Richard Gutierrez Comic Reviews

A Man Among Ye has the promising premise of engaging the reader within a fascinating interpretation of what should never have existed during the 18th century: a self-confident woman who is not afraid of expressing herself and challenging the oppression of the British Empire and controlling men. With beautifully expressive colors and captivating artwork attempting to define this singular individual, one cannot but cheer for the pirate named Anne Bonny, becoming enchanted by her confidence and undeniable spirit all as we witness the danger of striking out against an established system, and yet never doubting she will overcome these challenges in what may be a questionable end. I cannot wait to see what will happen next until next chance our paths will once again cross within the excitement of these highly anticipated pages.

Hopefully the next issue will help resurrect this story from a mediocre budget matinee into a holiday blockbuster.

Rating: 16+Released By: ZenescopeRelease Date: August 26th, 2015MSRP: $3.99

While at the beginning this series might have seemed to be another zombie apocalypse/end of the world tale, the transparent objective of Nova and the revelation of her rationale has turned this into, for lack of a better term, a sincere human interest story. I just hope that this turning point is not lost in the future issues so that they can fit in more gratuitous undead slaughter to fulfill some revenge pledge for not being to save the ones they love. One can only hope for the best next time!

There is always entrapment scenario in this type of survival story, but when writer Joe Brusha created a new twist with the cruiser flying in at the last second to save Nova and the team, it adds a great action flare instead of the rescue squad coming in with guns blazing " we get lasers and big explosions!

Aliens vs. Zombies may have been a compelling narrative for the zombie genre, but somewhere along the way it became just another survival tale. Change the characters from humans into aliens and you get the story which Brusha and Riccardi present to us in this marvelous series. Although the motivations and actions are anticipated, the heartfelt emotions which they project do make this a worthy read, even if you do have a feeling of dj vu.

Although All Guts, No Glory may on the surface seem to be another testosterone driven monster slaughter monster story, it is the naivety of Jimmy with his admiration for bold hunters which allows the audience relate to his childlike innocence, all while a gruff and experienced Craig grounds the reality of the situation to the harshness of what is hidden behind foolish idolization of people who are only doing a necessary job.

All Guts, No Glory is quickly becoming a delightful turn upon the classic horror story, and while our unlikely heroes may have the odds stacked against them from testosterone driven bullies who will stop at nothing for revenge, it is the welcomed antics of Craig, Jimmy and Sara which drive readers to continue to enjoy themselves within this limited series, making us wonder how they will come out in the end.

All Guts, No Glory may initially have initially been presented as a troubling story of disrespected men within a world of horror, but as readers become emotionally invested with these likable characters, it is their unsung bravery against riotous bullies which causes us to admire them even more, only to be further tempered by the resolve of our unexpected hero who will stop at nothing to protect what he cherishes the most.

Belle Annual: Issue #25 is a stunning reflection of how forced familial legacies, respect for duty and a maniacal desire for the unobtainable can be skillfully woven to create an thoroughly immersive tapestry of obsession, presenting loyal readers with a satisfying conclusion for this almost four year and twenty-four book journey into the life an admirable woman who attempts to balance these unreasonable fallacies against a want for a normal life.

Belle: Beast Hunter is an absolute joy to read and absorb with literary excellence to lead the way, then reinforced by visual treats of phenomenal illustrations and heartfelt colors of acceptance to brutality. If you have to introduce a new character within a star-filled lineup of fairy tale based titles, then you can do no better than the presentation given to us by Franchini, Dazo and Rodriguez which teeters to being an instant classic for Zenescope. And with little room to improve, I cannot wait to see how the rest of the story unfolds given how they have presented us a tale with little room to go but up. One month seems too long to wait, but you can always spend the time to see if you can find all of the treasures hidden within the pages of this iconic treasure.

With a defining story through both wonderful narrative and breathtaking artwork, Belle: Beast Hunter does not disappoint in any way possible.

As we breath a collective sigh of relief to see Belle: Beast Hunter round a challenging corner, at the same time, the transformation is not without its flaws. While the narrative is hesitant to address Candlestick's death, what compassion is addressed by Belle is quickly tossed aside once her attention is taken away by something more interesting. You would think she would mourn someone more which she considered a father figure, perhaps it is her combat training which holds in her emotions, but either way, it is rather cold. Then on the visual side, the readers' interest is almost lost with an initial monochrome display, but luckily it was salvaged once the action kicks in once again. All in all this issue is not without its hiccups, but as we once again forge into the fray, I hope we can return to the sentimentality once the journey comes to an end.

While this story is a transitional issue introducing the Beast and detailing Mel's character, it does not mean writer Dave Franchini will sacrifice any of the narrative's spontaneity in lieu of preparation for future events.

Belle: Beast Hunter has been an engaging story, a roller coaster ride of emotional turmoil all while encased within the uncertainty of success or survival. To watch Belle surge forward in contagious confidence is exhilarating, but to witness her sink to the depths of apprehension is also addictive, all knowing this is the same person who projects self-assurance in her every action. As we know the journey is coming to a regretful end, we also know the story is never over since the conclusion can be just as exciting as the beginning.

Belle: Beast Hunter has been an enormously captivating series, allowing for the strength and determination of a young woman to shine through against seemingly impossible odds.

Belle: Oath of Horns begins with a story which easily paces itself for new readers to the title or loyal fans, allowing us to become immersed within the moving tale or recall the pain we witnessed beside a valiant Belle. And while the success of the narrative is dependent upon your immersion within the same, it is the gripping artwork and intriguing color scheme which draws us in and does not let go, allowing the audience to become obsessed with this new adventure and allow us to participate in all the joys and pain it will bring within a sublime compulsion which we cannot or dare not look away in fear of losing our way.

As story gives us a new viewpoint of what is happening behind the scenes, you have to wonder which Otts has the right to lead and support Belle for her future ventures against her foes. The suspicion has been planted and as we look back upon who has betrayed the Beast Hunter in the past, this inkling may be more support than the ramblings of a fevered mind. However with artwork which seems lacking at times one cannot but hope the story will improve as we delve back into what we love about the series - a woman who is not afraid to confront what others may fear to face.

As Belle comes to terms with how her life can change so drastically with a single encounter, the reader only now realizes there is more to come once the full impact of the truth is revealed in all its selfish betrayal. To think someone who worked to closely with two generations would be able to strike this easily is mind numbing, and the fallout of course will be worthy of relishing once we see our heroine escape … if she can. And yet while the aspect of Mel and Candlestick danger may be thrilling, it is the fantastic artwork which makes this reflection of Belle's life memorable, even if we may hope for some changes which will make the telling all the more suitable to be worthy of this powerful Beast Hunter.

With the strings becoming all the more tangled within this web of deceit, one cannot but now fully come to terms as to the depth of this story and the far reaching implications as to how one person has ruined the life of Belle DiMarco. And yet as the ambitions of one woman have polluted her life, the Beast Hunter cannot but become stronger and more determined as strives to protect those she holds dearest as family, even as trust is betrayed. With gripping approaches to illustrations and colors that only amplify these images, this title has more to reveal and we cannot but wait for what is to come.

Belle: Oath of Thorns continues to fascinate us with a story which at first may have seemed familiar, but as we delve deeper within the twists of treachery, it reveals a depth of meaning that portrays the shattering of trust as its own punishment for both the betrayer and its victim. And now thanks to the unveiling of fantastically moving artwork and powerfully impacting colors, this title continues to give us a reason to fully enjoy the story as we approach the end. But as Belle plunges head first into this nest of deceit, one can only wait with bated breath as to what may happen to our heroic hunter as she attempts to save what is important to her and seek retribution for past misdeeds.

While the legacy of Belle: Oath of Thorns at times seemed predictable, there is still a sense of originality within the telling of our heroine's tale as we witness a young woman finally come to terms with her past and present, settling upon how she will face an uncertain future, and made all the more refreshing thanks to a simplistically driven villain who hides in plain sight, yet still helps as long as her goal remains viable. However it is the outstanding artwork and immersive colors which captivates the audience with the audacity of the story, magnetizing our attention to a series that is willing to take a chance to tell such a straightforward tale.

The Black Sable is an interesting journey into a rousing standard of history and the swashbuckling films of yesteryear. It is an interesting twist on turning over major roles of pirate and villain to women to see if it will open up the genre and allow us to see how this change will expand the story into something which has been overlooked by a male-dominated profession. The past has shown us most pirates are ruthless scoundrels, but will it take Sable to display the other side of this time-honored adventure into one of exploration or will she fall under the same barrage of cannon fire like those before her? I for one cannot wait to see what will happen.

While The Black Sable may have started as an interesting story of a female space captain, the interest has slowly faded into something which seems normal for a world of piracy. The tale is becoming predictable and it is only the phenomenal artwork and sensational colors which keeps this title afloat within the flotsam of comparable narratives. Although the premise began as something noteworthy, it now seems it has been ignored for the satisfaction of only visual rewards. Hopefully, the upcoming issues will prove me wrong and I wait with bated breath for that moment.

The Black Sable started off as promising tale of space piracy, and though it has had some highlights through the first half, the predictability of this genre is starting to catch up to the title. Although it did redeem itself within this issue with a touching reflection on Sable's past, the rest of the narrative watered down the effectiveness of such heartfelt encouragement. And as more characters are introduced with their goals conflicting to the Captain's, it seems as if the waters ahead will become ever choppier and it will not be smooth sailing until we reach the questionable end.

The Black Sable is finally solidifying into a tale of epic consequences, but if we knew more of how this tale came to be, the narrative would congeal into a more meaningful story. As of now, all the reader knows is a crude foundation of how the characters came together and what they all want, not the essential reason of why they want the treasure. We can speculate, conjecture or hypothesize but without any concrete evidence on value, all we can conclude is this might be a fool's errand … but then again, pirates have never been known to make the wisest of choices.

As we near the end of our journey and the treasure has been revealed, The Black Sable continues to elude a need to involve the audience, by instead projecting a story which presents action without a desire to care for the characters. Although Sable and Blake seem to acknowledge a begrudging obligation toward each other, the reader cannot form an attachment due to a lack of information and/or knowing their motivations.

The Black Sable had the potential, but it falls short of giving the reader any emotional investment which would have made the story praiseworthy in becoming a modern classic.

Chastity begins with a promising premise but soon grinds to a halt once the excitement stops and while it is understandable to have a transition between action scenes, the absence of anything to provoke our interest within the second half is troublesome.

Chastity seems to be crawling forward at a measured pace, with a story which is hesitant to disclose any information about our main actress in order to slow down what could have been a promising adventure. For those unfamiliar with the character it can be frustrating and may lead to abandonment unless the story refocuses on development and opening a window into her past to show how Jack has become what she is today to those who depend on her strength. It is only thanks to the sensational artwork of illustrator and colorist who make this title worthy of consideration, but if changes cannot be made to widen our interests even their marvelous talents may not be enough to save what could be a memorable series.

Chastity has found its way into a title which now provides new readers with a reason to proceed forward " a fluid story and narrative that surrounds us with a material which is relative to the uneducated. While we may have had those elements before, they were obscured within information which was hidden behind self imposed character restraints but now thanks to a change in story telling, all can now enjoy what may have been available to a choice few. The openness of both script and plot now avails us to a new view and hopefully the future will be as illuminating for us and this captivating red headed fighter.

Chastity continues to evolve into a title which allows us to begin caring for these characters, even as the story wanders into familiar territory, all with the charm of a lead who shows caring and a desire to protect within the same determined woman. But as we wonder what could be next for these women who struggle to retain their humanity, it is the sensational artwork and all-encompassing coloring which make us come back to see what kind of new adventures will prevail within the next memorable issue.

Chastity may have begun as a plodding and unfulfilling story, but as we witness this glorious end, it has evolved into a meaningful tale about a fiery woman who does not know when to give up. Thanks to the brilliantly composed illustrations and striking application of anchoring colors, the series was never without something to entertain readers and that is a wondrous achievement. However one cannot but hope the future for this title takes a more provoking manner in constructing the narrative, otherwise the next series may not end as well as this one does without a talented artistic team.

While Cinderella vs. The Queen of Hearts continues to delight readers with the humorous antics of Cindy and her ongoing feud against title rival Julia, this enticing issue expands upon the mystery of why the Queen has been targeted, even if it is hidden behind an aloof revelation which leaves more questions than answers, all as the hunt grows in intensity as more dismembered bodies and flaming rubble are left in its wake.

Cinderella vs. The Queen of Hearts is a delightful treat for devoted fans, enveloping the sincere lunacy of a blonde psychopath as she brings a normally stoic vigilante into the madness which she calls life, but as swiftly devolving events cause the world to collapse around them with no plausible explanation making any sense, we cannot but smile and chuckle at their haphazard antics, with each violent event becoming another crushing domino to topple from the disaster which started it all namely the clumsy attempt of Cindy trying to assassinate Julia.

Cinderella Serial Killer Princess is a chilling reminder that even if you try take the murderer out of the cheerleader, deep beneath, buried so that no one can see it " lies a sadist. If has been too long since we last saw Cindy's darker side, and now we remember why we missed it. But with its emergence, do we have a new dark one emerging from the shadows in Voodoo? I cannot wait to see what happens next " after all " she's make a list and checking it twice, gonna find out who's naughty and " SLICE!

Cindy may be the one who will allow them to fulfill their dark plan, but can even the Order of Tarot control this blonde murderess? Her perception of morality left a long time ago and her loyalty is something which can only be gained by someone who she respects, but so far there is no one in that position, not even the Editor himself! The warped sense of humor which is interwoven between splashes of blood keeps this series together, but will we ever grow tired of the endless slaughter? Hopefully, not anytime soon.

The end is finally here … but with the same paraphernalia echoing in the background of each premiere page, you have to wonder what is really going on. It has been going too well for Cindy and not one hero has escaped her murderous rage on her pathway for vengeance. We know Voodoo said that the Order of Tarot wanted her assistance, but now that she has had her way through the Zenescope universe, is there anyone or anything left to conquer? I for one cannot wait to see how this story ends, but who is going to have that happy ending?

Cinderella Serial Killer Princess is a great romp into fun filled dementia, even if you know Zenescope would never allow such catastrophe to happen, which is what makes the wild unfettered possibility of this series such a gratifying success. Cindy never takes herself seriously, always flinging insults or whining when things don't go her way, and this title takes that same comically deranged position. You never knew what would come next, aside from the fact that someone, or several someones, would die and of course, we expected nothing too serious by that same proposition. But if you allow the bloody goodness to wash over you with Cindy's same attitude, this is an enjoyable ride through a preposterously unhinged individual. It may be a nice place to stay, but be sure you don't miss your check-out from Cindy's Carnival of Carnage " or you may never get out!

While the visuals of this issue are enjoyable, you have to question if the stories within the series are leading to any thorough conclusion by which to base a promising foundation for the namesake of Conspiracy. With every book so far we have the underlying theme of the Illuminati, and yet the narratives are derivative when compared to stronger series within the publisher's lineup of titles. There are no compelling characters who endear the reader to the subject matter, and worse yet, when compared to the premier issue the ones following make the audience wonder if anyone within these stories truly care what is happening " and if they don't " then how can we?

As we dive deeper into Conspiracy, it seems each issue separates the reader from the true foundation of the title, distancing the audience from an interesting premise. Instead we are left with a series which appears confused as to which direction it is trying to guide us towards, with each new element weakening the component from before, making for a narrative which is contrived in order to create a leading plot. However thanks to artistic reinforcement the reader is left with enough interest as to wonder what may happen next, and while this curiosity is fleeting, it is just enough to tease us along toward the next issue.

Conspiracy began with an interesting premise, but as the title progressed the story quickly became too convoluted to allow interaction with anything aside its own self-indulgent fantasies. And while the presentation is interesting, the lack of any reader interaction via noteworthy characters leads to a misleading interpretation of the underlying themes resulting in disappointment when the final reveal changes everything we thought for a maddening conclusion unworthy of the build up. Then add the unsatisfying graphic presentation and we are left with a series which is disappointing on many levels, but most notably the lack of guidance to show us the belief of something other than what we know may be possible " but unfortunately not for this disheartening series.

Conspiracy began with an interesting premise, but as the series progressed it seemed the explanation behind the story was more important than the main character's motivations. Taylor and Drew appeared to be the focus to draw readers into their world of intrigue, but somewhere along the way their significance dropped to being bystanders all to make room for more unnecessary mystery for the Illuminati with no one to relate to in order to fully understand their self made importance. And while this issue tries to create a noteworthy venue of sympathy, is it too late for this title in lieu of becoming a doomsday plot which will soon be forgotten " only one more issue to go to see if it can make a difference.

Conspiracy may stir interest within the title by inflaming tension to attract readers for such a relevant turning point in history, and yet at the same time, it makes for a revolting narrative to start the series. To amplify delicate subject matter to tell a tale allows for intense gravitas and thus a more shocking ending, but the journey to this conclusion makes one feel both mentally exhausted and physically ill due to the information conveyed. And while the gripping illustrations and dynamic colors do work to control the intensity, they also give substance by granting the reader displeasure for this material, thus sacrificing their talent for a such an unpleasant story.

Grimm Fairy Tales: Day of the Dead brings to light one of the lesser characters from the signature series, Mary Medina. While we have started with an enticing story of her resisting to use her powers due to painful memories from the past, thanks to Dawn P. Marquez's tale, she is come to the forefront, whether she wants to nor not. However, due to a watered down portrayal of the woman, this first issue is a bit disappointing. Hopefully, the next issue will take care of those problems and help to flesh her out more faithfully.

Mary Medina has finally come out on her own, attempting to discover more about herself and her powers, but the undermining story is disappointing in its own indecision. Though I can admire a slow build up to draw the audience in, but there is such a thing as being too plodding by which the readers start to lose interest. Combine that with our heroine once again being relegated to being a secondary character instead of the primary protagonist, and those factors incorporate into a disappointing narrative. Hopefully now that all of the monotonous set up has been completed, we can jump into a meaningful story, but for the time being, this title is sadly dredging up a bad taste in my mouth " almost as if I too spent the night in that steamy swamp.

Now that the introductory part of the story is supposedly finished, I hope we will finally get into the true meaning of the story: Mary Medina discovering the secret behind her powers. From the first issue it felt like she herself was hesitant, almost dragging her feet and afraid of making this journey of revelations; now that we have passed halfway point, it appears as if the narrative itself is keeping her from the knowledge, people placing roadblocks or mental obstacles in which the great conclusion will mean the end of Mary. True Voodoo keeps implying she must know death to realize her full potential, but then again, why keep allowing them to escape when they have been cornered numerous times? It is to lengthen the chase or is there a purpose for this cat and mouse game? Guess we'll just have to wait until next month to find out.

Grimm Fairy Tales: Day of the Dead is finally beginning to come to life, but with revelations revealed so late in the series, it feels like a watered down story instead of something which should peak your interest. And now with only two issues remaining, I can only hope this title will pick up the pacing sooner than later. Mary and Talisman seem like an unlikely duo, but with no one else they can rely upon, they may not be the only ones who do not survive this grave driven disaster.

