Alien #10 is a chilling entry into the new Marvel series. No character is safe and all of them are in a state of constant danger. Phillip Kennedy Johnson has solidified himself as not only a great storyteller, but a brilliant horror writer. Phenomenal pencils and colors make this book a must read. Read Full Review

Alien #10 is the best issue of the series"and therefore the franchise's run at Marvel Comics"to date purely for the novelty it introduces. Read Full Review

Alien #10 shows the survivors of Euridice struggling to find hope and safety in the wake of the Xenomorph attacks. The story is fine and doesn't waste any time to get right to the horror of the comic, but it takes a few weird turns along the way. There are a couple of new surprises for Aliens fans, but mileage will vary on whether these new additions are good or not. Read Full Review

Bits and PiecesAlien #10 feels like the series is trending in the wrong direction. The religious elements Johnson created for this arc feel like cheap copies of religions we already know, the “new” Xenomorphs introduced in this issue don't make a lick of sense, and the generally good art looks, in some spots, looks like somebody pasted word balloons on portrait photographs. Read Full Review

This is the most disturbing issue yet! DAMN!

Seriously though, leave this guy behind.

This has a lot of potential to be a really intriguing story. The idea of a cult-like religion surrounding the corporate commodification of the xenomorph sounds really rad. It sounds like something Ridley Scott wishes he could write. However, every moment is hampered by the art. I cannot stress this enough. This could be a great comic if not for Salvador Larroca's art. I don't mind being harsh about it, either. Larroca is known for tracing his way through issues, and has been serving up barely competent art for years now. He should stop tracing and actually draw his comics (which he used to do) or he shouldn't have a job in this industry.