Superman hasn't been this fun in a long time.

Aquaman #25 is more than the beginning of a new arc. It's the beginning of a new era for Aquaman. Oft-maligned but even more often without purpose, Arthur finally has a cause that feels important to our era.

This is a fascinating start to what I hope proves to be an exciting and empathetic run.

Batman #9 is a masterpiece. It's one of the best single issues I've read in a long time. King and Janin are a match made in heaven and I'm dying to see what heights they soar to together.

Over the course of the past 15 issues, King and company have made it a point to develop a deep roster of supporting characters into Batman's world. While all Batman runs have access to the historical roster of Robins, this take on Batman also includes Gotham Girl, the Suicide Squad Batman assembled in the previous arc "I Am Suicide," and an increased utilization of Catwoman as a romantic interest and moral grey spot for our hero. Almost all of these characters appear at some point in Batman #16, the start to "I Am Bane," and give the world a deep texture that makes each subsequent issue feel more resonant than it otherwise would.

Batman #21 is one of the coolest DC comics in recent memory. An excellent usage of structure and color combine to create an incredibly compelling action story that leaves you wanting more. And more (or should I say Moore?) is coming. Let's hope it's as good is this.

It lays the groundwork for a conclusion to this series" one that asks whether Bruce needs to be Batman, after all.

This is the Batman comic I've been dreaming of since the start of this run last year: it's "the Ballad of Kite-Man."

King's banter, even when flawed, is huge fun for me to read. And most of all, I found it incredibly refreshing to have a superhero book take time out of its regular schedule of beat-em-up stories to contextualize its heroes on a relatable, human level. That might not be what you want out of your superhero comic, but I promise" kisses now will make future fights all the sweeter.

It's not exactly revelatory stuff, but I've found the Joker in recent years to be rather tired anyways. He's been mined for so many stories over the years that it's hard to keep track of up and down with him anymore. That said, he is an indelible part of Batman's legacy, so it's nice that we get to spend some limited time with him here.

By being forced to split the time between introductory narrative and plotting, Batman Beyond: Rebirth #1 tells two stories in broad strokes rather than one in granular detail. This lack of shading isn't inherently bad, but it forces us to more heavily weigh the story elements that are there and what is there in Batman Beyond: Rebirth #1 is lacking.

Batman: Creature of the Night #1 is not a perfect book. There's a lot of relatively uncompelling backstory one has to get through to get to the point. But if you're willing to make that journey there's quite a compelling surprise waiting for you at this leg's end. Fingers crossed that the creative team keeps up this momentum in the installments to come.

If you've been waiting years for a proper Batwoman story, this should fill your desires just fine. However, if you're not particularly attached to Kate yet, this debut doesn't offer quite enough to make good on the bombastic promises made in Batwoman: Rebirth.

I'm interested to see what Batwoman's new creative team has to offer us. Structurally, narratively, and visually, Batwoman: Rebirth was a strong, albeit not groundbreaking start to what could very well become one of the most socially conscious books in the DC Rebirth lineup given Kate's sexuality and family history. We'll see if the creative team is up to the task in the months to come.

The first issue's character work left something to be desired" I felt at times like people were telling us what they stood for with thesis-like clarity rather than showing us" but I found most of them to be compelling nonetheless.

Is BUG! The Adventures of Forager #1 the strongest entry in Young Animal's lineup? No. It's a little confusing and certainly unfriendly towards new readers. However, for Kirby fans, Allred lovers, or people who enjoy comics that are somewhat on the esoteric side (that's me!), this book certainly offers a lot to chew on.

Anyways, Catwoman: Election Night #1 isn't worth your time, but the strength of this Prez backup makes it a buy in my book. And hey, if we could save Omega Men, maybe we can save Prez too, right? #MakePrezABookAgain

Cave Carson has Cybernetic Eye still has potential. It's a great looking book that has some really fascinating themes I'd like to see explored in this context. I just hope it doesn't continued to get carried away by the strange eccentricities of its plot to the detriment of its characters. In essence, please let the upcoming arc about Cave's quest to get his eye back tell us more about Cave than about his cybernetic eye.

