Detective Sara Pezzini is on the threshold of a world of monsters, demons, and hellspawn when the mysterious hunter, Ian Nottingham, promises to teach her to unlock her true terrifying potential. Will he guide her through the darkness-or let it devour her?
Sara Pizzoli thrives on duplicity. She tells herself she is a noble protector of the defenseless. Yet she hunts those who prey on the poor and weak, and the Witchblade turbocharges the anger on which she thrives. In Witchblade #4, Sara Pizzoli must decide where she stands. It's not an easy decision, especially when she doesn't know all the facts. But then, to trust others, you must first trust yourself. Read Full Review
Cafaro delivers some intense and beautifully detailed art throughout the issue. I love the visual style of this series and how it creates a beautiful and immersive world. Read Full Review
WITCHBLADE #4 continues the reboot at a snail's pace. Marguerite Bennett keeps the focus almost entirely on Sara Pezzini's primal desires, turning this series into a corny supernatural romance rather than a Witchblade comic. Still, the action is on point, thanks to Cafaro's strong art. Read Full Review
this is a great modern up to date remastered origin of Witchblade. It condenses everything while the art is still very sharp. I am caught up with the Witchblade lore, and I hope this series improves on the original
I am unclear on this one. Like I think its better than the last issue and we do have a plot line. That is good. We see several parties in action. Most of this issue was a training montage really with Ian calling out Sara's self righteous BS which is nice because Sara was getting really annoying.
This issue rides a really weird line between being meh and good. Good art, meh story, good Ian, better but still meh Sara.
I feel really torn and confused on this series of Witchblade, each issue seems to be getting better but its slow and unstable.
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