From the beginning of Grimm Fairy Tales: Day of the Dead, the premise sounded like a promising idea, but somewhere along the way, the message was lost in translation. And now that we have reached the pinnacle of the story, it seems the deeper we venture into the narrative, the more irrelevant ideas wander into what could have been a moving tale. Mary Medina has been a someone shunned for her abilities, and now that the Order of Tarot has her on their side, there is no telling what will happen next " but we have a promising notion of might happen " I just hope it is sincerely proven wrong.

Grimm Fairy Tales: Day of the Dead, began as an interesting premise for one of the under used characters within the Zenescope mythos " Mary Medina, but it has ended in disappointment. The lead up to this finale was challenging but as more story elements were introduced, the search for meaning behind Mary's powers was misplaced in order to fulfill the Order of Tarot's ambitions and thus, build a foundation for future stories. If the narrative was kept simple and focused on the immediate problem, then this title might have been acceptable; however, a watered down plot and the need for a speedy closure thanks to a clichd plot twist only results in a story which never truly blossoms, and therefore opens more unending questions within this substandard tale.

The fate of Rick Murphy has been set and his future is in the hands of Brusha, Rosete, and Pereyra as they unravel the mysteries of Death Force. While it may seem that he has met his end, the gruesome image painted on his deathbed dictates otherwise as we await what that skeletal hand has in store. The stage is set and all of the actors are in the wings with bated breath as we anticipate the next act in this harrowing tale.

Death Force is shaping into a magnificent display of the personification of death and retribution. While we are acquainted by the premise of the story, the underlying touches which Brusha, Rosete and Pereyra have laid before us are evolving into the foundations of an encouraging tale which might be intriguing if the blueprint is kept true. Let us hope that this will become an inspiring story which will not fault to disappoint amid so many similarities from other shaky franchises.

Although we are only half way through Murphy's story, the midpoint is developing into a satisfying tension-filled narrative. And while we may have seen this story before, the actions of Brusha and the artistic team are transforming it into something which will be worthy of the adventure and this trip into Death Force's psyche. We can only hope for the justice they both desire, but in the end, only one may truly be worthy of a happy ending.

Death Force tries its best to present a new spin on the classic melodrama of redemption, but it is falling into a familiar story line from which you cannot help but make comparisons. Although Brusha is trying his best to create an original tale about Murphy shifting away from revenge, there is always a tinge that he will stray back if the right circumstances pave the path to his ultimate goal. Hopefully we will be able to see this story through to the end without having to rely too heavily on the talents of Rosete and Pereyra, and that both writer and artists will be able to carry the reader on to what will be a rewarding experience.

As we approach the finale, the legacy of Rick Murphy as Death Force seems to be coming to an apocalyptic end. While we can imagine what will happen, I just hope that this new ability won't be overused as an end-all approach to impossible situations. After all, if it was used against the crime boss which was plaguing Philadelphia, then why not release it when he must confront the one he made a deal with from the beginning? If this is what will happen, then I can foresee this roller coaster ride coming to an abrupt stop … without the seat belts.

Death Force was a charming tale of redemption, but it suffered by having too many references to other properties and relying on them too much to drive the story forward. While it did manage to gain some ground as it progressed, the ending was spoiled due to poor planning with the release of a related title and it turn the finale was also diluted due to an uninventive way to extend the title into the next volume. I sincerely hope that the succeeding title will be able to draw on more imaginative concepts now that the origin story is over and not linger with any more overused material.

Djinn Hunter has an interesting premise for an admirable heroine, a woman who is not afraid to speak her mind and is unwilling to sacrifice her principles to make a difficult mission easier, all while boasting a fierce determination to seek justice even if it means having to work for the ones who imprisoned her for those values.

Dragonsblood may begin as a rousing tavern tale recanting of the exploits of Sigurd, but as we are introduced to the fledgling hero the overabundance of effort creates artistic confusion and a sense of unnecessary nostalgia. Although the concept seems worthwhile, it is the familiarity of the story and an overexposure within the sensational conclusion which restricts the growth of someone we should be cheering for, but instead, are left with an unwelcomed degree of disappointment. Hopefully now that the story has been established we can look forward to something which is tentatively pleasing, but for the time being, we can only regret what we might have missed.

Dragonsblood has strikingly salvaged what I at first thought of as a clichd hero title and transformed it into rewarding narrative worthy of its mythological roots. The enticing internal struggle and viable connection with someone who may be able to relate to them make Sigurd and Freya an intriguing pair, but it is the amazing artwork and manipulative colors which allow the reader to relate to the protagonists on many tangible levels. However with the series now half over, hopefully we will not become so emotionally invested that the conclusion will come too soon and leave us wanting for more when we have yet to suffer the struggles of this telling tale.

Dragonsblood creates monumental interest within this issue which makes us wonder if the Norns themselves are conspiring against Sigurd and Freya, wishing to cut their lives short all to make things more interesting. The thought-provoking story and amazingly engrossing artistry compound the wonder we see within their struggles, and with each page you begin to doubt if they will survive these mounting events which threaten their very existence. However, it is this interest which makes you want more … to delve deeper within their future and hope beyond all reasoning these heroes will live to see their legends thrive.

Although Dragonsblood creates an ending which is satisfying it still feels underdeveloped, leaving the reader with a sense of hollowness from a conclusion which felt dictated from the first inklings of darkness within Sigurd and ending with the same tragedy always associated with such cursed heroes. The development of this title was noteworthy, allowing the audience to travel along side Sigurd as he starts with a generational legacy and ends with the tragedy of his heroism, all as the beautiful Freya guides her champion to a goal which she knows is worthy of his valor. And while the fantastic artwork and enriching colors only serve to intensify the narrative, the reader is still left with a title which falls short of an epic saga and dwindles to a trickle of excitement in the end, leaving us wanting more if only to see how our heroes settle the fight left unfinished and unfulfilled.

Escape From Monster Island may seem to be your average monster book, but the extraordinary care and detail that is put into bringing this story to life is what elevates it from a boring book into a feast for the eyes. Tyler and Granda may have had a shaky start with this introductory issue, but the topic makes it an optimistic title for the future. Let's just hope that it doesn't sink like so much chum in the murky water.

While the story is progressing, the manner by which it is proceeding makes it take a back seat to the action. Readers want to be engrossed in a tale, not put to sleep by it, which is what is happening in this second issue. Tyler and Granda started with a promising premise, but it is slowly starting to devolve into something which is making us lose interest. Hopefully, it turn back into a cliffhanger and not something which you read children to lull them to dreamland.

Escape From Monster Island is painfully plummeting into B grade movie status as the action is quickly taking a back seat to irrelevant melodrama. Although it may be necessary to establish the background of the story, to interrupt what the title presents as a conflict oriented narrative for histrionic moments ruins the pacing and thus, unbalances the tension of trying to survive on an island where everything is trying to kill the characters. With only three more issues left in the series, I just hope that Tyler and Granda don't try to stuff all of the epic scenes into the last half with no breathers. Here's hoping that the next one recovers the magic they cast on us from the beginning.

The story seems to be picking up, but the pacing is dragging the tension down to tolerable levels instead of keeping us on the edge of our seats. When we think something exciting is about to happen, we get a plot twist that placidly defuses any explosive ending and settles us back into a tiresome moment of silently bypassing the danger. I can understand that Tyler and Granda want us to acknowledge that the island as a whole is after the humans, but then why go out of their way for help, only to have it torn away with a cheap gimmick? With four issues down and three of those dedicated to describing the danger instead of showing it, will the series end with a sorrowful whimper or a big bang?

Escape From Monster Island has become bogged down with too many of the foreseeable themes that it does not seem original anymore. Everything is predictable and even if you haven't seen any of the shows or movies which the book seems gleaned, you can still guess with much certainty what will happen next and you'll probably be right. Hopefully with everything set now for the action-packed finale, it will be straight forward without any expected twists - we can only hope.

Escape From Monster Island at first seemed to be a series which could resurrect the classic monster movies of the past, but it soon became bogged down with so many obsolete themes that it was no longer an original story. The tension which was established within the first issue was quickly lost by an overabundance of useless material and any injection of a bold idea was quickly seen as being gleaned from another popular source. While the premise has promise, this set of books is not where it stands. Hopefully, if there is a sequel, they will not fall into the same pitfall which allowed this series to languish a slow and painful demise.

E.V.I.L. Heroes seems to be unfolding as expected where those drunk by power show that they are the superiors to those without any defense. However, this first issue has too much action to give us any clear understanding as to the true intentions of this team. While we may assume that their goal will be as audacious as their powers, the growing intensity may soon burn itself out if the battle becomes too lopsided. Hopefully the playing field will quickly become leveled in the next issue, otherwise, this book will become too ambitious for its own good.

Now that the dust has settled, we now can see that another familiar element has been introduced to the issue. While it may fit the premise of outfitting normal humans for combat against superior foes, all of these similar concepts are detracting from what could have be an original idea in itself, if not for having to lean on the ideas of other publishers. Hopefully now that the characters have been established and the battle lines have been drawn, we will not have to see any more analogous notions and will be able to continue to a promising narrative. If not, there may be little hope for this story before it turns into another mundane tale.

E.V.I.L. Heroes is halfway through its series run, but so far it has been less than impressive with a lackluster story overwhelmed by amazing art. Even if you like the tale of human struggle against an oppressive tyrannous regime, the compilation of elements from so many analogous franchises just smothers any new sparks of originality. But with the addition of familiar components which each new issue, at this rate we are in for more of Spot the Plot Spoilers instead enjoying the narrative itself.

Now that the heroes' plan has been fallen apart, I just hope that we don't fall into the other villain standard next issue: the monologue. But with the way this series has been shaping up, it seems inevitable and necessary, allowing us to understand the reason the New Gods came back to Earth. However with only two more issues left for E.V.I.L. Heroes, hopefully this will end better than what I imagine.

E.V.I.L. Heroes is coming to an end, but of course we know what is coming next, an epic battle for survival. However, with an obvious buildup to what appears to be an impossible fight, in the back of out minds, the readers know that the world will not fall. After all, with all of the hope that has been built up, the series will conclude with a happy ending, even if Brusha has to reveal a trump card and give us a clichd conclusion. Or will evil actually win this time? Just have to wait and see …

E.V.I.L. Heroes on the surface seemed like a noble idea which so many publishers have attempted in the past: What would happen if heroes became drunk from their power? However the execution of the concept fell short due to the overabundance of so many elements which were ruthlessly ripped from other companies and then used without even trying to disguise their prior sources.

Future Quest invokes memories of all those shows a past generation grew up on and yet it is still able to evoke a wonderful narrative in which modern readers can still relate to ageless characters. The way that the team of Parker, Shaner, Rude and Bellaire is able to mesh all of these components into a cohesive story is inspiring, and yet the familiarity of classic themes of good versus evil and a solid story is still present even now. It doesn't matter if the script is old school, all that a great movie needs is a strong plot and a solid villain who will motivate the heroes into a hopeless battle; for we all know, good always triumphs in the end, since overconfidence and a giant ego are the enemies' greatest flaws.

Future Quest is evolving into what Hanna-Barbera attempted so many decades but were hindered by close mind moralities and television censorship. While the action and story may harken back to those previous series, the motivations for revenge and greed still hold true and are more faithfully depicted to their true forms. Although they are still held back to some limit, the humanity which drives the story forward is the truest sentiment which makes this narrative something to behold and worth reading for its fullest appreciation.

This issue of Future Quest is a prime example of what I hope this series is gearing towards, a faithful tribute to the original series and yet allowing it to evolve into something that still stays true to the source. While we may stray from the current story, this side trip helps to marvelously flesh out the characters into people who we wish know as we journey into their world. If the cast is boring then so will be the tale, but this series is becoming one which I hope will hold our interest for many more issues to come.

Future Quest has become an even more expansive story than I thought from the first issue, but as the action intensifies and we are introduced of even more heroes from the Hanna-Barbera 60's universe, you have to wonder how much more can we take? As quickly as they are introduced, they are sucked up by the Omnikron vortices, although you do see some fighting in the background. I just hope that we aren't bombarded by them in a massive battle at the end of the series! But then again, that wouldn't be a bad thing either!

What more can you say about this issue than it is a refreshing breath from the old fashioned origins of yore? We begin with a well-established story expanded from each issue and then end with the introduction of new characters and a Hollywood style knuckle biter. Next month cannot come soon enough, so let us burst into battle with a spirited Mightor! and be ready to greet it with a rousing Rally-ho!

The story has been set and the characters collected, and all we are waiting for now is the main foe to enter the stage. While the wait for this moment may have seemed like an eternity, the outcome will hopefully come to measure the anticipation we have all heaped upon this unlikely cast of heroes. Although they may all be saviors in their own rights, who knows how they will interact before the next act is begun. Let us keep out fingers crossed for a spectacular new beginning and the start of a better things to come.

We have reach the top of the first hill of this roller coaster called Future Quest, but what does this team have in store once we descend? Omnikron is still out there, Space Ghost is back but the team is yet to be assembled. If everything we have seen was only a beginning, how much worse can it get? Big problem: NEVER ask that question … it always gets worse before it gets better. I can only imagine what Parker has in store - and it won't be an easy journey, but then again, the really satisfying ones never are.

Future Quest has thrust us into another impossible scenario from which there appears to be no escape. The fascinating story by Parker and the captivating artwork of Olivetti serve to engage the reader and keep them riveted to the page to see what happens next. And now with the cast and story at their zenith, we are left in the lurch until next month, with our jaws agape and imaginations spinning out of control. What a way to end the year with a tale which leave us wanting even more.

With only three more issues left for this story arc, Parker and his artistic compatriots give the reader something which is rarely seen today's titles: nostalgia incorporated within a modern narrative, without playing down the consequences. Future Quest has given us just that with characters who we as readers have cared about since the beginning due to our familiarity to those actors. It doesn't matter if they may seem out of place … all we want is to find out what happens due to the magnificence of the story.

The end is near and with it we are totally engrossed by this inspiring tale of humanity trying to survive at all costs - an underdog story in the truest sense of the term. Future Quest has been a roller coaster ride from the very start, but for now, this straightaway lulls us into a sense of peace. While we may think we know what is coming next, Parker and his team will no doubt hold out the big guns until the end … resulting in an enormous splash into the rushing torrent, making us scream like a little girl from the top of the hill until we impact with a spine jarring thud at the bottom of the chasm. We will then laugh - knowing that this sensation left us only wanting more.

If this is how Parker, Shaner and Gandini set up the cliffhanger for what will be the finale for this first story arc, I cannot think of how they will end it! Each story which lead up to this issue just built up the suspense and now that we are near the end, the prospect of it closing is a shame. The characters have been so beautifully incorporated that they appear natural and now I cannot wait to experience the conclusion. A giant space monster against the heroes of Earth, the ending is inevitable, but how it is executed will be what will keep me wanting for more. Guess I'll just have to re-read the previous issues until April arrives … and it won't be here soon enough!

If you wish to create an epic of titanic proportions with emotional timbre but does not sacrifice on the action, then you cannot go wrong with using Future Quest as a prime example of how a title in this genre should be constructed.

Future Quest Presents: Space Ghost had our attention since the end of Future Quest, since Parker knows how to keep an audience enthralled with a story which has both action and true emotion. But when you add the artistry of Olivetti who is a master of the visual arts, there is no turning back from what will hopefully be an exciting roller coaster ride. Words and illustration, the key points of confidence for a graphic novel, and this title has them both. If this is only the premiere issue for this series, how in the world will we last until the end?

These contrasting components combine to create a tale which builds momentum until we get the big reveal … making us want more and sad to see it come to an end. Parker and Olivetti have made this series comparable to a great masterpiece of literature and art, all becoming a marvelous amalgam without the overly burdensome emotional baggage which is so often displayed in other so-called successful titles. They present us with a story by which each person contributes to the whole, but does not leave a stale taste once we are done, it stays fresh and moving throughout the presentation. This is how a title should be done and I sincerely hope it will continue until its celebratory the end.

And so with a sad whimper, we come to the halfway point of the series, sated visually but still wanting more for the narrative. Space Ghost once again has overcome adversity but it seems too simple, too complete and makes us wonder if something has been left out. But even as that query passes our minds, it is soon smothered by the want and need to see what happens next, hoping that the continuing adventure can top this, but at the same time, a sense of disbelief that it cannot.

This is the kind of issue which makes me want to read each character with a classic overly heroic or vile voice, just to add to the drama and nostalgia factor which was gleaned from the original cartoon. The banter between the Galaxy Trio with the cheesy one-liners is another reminder and yet the narrative as a whole has been modernized with a backstory which would have never passed the old censors. With artwork and colors which breath life into this iconic team, in the end I wish there was more and yet the end fills us with hope there will be a continuation since their presence was lacking within the original story.

Aside from the nostalgia factor which this issue heaps upon the reader in droves via both an enticing story and captivation artistry, the narrative itself was well worth the wait for an underrated character. While most may see him as a cheesy character whose only contributions was a classic battle cry and corny dialogue, this evolution is something to savor with the utmost satisfaction.

Mentok the Mind-Taker … a foe which makes sanity seem abnormal and insanity appears to be relevant. Even with his background, you still have to question how he came to be within his current state, teetering between two paths of reality. And then how he blames Birdman for his failings to summon a darker power, or perhaps the hero took what he thinks is rightfully his? We may never know, but for now, let us relax within the coldness of unfeeling and manipulate your allies to do your bidding. After all, what else is there to do than wait to see how this dive into lunacy will end, but however it does … it should be a fun ride!

It is this marvelous narrative within a heartfelt story, contained by wondrous artistic talent which shows us even heroes can be vulnerable, and as such, they too need the understanding everyone does, even at the worst of times. And it is during those traumatic moments when they show their truest strength and prevail against their greatest foes " themselves.

I had hoped this issue would have been a pleasing tale for the memories of Mightor, but that is not the case for this book. This is a shame since the character is a great re-imagining of a classic standard, however, both narrative and artwork paid too much attention to one aspect instead of embracing the actor as a whole. If we were able to see a follow up to this story it may have been redeemable, but as of now, the story is a disappointment as I hear his battle cry echo off in regretful pain.

With a narrative which anchors itself upon trite story exposition, this issue does not have the necessary emotional impact it would if we did not have the preconception of what will happen wallowing in the back the audiences' mind as we read this story. It is only the phenomenal artistic portrayal of the actors and environment which rescues it from becoming a forgettable anecdote of the Herculoids, all while anticipating the disingenuous promise this arc will turn into something other than the expected ending of a classic and overused tale.

While with suffering there may come strength, it in itself does make for a very substantial story without entrancing visuals from the artistic team. To watch this narrative painfully unfold from a formulaic plot may have seemed like a plausible idea, but in the end the plodding tale only makes the audience suffer as much, or even more so than Dorno. If not for the substantial increase of excitement from the previous issue, this story arc would have become tedious long ago, and hopefully the finale will be worth the extensive and prolonged wait for a more than satisfying conclusion.

I wanted to like this arc, but due to predictable tangents it falls short of anything memorable and the only reason to reread this sequence is to absorb yourself within the brilliance of its depiction " and that in itself is reason enough.