Above all else, Dark Nights: Metal #1 is a story about stories. That's made explicitly clear by the issue's cliffhanger, which left me breathless*. It's a loving look at the DC Universe and the characters whom reside in it. It's an attempt to pull at the countless disparate narrative and thematic threads of DC Comics' 75 year history and weave them together to form something more coherent" to create order from chaos. And it's a story about how trying to wrest control from the arms of the universe can have dire consequences for the world. It's one of the most viscerally exciting comics series to kick off this year and I'm dying to see more.

Metal #2 features some of the coolest and most fun lettering that I've seen in a long time.

If calculated and measured books like Mister Miracle and Doomsday Clock stand at one end of spectrum of comics that DC publishes, their antithesis would be Dark Nights: Metal #6, the pinnacle of MELODRAMATIC PUNK ROCK COMICS.

All in all, Booster Gold/The Flintstones is an entertaining romp that features one of my favorite DC characters wreaking havoc throughout time as he is wont to do. This isn't Ben Caldwell's most poignant scripting, but the story is plenty of fun and deftly visualized by the artistic team. If you buy one of the four DC/Hanna-Barbera crossovers this week, let it be Suicide Squad/The Banana Splits. If you buy two though, this is the other one that you should peel off the shelves.

Knowing nothing about the Banana Splits besides what is available on Wikipedia, I can't say whether or not any of what takes place in Suicide Squad/The Banana Splits is true to the original incarnation of their characters. That said, I don't particularly care if it is! This book is fantastic and one of the most fun reads on the shelf this week. I can't say it's a timeless work, but it's certainly the sort of book that will leave you giggling from start to finish.

I highly recommend picking up Lobo/Road Runner if you're looking for a fun and breezy read. It really captures what makes Road Runner one of the few classic cartoons that I really loved as a kid as well as what makes Lobo one of my favorite characters in the DC Universe. It's all about the insanity and the violence, man.

Now, in Deathstroke #20, we've reached a culmination. A state of catharsis.

On the whole, Tynion's and Barrow's run on this title has proven itself to be one of the most fascinating series in the Rebirth lineup. In a genre known for stagnation and the "illusion of change," the creators working on this title have made impactful character development the core that gives their plots momentum.

It is a beautiful end to a year-long story has shown us both the best and the worst things that our favorite and most tortured-heroes are capable of. This world is one of complex morality and compromise" no decision these characters make is without consequence. It's a story that, for all its comic book trappings, reflects our reality. That's what makes it a sight to behold.

Unlike other books in DC's current lineup that have a long-term story plan, Detective Comics has benefited from a clarity of vision" it never feels like the next story arc comes out of the blue" obstacles and adversaries are seeded far in advance like time bombs, waiting for their moment to send our heroes running for the hills.

This book is madness mixed with unbridled joy. It's the product of minds who know that comics should be fun and that anything is possible. It's the perfect uplifting title for an uncertain time.

Gary Frank and Brad Anderson deserve a ton of credit for the success of Doomsday Clock up until now. Their work together is a feast for the senses, channeling the hard lights and compositional intensity that Dave Gibbons employed in Watchmen while developing a unique feel all their own. Frank renders faces with a greater amount of linework than Gibbons did, rendering characters with a greater sense of vital emotion that befits the intensity of the scenes we're presented with throughout this chapter.

Shade taught me Castellucci could be insightful in bold new ways. Her return to DC in the form of Female Furies #1 shows that she can be singularly incisive as well; this time alongside Adriana Melo and Hi-Fi.

There are a lot of good ideas here" enough that I'm willing to give this book another chance when it kicks off a new arc in issue 9. For now, I'll chalk my problems with this series up to growing pains and hope we can start fresh in a few weeks!

The ideas in The Flash #21 carry a lot of momentum, but the execution feels so distinct and arguably flawed when compared to Batman #21 that it makes me feel like I'm reading two fundamentally different but tangentially related stories rather than a single united one.

