Do any of you actually think the Sovereign is a threat to WW? This character has never been established as a real threat. WW has just destroyed every challenge he put against her. This series reads more as a curb stop. WW just as to be reminded she is WW and that this was never a good read, or a real enemy. Tom King is a hack at this point. I have never wondered what challenges WW will experience in this book. She was never in any danger. She has never experienced any real threat in this entire run. Sovereign is a weak, pathetically written character. He is only good at controlling every day people. I find it hard to believe that he actually controls things behind the scenes except for the face that King has to constantly tell us this or show us in ways that dont really pan out.

Art is ok but not Sampere's best work.

Also the entire 'dream sequence/hallucination' that WW was in made me burst out laughing. How many female characters in the past year turn out to have their largest fears be 50s house wives? I was not aware that 50s house wives were the worst experience one could have throughout history (which Diana should know given how long she has been alive). King might fear 50s house wives but I seriously doubt WW does (or at least fears a lot of other stuff a lot more). more

Wasn't super impressed with how quickly and easily everything was resolved at the end, but at least the twist made sense I had a lot of fun with the overall concept as a big fan of noir films.

This book went from cool to monotonous to just plain bad. When the hell was the last time we saw or even heard about the mother of horrors or the eldest? This book is verrrry close to getting taken off my pull list.

The story is really good, but I just wished the art was better. If the art was by Nic Klein, then this would be a lot higher.

Action Packed! Got to start by saying, wow Sandoval does an amazing job drawing Superman. Loving the art.

Also is this the first Williamson event that might be good? This is a really good start. We have intense action, twists, espionage, nice establishment of 'mini bosses' and just cranked the threat way up high. This is an issue that will get your attention.

Excellent start. more

PKJ vibes, I love it.

What the hell was that? Another issue where the evil at robot goes amuck Batman and Joker still at odds like a million times before but without a smart plot well devised. The writer has clearly shown Joker knows who Batman is but the result is so what? Actions have no consequences and characters spin their wheels doing nothing.

The bat robot is still at large after what a year? So far Bats is his and Gotham’s worst enemy. Zdarsky’s not a Joker origin story story just shows Bats creates problems, not solves them. Bat robot another Bruce created villain. I don’t think proving Bat critics, the ones who say if Bruce gave away his money all problems would be solved, are right is a good look or clever writing.

Art was nice, but man I can’t wait for the DC reboot in October. Terrible stories.

Or I could be wrong more

Want to read a GREAT Joker story from recent times? One who’s simply delusional and insane? Read Waid’s BATMAN/SUPERMAN WORLD’S FINEST #25 from March. Zdarsky’s Joker and Damian characterizations are pure nonsense. Just end this run already.

Next issue Joker will have mastered the mystic arts and be given a green lantern ring

Reveal was lame, some functional batman rip off (the creator of the character admits this and seems to show little love for the character). This issue was very weak. The past 4 issues have been on the weaker side but this reveal falls flat unless you like niche rip-off characters from long ago.

This story feels abruptly short. With only 4 issues, is this just the start to this story or is there more coming? Issue 3 presents us with more... well issue as things just continue to get worse. Unless you consider tricking people to their death to get the best fighters on the only other working craft a win. Then yeah I guess 1 win.

While I liked this issue (and my 8 is based on that with hope of what the story can be based on what I read), it feels like issue 4 is going to let me down. The only ending I can think of is everything gets so bad everyone dies rapidly (boring), or that this is just the start of a larger story (confused as to why its only 4 issues then). I suppose I am hoping to be surprised.

Art is once again odd and not to my liking but not bad per say either. Kind of fits this type of story... in a weird way. more

The art continues to be beautiful, but this is the first time in the run when this story gave me pause. I understand that this is Ivy's narration of her story, but man, does she white wash her past crimes and paint Batman as paranoid and delusional, which I really didn't love.

This mini has come to nothing except recons and poor characterizations. If you like this book because you like this iteration, that is one thing. However if you like this cause you, in delusion, think it is anything like Alan was designed to be... well that's a special kind of special.

This feels like character assassination at its finest. Wiping out everything dear to poor Alan. Retroactively reducing my enjoyment of the Alan I know and love from the Golden Age stories. more

WTF happened to this series? The art is abysmal and the story is jumping all over the place. It feels like a stationary bike, pedal all day and get no where. People here are saying Hulk can see ghosts and I believe them but I didn't know that while reading this dumpster fire. Does anyone remember when writers took time to remind readers of these things when they occur or at least put the little helpful info at the bottom of the panel? "The Hulk gained the power to see ghosts wayyyy back in Hulk #999 true believers". That kind of thing. If they don't get their shit together soon this series is getting canceled before we get anything close to closure. more

This issue was very disappointing. It starts out well enough with the horror element. The monster is cool and Charlie feels to be in danger. However, when we move to the Hulk part, it falls apart. Since when can Hulk see ghosts? It doesn't feel like a Hulk story when he starts being led around by the dead detective, who tells his story instead of us dealing with the monster. It doesn't even end. It continues into a second issue because they wasted so much time in this one. I hate to see this title go down hill.