While Frankenstein Jr. and Buzz may have not appeared to be likely heroes, it is their friendship which proved to be the deciding factor for the victory. But what makes this issue such a joy to read and visually appreciate was the Japanese style battle which strangely fits in naturally to this type of giant robot story. With all of the exaggerated nuances taken from the genre, we can enjoy the narrative on a new level, not only as a touching emotional tale but also as the story of trust and compassion which seem absent from superhero comics in recent times.

If this is how the premiere issue concludes, I cannot anticipate how this outstanding team will be able to top themselves in the near future " or how this story can get any better

Gretel surpasses any sense of a rational and propels the reader into another dimension of excellence through an engrossing story and artwork which makes us stare in awe and amazement, not knowing there were other possibilities which could surpass graphic brilliance. As each issue builds upon a previous peak of wonder, it makes us question what could top such thrills until we are surprised by our current situation of a momentous cliffhanger. It only makes us want for more and consider how can they surpass what has gone before … but then await in agonizing torture to know we are must face another month to see if they can stun us with things we have not seen or even imagine we needed to know satisfaction.

Gretel constantly compounds the underlying theme of vengeance and justice with each issue and this book is no exception as it magnificently stirs the pot with a bitter taste from the past. To think that nauseating atrocities from history could so brilliantly combine to give the reader a glimpse into Gretel defining core and yet it seemlessly relates back to a time which we wish to forget if not for the sacrifices of the innocent. With captivating artwork and colors which illuminate complex emotions so elegantly we cannot but be stunned into disbelief by each issue, making us hate to wait for next month to come all while tantalizing our vision of what may be possible.

Gretel constantly envelopes the reader within a horrendous passage of terror which has a meaningful lesson, and yet it is this temptation of watching the forbidden which makes the series so satisfying and enjoyable. To witness carnal pleasures made material may seem bordering on the degenerate behavior and yet it is the fantastic artwork and captivating restriction of color which communicates those ideas so seamlessly and with unparalleled elegance, you cannot deny yourself the temporary treat of primal delight. But as the end quickly approaches one cannot but wonder if this title can indeed fulfill its obligatory demands for a fulfilling closure " to see justice granted to the worthy or vile destruction reaped upon those undeserving of life itself.

Gretel has become a refinement of what I desire from all future Zenescope titles introducing a new courageous character " a wonderfully callous villainess versus a noblewoman attempting to correct mistakes of the past and seek vengeance against the one who created her.

I love Shand's other Zenescope works, but this one falls short due to the familiarity.

Although this issue is falling into the same trap, Claretti's artwork does salvage the re-introduction of the Dark One. Why else would they bring in the main power player of the Grimm Universe if this is not leading up towards something major? Or am I reading too much into the storyline? Guess we'll find out next month with the introduction of a new villain too!

Of course, Claretti's artwork was over the top, especially the page with Bloody Bones's first full appearance. I always thought that the Dark One was creepy, but he's nothing compared to this guy!

This is going to be a good arc for us … probably not so much for the students!

The introduction of a new character is always a welcome passage for a book, but when she is a heartbreaking heroine like Mary Medina, the joy and sorrow of such an introduction leaves one with mixed feelings. This new blood to Arcane Acre may add more chaos to an already tumultuous concoction of teenage angst and mistrust, but it can also lead to a path for the new pupil on how to best use her gifts. It may be a bumpy road, but it is through that journey that true understanding is born.

It seems like this story is the final step to re-introduce some old villains to the school, but how their schemes will affect the plans of Bloody Bones? Or was it always his intentions to invite them to play with these children? After all, the Dark One is gone and that leaves a power vacuum in the Grimm Universe, so who will step forward to fill that void? Or is there anyone who would dare? Guess we'll find out next month!

Bloody Bones has made his move and the outcome for Arcane Acre looks bleak. Most are trapped within a nightmarish realm and the only ones who might have been able to help them are incapacitated. As if things couldn't get worse, we know that Shand and Mendonca will be saving the worst for last. But is that a good thing for us? Can't wait to see!

Bloody Bones might have been the antagonist, but the Warlord was the one whose actions cut the deepest. Belinda now knows how she can never leave her past behind, no matter how truthfully she may try to apologise for her actions. But it is now that she will be tested the most earnestly while trying to comfort those who have lost more than a child. Who can say which is the more grievous injury, but it is at times like this when the temper of a person is tested to the utmost; whether they succeed or fail is due to the calibre of their will and I cannot wait to see how Belinda's will prove its mettle.

The issue might have seemed to be a farce on the surface but it dramatically shows how Wiglaf is far too concern for outward appearance and that pettiness put everything into perspective in the end. These calming moments between the action driven tension of the series makes them all the more cherished when they appear and frame the characters in a way that nothing else could thematically. It is too bad that they happen too seldom and aren't a mainstay for the series, but the rarity just make them all the more welcome when they do emerge.

As we are awe struck by this remarkable story of Bloody Bones' past, we cannot dismiss that it was Karen who made it all possible. How was such a little girl is able to deconstruct the defences of Maka when Shang could not leaves us to wonder how she will affect the future of Arcane Acre. It will be a pleasure to see how Shand and Johnson will gingerly escort us into this brave new world.

Skye and Lance appear to have found the answers they were seeking, but will they be able to achieve what they want " the destruction of their monstrous foe? Nothing is as easy as it seems, and you can be certain that he will not stand by while these children bring about his end. And now that they have found sanctuary, how easily can they sleep when they know that he has been hunting them down? We can only wait for the answers and keep our fingers crossed that no one else will have to die to bring about his downfall.

This wonderful balance of a moving story and visual appeal helps to bring the issue alive more than either one could ever hope to do alone. Skye and Ali, both students are being talked down by their superiors without ever knowing what is wrong, but then the teens are keeping themselves isolated by never expressing before acting out their intentions. The teens may regret for disappointing their mentors, but neither side ever wants to admit that they were wrong in fear of acknowledging that they made a mistake. They may think they are now ready " and woe be to those who would stand in their way. But will anyone survive to celebrate the aftermath or the punishments to follow soon thereafter?

Everything is culminating to what ultimately will be a magnificent ending for this battle, the pawns have been chosen and the line has been drawn. Bloody Bones knows that his soldiers are loyal while Skye and Lance have faith in their friends. Who will claim victory can only be judged by their actions, but to have confidence over mistrust, the first step perhaps has already been taken.

The time has come for the students of Arcane Acre to live with their choices, for no one can be blamed but themselves. Everything is coming to completion and the end is in sight, but we cannot but help but wonder and hope that they will not regret the decision. For we have come to know them as if they were our companions and not some drawings on a page, but we all know that sometimes we cannot help those we care deeply for, no matter how hard we may try. It is almost as if we are shouting at the movie screen, yelling for the actor not to open the door, but we know the script has something else in mind. Let's just keep our fingers crossed for the last two issues and hope Shand won't be too cruel to our mutual friends.

The conflict with Bloody Bones has claimed many victims, but this one seemed to hit the hardest. Shand was able to direct the emotion while Cuffari and Arciniega were able to materialize it into a tangible form to shake us with the passing like never before. While we know the end is only one issue away, how you not feel that this will be only the beginning … and we will enjoy the finale like nothing ever before? I for one, cannot wait!

Grimm Fairy Tales is the foundation of the Zenescope mythology, and as such, to see a close to this series is tantamount to a symbolic passing of the torch to the next generation of titles. Every character within the Grimm Universe owes their existence to Guardian Sela Mathers and her big red book, for without her there would be no one to tell their story or give them a purpose within the Realms. She is the cornerstone of Zenescope, and though Belinda was at first her foil, she eventually became a trustworthy friend, with the pair becoming the standard for the originality and cutting edge interpretations of classic faerie tales. This issue may signal the completion of one pilgrimage, but with it we are exposed to a new nexus and new worlds, never-ending into infinity. The singular phrase on the last page says it all " The End. But, I don't like to think of this an ending, for nothing is truly over, but a new beginning to grander worlds and even more awe-inspiring adventures.

This new Launch title of Grimm Fairy Tales is really giving Skye something to sink her teeth into by leaping into what the Book expects her to do with her new responsibilities. But at the same time it is a memorial to her mother's deeds and her own obligations as to what is expected of her, with no one coddling her and allowing this trainee to learn from her mistakes. If this overwhelming issue is just an introduction, then what will the future hold in store for this new Guardian of the Nexus?

Skye is becoming her own version of the Guardian of the Nexus, but it still feels like the passing of the torch still has not been fully acknowledged. The story is too dependent on influences from the past and the imagery for the new look is still rigidly locked into that standard. While I can appreciate that change takes time, sometimes taking too much will drag the narrative into stagnation and thus draining away any creativity. Hopefully, this oversight will be tended to in the near future with individualistic essence being prominent in her own costume.

Skye is still struggling with her powers and lacks the understanding of how to best use the Book to her advantage, however, with a lot of luck and perseverance, she still manages to accomplish her task. While Brusha struggles in bringing her own character out to the forefront, it is the artistry of Silva and Paciarotti who are the stand outs for this title. This issue was an excellent example of their craft and I hope that their teamwork will continue to present us with a series which can be a brilliant sequel to the previous title.

When I first heard of this Launch series, I thought it would be a re-imagination of the flagship, but now it seems with each passing issue it is calling back past memories of the previous title.

This new series seems to be concentrating more on teaching Skye how to become a Guardian, constantly keeping the training wheels until they have no choice than to allow her to have a baptism by fire. While I can appreciate individualistic stories, the overall view seems lacking, more interested in showing the past than looking forward to the future. And while the Order of Tarot was hinted in a previous issue, that clue seems to have been dropped by the wayside in favor of the phenomenal artwork, as we witnessed in this story. I cannot wait until the dam of evil bursts, at least then we will have something to look forward to instead of waiting for an event which can be finished within the confines of one issue. The appetizer is over too quick and thus leaves us with an unsatisfying taste in our mouths, all while waiting for the snack of next month...I want a real meal.

While we are still reminded of Sela's presence within the series via comparisons between mother and daughter, it seems that Skye is finally coming to terms with her destiny. This issue has the right balance of history for the loyal fan and still allows for novices to the title to enjoy this story via the written word and most deservedly, the marvelously presented display of the artists' handiwork. Grimm Fairy Tales Volume 2 appears to have become a title which can stand on its own, but that is still to be represented by future issues, and I for one cannot wait for the next story.

We have finally come full circle within the Grimm Fairy Tales series and it appears it was truly worth the wait. All of the seemingly tangential stories are finally coming into focus and with the clarification of the story line, and it appears Skye will have her first and perhaps last test as Guardian of the Nexus. It has been said that student should always try to outdo their teacher, but since Sela was never able to teach her daughter, it is a shame that she will not be able to watch her grow as a savior. However with all of the horrors which her mother faced as Guardian, it will be an uphill battle to even try to surpass her " let alone survive. Let the Order of Tarot try their best, Skye will be waiting.

While I would have liked to see the stony minions have more screen time, it is unmistakable the main focus of the narrative is to see how mere men are corrupted by power. The petty squabbles between rivals seem frivolous if you have the power to back your threats, but always be wary it comes at a price. Skye must struggle with this balance every day as Guardian, but now to see the cost makes it weigh upon her ever more. I cannot wait to see how this battle will effect her, but in the long run, these minor skirmishes are fruitless once you know the fate of the world literally rests upon your shoulders.

Ever since we were introduced to the one who was supposed to the last of the genies, we knew Jasmine would be someone special, and it is only now do we know how special she had become. This beautiful woman was sure of herself and secure in the knowledge that her friends could protect her, but it is that overconfidence which makes her tale all the more tragic. And while we may sure we will see her again, it is her absence which will make the hatred for Gruel all the more dire and vengeance that much sweeter.

While the story itself is rather blas and uninspired, it is not the narrative which projects the best of this medium, instead we are drawn into this tale by the stunning illustrations of Julius Abrera and Jorge Cortes' breathtaking colors.

As we approach the answers we have all sought, the Guardian of the Nexus shows us the determination which makes her such an excellent protector. The Order of Tarot has always been one step head of our heroes, and now that Skye has breached their doorway, one can only hope she will make progress. But with a conclusion which leaves us with even more questions, one has to wonder if we will ever know the truth behind them " or will we ever be in doubt until the very end?

Now that we know there is more than one faction vying for the rule over the Order of Tarot, one has to wonder what will happen to the other titles which they are involved in and how long it will take for this new King of Cups will wait until he makes his presence known? The story itself has possibilities, but at the same time, to spoil other titles all to enlighten us to his purpose is a shame which will likely echo past this issue. Building a mystery, dropping endless clues and then cast them aside for this one tale is a waste, but hopefully it will be remedied " if it is possible.

Even with this minor detail, it should not allow one to overlook the satisfaction of this new story arc and such phenomenal work by this new artistic team, hopefully giving us much more pleasure within the months to come.

The Three Musketeers have made their impact on the Guardian and Protector, and it was not one which will soon be forgotten. With Skye still worried as to the state of her Book, this issue shows the person controlling it has mixed intentions which will not be known for quite some time. However it is this confusion which makes the waiting all the more tolerable, even as we wonder if the realms will be able to survive without its savior and her most powerful weapon on the wrong side of the Order.

The monumental amount of detail included within each page is stunning, from ambitious depictions of the city to the eloquently expressive faces in which you cannot but feel every emotion, from pleading eyes to scowls of infuriation, but of course, the most commanding aspect of the issue are the action scenes.

Hopefully, we will settle back into a tangible narrative which makes the audience care for the protagonists instead of waiting for the tale to end to see if they will be able to recover from an all-knowing foe.

The Age of Camelot story arc takes a sinister turn and within it, we are exposed to the distortion of familiar Arthurian legends which only Zenescope could produce, with mixed results. While the inclusion of the Order of Tarot is an interesting development, to see the departure from beloved archetypes is perturbing to say the least, and unsettling once the results are later shown in another title. And while the development of Oberon is a surprising departure, what I cannot wait to see is how Skye fabricates a plan to free her friends and puts a stop to Merlin once and for all.

Hopefully with the next issue we will return to what we expect with Grimm Fairy Tales, and not something which gives us what they think we need.

Confusion expands the conundrum of this story, all adding to a narrative which builds upon previously established facts which are contradicted by the grandeur of the tale. With each step we take forward, prior facts begin to muddle the strength of the tale and make us wonder if we should ignore what happen prior or take them into consideration for understanding of the whole. While the stunning artwork and dazzling colors do try to disguise these missteps, you cannot but wonder if we will need to take inventory afterwards to understand what is happening within this new confusing story arc.

As the story discards more prior established details, you begin to wonder if that information is necessary in the bigger picture of an all encompassing story. Merlin is closing in on his ultimate goal, but with each step he takes to completion, it makes the reader consider when in the timeline this is all taking place. Morgan and Penn still follow a single minded master and there is still more to be revealed in this contorted telling of our beloved Camelot. And yet with such illustrative and coloring brilliance displayed within this issue, you still have to wonder if it all really matters in the long run?

As we become swayed by more details within captivating imagery, you cannot but take notice that the story seems to be losing track of its main focus " Merlin's ambition. Although it was hinted within the issue, the reader is overwhelmed by other elements all in an effort to catch them up with another goal, elimination of the heroes. While this may seem important in the long run, why muddle the narrative with too much information instead of allowing for separate books to tell the tale? This would have made more sense and allowed for a concentration of similar components, all to focus the reader toward one goal prior to distracting them and losing the trail.

From the beginning this series has been leading to this moment " the physical succession of the title Guardian of the Nexus and her badge of honor, her blade. And yet this event smothers any other moments within the issue which are meant to be more important, such as Merlin's struggle to quell any dissenters and bring Camelot back to its former glory. This foundational component for the story arc seems secondary, with Skye and Peyton taking center stage for the play and the magician playing a secondary role. If this was the case, why lead the reader into this climax if you are skimping on the main details to support the basis to his ambitions? It makes no sense and hopefully, this lack of importance will be remedied in the very near future.

As the true foundation of the story arc comes to bear, you cannot but wait with bated breath for the excitement yet to come, even if some plot points were sacrificed to bring everything to the forefront. We always knew the Order of Tarot would try to take their place as the darkness within the Zenescope universe, but to spring the truth upon us after dominating the issues with the struggle of the Black Knight and then sweep it away is disappointing. It is only thanks to the visual value of the artistic team that this book is not a loss, but if they find a balance between art and story, then we are in for a rousing epic between good and evil.

Hopefully now that we have arrived at the turning point for the series, we will see no more need to change facts in order to shape the denouement for the final act, and yet it would seem to be out of place if we rule them out. The dire straits of the showdown between Camelot and the Order of Tarot has been in the making for over two years, ever since the defeat of Malec and the Horde and now we finally get to see the outcome. And with numerous players yet to make their appearance we still have many more moments of intrigue to look forward to, but for now we can only wait to see what is to come. But which side will triumph in the end or will Merlin have some other trick up his sleeve to tilt the scale toward chaos " or will there be another twist yet to be seen?

Grimm Fairy Tales has in the past presented us with spectacular escapades into wondrous lands to show its audience the scope of the Zenescope Universe, and yet this landmark issue is remarkable in the fact this splendid adventure has been confined to one realm by considering how wide-reaching a single man's ambitions can be in themselves. And while the book may have has some stumbles in the undertaking, one cannot deny the dazzling momentum by which it propels readers via a dizzying narrative and rapturous artistic sublimity.

Grimm Fairy Tales has once again captivated loyal readers with a new story arc, writer and artistic team, however, this premiere is not without its forgivable faults. While all of these mistakes are minor, when you add them together the complexity subtracts from the delight of the narrative, even if it is ever so slight in its inconvenience. But now that those settling readjustments are now behind us, hopefully, we will now be treated to more of the brilliance and visual enjoyment this title is known for and allow us to expand upon the dynamic propensity for trouble which the Guardian is known for, all for our own wicked amusement.

Grimm Fairy Tales has us once again being able to relate with Skye due to an enthralling story and fantastic artwork, but it is thanks to the audacity of the entirety by which readers remember why this series is a favorite from this publisher. The dynamic quality of their heroines and villains proves women can be just as effective or devastating by relating primal emotions from those we often consider as nurturers, and thus proving they are just as intimidating or even more so with the right creators. The Guardian of the Nexus is not just a title passed on but one which must be earned and as such we have witnessed the daughter has shown she is ready, if not in spirit but also in valor.

Grimm Fairy Tales has once again created a captivating story which draws us into Skye's struggle and while it does have a few minor missteps along the way, it is the fascinating dynamic of our heroine against whatever obstacles she faces which keeps our attention fully ensnared within her powerful gaze. Then pair the intense story with engrossing illustrations and dazzling colors and we are sad to leave this comparatively short escapade into the wondrous ocean depths. And yet even as readers bid farewell to a delightful aqueous fascination we cannot wait to see what awaits the Guardian of the Nexus with the next turn of a page, hoping with hungry anticipation the following adventure is worthy of dizzying amazement.

