Based on previous solicits Exceptional X-Men is going to introduce more new characters in the future. It is safe to assume that Kitty will become a de facto leader of a group of new characters, combining her leadership from the Krakoa era, and her time as Head Mistress of Xaviers School. If as much care is taken with the new characters as is done with Trista here, then Exceptional X-Men will become a must-read book.

House of Slaughter #1 continues with Tynions streak of successful independent comics. The characters are presented with depth that will lend itself to continued stories. Be sure to grab a copy as soon as you can.

There is a lot going on in House of X #1, yet it feels concise. There is nothing that feels like filler. Instead, by the end of the book, the new status quo feels established. At the same time, it is obvious that Hickman is placing clues to the overall picture of this story. Hickman takes the time to establish the X-Men within the current Marvel universe confirming that this is not an alternative reality. Fans who have been waiting for the next instant classic like Morrison's run should be pleased with this first chapter for Hickman and company.

In short, the creative team behind I Hate This Place is firing on all cylinders. Instead of saying I hate this place, readers will be yelling I love this book.

By the last page of Regarding the Matter of Oswalds Body #1, I was hooked. Now that the team is together, I want to know what's next. And of course, I want to see how things go wrong along the way.

By the end ofRogue and Gambit #1,the foundation has been laid out for an adventure that feels both original and familiar enough to get the audience invested. The only question is how quickly can I get my hands on the next issue.

After the first two issues of Hickmans X-Men run, it is obvious that this truly is a new jumping-on point. Everything that you would expect from a Hickman event is here so far. Marvel has assigned art teams that are up to the task of keeping up with Hickmans storytelling. So strap in as it is obvious that Hickman and his team have an amazing story they are going to tell.

In the end, the entireShirtless Bear-Fighter 2 #1 team hits it out of the park. Fans of the original series will find many of the things they loved back in this story. Meanwhile, the introduction of Shirtlesss backstory adds more depth to the character and the chance to explore some new territory that does not involve a BEAR PUNCH.

With only three issues left to tell the story, Last Knight on Earth #2 does an excellent job moving the story forward. We end up with a clear direction for Batman to be successful in his mission. However, with the big reveal at the end, Snyder leaves us guessing as to how successful he might be.

In the end,Sabretooth #1hits on all the right notes. We get to see Victor Creed at his worst: angry and bitter, with no reason to hold back any longer. Creed is a man on a mission. Just how far will he go to get revenge is the question that the rest of the series looks to answer.

While the stories are all vastly different, each writer is able to convey the characteristics that make Carnage a unique character. The off-kilter and chaotic energy jumps off of the panels, and any fan of Carnage should be able to find at least one favorite here. Having a limited set of colors to work with may present a challenge for some artists; however, without fail, each colorist uses a variety of shades to create visuals that match, and in some cases exceed, the fantastic writing.

When it comes down to it, KISS: Phantom Obsession is a fun, old-school-style comic. Fans of classic comics can enjoy an entertaining story, and fans of KISS will enjoy getting to see the band members embrace their fictional avatars. Just like a KISS concert, everyone who grabs a copy of KISS: Phantom Obsession #1 gets to go home happy.

Soy is not an artist that I have personally seen a lot of. However, what work I have seen of his has been action heavy, and that is a style that works in a book like Batman and the Outsiders #1. In the early panels, we get to see him flex his strength as an artist as the heroes fight for their lives in battle. The characters are portrayed as strong and ready to dispatch their enemies. The sharp lines help make the heroes jump off of the pages as they take the typical superhero poses. And crashes of lightning help to create a contrast between the dark setting of Gotham and the brightness of the hero suits.

Rogue Sun #1is a solid introduction issue. It's deep in character development while not weighed down with semantics, and the hook at the end makes you want to come back for more.

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In today's world, Captain America can be a complicated character.The United States of Captain America #1takes that and weaves a story of a man who is pure in his goals but knows he can do better. At no point does Cantwell diminish the importance of the character. Instead, he builds up the mythos while embracing the flaws. More importantly, Cantwell lays the groundwork for a story that is intriguing and groundbreaking while moving the characters in it forward.

What If? Donald Duck Became Wolverine is the crossover one-shot that you did not know that you needed. A well-developed story that moves at a quick pace while still feeling fully formed, this comic can be enjoyed as a family or can be given to a child for them to enjoy on their own.

With its sharp storytelling and vibrant art, Bermuda #1lays the groundwork for what has the potential to be an exciting adventure. Layman does enough in this first issue to draw the reader in. Meanwhile, the reveal at the end hints at a deeper mystery. Bradshaws art and OGradys colors are visually stunning and create poster-worthy art throughout. As a bonus, the back page provides a map of the island that hints at what other dangers may await our two protagonists. I personally look forward to seeing where this adventure takes us.

Black Cat #1 is a fun read for fans of the character. It does an excellent job of building upon recent events while also being accessible. The introduction of new characters and the continuation of other stories allow for the ability to go in several different directions. Meanwhile, the back-up stories give a foundation for new characters.

