Multiverse, but everyone seems to accept it really quickly. The same goes for the explanation about the original challengers staying behind. No one seems to care, and it doesnt seem like a big deal when they die at the end of the issue. I understand the need to lead the story into the next issue, but without the tension to compel the reader to keep reading it doesnt make them want to buy it, and they should feel that want.

Scott Snyder and Aaron Gillespie are doing a great job of twisting the expectations of the original Challengers of the Unknown and the impact that the Dark Multiverse has had and continues to have on the rest of the multiverse. Some of those changes involve the Mountain and I think that the story is about to go deeper into the next issue.

This issue provided more questions than answers. I love a good mystery that I can follow, and I hope the reader is not getting lost. I have faith that the next two issues will help draw clearer lines for the sake of the storytelling.And until then, it's some gorgeous art. Let your eyes drink it in.

I want to throw a tantrum and tell people that its not fair. I really liked the possibilitiesthat this new team had presented, and I think that they would have really been a great device to explore the impacts since the Dark Multiverse came to Earth. I hope that they have created enough interest that we can still see them play a role in future DC storylines.

There simply is no better way to experience the foundation of Norse Mythology. Put them on a shelf and they will be a wonderful memory. Read them often and they will take on a second life in your imagination.

"The Mead of Poets" begins with the idea of where creativity comes from and reveals the warring nature of Asgard's early history. Bloodshed opens the story. More death follows despite the peaceful actions of the united Asgardians. The best qualities of a mighty people are shared with all. And when greed and selfishness arise in opposition, conflict is sure to follow. The beauty of possibility is such that the war between the Aesir and the Vanir led to the peaceful creation of Kvasir and the bloody deeds in this issue could usher in a similar resolution.

Matt Horak's art and colors capture the characters, landscape, and humorous moments with beautiful clarity. Galen Showman's letters are etched in a classic script and convey the nuanced tones and expressions of the narrator and the characters. Some readers will recognize the tousled black hair above black sunglasses of the poet wearing a black trenchcoat at a poetry reading. Only those readers can decide which type of poet this represents.

It is just as easy to picture the new reader. Eyes wide. Staring, listening, and watching with wonder. At once awed at the beauty and reveling in the majesty each page reveals.

The collaboration of art and narrative create an emotional landscape that feels regal. The dialogue intones the personality and humor that is not always recorded in myths. The combination is a topographical expedition that illuminates the layers of every new character, creature, and discovery.

Meanwhile, P. Craig Russells cover feels like a stained glass window illuminated by the sunlight of an endless afternoon. Letters bring the annoyance of Odin, the child-like temper of Thor, and the self-serving priorities to life with every word. In many instances, old tales can feel and sound like a musty tome pulled from the shelves and dryly recounted in a voice of rasping disinterest. Norse Mythology II breathes new life into these tales with the dry wit of Gaiman's storytelling voice. It is present in the narration, the dialogue, and every stunning panel.

Showman's letters belie this understanding. The shape and texture impart the weight and nobility of Odin and the narrator. The wrath of Fenris makes them shudder. The sorrow of Tyre hides them in shadow. And when Thor, Odin, and Balder laugh, it is like a three-part harmony for the eyes. But it is the colors of Rubin and Thompson that give each word context. Norse Mythology #5 is a chorus of glory performed by a symphony of talent.

Russell knows how to strike a bold line and where to layer softer impressions. The images are bold and fluid. Each one reflects the rainbow of colors contributed by Jill Thompson. Galen Showman captures the deception of Loki, the menacing threat of the ogre, and the violent fury of Freya's anger to life with letters that feel etched by their emotions. There are brilliant legends and then there are the storytellers who make them indelible with their legendary renderings.

Gabriel Hernandez Walta and Sandy Jarrell invoke Gaimans vision into their inspired art. It creates a seamless bond between two distinctive stories to create a shared landscape. P. Craig Russell shapes the direction and flow of every panel and Galen Showmans letters etch the sound of each voice in the readers ears.

Ayala and Williams craft a story that is brought to life by Alitha Martinez pencils, sharpened by the inks of Mark Morales, and brightened by the colors of Emilio Lopez. Becca Carey's letters bring to life every voice and thought with verve and timbre. The time is ripe for new legends and Nubia and The Amazons have many new stories to tell.