As Skye continues to search for answers, this issue has a slight misstep due to the imbalance of information with the novice reader versus one well informed as to the politics happening within the Zenescope universe. And while in depth knowledge is not necessary to enjoy the story, too much information gleaned from other source does serves as an unneeded buffer which spoils what is to come. However if you can shelf your indecision and allow it to go fallow for the time being, this issue is a visual treat which will reward all with a desire to grant new interpretations for a welcoming future.

You cannot but become amused by Skye's dramatic change in attitude as she travels through the fantastical world that is Oz, from someone who was charmed by the unusualness of the environment to a person who cannot but give into her need to help others. While she may have thought this would have been a quick trip to find help for her quest, it is the optimism of the Guardian which guides her to aid those in need even when she knows it will distract from her primary goal. This sympathetic personality is what makes Mathers such a caring person and someone who will not hesitate when she sees someone in trouble and as such, this is what makes her the truest definition of a hero.

With a refreshing escape from the vile plans of villains it is a delight to see Skye display her kind hearted nature and help someone who truly needs her strength to find a lost loved one all as we watch the Grimm Fairy Tales version of a buddy story. The strength of the artistic team helps to draw the audience within the narrative, allowing readers to become engrossed by the helplessness of being prisoners and thereafter the thrill of fighting for freedom and vanquishing a self serving foe. While we know the triteness of a new foe may be forthcoming, the opportunity to escape from this simplicity is worthwhile and gives us a noteworthy chance of basal satisfaction before returning to the tedium of convoluted wickedness.

With the return of Skye's dedication to her mission for protecting all within the realms, this issue reminds us why we admire this young woman even as she monetarily became lost within an obsession to find her mentor and defeat a new rival.

The gathering of forces may taken some time, but as Skye and Belle recruit those who may be the most powerful, one cannot forget the foreboding war for Neverland which looms over the horizon. And yet even with a gripping story and beautifully executed artwork, the reader can fully enjoy the unfolding drama which relates the seriousness of the situation, all as we are famished to feast on what happens next. But Wonderland closes in, we know the best is yet to come " and we cannot wait.

With the battle for Neverland an amazing moment with Skye in charge of a squabbling band of misfits, one has to marvel how they managed to pull off such a fantastic feat, even as they lick their wounds and question if this was all for the best with their massive losses still littering the battlefield. And while the amazing artwork made the issue a spectacular event, there were a few hiccups that scarred its surface from what should have been one to remember. However as Belle leads her people into a new future, you cannot bur wonder if the Guardian made the right choice into saving one man within the face of the unknown.

Grimm Fairy Tales continues to appeal to our need to wish for the best and yet receive the worst in human nature, all as we witness a valiant struggle to stand against the darkness. With stunning artwork and gratifying colors we are able to fearlessly dive into the struggle, always knowing the Guardian will protect the weak and vanquish the ruthless, but at the same time it is the need to watch this conflict which makes us stronger. But as Skye attempts to save her friends in the process, we know she will prevail in her fight, even as she tries to survive another day.

This penultimate issue has powerfully enveloped all of the trials and tribulations of the Guardian, making her endless quest for justice seem worthwhile, even as we watch mournfully once she succumbs to a tyrant's unyielding grip.

Although the first act may have been repetitious due to recalling prior events, it is the nostalgic story when seen through new eyes which sparks renewed interest into seeking answers as to what happened to Shang, and allow Skye to somehow redeem herself for unacknowledged faults. Thanks to strikingly powerful images and colors that harmonize the pages into something wondrous, one cannot but filled with anticipation to see what happens next. With a new page revealed within the Guardian's upcoming adventure, the excitement only helps to whet our appetite for the feast which is yet to come.

As we settle into what might be considered normal for Arcane Acre, writer Dave Franchini does not fail to entertain with a story that continues with an introduction of the new menace which Skye found on her journey to Camelot " the Dark Book.

Skye's journey to seek more information about Shang's whereabouts may have only begun, but due to the striking intensity of the narrative and wondrous visual appeal, one cannot but be warily anxious to see what will happen next. As each issue of this new story arc strikes a different chord and every resonance only serves to exemplify the nuances of the prior, the audience cannot but be stirred to attention into thinking a new evil has been awakened within the Dark Book, all while wondering as to what connection it may have with the tomes of the Guardians of the Nexus. As anxiety builds between issues, one cannot but hope to wait patiently even as tension rises between the reader and Skye as we all wish to know how the story will end, even though it is the journey which brings the best memories for a thrilling adventure.

With Skye drawing ever closer to a new lead in finding her beloved mentor, one cannot but question if the Dark Book or some unseen force has its own agenda to hinder the Guardian's frustrated search. And yet as we become heavily engrossed within the beautifully illustrated and splendidly toned pages of this issue, one cannot but wonder if we might lose our way within this mesmeric landscape. However, would that be a bad thing since it allows us to extend our chance to adventure with the Guardian and her friends, surging forward into unknown dangers all as we impatiently anticipate the unexpected rewards.

This fantastic issue encompasses a fabulous explosion of terror to remind us how intimidating Baba Yaga can truly be, and while we may recall her recent escapades of lesser evil, this is how loyal fans remember the once formidable white haired witch. Thanks to a stunning foundation of illustrative excellence and colors which serve to enhanced the horror contained therein, we cannot but reforge our impressions of a woman who is as conniving in temperament as she is beautifully seductive, all fitting into an impressive package who is not to be underestimated.

It is sincerely welcoming and reassuring to have this issue create a meaningful transition for Allexa's descent into darkness, with the Sam and Skye watching helplessly as they see an innocent former Guardian slowly consumed by the maliciousness of the Dark Book, only to have their shock reflected upon the reader once we realize the truth behind Shang's kidnapping and his true captor. With a stunning array of artistic impressions and techniques wonderfully telling her story and the even more powerful effort of resounding colors which serve to bring them all together, this issue is a memorable event which will be hard to forget, even as the seriousness of the tale reverberates upon loyal fans as we consider the fallout of what is to come. But as the repercussions of such a novel turn resounds within our collective consciousness, it is the gravity of these facts which we cannot ignore once we consider the connection with Shang " and it things will ever be the same again.

We always knew the Dark Book was hiding some forbidden secret, but to suddenly realize its creation was due to the misery of an abandoned faery makes this revelation all the more disgusting due to the warped nature of evil which pervades its sinister pages. And yet due to spectacular artwork and a stunning color array, we can almost take a sickening pleasure by enjoying this thrilling visual display, all while knowing the results will doom one to a life of eternal servitude thanks to the corruption of Dela from the result of her foolish ambitions. Although the actions within this issue may uncover the tragedy of one family, hopefully it will fuel the determination of the Guardian to avenge all who have be taken by the evil within its malicious bindings.

With outstanding illustrations and transformative colors, this issue opens the door as to how Dela's thirst for power knows no bounds, echoing along the pages of the Dark Book until is befouls any who offer it entry into their lives, no matter the cost to once happy families.

As the Guardian of the Nexus' latest formidable foe is vanquished due to a fortunate coincidence, one has to wonder if her enemies are united in their desire for the Dark Book or is each goal a selfish want for the betterment of their own lives, even as Skye barely escapes this menacing encounter. However while the narrative itself is sensational in its menacing portrayal of Mother Hulda, it is the artwork which lacks a central focus to wondrously display the unending tension which this disgusting woman exudes, stuttering at a transitional moment with confusing visuals of our heroines, causing readers to question if this harrowing sequence fits in with the rest of the story. And although this same artistry does create a fantastic representation of horror personified, with a wicked crone you would never want to meet in a dark alleyway, the issue as a whole is graphically unbalanced due to a singular event within this haunting tale.

With a refreshing break from the norm of fairy tale based stories, this issue reminds us there are more than familiar warped creatures which seek to carve a niche for themselves within the Grimm universe, even those who are willing to do anything to survive in the world of man. And thanks to sensational artwork and stunning colors which drive that point across, we welcome a new source of violence which will plague Skye, leaving readers unsurprised of what may come next. But as she fights to save her friends and mentor from the darkness, Mathers must also remember her role as Guardian of the Nexus " evil knows no bounds, willing to consume heroes and innocent alike, all in their own quest to sate a gnawing hunger which will be satisfied by any means necessary.

With the conclusion of the Dark Book saga quickly approaching, it is fitting to end Skye's valiant struggle within equally epic fashion, and yet while the story is substantial in the gravity of its ideals, the visual representation of these weighty concepts becomes burdened by its own demanding clarity.

After such an extended break from the last adventure of our valiant trio, it is an invigorating delight to have a new story by Joe Brusha, Ralph Tedesco and Dave Franchini, with the wondrous result being written by the latter through which he is able to craft an engrossing depiction of the struggles which our heroines must face, both mentally and physically in such ominous practicality.

With outstanding illustrations and fascinating colors fully immersing readers within this breathtaking escapade of emotional influences, the unfolding of this finale was visually memorable as both literary and artistic influences converged into something which could have not been accomplished alone, permitting the wondrous synergy of both worlds.

With such a striking introduction to the next story arc, this opening act prepares the audience for what will hopefully be a wild journey for the Guardian, with unexpected surprises around every corner and hopefully a new sense of hope for those uncertain Skye will ever find a moment of peace within her hectic life.

s magnificent illustrations and spectacular colors unfold a rousing narrative, what was once promising slowly descends into confusion as the intricacy of these visuals quickly overwhelms the audience due to the depth of its numerous layers, even as we are roused by its resulting excitement. And yet as clarity yields to understanding, it is the convoluted plans of a tyrant which swallows hope for the future as a promising Guardian lends her strength to a noble cause, if only such carefully laid plans always come to succeed.

With a narrative that quickly becomes immersive due to a humanistic yearning of wanting to find a way home, one cannot deny it is the unintentional diversions that make this story so engaging, especially with Skye finally accepting her duties as Guardian may not be limited to her world, but extend to all realities which the Dark Princess' power touches.

While the prior issue was unsettling with the betrayal of Robyn, allowing the flaxen archer to both figuratively and literally stab her friend Liesel in the back, loyal readers of various Zenescope titles have always known Locksley to have a prickly exterior to disguise her well-meaning and soft-hearted interior, and yet with this familiar diversion to a new dimension, no one could have guessed the treachery of a parallel doppelgnger to be real, allowing creators Joe Brusha, Ralph Tedesco, Dave Franchini, and David Wohl to keep the audience constantly guessing, all while series writer Franchini wove threads of mistrust within the fabric of this wondrous tapestry of intrigue.

As we settle into a cynical film noir setting, it is this wondrous departure from unrelenting action which allows the reader to momentarily relax until the smoky drama returns with unrelenting ferocity, ruthlessly reminding the audience that Skye's journey through alternate realities is not meant to be pleasant, all while prompting the reader to recall that the Guardian is need wherever she may land.

While may relish the reasons why Shang chose to keep his friends in the dark as to his recent actions, it is the unthinkable possibility of a friend's passing that makes this issue so remorsefully memorable, causing readers to be mildly amused by an uncomfortable moment from revelation, only to then be thrown into the depths of despair from which we may never recover, urged to shed a tear with its unwanted recollection. But with phenomenal imagery and captivating colors that urge the audience to become fully immersed within the artistry, this journey into a dark world will be one which we will not soon forget, prompting fond remembrance and wanted forgetfulness.

While the grandeur of Belle's story arc may have enclosed a distressing range of stirring events, it is the much anticipated finale which falls a bit short due to an unsettling conclusion composed of odd clashing narrative ideas, all enveloped within a convenient plot device which allow our heroes to escape through the veil of the unknown, even as we ponder the familiarity of what has happened before.

Although this issue may be a brief reprieve from harrowing adventures through parallel dimensions, it does not take away from the emotional gravity which we expect from the series, made readily pronounced due to the unexpected focus upon the tragedy of Mary, someone who succumbed to the sinister nature of her powers and allowed them to guide her to a darkness which we never wished for such a caring heroine.

Encapsulated within fantastic illustrations which teasingly engross us within this undulating adventure and scintillating colors that taunt readers as to the veracity of what they see, it is these visual delights which gradually unfold and serve to heighten or depress the audience according to emotional circumstances, but with equally grand magnitude.

While we may have desperately wished for a moving pseudo-reunion between bewildered daughter and doppelgnger mother, this issue is a disheartening departure from the expected, leaving loyal readers to ponder if this fated meeting will ever be presented with satisfying intent, for both Skye and a troubled audience. But as the usually spectacular artwork and enthralling colors subtly contribute to the disappointment due to an overabundance of narrative information obscuring the artistic presentation, these momentary distractions are soon forgotten once the captivating story returns to what is desired, creating an immersive treat as the issue reaches an exciting conclusion. But as we wonder what lies in wait for Skye and Julia, it is the lingering questions connected to an unsettling meeting which make us question if our concerns will be addressed, or will a need for survival be more important than deciding how a gripping conciliation will fit into this troubled dimension.

While we were expecting this wild roller coaster ride through parallel universes to eventually come to an end, it is the unexpected diversions laid out by story creators Joe Brusha, Ralph Tedesco, Dave Franchini and David Wohl which give the reunion of our heroes a welcoming charm, even as writer Franchini attempts to clean up dangling story threads which gave attentive readers a reason to pause and wonder what would happen to those who Skye and Julia left behind in their hectic adventures.

While the audience may have been expecting epic battles within the penultimate issue for this formidable story arc, what we receive is a mildly predictable unfolding of Skye's return as Guardian of the Nexus, with this admirable heroine attempting to make up for lost opportunities to save the realms, all as we rush forward toward the inevitable confrontation between herself and the Dark Princess.

It is unexpected to see a new influence strenuously grip a surprised audience within the opening of this unusual story arc, and while the educated in Lovecraftian lore may tentatively anticipate what the Great Old Ones may have hidden within the eldritch darkness, at the same time, it is troubling that those same expectations may become too much of a burden while sweeping away the familiarity of the Grimm Universe.

Just when we thought we were pushed past our limits and forced to peer over the edge of insanity, all due to the introduction of Lovecraftian lore into the Grimm Universe by story creators Joe Brusha, Ralph Tedesco, Dave Franchini and David Wohl, which would cause many a lucid reader to question what writer Franchini is proposing for the flagship series, we hesitantly become acquainted with the denizens of this supposedly mythical dimension, only then having our sense of reality begin to fracture due the shocking appearance of nightgaunts, but with our previously strained mental faculties teased further against their restraints, it is now do we pause to wonder how much more of this lingering taint will leak through this barrier of madness.

While experienced readers have gradually acclimated to the introduction of Lovecraftian lore into the Grimm Universe, all thanks to the inventive method from story creators Joe Brusha, Ralph Tedesco, Dave Franchini, and David Wohl of utilizing the original source material as a basis, and allowing writer Franchini to craft the current story arc around that foundation, it within this issue where there is an odd divergence from what we know into a new frontier for the unknown, allowing an unsettling adjustment to mold around Tamora and how she more involved than she claims to be, all as Skye, Sam and the audience feel their frustration compound as more mysteries become unraveled with each passing page.

We have always suspected something sinister has been lurking recently beyond the darkness within the Grimm Universe, and as these foul beings made themselves known within specials outside of the flagship series, none of these gods have dared to make themselves known to the heroes of Arcane Acre, with only spiteful minions boldly venturing forth to cause chaos wherever they insinuate the influence of their masters, that is before readers were left with boundless uncertainty after Tamora was kidnapped in the last issue, allowing story creators Joe Brusha, Ralph Tedesco, Dave Franchini and David Wohl to shrewdly utilize that abrupt adjustment as a way to introduce unsettling concepts to the storyline, and while writer Franchini may have kept deeper secrets hidden away, it appears now is the time to unveil them with a modicum of discretion.

As loyal fans gasp in shocked surprise for what has unfolded within the final pages, readers have to wonder how all of these nuanced details will seamlessly merge into a phenomenal presentation, one which will upheave what we know and what we hope is yet to come.

With enticing imagery and fantastic colors which create a moving synergy that none can ignore, each page proves to be a visual treat unto itself, with the intoxicating menagerie of shifting emotions driving the audience to become invested within each shifting transition, even if an impossible foe may be bested by a formulaic conclusion.

While we may have wantonly wished to see what this anticipatory issue held due to an enticing title, the story concentrates too much upon the surrounding factors of the narrative and fails to singularly concentrate upon the main antagonist, bringing too much attention to the Faceless Woman and allowing the Haunted to fall into the background as a controlled terror, essentially ignoring what could have been an intimidating horror and instead casting it as a threatening minion who can do nothing by itself. With normally fascinating illustrations and enticing colors that lure the audience within the sorrows of Arcane Acre, sadly this issue is also burdened by an overwhelming usage of inky goodness, causing everything within the pages to be influenced by the blackness of tone, and though this might have worked against a more vibrant palette, due to the lingering nature set by prior issues with an obscuring veil of darker colors, it is this combination of visual factors that creates a muddy

While it may have been strange for loyal fans to watch the Dark One's return pushed to the side during the prior issue, we boldly have this brutish tyrant's ambitions made known within the current narrative, permitting story creators Joe Brusha, Ralph Tedesco, Dave Franchini and David Wohl to allow his foul intentions to be announced to the world as writer Franchini unveils what the greater gods which brought him back have in store for his immense powers and frightening reputation.

As the current storyline attempts to incorporate several divergent narratives, with too much information funneling in and resulting in a clumsy summarization of what has occurred in both the Great Abyss and Earth, what we are ultimately left with are contrasting perspectives which seem unrelated as to how they can bring about to the defeat of otherworldly enemies, only now falling into place, revealing what may become the turning point of story arc, even as we still wonder how our heroes will reunite against a common foe. And yet it is fascinating illustrations and enthralling colors which overwhelmingly amplify the excitement of this issue, with their synergistic display allowing the audience to become completely immersed within this perplexing story, allowing any confusion to be swept away due to a thrilling display of artistic excellence. However, as we question what may lay in wait for our exhausted heroes, it is the unexpected arrival of new allies that cause all to breath a sigh

As the shocking results of diverging storylines finally come together and new mysteries are revealed, dedicated readers cannot but wait with bated breath for what comes next, even if we may be mildly disappointed by the neglect of minor details which seem to impersonalize the journey from one enthralling danger into another, causing the audience to ponder if we may ever uncover the truth hidden behind the secrets of Lovecraftian lore.

While we may have been mildly disappointed by the slow development of this story arc due to overly dramatic tangents, it is the looming danger of quickly approaching threats which finally rewards patient readers with spectacular reveals, powerfully impinging upon an antiquated principle as loyal fans are taunted by a face from the past, one which we thought was forever lost, stirring powerful emotions which await for the truth to shown.

While we may have been waiting for the conclusion of this epic story arc over the past year, the hurried expectations of what results before excited readers are mildly disappointing, with supposedly indomitable foes swiftly defeated in unforeseen ways, yet as we push forward toward the inevitable confrontation between equally determined rivals, both forces desiring opposing goals from the same means, it is a surprising conclusion which wildly unfolds which produces what we never wanted nor expected, all while bidding farewell to a cherished friend even if the darkness is held back for another day.

