As Eiko abandons the role of Catwoman, Selinas list of friends is growing perilously short. And when one of the Calabreses is in danger, she must decide what to save: her family or Gotham City! Will her closest ally become her greatest nemesis in this shocking conclusion?
In this issue the purples begin to re-emerge as Stephanie returns to a major role, moving between Selina and Eiko and finding satisfaction with neither. The reds and blues that marked Selina and Eiko at their most confrontational inform the opening of their confrontation, which fades into pale oranges and yellows as they move the furthest from synthesis possible, but purple returns when Selina bids Antonia farewell, moving to a pure blue as Selina locks eyes with Eiko one last time. As I suspected, the blues belonged to Eiko and the reds to Selina, but as Selina rides away, she rides into a pink sunrise, a brand new color that, like Selina, like Cesare Borgia, knows how to find its way back to purple whenever it wants. Read Full Review
I wont lie and act like I know anything about art, cause I dont. I dont have much rapport with Genevieve Valentine as an author nor with David Messina as an artist. I will state that enjoyed the art and found the story fun and enjoyable. When it comes to art in comic books I know what I like and dont like. I am a fan of Jim Lee and Jae Lees Selina Kyle. This comic for whatever reason brought me back to Gotham Central as a noir book with a contained story. I look forward to Catwoman #47. Read Full Review
Catwoman #46 marks the end of Genevieve Valentine's run on Catwoman. The run has been one of the better ones on Catwoman in years so it's a shame to see it go, and even more of a shame that it ends on an underwhelming issue. Read Full Review
This issue isn't great" it just is. It's a transition. It serves its purpose. It sets up the next run. And despite those facts, Valentine manages to breathe as much life and meat into this script as possible. Read Full Review
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