The sublime pencils of Alithea Martinez and her collaboration on inks with Mark Morales is a perfect tandem. Aleen Passalaquas colors are rich and abundant. Set on an island of paradise, this is a story brimming its pages and promising more to come.

The art of Alitha Martinez, the inks of Mark Morales, and the colors of Emilio Lopez paint the island, the sisters, and even the portents of visions bold and dark, in layers of brilliance. Becca Carey's nuanced letters share the tones, inflections, and emotions of every character's thoughts and words.

Stephanie Williams and Vita Ayala have pit Nubia against an insidious foe and the political tensions that come with leadership. Alitha Martinez and Darryl Banks continue to showcase the power and resilience of the Amazons, their home, and their ways with uncompromising lines. The collaboration on inks with Mark Morales, Martinez, and Banks is untraceable but the mastery is unmistakable. Vibrant colors from Romulo Fajardo, Jr. bring intoxicating wonder to every panel.

There are trials and tribulations coming the way of the Amazons. There have always been conflicts and in the near future, Nubias insight may determine how the residents of Themyscira will face their destiny.

A loving team of artists renders thoughtful details in every panel. Becca Carey's letters create distinctive voices. Together, it is a chorus for the eyes and the imagination of the reader. It is fair to assume that more brilliance is on the way.

Nubia's return to mainstream DC Comics is a delight for fans who know her story. Nubia Real One invites a younger audience to discover her story now and grow to love and follow her adventures in future comics issues. It all unfolds with a palette from Brie Henderson that is rich with color and vibrancy that mirrors the heroine's emotions, motivations, and relationships. This book will delight, engage, and move readers to laughter and tears. Welcome every moment and discover why a journey of joy and pain is its own reward.

A solid second issue. In the classic tradition of dime store gumshoe novels, Plastic Man knows what it is like to be on the wrong side of the law. He has a strong moral compass and he knows why it matters to help people. Hes not perfect, but he is willing to do the right thing. Slowly, his desire to do better than the life he used to live is leading him to become a detective. Its a slow road, but a great journey.

Scrappy will turn soon enough, and then we will see how ready those two are. for the outcome. Daphne's process is leading somewhere, but grieving is a long and angry road, and Secret Squirrel is so much fun in just a few short pages. Loved every panel.

Keith Giffen and J.M. DeMatteishave been writing for so long that they really know how to move the pieces into places where they can create the most tension. What I admire and loveis that he does it with humor. Since the days of Justice League International, Giffen has used comedy to keep the tension alive, before he decides to draw the string tight. I cant wait for that moment.

Giffen is doing a masterful job arranging the chess pieces and loading them with weight and value. Creating a backstory for Fred that fills in some gaps, but also leaves many details unexplained is a tantalizing tease. The next step is who will Fred see first. Will everything weve heard from Shaggy, Velma, Scrappy, and Daphne hold true? Or will there be more surprises when Fred finally shows his face?

Atom Ants first challenge will include trying not to drive Wonder Woman crazy. Dianas only job is to not step on Atom in a fit of anger.

Little laughs and chuckles, followed by bigger laughs and more chuckles. This Scooby Team-Up was a pleasant blend of nostalgia and slapstick. Watching the flaws of the legendary JSA portrayed in simple concepts were a pleasant poke at the foundation of the DC superhero team. They included modern solutions that made the social constraints of the past seem quaint; easily solved with careful observations.

When you get the chance to team up with the Swamp Thing and then add in a guest appearance from Solomon Grundy, its easy to get sloppy. But the team does a nice job of keeping the core elements of the characters in focus, and explain the mysterious origins and powers of two of DCs most mythological figures. I thought this was polished and an example of storytelling for younger audiences that is entertaining without dumbing down the content.

I wanted to see some of the fun that I enjoyed over the last two issues. I could sense the effort, and there were some moments that were light and fun, but its a chore when a story is working so hard to be as funny as it could bebut has to settle for the results. Thats not fun for anyone. Not every hit makes it out of the park, but this one at least made solid contact. But, it would have been awesome with just a little more Chuggaboom.

I love a great ensemble cast of guest-villains. The only problem is that when there are so many characters on the stage, it can be easy for some of the regulars to play a limited role. I would have liked to see a little more involvement from Scooby and the team, but they were limited to functional dialogue in this story. There were plenty of hairy shoulders to carry the weight of the story, but that left most of the humans standing around.