While we may have been anticipating something meaningful due to the long awaited reunion of the Mathers' family, it is the teasing delay of emotional fulfillment which makes the story somewhat disappointing, only to be replaced by an obligatory search for answers as Skye explores distant warnings, even as her mother retreats into a misplaced duty as former Guardian, all to avoid facing the daughter she dreads not knowing due to mangled memories.

While we may have been uncertain how the unsettling reckoning between mother and daughter might have played a role within this new story arc, it is the heightened stress of dual investigations which makes an anxious audience become reassured as to what is to come, for though we might have been worried by their stressful parting, it is the determination of the Mathers family which makes us certain there will be more excitement straight ahead, even if it may cause us to worry as to the success of their ventures.

As we consider what may lie in wait for the faculty of Arcane Acre, it is the new dangers which accompany Gretel's appearance that moves us to be concerned, even as a budding partnership between Skye and the witch hunter may be on the horizon if they ever wish to stop whoever is behind this latest threat, be it Mother Margaret or some other devious opponent. As fantastic illustrations and captivating colors draw us deeper into the unknown, it is a slight deviation for the one of the characters which leaves us wondering if his abilities may be tied to see a threat, or a change in artists is the cause for confusion, even if the attention may be a minor visual stumble. While we may be mildly confused by what is to come, it is the marvelous incorporation of contrasting terrors that makes our viewpoint of the whole so enthusiastically captivating, for though the audience may not know what is next, it is the thrill of what is to come that makes the wait all the more worthwhile, hoping we wil

Although we may be impressed by the bold resolve of our heroines to face the endless cruelties of Father Time, it is the repetitive sequence of defining flashbacks that makes the current arc rather disappointing, always presenting once enthusiastic readers with tension filled stories which never seem worthwhile if they are always geared toward increasing the doubt all must face, even if we may dubiously be given a slim chance of victory, amid increasing moments of misery. While fantastic imagery and illuminating colors do depict amazing excitement, it is the underlying distress which forms the basis of the artwork that is a constant reminder of what is to come, never allowing either the audience or the faculty of Arcane Acre a chance to relish any miniscule sliver of optimism, with the sensational visuals contributing to that lingering depression. And with a majority of this apocalyptic story arc complete and only a handful of titles left to shine forth a chance of hope, one has to won

Grimm Fairy Tales Armed Forces Edition is an alluring compendium of variant covers and past promotions which any dedicated Zenescope fan will want for their collection, but once again it is the story which is the real prize of the book.

This new series continues from Grimm Fairy Tales Presents: Warlord of Oz which is proceeded by Grimm Fairy Tales Presents: Oz. Without knowledge of the mythology presented in these series, a fledgling reader will not be able to follow along and will be hopelessly lost in a haunted forest or worse yet, a poppy field. Oh! Lions and tigers and bears. Oh my!However, if you are a faithful Zenescope reader and have kept up with Dorothy's adventures in Oz, then this is a great continuation of the series. The sombre mood remains intact from Warlord and this issue ends with the wonderment of what will happen next!

All heroes face these challenges to their beliefs and the results of their actions. But it's how they accept or fight against those tests which is what defines them. Will Dorothy be able to grow stronger from her challenges or will she succumb to them and join Malec and her mother Zamora?

But, how will the defenders of Emerald City be able to do anything if the Warlord and Dorothy are unable to find balance? This theme is echoed within both the green and the black - good and evil. One cannot be truly one alignment, everything is a combination of both elements. And yet, Zamora's bodyguard is supposedly totally corrupted by the black and the Gale does not want to accept that she is a product of her mother and the purity of Oz. This story just gets more and more intriguing!

I cannot wait to see what will happen next as mother and daughter reunite. Ironic that at the start, Dorothy kept rejecting the notion that she was nothing like Zamora and yet, as the story progressed, we start to see how much her influence had coloured her judgments. Of course, we are all a product of our parents, but with Dorothy, she never knew her mother, just Uncle Henry and Aunt Em; but, as she started to take responsibility for being The Gale, she had to know in the back of her mind that all of her mother's evil was in part due to her being taken away and just wanted to bring her family back together again. What will happen now that her greatest wish has been fulfilled? Will they live happily ever after … probably not!

The team of the Masseys and Bifulco have kept us at the edge of our seats as watch Dorothy Gale's latest legacy unfold in this series. They have unraveled the plans of Zamora to conquer Oz and her wicked ways to bring her daughter into the family business. And yet, we still see the human frailties which plague us all in these characters, even though our circumstances will never be the same; it is this uniformity which makes this story great. Through their actions will come the future of Oz, but will it be for good or bad? But why do we need to wait until next month to see how it will end?

The final story of Grimm Fairy Tales Presents Oz: Reign of the Witch Queen was an amazing way to close this mini-series and is a credit to the teamwork of the Masseys and Bifulco, however, it was disappointing that all of the essential points were crammed within one book. If the drama was extended into another issue and Dorothy's decision was drawn out, then perhaps the conclusion wouldn't have been so hollow. Even with this setback, it is a great way to end Dorothy's tale and hopefully will open other paths into her reign as the Witch Queen.

At first Coven appears to be another tale of fanatics trying to destroy their enemies, but as you being to understand Dartanian's misgivings and the hope of Baba Yaga trying to save Avril, it becomes something more. Calig's interweaving of the two viewpoints gives the story subtle tinges of reality which makes it all the more stirring for the reader's enjoyment; it makes you yearn for more and curious to know what will happen next!

All in all, this may have been a transition to the real action in the next issue, but it still brought meaning into the conflict. A moving story of hope amidst a war that has been raging for hundreds of years. If both factions cannot settle it amongst themselves, then perhaps their contemporaries can find another way to end the bloodshed? One can only hope.

With only two more issues left, this book has set up what will surely become an epic battle. But how can this motley pair hope to survive, let alone overcome what seem to be impossible odds? Guess we'll just have to wait until next month to find out!

However, to save us from that mediocre story, Diego Galindo enchanted us with another book of unending action! Bullets flying, bodies chopped in half, explosions, heads blown up and gouts of magic " what's not to like?

Grimm Fairy Tales Presents: Coven was an interesting premise of two young students' adventures into their perspective, although distorted, outlook of their own worlds. But somewhere along the way, the trail was lost and it became sidetracked into a non-stop action festival. While normally this would not be a bad thing, the emotions the story evoked in Avril and Dartanian were lost which is a shame since I think it would have made a more provocative story if the relationships were explored rather than the wholesale slaughter.

The entirety of the Wonderland series has been shrouded in the melancholy of the Liddle family. Three generations have succumbed to the madness of the realm and now Calie reigns over it. However, the prevailing tedium of the storyline is what drives the characters to fight against the insanity.

Has the Squire has shown her true colours? Or was she really on their side? Her silence now speaks volumes as her actions may now unravel the palace from the inside. Nightmares abound in Wonderland and its feast may have just begun!

Heflin continues to marvelously shape the world of the White Queen as she heightens the insanity of that land. However, this new story arc now introduces a new twist in the path, dragging Drew into Calie's delusional world. Hopefully, this character's interaction with the real world and Wonderland will allow a more complex interaction between the two realms, which the previous stories have lacked.

To see Drew drawn into Calie's insanity and then branded by Ace should make for an interesting reveal later on. But as for now, what will happen to Brayden? Will they be able to shelter him from the truth of what happened to his family - that Wonderland has claimed another victim? I cannot wait to find out!

However, Marc Rosete's artwork does save the story from mediocrity. The madness of Wonderland, especially the initial confrontation of Ace and the King, sets the mood where you can almost smell the dank atmosphere of that world. Even if you take the text off the page, the sinister glance of those cold pits Ace calls eyes are haunting and the story doesn't need words to describe what is happening to the characters.

I am glad to see that we have gotten back onto the path that we veered away from in the last issue, but the question still remains of what Ace plans to do with Drew. He went to all the trouble to drive him into Wonderland and then brand him with his mark, but you would think that from all that effort, his earthly captive would hold more value than to be some plaything for Red Rabbit. Psychological warfare would seem to be a speciality for this realm, but to toss aside his prize and not make any more use of him is a shame. Hopefully, we will see a confrontation between the two friends in near future, something that will shake this stalemate to the core.

Writer Erica Heflin has been building this conflict for Wonderland for quite some time and I am glad to say that the wait was worth it!

Violet is supposedly free of the Mad Hatter's curse, but we know that Wonderland will not leave the scion of the Liddle family alone without a chance to participate in its future. Just as Calie and Cheshire are supposedly exiles from that realm, we hope that Heflin and Sposito have more in store of this story, but we just have to wait and see what will happen. Keeping our fingers crossed that they will not be banished for long and they will keep us entertained for the foreseeable future!

Wonderland may have abandoned the Liddles, but the insanity has not left. It still has an influence on them and the world around them and that is what makes this story worthy of their effort. Although we may miss that psychotropic-induced state, this new playground is just as delightful if not more so since it can strike so close to home. Cults can take their grip and can just as easily draw us down, but hopefully it will not swallow us whole like it does to the Wondermen.

But the poison of Wonderland still influences the Liddle family with the distrust it sows within their ranks. Heflin and Sposito have brilliantly illustrated it in this issue and it is bound to get only better. The love between mother and daughter has been rend asunder and one has to question if they will ever be able to believe in each other ever again? We can only hope and continue to see in the future issues which we will gleefully await with bated breath.

The Liddles have settled another score with Wonderland, but the fight to cleanse it from Earth is not over. With each step they take, they seem to have a thousand more laid before them before the journey's end. Who knows how much more it will take to stop the insanity, but we all know, it will be worth the trip!

Dark Cheshire has always been secluded in the shadows, but even when he came out to redeem himself, his story was still enshrouded by his grim determination. It is refreshing to see one of the founding characters from the mythos get his own story by revealing what we were not expecting, which makes it all the more rewarding. But it still makes one curious what other mysteries are still hidden beyond the veil and how they will be told before the world comes crashing down with what we know will be a bloody battle for Wonderland.

Wonderland's toxins have once more poisoned another happiness which we take for granted as Heflin and Sposito display in such repulsive fashion. This issue of opposites makes one think as to how such pleasure can be taken from the act of ingesting nourishment, but at the same time, it can also turn over to the anguish of not being able to sustain oneself with edible food or the lack thereof. If the Tweedles are the chefs for the banquet, I will respectfully decline the invitation, taking care to keep a watch on my back if they ever need more supplies!

Grimm Fairy Tales Presents: Wonderland is coming to a close and the team of Heflin, Sellares and Paciarotti are leaving us with an unpleasant taste in the mouth. But this development only makes us want more, to see how much more convoluted the story can become before the end. With each step the Liddles take, they delve deeper into that bottomless rabbit hole and we can only hope they will not impale themselves upon Ace's talons.

Grimm Fairy Tales Presents: Wonderland is coming to a close, and yet the magnificence of that realm is not through with us. We have tasted that forbidden fruit, and it has forever tainted us by the rotten odor which remains but is that same tang which lures us back every time. But now that we can return to that realm, do we really wish for the journey to end " or will it ever truly be over?

Grimm Fairy Tales Presents: Wonderland has come to a memorable end, but as any loyal reader knows, nothing is as it appears to be, and even if you think you understand something, it can be undone within the confines of the next series. Madness and sanity intertwine within the world of dreams and it is the responsibility of the Liddle family to guard the realms from this land's influence. As such, the adventure is never over, for as one journey ends, the next is waiting within the whimsical grin of a Cheshire.

Grimm Fairy Tales Steampunk is an interesting twist on that old west movie where we have the hero standing against all odds and he is carry only a six shooter, but this time it is attached to his cybernetic arm! While it may seem unusual to see our old friends in this strange setting, it does fit the Zenescope Universe where unlikely events turn into exhilarating stories crafted from the depths of a world of magic and exotic creatures. Where the final issue will take us all depends on Shand and Martello, but we are sure to enjoy that wild horse ride, as long as the animal is equipped with its own set of bionic legs!

Grimm Fairy Tales Steampunk is a good way for someone new to the Grimm Universe to be introduced to the regular cast of characters before they start the standard fare of the established mythology. To be able to see these people with untainted eyes is really the only way to relate to them since any diehard Zenescope reader will be polluted to the concept of a new world populated by people we know. But, if you can put that prejudice aside and approach this series with an open mind, it is an enjoyable read " just don't leave with any expectations that we might see these scoundrels again anytime soon.

Grimm Fairy Tales: Apocalypse may have just started, but the magnitude of this adventure has reached a climax, so how can it get any worse? The Four Horsemen are coming and with them, the end of the world, but how can they be stopped if the heroes cannot stop arguing amongst themselves? Is Earth doomed to fall at their feet or can they put their differences aside long enough until the planet is saved? Darkness may have fallen, but amid the chaos, true saviors shall rise to save the world from humanity's foolishness.

The players have been introduced and the opposing force has been released, but with the story just beginning, we are given obstacles from which the heroes may never recover. To be able to level the playing field this early on in the narrative will shake the tale to the core, but at the same time, it will also strengthen the remaining members to forge onward ever more earnestly. Let us just hope that this new conviction won't result in more allies falling under the scythe and the rest succumbing to his companions while the world crumbles behind them.

While I may not like how the relationships are being tested within this series, the events which have caused their apparent demise may also be serving as a test. Every action we take defines us, it either strengthens or weakens us in the definition of what we call life. And it is within this limited time that those choices are plunged within a crucible, to burn away the refuse which hides the purest heart of the individual. If it is strong enough to endure the flames which measures us, then the person has been refined into a more stable core, capable of overcoming anything. Let us just hope that our heroes will rise above the dross to become people which we can admire ever more so than before.

I love how the shame of regret and the warmth of forgiveness are handled so brilliantly within this story. They burn without being consumed by intensity and yet, are not swallowed by what surrounds it. The passion of the human spirit never fades even when faced by impossible odds … and will prevail as it must to overcome adversity in the darkest of hours. How can you not wait with bated breath for the double-sized finale? Only the need to re-read the previous issues will overcome the hunger to know how it all ends.

As I close this review, I cannot but help to remember Dylan Thomas and his refrain: Do not go gentle into that good night. When I read this series, that singular line kept echoing in my head " its haunting meaning and poignant sentiment so beautifully underlined my understanding of the narrative. And now that it is over " the combination of story and poem tugs at my heart so much so that it is unbearably painful. I will sincerely miss the characters now missing from the Grimm Tales mythology, but at the same time, their passing leaves a hole which may never be filled or an opening for something even greater.

Grimm Fairy Tales: Dance of the Dead is supposed exist within a realm which has been touted as an area of no escape, and yet it has been proven in the past that with the proper rites, it is possible. And now with two new prisoners to the Shadowlands and the introduction of beings existing within this prison, is all that we have known before now to be proven wrong? That premise serves to expand upon our knowledge, and if this is just the beginning, I cannot wait to see how it will end.

With a third of the series now over, it seems we will need an endless ball of thread to find our way out of this maze of self imposed confusion. Although in the overall premise of the story there seems to be an objective, for now with the numerous flashbacks breaking up the consistency these seems to be contradictions to the entirety of the narrative. Hopefully in the next issue we will find the path back to the heroines and not be lost in more history of a former master, then finally find out how the title fits in with the struggles Jasmine and Mary which have yet to come.

Grimm Fairy Tales: Dance of the Dead constantly evolves from what we initially thought of as a escape plan from the Shadowlands for Mary and Jasmine into what it is now - a background story for the protagonist Gruel. While it may have begun as an optimistic tale for the pair, with barrages of obstacles driven by the wizard and transitions into the past to divulge how he has become the madman he is now, it appears the true path for the story has become lost in favor of his own ambitions. If not for the inundation of flashbacks, this might be an interesting narrative, but splitting the focus of the story between two time periods waters down the impact and makes both lesser than a greater whole. If the tales could have been separated into individual titles they might have made a better impact, but for now, both are suffering … which is a great shame.

Grimm Fairy Tales: Dance of the Dead is beginning to lose the value of an appreciative story all due to a lack of keeping us interested with what happens in front of us, instead of bogging down the narrative with too much intrigue and exposition.

As the climax for Grimm Fairy Tales: Dance of the Dead quick approaches, it seems we can expect one of two outcomes: either have the title end in an insane rush to close out everything or expand the outcome with more flashbacks which leads into a need to read the aforementioned companion title to see how this melodrama ceases. Either method seems dissatisfactory, however as things are now, there does not seem to be much choice as to how this foregone conclusion will dwindle down into what has previously been established. While I hope my conclusions are incorrect, at the same time, there seems little choice than to sit back and wait to see what happens within this misaligned narrative within the Shadowlands.

This could have been a good title, but poorly constructed transitions and clumsy information handling marred any chance of success, which is a shame for such promising heroines.

Grimm Fairy Tales: Tarot is beautiful piece of illustrative wonder, even if the story itself is a bit confusing. To finally give the Order of Tarot its own title may have been a great idea on paper, but the translation is lacking due to an incomplete cohesion of details which make up the entirety of the narrative. Then add to the confusion in thinking new readers could understand this dilemma without some kind of general background on the characters, settings or understanding what happened previously, and they will be in for a baffling fiasco. Since we might have now been illuminated after this first issue, hopefully the continuing story will make more sense in the near future.

With even more confusion added to an already complex storyline established from previous books, Grimm Fairy Tales: Tarot seems to be developing into an intriguing tale of deception and contradictions. While we are still in the dark about details from the Council's true motives and members, there appears to be a light at the end of the tunnel with the introduction of Shimmer and the Order of Light. However, even with these new clues to spice up the tale, will this prove to be the right choice or will it in the end, make this story all more convoluted to all but the most dedicated fans.

Grimm Fairy Tales: Tarot is becoming more watered down with each passing issue, introducing more story elements before we can understand the last ones or comprehend the reasoning as to why each occurs. Although in the big picture it may make sense, for the time being with each passing month, readers can become more confused without knowing the underlying facts as to each characters' motivations. And with Nataliya seemingly to have earned the trust of both sides, who is to say what will happen now that the Empress' paranoia grows stronger and supposed allies lose trust in each other? We can only wait until the next issue to see if the story makes sense or descends further into the depths of confusion.

Although the overall tenacity of the story is still intact, the underlying focus as to why the Order of Tarot was assembled has been lost due to constant infighting and distrust. Grimm Fairy Tales: Tarot is surely unfolding to show how even those united by a just cause can collapse due to mistrust within their own ranks. As such, it is this confusion which makes the narrative so cumbersome to read, trying to keep facts straight and which House is backstabbing another … so much some you almost need a flowchart. While spectacular artwork keeps the reader coming back, even this graphic treat cannot hold a collapsing story together for long. And with only two more issues left until the end, I do not see anything being soundly secured without sacrificing some essential story element along the way - unless this leads into a sequel.

While the larger focus may be lost due to so many factors being need to understand it all as a whole, Grimm Fairy Tales: Tarot seems to anchored to an event which will shake the Zenescope universe to its core.

Grimm Fairy Tales: Tarot may have started as a well meaning story, but it quickly became bogged down with too much political substance and lost the true essence of what it should have been " a tale of choices for Talisman.