In short, there is nothing like Goddess Mode on the shelf right now. It's a brash book with a strong visual language and a story with a powerful and empowering core idea. And it's still ramping up! I mean, what else can I say?

Percy and company have done a wonderful job of weaving a story that is fun and easy to read on a bi-weekly basis yet continuously expands and builds upon itself, blossoming into the juggernaut of a book that it is today. It is easily the most overtly political title in the DC lineup, with allusions to real world events such as the controversy surrounding the Dakota Access Pipeline and the election of Donald Trump playing huge roles in the development of the series. If you haven't tried this book yet, now's the time.

If you haven't had a chance to read this Green Arrow run yet, now's the perfect time to pick up some trades and give it a shot. You're in for a real treat.

If you're looking for a character-driven story that aims to hit you in the gut, The Green Lantern #1 probably isn't it. But if you're looking for a creatively fertile intergalactic epic that excites the part of your brain that dares to endlessly imagine, then welcome to the party.

In many ways, prior to Palmiotti and Conner, Harley was a fundamentally different character. She was visually compelling, but reliant on her broken relationship with a psychopath in a way that limited her own growth. No longer. Harley Quinn is a force of nature all her own now, replete with enough caring family, loving partners, crazy sidekicks, and zany adventures to fill an omnibus or two on your shelf.

All in all, The Hellblazer #4 is another great entry in a series that comes off as a little understated but is always poignant and beautiful. If you're not on board with it already, now is the time to start.

I'm absolutely delighted by what Justice League has had to offer under this new regime and am looking forward to seeing more.

Ultimately, I'm excited to say that I'm more psyched about Justice League than I've ever been before. If you're looking modern mythmaking, this is it.

The Ray: Rebirth is not just a good comic"it's an important one. It is built to inspire and empower those who might feel different and alone; who feel like the world judges and rejects them for who they are. It reminds them that their beliefs are worth fighting for and that they have unique skills through which to advocate for those ideas. In my opinion, this book is an easy buy.

Overall, The Atom: Rebirth is a great one-shot. It effectively introduces us to Ryan Choi's character, showing us how far he's come over the course of three years and how far he still has to go as Justice League of America begins. Steve Orlando, Andy MacDonald, and John Rauch work together in harmony to enhance one another's work, ultimately creating a book that's greater than the sum of its parts.

Ultimately, Justice League vs. Suicide Squad is more complicated than it should be. The premise of this title was great and even now, it's a fun and entertaining read. The action is breezy and generally well-rendered. Unfortunately, the more twists this book piles on, the less it stands out. This book didn't need to be awesome for me to recommend it, but did need to be consistent and at this point, things are too uneven for me to give it a solid recommendation.

There's a ton of potential here that leaves me on the edge of my seat for what's to come for the Justice League this summer. I just wish that Justice League: No Justice #1, the bombastic event that's supposed to kick all of this off, had found some solid ground of its own to stand on.

Should you buy into the ideology of Green Lantern co-starring Colonel Sanders? In my opinion, no. Should you read it, though? Absolutely. Every one of these free crossover titles has been an enjoyable read and inspired a fascinating think about the culture we find ourselves mired in.

Lucifer #1 is not about the environment. But it is about choice. It's about what we choose to do when faced with an obstacle it was not within our power to avoid. It's about whether the choices we make are predetermined and regardless of whether they are or not, whether our choices matter in the face of a grand design beyond our comprehension.

It's a powerful start to a promising mini-series and I look forward to seeing where it goes.

In my opinion, Midnighter and Apollo #4 is a stellar entry in what is shaping up to be one of the best comics of the year.

Midnighter and Apollo is a series worth celebrating. It's a stunningly rendered series with action sequences that floor you with every page turn. It's a sharply written series that chalks up a big win for representation in comics. Most of all, it's a testament to the power love has to build us up and make us better than the sum of our parts.

