Bryan Hitch is still Bryan Hitch. Probably responsible for the slight delays in the release of this comic book, but that doesnt matter when the book is in your hand. His attention to details is above and beyond what is expected. Even people and objects in the far background are detailed and paid attention to, creating an entire panel worth looking at. Even The Thing, in all his orange glory, never becomes simply an orange blob, no matter how far away he is from the camera. His panelling is good as well, with a particular page of an exchange between Reed Richards and Dr. Doom standing out in my mind. The page has a sort of symmetry with two extreme close-ups of the two characters eyes which makes for a great page. Hitchs work continues to impress me and as long as the delays never become too extreme, I will continue to look forward to engaging in his work. Read Full Review

Where do I fit in the debate? I'm one of the people in the middle. I dislike that Millar regularly glosses over major plot elements, but still feel that the good he brings to the table greatly outweighs the bad. I don't love it as much as many reviewers, but still recognize that it's still extremely well executed even with the faults. The teaser at the end was more than enough to keep me anticipating the next issue, whenever that may be… Read Full Review

The second one involves a mysterious and universe-scale threat that will undoubtedly tear everything down around its ears. It's a shame, but I sense that it's supposed to be. We're supposed to be a bit comfortable in all this normalcy, so that when something wipes it all away, we miss it. Read Full Review