Hunted, haunted, and hurting, Sonja has no one to trust and faces danger and suspicion at every turn. There's something rotten in the land, and all the signs are pushing her towards the source of the disease-Vestfold and its cruel ruler, Varg!
Building on the chart-topping success of Red Sonja #1, Dynamite Entertainment continues to delve deep into the She-Devil's world with the second sensational installment of "His Master's Voice," written by acclaimed author TORUNN GR NBEKK and illustrated by Sonja superstar WALTER GEOVANI. This issue also features another killer lineup of cover artists, including Bryan Hitch, Inhyuk Lee, Bjorn Barends more
Grnbekk has handled the traditional sword-and-sorcery story with a well-thought-out first couple of issues. Sonja versus a priest capable of mind-control...its a very sharp and symbolic conflict that speaks to the heart of who Sonja is. Grnbekk knows exactly what makes Sonja work on a fundamental level. Read Full Review
The action flows providing Sonja every opportunity to attack and counter one assailant after another. But what Geovani does best is center the star in each frame giving Sonja centerstage as she should. The poise, the muscularity, the swagger, of a titular character that commands attention. It's all the qualities fans have come to expect. Read Full Review
While the issue really only begins to satisfyingly ramp up in its second half, it establishes a story that I'm excited to see develop. Read Full Review
RED SONJA (VOL. 7) #2 delivers a dangerous and believable villain, excellent action, and outstanding art for a reasonably good second issue. That said, the narration frequently overlaps and competes with the main story, creating an annoying distraction. Read Full Review
Story picks up speed quick and the art is great.
The art is fantastic. He really nails Sonja's face and especially the eyebrows. Most of the art on Dynamite's runs have not been very good. I'm wanting to learn more about the villain and how he developed this ability. Sonja is in a bad position, let's see how she gets out.
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