(Note: This is a slightly edited version of the review on my blog. https://www.sssuperman.com/blog/superman-year-one-1-review/) It's a shame this series had serious problems (particularly issue #3), but thankfully the first issue can stand on its own. And to me, it stands as a masterpiece. It’s the standard things you’d expect from a Superman origin, but done in an especially compelling way. Krypton’s destruction is brief but powerful – I actually teared up, which I’m not sure has ever happened before when going over this part of Superman’s origin. It was presented in a way that was poetic yet also very immediate with beautiful art depicting the destruction. The death of Krypton is often taken for granted, but something about the way it’s portrayed here made me feel the depth of loss as well as the suddenness of the catastrophe. When we get to the Kents, the toddler Clark is depicted as having subtle psychic powers to nudge his adoptive father into taking him home, which I think is an interesting idea. Clark’s childhood has a wholesomeness and cuteness to it without abandoning the weirdness of his powers (I always prefer it when Clark has at least some powers in his childhood, so that’s a plus for me). I love moments that drive home the fact that Clark has to learn to handle people and everything around him gently. When we get to him as a teenager, we see Clark deal with issues that are normal, but with the twist of he himself not being normal – stuff like bullies and his first relationship in the form of Lana Lang. It works incredibly well because the emotions surrounding these things feel so intense and accurate to how they feel in the moment, and the interaction with these things and Clark’s powers and formations of his values and desires is very interesting. I like how the Kents are depicted. They don’t feel perfect or over-idealized, but they feel very loving and real. We get to see stuff like Martha worrying about losing track of Clark because of his powers and her deep sadness when he leaves the farm. We also see an interesting scene where Martha tries to teach Clark strict nonviolence, and Jonathan reluctantly agrees with her in front of Clark, but in private teaches him that it’s not so simple. I like seeing that the two have different viewpoints in a major way, and not wanting to fight in front of Clark is understandable and admirable. Another moment I love is when Clark is succeeding in football due to his powers and his parents look disapproving as they watch, but they don’t show them harping on it or anything. The issue ends in a very interesting way. Clark thinks that the way to learn more about the world so that he can protect it is by seeing the world, and he decides to do that by joining the Navy. It’s a pretty unique twist, and as we see in the next issue, it actually works quite well. There’s a final scene where as Clark leaves Smallville, he hones in on Lana using his recently more fully realized super scences. It’s quite touching. In general, this comic did an amazing job showing the intensity of a young person’s experience while also showing how Clark’s powers interact with it all. It was emotional, endearing, and even thought-provoking. Honestly, it might just be my favorite Superman origin. I will say the art isn’t perfect – though the backgrounds and coloring are beautiful, the bodies and faces of people look a bit odd at times. (Funnily enough, I think the biggest example of this can be found on the cover itself – what’s going on with Superman’s leg, and why are his arms so dang long?) But they usually look good and even when they’re odd-looking, it’s not so distracting that it takes away from the story significantly. Also, something that made me a bit uncomfortable and prevents me from recommending this story to younger readers is the fact that at one point, some teenage boys attack the teenage Lana and subtly threaten to sexually assault her, though they’re not able to even prepare to do so before Superman intervenes. It’s not inherently bad to depict bad people wanting to do bad things in a comic, but it just felt unnecessary and like it doesn’t really add anything to the story either. Overall, Superman Year One #1 is a masterpiece. I don’t know how else to sum it up. I highly recommend giving it a try.

Fun, dramatic, and heartwarming with gorgeous art. That said, modern single-issue comic stories tend to be pretty simple and this is no exception.

(I read this whole series before writing these reviews, so the reviews will reflect that.) I really like Batman: Fortress overall, and issue #1 is a great start. But first, I need to address the overall feel of the series. The solicit calls it "a brutal and shocking adventure that will turn everything you think you know about Superman upside down!" Nothing about this is true other than it being an adventure and having a few shocking things here and there, few of which are in this first issue. I certainly wouldn't call it "brutal", since to me that brings to mind frequent intense violence and darkness. Rather, while this story, including this issue, is pretty intense and serious, it has a sense of humor that remains almost constant throughout. It's not lighthearted, but I feel comfortable calling it a "fun adventure". It has gritty artwork and high stakes, but it's not really overly dramatic or tragic. Personally, I really enjoy this tone and style, especially since for me, the humor frequently lands. Speaking of humor, I have to say, I love this version of Batman - his voice, demeanor, and dialogue - and him having a sense of humor is a big part of that. His speech is informal and he has an easy rapport with his allies that makes conversations flow well. He never comes across as stiff, to put it simply. Obviously, since this is the first issue, it's focused on setting up the conflict. A worldwide blackout occurs and Batman comes to believe it's an alien invasion. But he has to deal with the immediate impact of the blackout on Gotham, so we get to see him fighting an intense night of crime. It's standard Batman stuff, which contrasts with the rest of the series, which doesn't take place in Gotham or involve Batman's rogues or lore. It's more of a DC universe story with Batman as the star. But this short stint in Gotham is well-written and enjoyable, in my opinion, though it's not overly relevant to the rest of the series. The artwork is very good, with a highly detailed style, beautiful lighting and coloring, and a lot of shadows. Something interesting about this style is that I feel like the characters sometimes look a bit uglier than they usually do, but I don't really have a problem with this. Overall, this is a great start to a great series.

First story: The artwork is beautiful (especially Superman himself) and the story is well-written and engaging. That said, the story isn't particularly original, the visuals confused me once or twice, and Superman's power level seems a bit low (though that could be justified by this story taking place in the past). Second story: Actually more interesting to me than the first, though the artwork isn't nearly as good (but still good). I love things that focus on Clark's life as a reporter and this is a unique plot leveraging Lois' current status as Editor in Chief. It's good to see a conflict between Lois and Clark that feels fairly serious while still being in-character for both of them, and I'm very intrigued to see the conclusion, including what's going on with Atomic Skull.

Really good issue. I liked both stories. The main story continues to be consistent with its previous parts - it's a pretty simple story, but well-executed with beautiful artwork. The Superman's characterization is totally on-point, the emotional beats were satisfying, and I enjoyed the human characters having roles, including Cat Grant's brief but bold appearance. Ultimately, this storyline was too basic to feel  great, but it's still very good. I've generally found the backup even more interesting, and I still really enjoyed it this time, but I was disappointed that we didn't actually get a resolution to what's happening with Atomic Skull. I hope it gets addressed soon in AC or Superman, but honestly, it should've been addressed here. I far prefer comic arcs to feel like complete experiences. House of Brainiac still felt complete despite having aspects for future stories to complete, like Lex's amnesia and Brainiac Queen getting away. That said, I still liked the second story quite a lot. I LOVE a good Lois & Clark conversation and I LOVED the Lois & Clark kiss page, despite generally not being wowed by the art of these backups.

Am I just dumb, or is it a bit hard to follow the action with this artist? Other than that, it's great. Action, excitement, heart, humor, and good artwork in most ways. But sometimes I felt confused what was happening even though the story seems pretty much straightforward.

I'm enjoying the mysteries, they're exciting and intriguing, but at the same time getting a bit tired of them. I hope some resolution and answers come soon. I'm also getting a little tired of lying covers, though of course it's not a huge deal.

I love to see Superman angry. Great art too. But as is often the case with modern comics, it doesn't feel like enough happens. It's not a chapter of a story, it's a sliver. But it's a good sliver.