Bludd has won. Spawn has been defeated, and the Vampire Kingdom has ascended.
Todd McFarlanes return to Spawn is glorious and has arrived at a pivotal point in the arc. Showing the struggle that Al is having without his powers, well Heaven, Hell, and the vampires turn up the heat. In true McFarlane fashion he pulls the rug from under our feet on the final pages of the issue. Read Full Review
SPAWN #360 is a little light on plot and meaningful moments through most of the issue, but a last-minute swerve is worth the cover price and potentially places the series on a completely different path. Todd McFarlane's big idea is a game changer, as long as he pays it off in the next issue, and Brett Booth's art is inspired. Read Full Review
Spawn enters a dangerous new era for Al with an issue heavy in its emotion, its gore and its scope. Read Full Review
There isn't a whole lot of subtlety in an issue of Spawn. It is kind of nice to notice some of the narrative detail, though. And there's every possibility there's quite a bit of foreshadowing going on in the issue that might lead to more further on down the line. The long and winding March of this particular saga really could have been a little bit more coherently laid out. But McFarlane is not a pretty good job of maintaining and interesting story over the y sort of a turning point, though. Precisely what kind of turning point is not likely to become clear anytime soon. Read Full Review
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