Like many Vertigo titles, Doom Patrol can feel like a distant cousin in the DC Universe. This makes it a challenge to find a place to enter their world and connect with their rich history of characters and stories. Scooby-Doo Team Up is a great opportunity to draw in more readers who may not even know if they are still in print. It was nice to see a glimpse of the team and hopefully, the few examples of the challenges they face will be enough to encourage adventurous readers to seek them out.

ChrisCross and Nikolas Draper-Ivey combine careful pencils, inks, and colors to capture the spirit of the original Static. When coupled with Ayala's storytelling the legacy of Virgil Hawkins is borne aloft on the shoulders of titans. If every series from the relaunched Milestone line is treated with the same degree of respect and care then fans can expect to enjoy books like Static for many generations to come.

Everything feels familiar, but for all the wrong reasons. The events are correct but they keep happening in the wrong order. Purpose drives them forward like a compulsion sown into the DNA of Gus. By introducing doubt into a story we think we know, a new mystery and adventure are reborn through its retelling.

The possibility that something else exists which is both free dangerous and therefore enticing is the lure that any fly-fisher would appreciate. It isbeautiful; it isfree; it catches the eye and will not let go, and because of that it is worth pursuing.New readers and old fans will enjoy getting hooked.

It is still unknown if Gus will come to see how his role as a leader might become more important than his personal wants and needs.Father and his people created Gusfor a purpose. Now, hecan changethat purpose to become something he wants. Evenif it's only to benefit others will that be enough to shape his destiny? If not, the opportunity to choose another path may connect with something Gus has not yet discovered. There have been worse reasons to join the journey. This one sounds like one of the best.

The final pages of this issue offer up a wonderful backward glance at the story's trajectory. Father's patience and cold contemplation is a shocking revelation to Gus's longest defender. Gus and Earl are the unwitting participants in a Trojan horse scheme. Their pursuit of a way out from the underground caverns has become a danger to them and everyone around them. Gus is afraid of the danger he might pose because of Father's experiments. But his limited understanding of Father's nefarious plan could make him complicit to the end of the topside world.

Lemire's writing and the support of his collaborators sustain the continuity of Sweet Tooth.Jos Villarrubia's colors capture the muted colors of an underworld of reflected light and Steve Wands' letters bring the voices of every character's personality to life.

Even when this story comes to itslast page Diana is still fighting. Eagle-eyed readers would dowell tokeep an eye out for the next chapter of her story.

A three-issue arc makes a promise to the reader. It introduces a problem, a goal, and the forces that are in opposition. The end of the arc either brings the story to a resolution or sets up the characters for a long journey to achieve their goals. The Curse of Brimstone accomplishes both of these at the end of issue 3.

A great chapter that sets up the next arc. Justin Jordan is doing a great job of introducing the framework of the Salesman. By revealing the scope of the curse, the limits of Joes new powers, and a ticking countdown that will lead to more developments, Venditti has lit a metaphorical fuse. It might burn fast or slow, but the fuse will run out. When it does, we might see what Joe and Brimstone are really capable of becoming.

It was nice to enjoy a longer story. The second and third issues of Brimstone have been great one-shot stories that are concluded on the final page. The last issue provided the first taste ina longer arc. Expanding the players, layering the conflicts, pushes Joe, Annie, and Brimstone to reach, fail, and grow. I'm looking forward to the next chapter and bigger challenges.

This was a tough one. There are no easy answers when you stack heroic morals against the willful violence of a child who can kill you and must be stopped. Its Kobayashi Maru all over again. But, instead of making the wrong choice, or even cheating, Joe and Annie have accepted things the way they are, and this is a moral dilemma that will continue to create more problems for Joe, Annie, and Brimstone in their quest to stop The Salesman.

Despite the opening fight scenes, this was a story about introducing new characters and arranging chess pieces for the next chapter of the story. I think it can be a difficult process, but Eduardo Pansica and Justin Jordan do a nice job of using suspense to pull it off in this issue. But, now that we have established that the new players are making big moves I would love to learn more about their motivations and how this will come to impact the story of Joe and Annie.

Learning about the House of Action through Infinite Woman was a nice storytelling device, though it was not enough to overcomethe limits that were intentionally placed on the development of characters like the Immortal Man.I need more reasons to care about Caden, other than to feel he is the vehicle that gets me to the Immortal Man. The series can get there and I hope it will.