After readingCarnage Forever #1, it is obvious that Marvel has big upcoming plans for the character. It makes sense since we are entering the 30th anniversary of Carnage. Hopefully, the upcoming series will allow Carnage to become more of a mainstay within the regular Marvel universe.

While readers ofWay of X #1will enjoy the continuation of Nightcrawler's journey, readers that are jumping in with Legion of X #1 may feel like they are trying to play catchup. For those readers willing to go back and research the previous series, they will find a book that stands out from the other current X-books.

New Fantastic Four #1 is a fun book to read. Even if you have no history with the original run, the characters are well established. This allows readers to jump right into the story without having to spend time researching backstories. While some of the plot points seem rudimentary, there is enough promise here to give readers hope that the story will get better. If you are looking for a read that will neither burden you with a ton of back matter nor a long-term commitment, then this is a book for you.

With limited dialogue and fast-moving action,Wastelanders: Wolverine #1 is a quick read. It felt that the story had ended just as quickly as it had started. Fans of the Old Man Logan character will get more out of the story than a casual reader. However, the story is intriguing enough that those who have never read Old Man Logan before can use this as their entry point into the character.

It is hard to hit the right balance when rebooting a series. The creative team needs to walk the tightrope of introducing fresh ideas, while not ignoring the established lore. Bennett and her team have done just that with Witchblade #1. Long-time fans will recognize elements that drew them to the original series. Meanwhile, those looking to jump on for the first time will not feel as if they need a backlog of information to enjoy the story. If this first issue is any indication, then this reboot should enjoy a long and rewarding run.

WhileStray Dogs: Dog Days #1 is not a must-read, it provides a complement to the original series. Like any good horror story, I found myself several times yelling for the victims to run the other way. But of course, that never happens. Fans of the original story will find a bit of bittersweet joy in seeing the lives of some of their favorite dogs.

Way of X #1 does an excellent job of bringing plot points that have been simmering for months to the forefront. Spurrier is able to expand on those events while also creating a book that is accessible, even to readers who have lapsed in their X-Men reading. And it is the final panel that provides the payoff that will end up bringing readers back.

Frontiersman #1makes creating a whole new superhero world look easy. By focusing on just one former hero, it avoids the pitfalls of comparisons to the big two. Instead, Kindlon lays the groundwork for a world that could hatch several new characters. Throughout the book, Kindlon is about to avoid coming off preachy without sacrificing development.

All in all,Slumber #1is a fun read. Tyler Burton Smiths dialogue is quick and witty. From the beginning, the waking and dream worlds stand clearly defined by the art and character designs. This keeps the shifting between the two worlds from becoming too jarring for the reader. The concept of the story allows for plenty of growth and exploration of both Stenson and Finch. Meanwhile, keeping them apart in this first issue leaves something to look forward to in the future.Slumber #1definitely deserves a spot on your weekly pull list.

Given these unanswered questions, it is too soon to be all-in on Amazing Spider-Man #1. However, there are enough elements of a classic Spider-Man tale to interest readers.

Wolverine: Patch #1 is not going to be an industry-changing story, but it does provide a nostalgic tale. Fans of Hama's original run on Wolverine will discover enough throwbacks to draw them in immediately, while fans of Wolverine in general should be entertained enough with this first issue to want to come back for more.

Despite some small pitfalls Non-Stop Spider-Man #1, reads like a comic by a veteran team that knows exactly what they are doing. The end of the issue leaves us with a cliffhanger and introduces us to the first big bad. Fans of Spider-Man will feel as if they have just slipped back into a classic storyline that still manages to be relevant.

While the story is good and the art is passable, one must wonder why Claremont decided to revisit this story 30 years later. It was not a story arc that lasted particularly long. Because of that, there is an extremely limited audience for the story. This is particularly worrisome for fans of Gambit whose future in the current day Marvel Universe is in question. It feels like many would have rather seen a more Gambit-focused story for a Gambit #1.

While I loved the original Marvels (1994) run, The Marvels #1 just doesnt hit at the same level for a couple of reasons. First, the lack of Alex Ross in interior art leaves a void that no artist would be able to fill. Second, I dislike the way the heroes are brought down off the pedestal that they are put on in Marvels. Some of that could be fixed as the story begins to unfold, but, for now, The Marvels #1fails to live up to its predecessor's high standards.

With his history and the number of awards that Ardai has won in the past, it is obvious that he has the talent to write hard crime stories. However,Gun Honey #1 is his first time writing a comic. That is where many of the downfalls of the book seem to happen. Too much time is spent on the exposition. That paired with the quick jump to the next mission makes the story feel incomplete. Once the entire series is collected, Issue #1 may feel like a bump in the road, but for now, Gun Honey is a hard pass.

Overall,Ant #1 feels like it is stuck a few decades in the past where the concept was first hatched. The lack of depth in storytelling and flat art screams of a creator with far less experience than someone of Erik Larsens caliber. For now, it is better to skip the series.