All in all though, I think Shade the Changing Girl/Wonder Woman #1 is, in spite of some major issues, quite a remarkable book. It's message is perhaps the most nuanced and refined of all the Milk Wars titles so far, and everyone on this creative team is firing on full cylinders, making even the most baffling moments of the book enjoyable to watch. It's not a technically perfect work by any stretch, but it has definitely stuck with me in a way that few comics do.

With its second issue, Mister Miracle #2 continues its journey towards becoming one of my favorite comics this year. Its formal ambition is awe-inspiring and its themes of depression and the subjectivity of truth, if executed upon correctly, are timely ones to explore. I can hear the rhythm this book is building and I think I'm falling in love.

The trial of Mister Miracle is the most stunning sequence in this series to date and it all takes place in Scott's and Barda's living room.

Mother Panic has the thematic foundations and artistic sensibility for a huge hit. It just needs some additional nuance to get there.

In the end, I would say that Mother Panic #7 shows improvement from where the series began. It's easier to parse and seems to have a better idea of the series that it wants to be. It's long term storylines are relatively compelling" particularly the plot threads that relate to Violet's past. That said, this book remains a bit thematically shallow, in my opinion, and this issue was not a particularly bombastic start to a new arc. If this book is for you, I suspect you know it by now.

Takeshi Miyazawa's art this issue is particularly fantastic. His facial expressions are exaggerated in a manner reminiscent of the manga tradition, and it really helps the inflated feelings of infatuation Kamala experiences this issue shine through.

In spite of my quibbles, however, I highly recommend Mystik U. It's a distinctly fresh take on some of the best characters in the DC Universe that could use a little more attention. And if nothing else, you've gotta check out the book for Gerd, the greatest secondary character in the history of ever.

I don't think the New Gods Special is a comic for everyone. Without the context of knowing Kirby's history or the legacy he's left at DC Comics, one could easily be forgiven for finding the New Gods Special strangely anachronistic and out of touch with the times. That said though, with a little bit of background, the book blossoms into something else entirely. It becomes an exciting and awe-inspiring homage to one of the greatest cartoonists who ever lived and one of the coolest comics properties to ever grace newsstands.

If you're not reading New Super-Man, you should be. It's one of the most important books on the shelf right now.

We're only just getting started with Ahn's journey and with his giant crabs already in the sights of the Justice League of China by the time this issue ends, it seems like things are going to escalate quite quickly. New Super-Man and the Justice League of China is an absolutely singular title in DC's current line up, so if you haven't tried it yet, now is definitely the time to give it a shot.

$7.99 is no laughing matter, but you do get 74~ pages of content so there's sure to be something that will catch your eye. This title might be of particular note if you consider yourself a forward thinking reader who wants to get a look at where DC editorial is heading or at the talents you'll likely see representing the creative side of the industry as a whole in the years to come.

Ultimately, I think Nightwing #10 is a strong start to a new chapter in Dick Grayson's life, though I wish it were illustrated with more care.

It's a beautiful book. Trevor McCarthy and Dean White outdo themselves with every issue. Their futuristic redesigns for characters like the Blue Lantern Lois Lane and Starfire are unquestionably badass. White's colors pop and shine with shades of pink and cyan, giving the book a decidedly dystopian Blade Runner feel. And while the plot gets a little mushy around the edges towards the end, the overall trajectory of the book is strongly positive, far exceeding the tepid hopes engendered by its premise.

So much of this book was done so absolutely right that it becomes hard to dwell on either of these things. There's plenty left to be explained about how time travel works in this story and how they found themselves in their current individual states, but the characters and motivations are far more important to hooking an audience's attention"and they certainly have mine.

I think it makes sense that Plastic Man is clearly marked as a 6 issue miniseries. This sort of rapid fire non-sequitur humor would likely wear thin if the book ran much longer than that. But for what it is, Plastic Man is a good deal of fun assuming its sense of humor matches yours. It's certainly well worth a look.

