Diana finds herself in the abandoned ruins of Themyscira with no idea how she got there, but that’s the least of her problems as she encounters Steve Trevor, who is determined to kill her. Wonder Woman discovers that while her surroundings might not be entirely real, they can still harm her, as her most cosmic story line unfolds. Harley Quinn writer Stephanie Phillips and acclaimed artist Mike Hawthorne (Daredevil, Deadpool) bring you Wonder Woman: Evolution!
It's a very good comic, although it's interesting that all Wonder Woman comics lately seem to veer away from using her as a superhero and instead put her in bigger, more metaphysical stories. Phillips seems to have a great handle on the character so far. Read Full Review
With the basic premise of the series mentioned in all of the promotional blurbs for the series, it's interesting that Diana doesn't make it to the central premise of the series until the final page of the second issue. Phillips has taken her time gathering all the right thematic elements. Everything should begin to roll into the trial at the center of the series. Now begins the real test for the hero and the creative team that is telling her story. Read Full Review
Hawthorne crafts some great visuals throughout the issue. The characters and action look great throughout. Read Full Review
Phillips is crafting a really interesting story with Wonder Woman: Evolution and she does really well with placing Diana in a "fish out of water" sort of situation, something that is always enjoyable when it comes to a character as incredibly powerful as this one. Read Full Review
Series continues to be surprisingly decent. Hawthorne gets to show off more his art skills here than in the last issue.
This is a little better than last issue. The art even improved a bit.
This was a solid second issue with a roj of good art and some intrigue to keep in engaging. I LOVE how Diana is drawn here and her first "test" is a fun action sequences that ties into her history. Good stuff.
This second issue is filler, last issue had a little more meat on the story. The art is quite ugly and the coloring is pretty weird, there where several panels where I could swore Diana was drawn like she's black. I'm still interested in the story but I need more from it.
The story is pretty bland, feels more like filler than the last issue did, and Hawthorne’s art has not improved at all, for some reason Diana’s face looks really flat.
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