Killian has brought fear back to Detroit. Its people are are mobbing the city to reclaim their guns. RoboCop and Lewis are caught in the middle and everyone has them in their targets! As Killian's secret plan goes into full effect, Lewis and RoboCop must find a way to uphold a gun law that has brought the city to its knees.
This book continues to earn top marks for consistently delivering on its promises. Not a line of dialogue is out of place, none of the characters ever do anything to to act like anyone other than themselves, the art never feels rushed or less than meticulously constructed. This book has a well defined style and genre and fits it to a T. It may not be for everyone, but it sure as hell is for me Read Full Review
The end of this issue proves the problems have only started and it will be fun to watch Killian try to complete his master plan, and even more fun to see how Murphy stops it. Read Full Review
This latest chapter feels slightly weaker than the previous two, but, as a fan of the franchise and what BOOM! Studios is doing with this character so far, it still had me totally immersed in this gritty story and left me feeling very optimistic about what's to come. This one doesn't have big action or a significant focus on character, but it gets all of the pieces moving forward and builds plenty of potential. Now that Killian's plan is moving full speed ahead, we can hopefully get a stronger focus on character and excitement in the next issue. Still, this RoboCop fan is very pleased. Read Full Review
This issue ends with the return of the hillbillies, who thankfully give more of a Deliverance vibe than a Dukes of Hazzard one this month. They personify the brutal threat that is approaching the City of Detroit and RoboCop himself, as the story finally catches its stride and breaks out of setup. From this point on I can imagine much more action coming our way from this series. Read Full Review
The Robocop of our childhoods is well and truly back with a cracking writer and artist team. Read Full Review
Robocop #3 is mediocre at best. Williamson does a good job of creating a worthy foe, but he fails to maintain the suspension of disbelief. Carlos Magno's artwork excels with inanimate objects but struggles when dealing with human emotion and their facial features. Read Full Review
I like the characters and the art is still spectacular, but not a lot really happens in this issue. It's a slow investigatory plot build.
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