Ultimately, Shade the Changing Girl remains a bit of an enigma. It's a resonant and poignant book with beautiful visuals that are undercut by inconsistent plotting. That said, this latest issue is the strongest out of the series. It uses its singular visual style in a delightful way that captures the many discordant emotions and needs of a teenager. It's by far the most young adult of the Young Animal titles and fulfills a specific niche in DC's current catalogue. I don't support this book unreservedly, but I do recognize its strengths and its importance on the shelf. If you haven't tried it yet, I certainly think it's worth a shot.

Overall, Superman #18 should prove to be an interesting read for those who have been following along with the events of the series so far. However, it makes for a relatively poor jumping on point and establishes a new identity for the series that feels a little more plot-centric than character-centric than I'd like. Fingers crossed things change course at the end of this event!

If nothing else, Bendis knows how to make a fictional world feel lived in" and boy does it feel nice to come home to Metropolis once again.

Superwoman #18 isn't a perfect ending, but I don't think there's such a thing. Endings never really make sense. They don't have to. They just need to leave us with a feeling. With an idea. And here, the core feeling is hope. The core idea is that anyone can be a hero. We just have to be brave enough to answer the call to adventure when it comes.

Overall, I must say that I was a big fan of Teen Titans: Rebirth #1. Despite its mechanical faults, Percy demonstrates that his take on the Teen Titans will have a strong emphasis on characters who have very distinctive wants and needs. The premise he's put together should make for some excellent storytelling which will only be furthered by the stellar Jonboy Meyers art on display here.

Ultimately, The Dreaming #1 is a strong debut for the Sandman Universe's regular lineup of titles. I just wish it had a stronger hook to leave me on the edge of my seat, eagerly begging for more.

The Dreaming is great storytelling.

Overall, I liked The Man of Steel #1. Bendis' scriptwriting and the visual team's artistic skills fire on full throttle throughout this debut, portraying a more fun and grounded version of Superman than we've often gotten in the past.

Overall, I think your mileage will vary with The Sandman Oversize Special. Both stories, the first in particular, are visually stunning bits of absurdist art that fully capture the fun and exciting tone of Silver Age comics. That said, this comic does very little hand-holding and offers no explanation for itself to new readers, which I imagine will baffle many" even I found myself having to Google things in order to educate myself on who certain characters were and what certain plot points referred to. I'd say that you should peruse the first bit of this story and see how it grabs you before adding it to your shelf.

Ultimately, I can't recommend Trinity #8. It's not necessarily a bad comic, but it's certainly not a necessary one. Save your money for the real Watchmen mystery...

Overall, I'd say that I was pleased with The Wild Storm #1. While I wouldn't call it the best DC comic on the shelf, I think it plays a strong and unique role in diversifying the tone of the publisher's lineup. It seeks to explore something different and darker than most DC Comics do and does so with a confidence that even most Young Animal books don't quite muster. A book like this one has to walk a fine line between being poignant and gratuitous, but for now, I'd say The Wild Storm #1 is shaping up quite nicely.

I've never read any of the old WildStorm material. I can't comment on how faithful this series is to the old universe or on how these two compare on relative planes of quality. What I can say though is that The Wild Storm is easily one of my favorite, if not my number one favorite, DC Comic on the shelf right now.

So ultimately, I'm a little ambivalent on Michael Cray #1. I"m intrigued by the weird way this comic brings the world of the DC Universe together with the world of Wild Storm, but I'm relatively nonplussed by Cray himself. I certainly haven't written him off" there are enough interesting elements to his character that I believe that his journey could kick into high gear as soon as the next issue" but his journey isn't yet clear enough for me to feel an intense need to follow it.

In truth, Wonder Woman has never been a warrior. She's a diplomat. Rucka characterizes her as such through and through in his runs on Wonder Woman" Diana Prince never raises a sword to a conflict that she can solve with her voice. That's never been a rarer or more important attribute in superhero comics than it is in this Wonder Woman storyline, where Diana's opponent isn't a god or a monster, but rather herself.