Hopefully, future issues will have more assorted adventures or at least mix up the underlying narrative so that the ending will not be so disappointing.

Overall, while the book does have a good premise, the execution was not done cleanly to do it service in the short term. One artist would have been enough if they changed their drawing technique to portray the two phases of Adrian's trip, but instead, the two different styles conflict and muddy the path home. It is a shame since this could have been an enjoyable romp into Grimm's Tales of Terror.

While the overall maturation of Grimm's Tales of Terror was disappointing with the banal horror tales, the idea behind it could have grown into something entertaining if the writers would have created new stories. But, with the trend of Hollywood to remake classics for the current generation, you really can't blame Zenescope for their lack of vision. Hopefully the next volume will have a better mixture of ghastly ghoulies to frighten us instead of just amusing us.

This premiere issue may have its faults but the presentation of an interesting story and breathtaking artistry allows readers to ignore this stumble and hope for the best in the future. Grimm Tales of Terror Presents: The Bridgewater Triangle has a solid foundation which permits this fantastic team to create unique ideas that are unexpected for the series by basing the title within a real place and thus grounding the stories partially in reality. While the narrative may fall back on clichd premises, it is the promise of authentic lore and history that allows us to hope for more effective thrills yet to come.

Grimm Tales of Terror Presents: The Bridgewater Triangle continues to surprise readers with stories which are hauntingly moving as we experience it through the actors, and yet the brutality is not dependent on gore to get its point across, instead relying on psychological thrills for the chills. Then add the excellence of an artistic team that knows how to amplify the nuances of environmental scenery, and we have a series that continues to surprise with visual sophistication on par with any modern horror film. While the stories may sometimes rely too much on those same movies for foundational inspiration to anchor the reader to old tales of Hockomock Swamp, one cannot deny the mixture creates a unique landscape which never forgets the audience must relate with the characters in order to have the sense of suffering which connects us all to these unforgettable tales.

While Grimm Tales of Terror Presents: The Bridgewater Triangle may have begun with an interesting premise for the title, however somewhere along the way it became sidetracked via tangential stories instead of being dominated by what could have been a more memorable foundation. However with amazing imagery and spectacular colors, one cannot deny the series still was able to keep our interest until it was maneuvered back onto the right course through this morbid swamp, allowing the reader to become mired within the fear contained within. With the premise now set, we can only hope a welcomed sunset will greet us once again over the horizon for a chilling welcome back into the stories of a forgotten but wondrous place of true horrors.

The Slit Mouthed Woman is an enthusiastic presentation of a well-known Japanese fable, and though this adaptation may be a twisted version of the chilling urban legend, it creates a welcoming present for those unfamiliar with the vengeful Kuchisake-onna, acknowledging a chilling narrative to be fully embraced within the unsettling arms of Grimm Tales of Terror. As we are temptingly lured by wondrous illustrations and pleasing color designs, it is the uncertainty of what may happen which makes the tale so haunting for Western audiences, we becoming numb to the constant violence of repetitive expectations, and yet it is this new horror which most may not be aware that derives the subtly of gradual surprises before unwary eyes, tension building against an uneducated reader and the clueless narcissist who will not accept what is to come. Although we may have wished for the adulterous protagonist to suffer a fitting punishment for his multiple bouts of unfaithfulness, it is the grim memento

While The Backseat Killer may attempt to present a compelling narrative within the chilling confines of Grimm Tales of Terror, it falls drastically short due to a misleading synopsis that presents expectant readers with one haunting scenario, then at the last minute changes the presentation for something that is sadly predictable and too dependent on true crimes and clichd horror tropes, attempting to cheaply dramatize the suffering of real victims for the entertainment of an exasperated audience. Even the normally respectable artwork and colors fall short within this tedious spectacle, with forced expressions and exaggerated visuals made dreary due to muted tones, but as exhausted readers become adjusted to these unusual depictions, they do project something mildly emotive, and only as we near the conclusion can we chuckle at the misery of a dejected criminal. But now able to contemplate the leading nature of this troublesome story, one has to wonder how it so quickly descended into m

While The Body Thief may attempt to present an unique exploration into the plights of disappointment and misery, it is a peculiar choice for this issue of Grimm Tales of Terror to discard human morals in order to scrutinize the misfortune of something otherworldly, making an once enticed audience curious if this is still a study in humanity, regardless if the monstrous entity may sufferer under the emotions from his former host, all while fueled by selfish greed and morbid curiosity. Yet as we delve into this forbidden knowledge, one has to wonder if Keres' forward guidance will be welcomed in the future, in spite of her bold visual alterations and somber tonal atmosphere, causing this bewildered audience consider how many tiresome movie clichs can be fit into one story, while it gradually leads readers toward a predictable result. Even as experienced fans question when the consequences of an apocalyptic disaster will strike the Grimm Universe, it is the dedication of this resolute god

While this evolution of Grimm's Tales of Terror is a nice change from the previous series, it still feels supported by the underlying story. However, by modernising it with such a sensitive subject to bring in more readers to this important issue, and also makes it a better story. This is a good beginning for the new volume and I just hope that this torch is passed along down the series so that it ends in another shinning moment and not a disastrous deluge.

It is a shame that this story was derailed by a monster story instead of a treatment for the title's namesake " I was looking forward to reading an interpretation from a beloved author. Instead of changing the story midstream, it would have been interesting to follow the tale out to the end. Perhaps next time the writer will remember that Keres is the narrator of the series and thus, allow her to tell the tale instead of one of the characters relating the story of his own death.

Although this tale didn't have the chills or outright violence as previous stories from Grimm Tales of Terror, it does fit nicely into the anthology. The psychological breakdown of the main character is another kind of horror we don't usually see in lieu for the current generation's need for the gross out instead of a silent killer. If the two methods were able to combined into one story, this issue would have had a more impact, but sadly it just hints at what could have happened instead of showing us what did happen.

This issue of Grimm Tales of Terror colourfully illustrates the concept of what would happen if the inmates took over the asylum. How appropriate that the story starts and ends with Keres greeting the visitors while smoking, almost as if she were Morpheus, the God of Sleep, puffing on an opium pipe. It is a pleasure that the team of Yockey, Watson and Rosete brings this insanity to life as the strength drains from your dreams when you finish this terror and then try to sleep tonight. Better keep the lights on "

This issue of Grimm Tales of Terror wonderfully shows us that not all horror must be bloody and gory to give us a fright; it is the psychological thriller which works upon our emotions and leaves a much deeper and longer lasting impression. However, it does not have to be preachy to teach us a lesson, all it has to do is to be able to strike a chord by which we all have a common familiarity in the final outcome of the story. Shand and Rosete have done it in this issue and it deserves several re-reads to delve into the nuances of what was uncovered on that last page.

Any way you portray this tale, the disturbing plight is truly valid " never keep secrets from your mate! This issue of Grimm Tales of Terror shows that you don't need overt gore to make a story creepy, just a great story and art. The team of Morgan and Eric J have given us their interpretation of the classic cheating spouse, but this twist of the knife makes it their own and unique to the Zenescope theme. The ebony feline menace has always been rooted in our deepest fears and now we have a new way to chill us to the bone. Magnificent!

Clarity is best at times and this is one of the times, but in this case, the narrative and illustrations combine to make a harmony which could not be accomplished separately. Shand, Tedesco, and Del Pennino have synergistically created a horror show which I would have liked to see more, if not for the unfortunate demise of one of the protagonists, but perhaps Alex will make a return. The dynamic of this character is what makes this story all too real, her sober attitude as she lures in the prey then pouncing, savoring the taste of a fresh carcass. Alpha males " watch out for this Alpha Prime female!

The Monkey's Paw has always been a standard of the horror genre and this interpretation by Toole and Hill is no exception. They were able to modernise a classic tale by bringing to light one of the classics of literature which any reader can relate to: Greed. A desire for all ones needs to be granted and the lengths which some will go to accomplish to meet that goal is something anyone can connect to makes the story all the more based in reality instead of the mystical. A talisman is not needed to motivate someone if the want is challenging enough " just a wish to become greater than your own means, in other words " a dream.

The Bogeyman makes one doubt which is the reality of purpose as we see how lies can make both seem real. But are they lies if they uncover what is one creature's truth can also become another's? What is a dream might be reality and vice versus, but is the dreamer the one who is sleeping or the one who is awake? This story by Brownfield, Eric J, Gamboa and Ruiz questions that fact by substituting one horror for another, making life a nightmare and the dream what Ben wanted. Who can protest when even logic is faulty and it itself is in question? A magnificent issue for the Grimm Tales of Terror archives and one which the reader dare not release out of sheer terror from The Bogeyman.

This story is a cunning illustration that we never know what is concealed within plain sight, or that we can't understand what we are capable of unless we are confronted by our worst fears. While most of us may never recognize these circumstances, we can all understand the motives and their illogical conclusions, even if they are for the best intentions. Tedesco, Shand, Kivela and Lesko shows us one family's option, but let us hope that we all won't arrive at the same solution if we are confronted by a similar situation.

This story may have begun as an intriguing translation for a well-known cautionary tale, warning of the need to help your fellow man, but somewhere along the line it veered off the road and landed precariously perched on the edge of a steep cliff. While Lopez and Bonet may have tried to save it by digging in their creative heels, however, neither of their efforts were enough to save it; although both attempted to anchor it to a stable foundation, that ground crumbled quickly due to too much force being used in the rescue effort. This is a shame since while they did give it their best, too much force can be just as bad as too little " and we can see how either can result in a fiery explosion.

Brownfield, Menna, and Bevard have turned what could have been a simple story into one truly worthy of the title Grimm Tales of Terror. We all live in a world of technology and trust it to protect us in times of need, but to have it perverted in such a way is what makes such a violation sincerely chilling. These predators will always find a way to catch children unawares, and perhaps this tale can become a cautionary warning, however, the lingering terror still lies just a computer screen away, and that is what makes this issue all the more monstrous.

The final issue for this volume of Grimm Tales of Terror suits well to close the book on another haunting chapter of this series. While this section did have its highs and lows just any anthology does, the majority of this collection had quite a few which stuck out like glowing eyes in the night. I cannot wait for the next volume and let us hope that it will be able to better this one, but that will indeed be a tough calling.

But no matter how good the story may be, the artistic interpretation must be able to keep pace with the story and illustrator Umberto Giamp shows us with unerring detail how raw anyone would be in this situation. The expression on Tom's face tells us all as we watch him turn from hopeful and then once again fall into the depths of his addiction. You can almost feel the rage explode as he thinks he is being cheated, but then Robby Bevard's palette of colors adds to those moments with the gradual emphasis on shadows and darkness. The white backgrounds of the page only magnifies the tones in each panel, grounding the tension and allowing for the release with each passing moment. This combination of action and color builds with the story, allowing for the reader to get caught up in the narration, until we reach what we knew would come " a lesson of karma spiked with greed.

The teen thriller is a cheap way to get a good scare, but I don't think it is appropriate for Grimm Tales of Terror unless you incorporate some kind of urban tale into the mixture. The movie genre is too predictable, thus spoiling any anticipatory moments in which you can sneak in a surprise. And with the way this story is heading down the wrong path, I don't think there will be a sequel.

I will never look at another person's eyes ever the same again " for while they may be the mirrors to the soul, they can also reveal the deepest of intentions. The team of Shand, Riccardi and Cuomo have managed to create a world in which not everything is as it appears to be, but that in itself will divulge the truest of motives, whether they be for salvation or ill will. Everyone has a secret fear simmering deep inside, just waiting for the proper circumstances for it to boil over, but if they can contain that conflagration, that will determine who can emerge to survive another day within the stirring tempest of life.

This is the kind of narrative that I want to see in Grimm Tales of Terror " not necessarily an urban legend but something grounded in reality with just a touch of the sinister. Other stories that hit you with an outright fright don't really work, the impact is too soon to be very effective. It is the build up that makes an issue like this more thrilling, showing Keres before the fact instead of afterwards, her small speech being a clue as to why she picked them. I sincerely want more of this type of story, but suppose there are only a limited number of times in which you can squeeze that red nose before it runs flat " too bad.

An inappropriate story and questionable artwork can sometimes work to bring forth an unexpected surprise, but regretfully this tale did not bring forth such a pleasure. With a clumsy narrative and roughly hewn illustrations, this issue quickly falls apart and does not offer any attempts to sway us from the obligatory conclusion. Perhaps I am biased due to the original premise, but either way, this story does not have much to contribute to the Grimm Tales of Terror legacy.

While the premise of this promising urban legend was a prime choice, the execution of both story and artwork effectively ruin any chance of this tale having any true horror. Pallid narration with trite characters and a feeble story are combined with a deficient selection of colors to add up to a mediocre issue within this series. Although the tale did have an original ending, sadly it was too late to breathe any life back into this sickly creature, leaving the reader with a foul taste which lingers long after leaving those fetid tunnels.

The Devil made me do it takes on an entirely different meaning when we see it through the eyes of desperation. And yet with the talents of Tedesco, Rodriguez, Gamboa, and Ruiz this story takes on a life of its own, thanks to the synergy of word and art. Something which should have been ordinary now becomes a wholly different tone due to a creative twist and the illustrative worth of being able to interpret this literary vision. I for one am glad they decided to take this risk and show us a different side of a classic tale.

Sadly, I am sorry to say, after all of these stumbles, what we end up is a story which is silly and superficial. While it might have had some greater underlying intention, when two artistic perspectives are carelessly intermingled, any literary value it had is quickly lost. The concept of showing how vain and egocentric people can be to be popular by showing off is an interesting moral lesson, but with a strangely fitting tangential tale and poorly executed graphical positioning, this tale of terror quickly looses its punch. This is a shame for it was better executed, this issue could have been transformed into an acceptable story, instead of becoming a train wreck.

With a weirdly twisted story of wrong place, wrong time " Brusha, Diaz, Gamboa, and Ruiz compose a tale which wonderfully fits in the Grimm Tales of Terror anthology.

The ravings of a madman may have been something which fit comfortably into the Grimm Tales of Terror series, but with too many repetitive musings, it quickly makes us lose interest. Too much blame and not enough action waters down the story and with artwork which vainly tries to keep up failing, the issue is a disaster waiting to happen. Then add to the confusion a narrative which tries to take on too much within a limited space and we end up with something akin to a train wreck with all the build up, but quickly derails into a fiery crash from which there is no turning back.

Although this narrative may fit within the realm of the Grimm Tales of Terror series, when you compare it to past tales for shock factor or simply leaving a lasting impression, this issue sadly falls short. Perhaps it is the combination of familiar stories elements and understated artwork which fails to make an impact, but whichever the reason, it is mediocre at best. The expectation of Halloween's mischief may also play a role, but all in all, it is disappointing to see this type of story revealed within a title which is known for its horror and not ending with a bad taste in our mouths.

With the combination of an evocative story and artwork which stirs intrinsic emotions, this issue of Grimm Tales of Terror will become a classic unto itself. You cannot but feel for the protagonist with such a loss and when given the chance to correct such tragedy, who could not place themselves within similar circumstances? To live with emptiness or relive with happiness, while it may not be a wise choice, when love is involved, who can say it is not the best decision?

Ligeia may have been an overlooked Poe story as opposed to his other popular prose, but thanks to the phenomenal collaboration of Brusha, Idris, Gamboa, and Ruiz, it has now become one of my favorites. With an interpretation which brilliantly modernizes this sorrowful tale and artistry that only broadens the audience due to eye catching imagery plus bewitching tones and shadows, this issue of Grimm Tales of Terror is sure to become an icon of the title, no matter what age it is read. This is the way to bring an end to a marvelous volume of the series, and hopefully make the next author doubt whether he/she can top it, all while striving for the greatest quality.

Grimm Tales of Terror has always been one of my favorite titles of the Zenescope line, but this issue left me with an unsatisfied hunger for a tale which had a less pronounced bite. While the art salvaged the book due to a formulaic story, the overall narrative still has some interest due to the possibilities of what is to come. I cannot wait to see how these inklings will develop into what hopefully will be a worthy movie, but at the same time, wish we had more focus as to how everything will envelop us into Keres' world.

If there is one lesson to learn from this story, it is simplicity works better when trying to communicate complex human dilemmas rather than overuse of tension-filled clichs.

By gently unfolding the narrative and then intensifying it toward an inevitable conclusion, it allows the reader to become emotionally invested in seeing a happy ending, but as this is Grimm Tales of Terror, we know this will never become reality. However with likable characters and a clichd bully, one can always hope " even as we know pleasant wishes will never come true within this title.

Due to a tale which lacks originality in both literary and artistic endeavors, this issue falls short of the chill factor which allow it to be called a successful attempt for the Grimm Tales of Terror namesake.

While I do admit the underlying premise of this issue is nothing new, writer Shawn Gabborin does offer it with an intriguing twist by presenting the protagonist as unsuspecting, only to show the gruesome truth at the end, even if at times the facts are shown almost at a painfully slow pace.

This narrative was delicious in its poetic irony, made all the more cunning to see the past finally catch up to this villainous scoundrel. Using muted illustrations and colors made it most effective, matching story and art to create an issue which will become a standard. It allows the narrative to speak for itself and not allowing gore to overcome a brilliant story, instead letting it accent the end making the whole all the more concussive in the thrilling conclusion.

With an approach enveloping the urban legend foundation which this series once used so productively, this issue becomes a standout against the trite horror stories which others have tried to scare us with an inappropriate use of gore or violence.

With a tale which seems out of place within the Grimm Tales of Terror title, I begin to wonder why it was presented as a story for one of Zenescope's best books. Although the conclusion did have a bit of psychological fright, the build up was unappetizing, leaving a bitter flavor within the reader's mouth due to a lack of palatable nuances which would have made it meaningful to consume. It is only thanks to the skillful presentation by the artists which made it semi-tolerable, and if not for that begrudging compliment, I would have immediately sent this dish back to the kitchen for some much needed holiday seasoning.

This is the kind of story which I appreciate the most " one which shocks us while allowing our imagination to jump to conclusions, only to end with an unexpected twist which fulfills our need for justice to the restless dead.

On the surface the story appears moralizing, striking the reader with a tale for a need to take care of the environment, and yet as we read deeper you begin to understand the underlying meaning. While the fundamental basis of corruption is universal, the idea of nature taking revenge makes you wonder if there couldn't be something out there waiting for the right moment to strike, making us all suffer the punishment for a few greedy entrepreneurs.

To witness a such a stirring story with thrilling visual excellence is indeed a treat for the eyes, but to become absorbed within the characters is something entirely different. While I would have appreciated the issue more if the narrative did not stray from the source material, it is still interesting in its sincere attempt to open our mentality to legends of other cultures. But in the end it falls into the fallacy of needing to Westernize stories to make it more amiable to audiences, when instead they should have taken the chance to keep the myth as close to the original without a need to dumb it down to make it more accessible.