The characters have been revealed, the stage is almost set. The stakes will soon be revealed, and then we will see just how ready Caden Park is to join The Immortal Men. I am ready for the long road and the wild ride.

This one ends with the strongest cliffhanger yet. The Immortal Man was the whole reason for The Immortal Men to keep fighting. They were are part of his house. No one is strong enough to take his place. Maybe when we learn whether Caden really did receive a final message we can see if what his real role is in this story.

We are starting to see Cadens purpose on the team. Its a change from the original plan, but most stories prefer to play that card because it makes everything unpredictable for the heroes and the villains. I like the move and the development, but it will work best when the details play a key role and avoid gratuity. We all know things can slip through the cracks, but for this book to survive its infancy, it would be better to catch them now rather than later.

I love that the conflict between the five immortal families is no longer a secret battle. The fact that this puts them directly in the sights of the Justice League will create such great conflict in the following issues. Add the eventual reveal of The House of Harmony, and the world of The Immortal Men and our knowledge of itwill continue to grow much like my affection for this series.

James Boyle'sart is very crisp. The lines are clean the colors byAndrew Dalhouse are bright. The letters by Pete Carlssonconvey meaning and emotion.The result is a story that invites those who are new to the Arthurian myth and entices those who think they have had heard or read every version possible.

It is that instruction that will most likely prove to be one of Kaidan's greatest strengths.Tyler Chin-Tanner is crafting a story that feels like a quiet storm that is building.James Boyle's art blends with Andrew Dalhouse's colors to capture the bright moments and the surrounding muted landscape. It is like they are showing the land and the people through a lens that remembers when there was more light and life.Pete Carlsson's letters reverberate with the intention behind every character's voice. In a story worth telling, it helps when all of the pieces fit so perfectly together.

If you have been following the story from the beginning, this is another strong chapter. And a great place to climb aboard the wild ride.

I was surprised and pleased that Silencer was extended beyond its original six-issue miniseries. There are a lot of great threads that weave the Silencers story and it is a pleasure to see that the writers will now receive the time and issues they need to follow these threads. Silencer has a lot of potentialas a character and a player on the big stage. I want to see how long she can keep up a ruse that she thinks will be over soon, and we know better.

I think Dan Abnett is raising the stakes with precision and balanced execution. Is it perfect? No. But, the beauty is in the imperfection. I feel like this breakneck pace is only going to quicken. The reader is in for a wild, bumpy, and twisty ride. I plan on chuckling at every turn.

Mr. Abnett is a master storyteller with years of experience crafting original and traditional comic book stories. He clearly demonstrated that there are more ways to walk in another characters shoes than just the top five we are trained to recognize.

I liked the hues of background color that shaded this issue with emotion. But, the actions and story did not match the colors. I know that these are necessary steps to get the characters to a direct confrontation with Talia, and overall they are handled with poise and confident pacing. Maybe after this storyline, Dan Abnett can pull back and reset the momentum

A good comic book annual offers a look at the past and a promise for the future. The Silencer's first annual illuminates key moments that led to a change in Honors belief system and a challenge to her League of Assassin indoctrination. By opening and then ending this book in her home with Blake and their son, Honor acknowledges that her greatest lesson from Talia was the value of family. A family shechosen and built with the people she loves.

The choice to ask for help from Zatanna is an example of Diana's experience with both her enemies and her teammates. It reconnects two great heroes that fans have enjoyed in the pages of Justice League and Justice League Dark. Together in the story, they are friends, sisters, and partners in self-care

WonderWoman:Agent of Peace #16 reminds us of what we already know by showing us the challenges that always exist in a new and changing world. Remembering the lessons and reminders to do what's right is how we use the models of history to create a better now and a brighter future.

In conclusion when you have trouble connecting the dots, a user guide helps.And Year of the Villain sets up the large and small plot lines.So, if you like a little mystery to your multi-book-end-of-everything event put this one in a bag and board until the dust has settled, or leave it on the shelf for the reader who needs it.

Discovering who you are is a journey that goes beyond lineage, dreams, or expectations. Jake, Kenny, and Maria are who they should be. Sanchez and Maroh let the characters reveal the course of this story by unearthing their identities. It's a gift to readers. Enjoy it for yourself and then share it with others.