Pia Guerra returns to the book and since the guest-artists that was used maintained a nice visual continuity, her return is pretty seamless. This is by and large a tailing heads issue that is broken up by a killer flashback sequence, and it says a lot about the art that the scenes in the present day were able to hold their own when stacked against the sheer visceral thrill of the flashback, where we have a character telling her story of what happened when the plague hit. Still, the shot of the plane hitting the ground is a fantastic visual, though the scene where Yorick makes his move was also nicely done, as it's instantly clear he was the one who made the first move. Read Full Review