While the clichd story of this issue may make it unappealing to some, it is the normalcy of the gripping artwork which makes the tale worthy of a brief stint within the supernatural. To suspend disbelief in what we acknowledge is possible makes this issue entertaining, permitting for a disjointed sense of reality to take over and allow for panic to show us what people are capable of once they venture into the impossible. And while this genre of horror is not for everyone, a temporary visit can be amusing to reinforce our system of reality and expand what may be feasible for those who wish to believe.

It is appropriate for this volume of Grimm Tales of Terror to conclude with a fascinating drama which allows for story and illustrations to coalesce into a story wonderfully fitting for the title. While the entirety of the run did have a few bumps in the road, a majority of the narratives did make for frightening tales which allow for a success in the overall scheme of the series. It is with these fond memories do we look forward to seeing how they will top this run and wonder with bated breath as to how this franchise can improve in the near future.

Hell of a Job is a welcome departure from what we expect in an adventurous comic book, presenting a relatable heroine whose work life seems too much like our own, and yet the surprising turn which she uncovers makes enthralled readers glad they do not have to suffer the horrendous misfortunes the truth uncovers, allowing us to live vicariously through her whimsical misery, all as we are profoundly amused by the trials she must undergo to escape from ruinous downfall. Yet as we become ever more engendered by Addams' conflicted outlook over her tragic workplace, it is the immersive illustrations with wondrous expressions and a rich array of colors that cause an involved audience to voluntarily dive into this problematic rabbit hole, the fantastic artistic synergy drawing us ever deeper into a fiendish landscape, with the struggles of doomed humans hanging in the balance, and this befuddled office worker fighting for us all. Even as we wonder if her wanderings through a problematic bureau

Angelica, the demigod daughter of Hades and the victim of the most powerful vampire in history, Dracula; even the god of the underworld could not destroy him and now his child has that monster's blood flowing through her veins? What kind of results can this catastrophe bring to her father's world and the realm of man? And will Liesel be forced to hunt down this innocent to save others while at the same time trying to rescue her from the destiny which Fate thrust upon her? Only the next issue will show us, and I for one, cannot wait!

Hellchild is growing into your atypical problem child: a young woman angry at the world she once knew and then awakened to one she never knew or wanted to accept; but now she is a horror with powers and new experiences thrust upon her without any warning, driving her into a corner, and she can only accept her position by lashing out. However, this is not some spoiled kid you can send to her room and her tantrums cannot be contained. If you thought a hormonal teenager was bad, then Angelica is your worse nightmare. But this is one terrifying dream which I hope will never end!

Hellchild is evolving into a sensational title whereby the characters are driven more by their emotions instead of the actions brought forth by that enthusiasm. Each actor has a history by which they are defined and that story has crafted them into relatable antiheroes through which we can understand primal fears such as rejection and wanting. We as readers are sympathetic to those concepts and it is due to that empathy that one draws a deeper connection to the individuals, especially Angelica. Hopefully, her conflict with Hades will be concluded with an amicable ending, but if not, we will surely enjoy the journey dictated by Shand and Riccardi to their inevitable fate.

The end is coming and Hellchild is blooming into a magnificent work enveloped within the need for understanding and compassion. As we see Angelica changing from a fierce young woman wanting vengeance and now beginning to question her own truths, the bitterness she carried is poisoning her determination, changing it to confusion. One cannot but wonder how this will affect her convictions, but with Shand, Riccardi and Bruni manning the helm, wherever the adventure takes us on this final leg, it should be a fun trip!

Hellchild is a stunning epic enshrined within a sanguine odyssey, all stained crimson with lyrical artistry worthy of a Grecian tragedy. The search for redemption is something which we have all attempted at one time in our lives and it is this adventure which makes this story worthy of acknowledgement. We can see Angelica as a troubled child and the brutality of her tantrums only seeks to reinforce her anger and as such, once she does accept her faults, the pleasure of seeing her overcoming them makes the story all the more satisfying. Zenescope has welcomed a new member to their extraordinary family, and I for one cannot wait for her next adventure to grace these pages.

Hellchild: Blood Money appears to have the proper tone for a title of the franchise, but as of this premiere issue there are elements which are quite foreign, both literally and of a graphic nature. Although I can accept these missteps as an attempt to create a proper environment for her new adventure, for the time being they make Angelica feel out of place, exposing the reader to a new side we never knew. However now that the exposition for the main plot has been laid out, hopefully, the next issue will give us what we want: a presentation of the cunningly feral heroine we are waiting for and a need to see Hellchild unleashed within all her primal glory.

With a flurry of violence Hellchild: Blood Money begins to enthrall us within the ferocity of Angelica's world, all as the story slowly unfolds in a manner which makes us and our heroine become more interested in what at first appeared to be a slow to develop narrative. But now that we have become hooked by the foul mechaniations which Tor who manipulates behind the scenes, hopefully the intensity will only become all the more enthralling. And as we await with bated breath, you can only ponder in anticipation what will arise from the depths of this stygian abyss and hope it will only get better with age.

And so as we approach the final confrontation, Hellchild: Blood Money attempts to draw everything to a worthwhile conclusion, however with a lack of any finite details as to the motivations for Tor we still do not know what to expect as everything collapses around Angelica. Even with an alluring rise in the depiction of our devilish heroine and a moving color change to envelope the audience, the title still lacks in any tangible action to stir our foundational interest. But as the odds now appearing stacked against Blackstone the story tries to draw the audience ever deeper into what hopefully will be a promising ending, however as we stand on shaky ground the premise seems lacking in many ways to keep what may be a hollow promise.

While I can understand this is a new start for the vampiric demi-goddess it appears this introduction has not cleared all the rocks from the path, leaving the series with dubious choices which could have been a grand launching point for the Hellchild.

Hellchild: The Unholy has us enraptured within a comforting, blood soaked blanket of gore that makes us want for more as Angelica discovers herself from beneath her shroud of insecurities. Nothing or no one can hold her back now, but we have to wonder if that is wise to release her onto a city which never sleeps. And beware the toothy yet friendly grin, for you never know what Angelica is pondering behind her cold eyes. Clean up … everywhere! Get the industrial size mops and several dozen gallons of enzymatic detergent - this is going to be a messy funhouse!

The blood keeps flowing, Angelica's rage grows ever more intense and the end of the villain all this soon? However, even within madness there is a tinge of sanity and from it there that are hatched the most ambitious ploys. Seems like even a Hellchild has her price, but has Angelica unleashed something which even she may come to fear? I cannot wait for the next issue " as something wicked simmers within the streets of New York.

Now that Angelica has had a taste of what her father now considers a normal life, can the Hellchild really turn back to her former existence? This issue is so defined by the actions of the art and the intensity of the story that it is a shame that it had to end. And yet we as the audience have to reflect on the meaning of the Ouroboros: the symbol of a snake consuming its own tale in a continuous cycle of destruction and creation, a double meaning for the tale. On one hand we have Nestor remaking himself as what he considers should rule over humanity and then we have Angelica; she is someone who was once human but now burdened by a monstrosity which lives inside, threatening to consume her very existence … all dependent on the choice she will make. Can she really live up to what she see as Hades now or will she succumb to those thirsts that now drive her? I cannot wait to see how this series ends!

How can this story get any better? We are quickly approaching the finale with the next issue, and yet, this powerful narrative created by Shand and forcefully portrayed by Rodriguez and Baiamonte only gets better with each passing book. The struggle of Angelica against the persona which she displays as Hellchild is so remorseful in candor that it makes her all the more remarkable while she struggles for the clearest path. How can you not feel the duality which seems so familiar, but at the same time, is foreign as to what she must truly face: to fight for or against Humanity. That is what makes this title such a delight to read and I cannot wait to see how it ends!

Hellchild: The Unholy is magnificent in complexity of ideals and phenomenal in application of feelings against a father and a society who never acknowledged a neglected child. The synergistic balance of a tender story of parent/child conflict and acceptance, interspersed with the relentless onslaught of lashing out against anyone who gets in her way, has sincerely made Angelica Blackstone one of my favorite Zenescope heroines.

The story of Mercy Dante has once again be opened before us and this premier issue has presented an anxiety ridden story which can only get better. Her journey for Lucifer has just begun and it has already opened something which this bounty hunter may wish she never angered in the first place. Let us hope that the team of Tedesco and Bifulco can create something that will satisfy our curiosity and morph into a story that will keep us coming back for more.

This issue of Inferno: Resurrection is a good story, but the execution is lacking in the presentation. The team of Tedesco and Bifulco are hopefully building up to a better book next month, but for this one, we are given something which is lackluster and better suited as a filler piece instead of one which does justice to Mercy's duty as Lucifer's bounty hunter. Let's keep our fingers crossed that we will be rewarded for our patience with the return of a blockbuster spectacle instead of another arduous explanatory tale.9

Tedesco & Bifulco's tale of woe has reached the mid-point and now that Raum has noticed someone's pursuit of his endeavors, hopefully, the pacing of the story will pick up. The need of Mercy wanting to help others is in her nature, but the failing of wanting to save everyone and thus causing her to question her own motives is what drags down the narrative into a moralizing drama instead of a daring adventure. With only two more issues to go, the story can only get better, right?

With Mercy nearing the end of her adventure, Tedesco and Bifulco's artistic team are trying to keep pace with the story, but the narrative is quickly losing its core tone of being an adventure instead of a sermon meant to teach us a moral lesson. Somewhere between the beginning and now, it seems the narrative was sidetracked by the bounty hunter's need for salvation instead of doing her job of collecting demons causing havoc on the human race. Let us hope that the story's tone will change for the finale, otherwise, we will be in for a long ride.

Inferno: Resurrection may have begun as a rousing adventure with Mercy Dante into accomplishing her goals as a demonic bounty hunter, but somewhere along the way it lost itself within redemption. While this is a great motive to drive the series, to have it underlay the foundation while turning it into a morality is a waste considering the actions which she portrayed previously.

Jasmine: Crown of Kings is become a fascinating view into an underused character, however with a slow beginning, there is nowhere it can go up with such a dynamically endearing story. Jasmine always seemed to be a woman with a dark past, isolated from the world while in service to a sadistic master. And while her personality has opened up since her introduction, there has been a part she has kept hidden from everyone, including herself. And now with an enticing title to show us her heroic side, I cannot wait to see how redemption will fulfill a pledge to herself and the security of knowing the audience will be rewarded with a tale of unyielding compromise and wondrous satisfaction.

Jasmine: Crown of Kings is slowly becoming a tale of bravery, but the development is slanted by a narrative which makes things too easy for our protagonist. To show victory in every conflict may seem glorious, but at the same time, this lack of loss leaves the reader with a hollowness which is never satisfying. It is only the sensational imagery created by the artistic team which gives us a need to return, but hopefully, in the end, a combination of literary and graphic talent will allow us something which neither could accomplish on their own.

Jasmine: Crown of Kings reveals to us a twist which seemed unexpected, but at the same time fits into character once we know who the true villain and those hidden intentions. However to see Ali actually confronting Jasmine face to face seems strange, since in the past he is known as a master of manipulation, using pawns to guide events for his own ends.

While this preparatory issue may seem leading into the conclusion, Jasmine: Crown of Kings only heightens our need to see this adventure through, in all its spectacular splendor. The gripping story and phenomenal artistry usher the reader into a epic tale of struggle against impossible odds, however as we leave this cliffhanger, you cannot but acknowledge there is something planned for the finale which may seem expected, even if it is meaningful. A former genie versus one with the ambition to win at any cost, although this conclusion is inevitable, you cannot admit the build up will definitely be worth the wait.

Jasmine: Crown of Kings may have begun as a worthwhile underdog narrative, but due to the ease of victories it soon escapes those boundaries into a tale of unlikely aspects and unbelievable predictability. With simplified conflicts and overly convenient plot devices, the story becomes blas and it is only due to an outstanding artistic display which rescues it from becoming another heroically formulaic epic. However, in the end, this series does expand on one of my new favorite heroines and hopefully, it will not be the last we see of our formerly all-powerful genie.

If this is the kind of empathy that is invoked by just the first chapter of these prequels, I cannot wait to see how the remaining ones lead into the movie!

How one simple twist of Fate can make a difference is what makes this trilogy such an delightful read! Instead of landing in a cornfield in Kansas to be raised by Ma and Pa Kent, this same baby is thrown into the lives of a poor migrant family who has to struggle to survive. Harsh work conditions, a promise of not to use his powers and the frustration of that same vow, all fueled by the wish for the American Dream - this all leads into a different destiny. How strange that one change can make all the difference. Ironic and disturbing at the same time, but that is why this is such a good story! Can't wait to see how this new Superman will make a difference in this new world, for better or worse.

Maybe I am too brainwashed by the modern depiction of Wonder Woman to give this version a favourable judgement, but I am used to seeing Diana charging in with bullets bouncing off her bracelets and a sword swinging; after all, in the current storyline, she is now the God of War! How would she be able to change so drastically after all that she has seen and done? This is the same logic I am using to dissect this representation. Someone so drenched with the blood of her enemies cannot leave all of that behind his easily. Perhaps we shall see how it develops in the movie, but for now, this tale falls flat for me.

Although Killer Kobra: The Hunt Begins may attempt to ingratiate a seasoned audience with recognizable faces in order to propel the narrative forward, it is this same reliance on familiarity that makes the story too predicable and seemingly unable to stand on the merit of its own characters, even as inklings of Tyler's tragic past keeps readers interested on how everything becomes one cohesive tale with the hope of engrossing connections.

While we may have been initially intrigued by a curious title such as Killer Kobra: The Hunt Begins, the unsteady journey to our current predicament has been at the cost of a fulfilling story, precariously managing the attention of the reader while balancing the expectations of an anxious audience who wish to know more about these new characters and their tragic past, but also permitting an entertaining melodrama around our heroes which does not lack the appropriate excitement to keep us from getting bored. Yet while the series as a whole may have mildly succeeded on the first aspect, it is the secondary factor where it suffers due to a dependence on outside characters pushing the narrative forward, never truly allowing either Kobra or Stick to shine as we adjust to its frustrating dependence on clichd themes to connect each of the familiar plot points. Even as interesting imagery and vibrant colors keep us motivated to continue through to the end, the series falls short on satisfying

As King Dracula continues to fascinate an invested audience with the bitter struggles of its namesake protagonist, insightful readers cannot but consider the underlying theme which motivates the story itself, the offensive arrogance of vampires which makes them consider themselves superior to all, propelling their bitter rivalries forward as careless mortals are caught in the fallout, even if they may acknowledge their involvement, until they are no longer relevant. Yet as fantastic illustrations and sobering colors lure us deeper into this upcoming battle which may expand beyond their limited purview, one cannot but be enchanted by the return of the Blood Countess, her alluring cooperation perhaps the pivotal crux of this fruitless struggle, all as Dracula continues to cleave away any resistance, even though he fights by himself. With no one willing to help this once proud noble, past actions have proven to be the bane of his growing isolation, even as his own daughter shuns the one p

Lightstepon the surface appears to carry a nauseating premise, allowing the concept of superiority to carry forward under the charade of a holy crusade for racial purity, making the story unsavory within a serene utopia. However as we become endeared with January and her rejection of those principles, the title undergoes a startling closing transformation, showing even those raised within this environment can see the truth, all hidden within sacrifices deemed necessary for the good of all. With subtle color choices and stunning illustrations used to bring out the beauty of both sides, this title appears destined for a deeper social consciousness, but for now, all we are left with is a narrative which is perverse in its lack of initial morality.

In terms of the narrative, Lightstep is trying too hard to establish a foundation from which to create a tangible world, but at the same time, it is the outstanding visuals which keeps readers coming back for more.

Lightstep began as an interesting premise for a series: to expose an isolated girl to worlds of infinite possibilities outside her sheltered existence, and yet this concept seems to have faded in lieu of introducing intrigue instead of optimism.

This issue of Lightstep leaves the reader with a cavernous shallow feeling by allowing a needlessly complex narrative take over in order to show the reader a simplistic background story for someone who should be a secondary character. While the tale was interesting the title still ignores the protagonist in lieu of introducing us to the effects of the Lightstep, but at the same time, this may be necessary to continue the underlying premise in a believable way. However why ignore the innocence of January if they were going to concentrate on Jazzman from the start? It is only the fantastic artwork which keeps the audience attracted to the title, and if this how the series will lead us to the end, then was this journey and all the side trips really necessary?

Lightstep began as an interesting story for exposing a sheltered girl to the wonders of the universe, and yet it quickly became an overly complex and convoluted space opera which was lost within its own meandering story.

Man Goat & The Bunnyman is an odd narrative which attempts to create a relatable story between contrasting characters, but as the title grows in the complexity of balancing business with desired pleasure, it makes one wonder if these polarizing personalities will ever be able to settle things amicably. And yet with sharply humanizing illustrations and colors which ground the characters to people we might know, the series strikes a resounding chord of sympathy while becoming grating due to the constant clashing between the friends. But as the story pushes forward, the images become consistently darker in their overall attitude to project the underlying strain which these cryptids are exposed to on a daily basis, making the reader question if either will survive until the end.

With outstanding illustrations and reassuring colors, the wondrous visual presentation allow us to welcome these friends into a world which does not accept them, made all the more frustrating as Phil finds success and Floyd is constantly berated by someone he considers a companion. But for all of his numerous faults and the callous treatment of his timid partner, it still makes us wonder what deeply rooted connection these two have which would cause Man Goat to endanger himself for Bunnyman, and with the conclusion quickly approaching, we shall have to wait to see if anyone survives this final conflict.

Man Goat & The Bunnyman may have given us a bitter introduction to the troubling connection between these quarrelsome friends, but as we slowly witness the truth behind the caustic nature of ruminant versus the navety of rodent, one cannot but become inspired by the complex relationship which relies on readily trusting each other, no matter the test which they must face for sincere understanding.

Man Goat & The Bunnyman: Beware The Pigman is welcomed return to witness the amusing escapades of missed friends, and while this series is a pleasing introduction to this argumentative duo for new readers, the nostalgic appearance of an unseen foe makes it a wondrous recollection for those who know this world all too well, even if the underlying influence of a foul goat god makes the story seen all to familiar in his determination to retrieve a wayward offspring. As impressive images and somber colors cause our interest in the story to grow with each page, it is the sincerity of our heroes to care for the unfortunate which makes their adventures so endearing when compared to the selfishness of people, even as we witness these misfits presenting themselves as being more human than those born as emotional representatives of contradictions. Yet once we witness the determination of Baphomet to reclaim his son at any cost, we have to wonder if it is family he cares for or a way across r

Man Goat & The Bunnyman: Green Eggs & Blam! delightfully reminds loyal readers why they missed this odd duo so much during their brief vacation, for while we may regretfully cringe from their constant fighting over nonsensical arguments with simple solutions, it is the underlying bond of resolute friendship which brings them back together again, no matter how contentious the issue which begins their predictable theatrics.

While Man Goat & The Bunnyman: Green Eggs & Blam! manages to retain the sincere tenderness of a child wishing to find his parent and the unerring desire to protect your friends, even if they are too stubborn to admit they require help, and it is the underlying darkness that pervades this issue that perverts the purity of these ideal concepts with a foul stench of human greed and a want to feel accepted, no matter what one must do to meet those questionable needs.

Man Goat & The Bunnyman: Green Eggs & Blam! is a touching story which warmly envelopes the desire of a man wishing to learn the truth, only to the be harshly confronted by the brutality of humanity's greed for power, and while this odd premise may seem an unlikely foundation for a moving tale of misunderstandings between friends and family, somehow the seriousness of the narrative is admirably adaptable due to the fact the series never takes itself too seriously. Even if the subject matter of anthropomorphic characters attempting to live normally within a world which shuns them seems foreign, it is the outstanding illustrations of these admirable figures which manages to create a lasting impression upon us, with each enticing image reflecting relatable feelings that are undeniably human, and while the otherwise fascinating coloring may have a few missteps within the unfolding of these books, there is a depth of charm within every page. But as we witness Floyd attempt to come to

Monster Planet has a promising foundation even if the premise sounds familiar, but it is the mistrust displayed within the cast which projects a sense of unease which makes one wonders if the story will succeed beyond the first issue. To force foes together for survival sounds shaky, but it is the fantastic illustrations and wonderfully somber color palette which projects the reader into this uncertain world whereby allowing us to witness its success or failure firsthand, allowing us to feel the growing anticipation as to what will happen when tension is so fertile for an explosive result. While we may not hope for much with such sincere animosity, it is only natural that the curiosity which drives us to explore the unknown also fuels our desire to watch what will happen if only for the primal enjoyment of seeing others fail as to make ourselves feel better for our own minuscule gains.

Monster Planet may attempt to retell a classic tale of foes allying to fight a greater evil, and yet this definition becomes transient once you consider the hatred pent up within monsters over the centuries. One cannot blame them for the mistrust of this cooperative mission, but thanks to a mutual cause the foundation is set, but one wonders how long it will survive. But thanks to a spectacular display of unvarnished illustrations and inspiring colors, this series will be something to look forward to due to the emotion tension which they prompt from each memorable page.

Monster Planet is quickly becoming a worthwhile title now that the balance of prejudices has come to the forefront - with both monsters and humans being seen as equally in danger. And yet while Blaire may now truly understand the danger of failing her mission, it is too bad humanity itself may be the cause for her likely failure, but at the same time it is this flaw that makes the upcoming stories all the more satisfying for a moral sense. With artwork that continues to amaze, this series is quickly growing in tension, so much so one cannot wait to see what happens next, all as we expect this alliance will quickly implode before it has a chance to succeed.

Monster Planet has rapidly surpassed my initial judgment in thinking this would be a formulaic story of unwanted alliances, instead emerging into the light as a tale of needed relationships for the betterment of all. But as we near the complicated conclusion for this moving series, a change in art styles and shift in coloring techniques makes this issue seem misplaced within the overall excellence of the title, and I can only hope it will be settled once the dust settles in the end. And yet this stumble is insignificant as we look forward to a finale that will hopefully supply readers with a finish that is meaningful to those who have become invested within these dynamic female leads.

Through beautifully depicted artwork and enticing selection of colors we are carelessly dive into this courageous world, allowing us to forget the truth behind the battle for just minute, all while making us question who are the true monsters with this series. And while there we a few missteps within the series, one cannot deny this story was a refreshing departure from our stereotypical tale of good versus bad, with the reader constantly guessing which side we should be on and whether it truly deserves to survive in the end.

Within the confusing narrative of the premiere issue for The Musketeers , there are still some bright moments hidden within the promising artwork of the title. Although we may not completely understand the story due to lack of character buildup, it is the excitement of dynamic illustrations and complex colors which allow us to feel intrigued by the intensity of the tale. Hopefully as the story progresses both elements will coordinate to make a cohesive tale, but for now, it is the talent of the artistic team which makes us willing to come back for more.

With a title like The Musketeers, you would think is a story of action and adventure, but unfortunately has quickly become one of uncertainty and self-doubt. It feels like this is a runaway train, with the reader being forced to ride on one rail and not allowing for any other diversion, including any opportunity for escape or freedom from the inevitable collision.

While this story does have potential, with the mistake of revealing who the main villain behind the curtain is previously, it spoils what could have been a delightful conclusion.

As The Musketeers draws to a close, this series is falling back onto unrestrained action to attract more readers, instead of relying on the relationship of the trio, as was clearly displayed within this issue. While we had some inklings of the closeness they showed in the beginning of the title, it was hastily brushed aside to make room for the set up of the closing event, much to my disappointment. After all these crusaders are friends and if they cannot trust each other, as was clearly shown with all of the betrayal, how will they survive until the end? Or perhaps this was always the intention and we will be given something which falls short of the literary heroes we hope for … with only one month to go, we will have to wait and see.

The Musketeers may have begun as an intriguing premise for a classic tale of heroism and friendship, but somewhere during the journey, it became lost within suffocating melodrama and unnecessary villainous escapades. I liked how the story started, but with convoluted storylines and leaked information, the title slowly began to slide down an inescapable tumble into tedium. The predictable nature of Merlin's plans and a paradoxical twist at the end toward absurdity made for a story which lost any meaning, then add the lack of cohesion between this series and Zenescope's primary title and we are left with a disappointing adaptation of one my favorite classic hero novels.

Mystere may have a noteworthy premise, but the need to constantly remind us of what has happened before in order to set the stage of what is to come bogs down pages with needless history which could have been more effectively utilized by expanding the current atmosphere. While some may embrace this tragedy to better understand the character through repetition, for those who know her story a strategically placed Editor's Note would have sufficed even if it allows a re-connection of past to present. Hopefully, now that everyone has been brought up to speed we will be allowed to proceed with what will certainly be the forefront of what we expect for this dynamic woman, with imagery and colors that emphasize her independence but also promote her promise to help those in need which connect to painful memories.

The gradual build-up of momentum within Mystere permits the reader to take pace of what is unfolding within Mary's new life and yet as we watch with fascination the subtleties of this moving story steer us toward an inevitable conclusion - you can never leave the past behind. While this painful reality is only now being accepted by this courageous woman it is the splendid visual depictions and powerful palette which unfold the difficulties and materialize the harshness of cruelty made manifest. But as we are finally confronted by this new phantom of pain one cannot but want for Medina to embrace the truth and return to what she knows … accepting everything within her life no matter how much she may wish it to be forgotten.

As we escape the sheltered presentation of prior issues, one cannot deny it is the caring nature of Mary which is emphasized within this story and reminds us why Mystere makes such a forceful impact upon our need to watch her succeed. With her want of escaping the responsibilities of being a hero, it is pleasing to see Mystere has not forgotten the weight of her powers and how they are not a burden but a sincere chance to help those less fortunate, all as she faces the nightmare of another who wishes to force their will upon others without respect to the suffering they may cause. And with magnificent artwork and fantastic colors to emphasize each and every memorable scene, I cannot wait to see how Medina will face the future and the pain she must endure to seal the selfishness of the corrupt.

Mystere is a tale which has lures the reader into a menacing world of apprehension, with the hope of fulfillment to help those less fortunate, but resulting in being held captive within the depravity of human greed and a desire of not letting go, but ends with a warm feeling which we all desire.

Oz: Heart of Magic may begin with an unbalanced narrative and slanted art style, but it is the captivatingly colorful environment which makes us delve within the title with such wonderment. And while we consider if the story can hope to catch up with the premise of the foundation, it is the overall visual experience which keeps us interested in the series for the sheer pleasure of watching Dorothy become adjusted to be her new life. Hopefully as time passes the title as whole will become integrated, but for the time being, we can always dream for new possibilities within the land of Oz.

Oz: Heart of Magic seems truly determined not to give the reader too many details to allow enjoyment of Dorothy's exploits since we have nothing to celebrate without expansion of what we already know. This micromanagement of the story spoils any progression within the narrative and drags down what details have been revealed to a trickle, almost as if showing too much would spoil the title.

Oz: Heart of Magic may have made a leap forward in revealing the depth of the Wizard's ambitions, but at the same time the shallowness of his goal seems out of character for someone who is so driven as to impair his foes all to allow him to watch their suffering.

Oz: Heart of Magic may be slow to develop a captivating story, but once it grabs you it does not let you go due to a narrative which is restrictive on giving up too much so as to keep the reader interested. But with artwork which is captivating and keeps you engaged, it is this visual appeasement that allows the audience to not wander far all to see what happens with great interest. However with only one issue left to wrap up all those loose ends and allow for a satisfying conclusion, one has to question if there is enough time to appease everyone within Oz.

Oz: Heart of Magic is an unbalanced story for an Oz series which depends on its characters to define the foundation and while it does leave more questions unanswered than one would like, the underlying tale does work into the mystique of the franchise and echoes into the history of Dorothy's legacy.

While Oz: Kingdom of the Lost may present an interesting premise with the return of an old ally, it is the hurried push into an expected search for answers which leaves knowledgeable readers with a heavy sense dj vu, this same foundation having been presented in prior Oz titles with the same results, all as any sense of mystery as to an unknown liberator is swiftly dismissed due to the overt introduction of a new character, allowing the reader to make an educated guess as to his identity all while spoiling any sense of intrigue which might have been carried over to future work. Yet as we become fascinated by intensely depicted forms and vibrant colors, it is an overuse of heavy linework which also detracts from the visual enjoyment of watching our heroines push forward, their scowling faces becoming disagreeable even as we watch with growing disinterest as to what may unfold upon the next page. However, as the darkness behind the Tin Man's disappearance grows under the predictable natu

While Oz: Kingdom of the Lost attempts to create a sense of hope from the beginning of the narrative, it is the reliance of heroic tropes to establish familiar moments that causes the audience to become momentarily disappointed, knowing we have witnessed these clichd scenes before, even if the refreshing inclusion of characters from Oz shifts the focus away from a formulaic revelation scattered amid an underlying mistrust from their rescuers. Yet as we delight in the detailed portrayals of exciting scenes, the inclusion of a doppelganger due to color changes makes the underlying emotional presentation not as effective, forcing a knowing audience to wonder who this stranger is among friends, even if her appearance is similar enough to make us acknowledge a passing resemblance, but still spoiling the mood of the story. But as this penultimate issue prepares to unveil the need to kidnap a trusted companion for suspicious needs, it is the rushed progression of the overall narrative that le

While Oz: Return of the Wicked Witch has an intriguing premise to introduce as a new villain to the world of Oz, it is the foundational concept of allowing a weakened Dorothy face this threat which leaves invested readers to wonder if our heroine will prove to be a worthy threat to a returning witch. Even with fascinating illustrations and vibrant colors that lure us into this worrisome world, visual discrepancies are a constant distraction that force the audience to remind themselves who is the protagonist of this series, despite a lingering reminder of someone else being depicted within the central role of heroine and former queen of the Emerald City. With these annoying diversions bogging down our enjoyment of this premier, one cannot but wonder if the story and artwork will improve as we progress, or will readers be forced to adapt to these bothersome hindrances as the tale unfolds with increasing ferocity.

Oz: Return of the Wicked Witch continues amazing readers as the narrative unfolds with an emotional opening, making those pessimistic as to the cruelty of this crimson beauty now reflecting upon Mombi with compassion and sympathy, even as we wonder if such shocking loss could make ourselves react in the same way if we had the power to reshape the world as we see fit, and never taking into account the loss which we have faced may all be due our own misguided ambitions. With fantastical illustrations and vibrant colors that make the world of Oz explode upon the page, it is an overabundance of detail and lack of attention paid to some which detracts from complete immersion, but even as these stumbles chase away some of the admiration for these images, one cannot but stare in amazement for the panoramic beauty of this quickly changing world. However, as the end draws near and the future of our heroes seems uncertain, it makes invested readers question if the former Witch of the North will

Oz: Return of the Wicked Witch may have had a shaky start with a confusing array of information bombarding an unsuspecting audience, and yet it is the enlightening development of the antagonist which creates an unintentional bond with the reader, allowing intrigued explorers to reconsider their moral compass when the fate of a loved one hangs in the balance, even if one doubts what is the best course of action if they are ever placed within the same circumstances. With fantastic artwork and sensational colors that marvelously manifest the intensity of Oz upon the page, some fans familiar with the series might be slightly perturbed by the depiction of The Gale herself, making it seem as if the heroine is someone else, not the former Queen of Emerald City but instead the apprentice of the Good Witch, altering our perception of how the narrative unfolds before our amazed eyes.

Paradise Court has created a theme with many possibilities, but for now the story is lacking in originality, falling back to standards of the horror film " the unassuming community hiding a dark secret.

Paradise Court has opened up the flood gates of horror, and while it may be predictable, the artistic depiction in the form of picture and color envelope the reader with a genuine sense of dread. Even with a story which seems blas due to familiarity, it is the materialization of those emotions which evoke a sensationalism which normally is saved for film, but due to the talent of these magnificent artists, we are able to savor the terror within a flat medium. Horror and beauty on the same page, it would seem to be a contradiction which would not work, but due to the cooperation of all involved, we cannot get enough of this intensely gory story.

When I first started reading Paradise Court, I thought this series would become another blas horror tale with overused moments to bring about prescribed events of terror, but it now appears I was wrong. As we become settled into the turning point of the story, Amy's paranoia is becoming more realized and the reader starts to identify with her panic in a very meaningful way - concern for her friends. However it is the gruesomely effective artwork and event triggered colors which attach us to the narrative, making us believe in our heroine and worry if anyone will survive this once peaceful visit into this serene community.

With but one issue of Paradise Court remaining, hopefully, this issue will be a temporary setback as we look forward to success of Amy facing her past and the confronting the present. While we should have expected some redundancy from reliance to this genre, I have been optimistic it would not be so blatant as to fall into the trap of becoming another forgettable horror book. But to see our heroine becoming panic-stricken is not favorable and as we watch fear close in, for now all we can wish is an ending which does not collapse under the weight of unnecessary expectations.

I wish they could have carried the original foundation along to the end, but as of now, all we are left with is a mediocre teen scream film which may be good for a bit of a chill, but it leaves the audience wanting more.

Peek-A-Boo is a fruitless attempt in trying to become an episodic tale of horror in a genre which has been oversaturated with too many similar ideas.

Peek-A-Boo is slowly sliding further in the primordial abyss, and not in a good way. While simplicity may work for most things, this is of one those times were it backfires, instead making the audience bored with the an artistic style which seems rushed and hastily splashed with color.

Peek-A-Boo is very slowly becoming something acceptable as a horror tale, but with each step toward becoming palatable, there is something else which spoils the meal.

As we finish this penultimate issue, Peek-A-Boo is finally revealing how the title will end, however, writer Victoria Rau's dependency on horror stereotypes does not help this book from collapsing under the weight of its own predictability.

Peek-A-Boo is a formulaic mess from the start, trying too hard to differentiate itself from others by applying too many cinematic horror tropes within a limited space.

Phoenix Files may attempt to conjure a magical moment within a disgusting ceremony of creation, but due to the unsettling idea of sadistically murdering someone in order to achieve their foul needs, plus a predictable unfolding of events to rescue the fair damsel in distress, this penultimate issue falls short on many counts, leaving eager readers with more questions than answers even in the midst of a surprising revelation. However, due to spectacular imagery and haunting colors that effortlessly materialize the harrowing experience unfolding around us, one can become fully enveloped within this lackluster story, due to the amazing synergy of artistic excellence. But as an optimistic audience wonders what awaits us within the final issue, it is the formulaic unfolding of the narrative which sets our expectations low for the time being, teasing us with something that we might not expect, but at the same time, it would not be surprising to see familiarity encroach with a conclusion that

Possessive is an interesting diversion from the classic haunted house story, with a protagonist who is immediately relatable due to common problems which any person may encounter due to a length marriage, only to be answered by an atypical solution which only leads to compounded difficulties. But as we attempt to sympathize with this sincere man who cannot see past his alcohol clouded delusions, even with enthralling colors and amiable illustrations, it is the visual inconsistencies of these portrayals which break the overall flow of the story, leading to uncomfortable pauses at the most inopportune times.

As an overreliance on fully texted profanity changes the narrative perspective of Possessive, readers may question if this book is suitable as a Zenescope Teen title and not geared toward a more Mature audience, even if the grotesque violence may steer us otherwise.

With token characters that have little impact on the story aside from injections of humor, a foolish antagonist who is blinded by his own interest, and a narrative which trivializes multiple deaths as a convenient plot device, Possessive falls of taking itself seriously, all in an effort to shine a light on the need for redemption while revealing how the darkness of obsession can suffocate any hope for the same.

Even with Kivela's gripping artwork tearing away at our heart strings, drawing us into the story, it does not seem that this saga end well for Sela. With one defeat after another, how can she even hope to conquer this darkness? Or will she give in and surrender? Guess we'll have to wait until next month to find out!

Writer Joe Brusha has set the stage for what will hopefully be an epic struggle for the future of the Grimm Universe! With Sela and her forces finally confronting Lucinda, it looks as if the underdog will finally have the upper hand until we get a glimpse of those two trump cards at the end. How will she be able to defeat this evil pair " or will she? It's these kinds of cliffhangers that make for a good comic.

When I saw the last pages of the story, the first thing I thought was: Sorry Joe Brusha " but you have got to be KIDDING me!

Red Agent is the series which Britney deserves and her fans have been wanting. The team of Iovino and Galino synergistically compose the medley of destruction in which will hopefully unfold her hidden potential. The first issue has established her mission and now, we just have to wait to see if she will survive or succumb to the machinations of her possibly insurmountable foe. Why does a month always have to be so long?

Red Agent is building the suspense as Iovino and Galindo craft their series into a story which makes us become invested in the characters which inhabit this universe. As each issue passes, the interaction between the readers and the characters engulfs us in the narrative, and it is in this reality which we find ourselves lost in the workings of The Circle and wishing we could help Britney and Avril in their pursuit of justice. But with this first meeting, we know it will not end well, but it is that infuriating craving that makes us come back for even more.

The team of Iovino and Galindo continue to draw the readers further into the passion of trying to free Eve before she succumbs to The Circle. But which each step we take, they tease us with another crumb to draw us further down that path. With only two issues left, we draw closer to the end, but how can they accomplish a rescue without it feeling rushed? We only need to wait until next month, but you have to wonder what will be release next?

With only one issue left, Iovino and Acunzo have built the tension so that we know the inevitable conflict between the two forces will be the final conclusion. The Highborn Initiative versus The Circle, good versus evil, the sane versus the madness of world domination " each one has its own story to tell and we have plunged head first into this conflict, with marvelous results. Who knows who will win, but that conclusion will be one which will leave us wanting more. We can only hope that the final battle will not be straight forward and the end will be unexpected, but that resolution will be a month in the waiting, and I for one cannot wait for the end!

Red Agent has unfolded a new light on the personality of the woman named Britney Waters. She is no longer a flaxen beast of a hero, but someone who cares for her fellows equally touched by powers from other realms. While it would have been interesting to see the ferocity from previous series, this departure created by Iovino, Acunzo and Grostieta adds a new facet to her glittering persona and thus a shine to one of the foundations in the Zenescope mythos. While this arc may be at an end, it opens new possibilities for Red Agent and her magical partner for many adventures yet to come. Let us hope it won't be long for us to wait!