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So trying to find something to say that hasn't already been said about this issue (its a great issue, look at those other high reviews, they are pretty accurate), I will say that I love they dad energy Peter has. Between trying to get a 'cool' costume with his daughter, to to moment with Harry 'It is cool.' he just drips the 'I am not an old man! I am still hip with the kids' dad energy. Written very well and I love this take on Peter. Please keep this up. more

Ignore the critic that gave this a 5. This and Hellblazer are the best mainstream comics going.
Can Hickman keep it up? I hope so.

Jonathan Hickman’s Ultimate Spider-Man continues to be a delightfully fresh take on one of Marvel's most well-known heroes. Hickman weaves a narrative brimming with heart, humor, & action, proving that there was always room for a new spin on a classic tale for an author daring enough to go there.

Every character has been given a wonderfully refreshing update & they keep getting better with each issue. Peter’s interactions with his daughter May are pure heartwarming, Hallmark moments. MJ’s depiction as a strong, independent woman, who isn’t define by her role as mother or wife, is breath of fresh air and a striking juxtaposition to her asinine new Jackpot persona in the main 616. Uncle Ben & J. Jonah Jameson have become a surprisingly lovable duo who provide Peter with both inspiration & a healthy dose of reality. But the true cherry on top in this issue is the first meeting between Peter & Norman Osborn. Hickman manages to capture a genuine warmth in their initial interaction, making the inevitable conflict all the more tragic.

Amidst all these stellar character moments, Hickman doesn’t short us on action. The battle between Spider-Man, the Green Goblin, & Bullseye features witty dialogue perfectly complemented by dynamic & fluid visuals brought to life by Marco Checchetto, Matthew Wilson, & Corey Petit.

Hickman's vision for this new Ultimate Universe is becoming fully realized. He's assembled a creative team firing on all cylinders, with Ultimate Spider-Man already in the running for Marvel’s best current series. It’s a must-read for any Spider-Man fan, new or old. I can only hope it keeps slinging issues this good for a long time to come!

Rating: 10/10 more

The Krakoan Era has been building towards a monumental showdown between Professor X & Moira for months now, but Rise of the Powers of X #3 fails to land the moment with a lot left to be desired.

The core conflict revolving around Xavier's descent into morally ambiguous territory has been one of the more interesting stories throughout Fall of X. His dream of a mutant utopia has become so twisted that he's willing to sacrifice lives to achieve his goals. This raises a chilling question: has Xavier become the very thing he once fought against? The internal struggle within Charles is palpable throughout the issue. Kieron Gillen crafts a tense atmosphere during the aforementioned meeting w/ Moira. The "will-he-or-won't-he" standoff kept me at the edge of my seat, but I was wholly dissatisfied w/ Rasputin IV coming in to disrupt things. It shielded Xavier from truly facing the consequences of his actions, robbing the scene of its emotional weight.

The other half of the book focusing on Moira’s conversations w/ Enigma was bogged down w/ convoluted sci-fi speak that has become a hallmark of this mini. Each new layer of Enigma’s plan that’s revealed feels like a deus ex machina of sorts to keep the story going. It’s one thing to not know what’s going on to create a sense of uneasiness or surprise. It’s another thing to never set the stage & let us as readers understand the rules of the game.

R.B. Silva’s designs & David Curiel’s colors continue to be worthy of the cover price themselves. Their are some truly epic panels featuring Rachel & team fending off Sentinels while Xavier is on his mission. Silva’s ability to convey motion is fully present throughout the action. And Curiel’s colors make every scene pop off the page.

Overall, this mini continues to be a mixed bag of unrealized potential. Gillen is trying his best, yet he’s up against months of head-scratching narrative decisions that he’s now being asked to land smoothly. more

This is really a great series. Joshua Williamson doesn't shy away from the violence. Though I wish the connection with the Transformers would finally emerge. With only one issue left, I doubt that is going to happen. If they hadn't made that the driving force of Duke's motivation, I would have been fine leaving it out, but it doesn't seem as if Duke's arc is going to be even partially satisfied in this series. I do like the introduction of the GI Joe characters here and giving us the reason for Major Bludd's patch. Great GI Joe action.

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High octane action, massive fights, Bludd survives (that sob), but is mutilated, Baroness and the crew make a break out and we end on a cliff-hanger. The issue was jam packed but didnt feel rushed to me. What more could have been added? Art was great, very kinetic. We get some great plot advancement here as well.

All in all, couldn't really have asked for more. This issue was just what was needed. Williamson is doing a great job here. more

I dont understand who Williams and DC editors are writing to. The first arc had some high points and went darker at moments. Then it got goofy, now it is just a book for kids. I contemplated reading this to my kid instead of reading it for myself. The art is not appropriate for a standard super-hero, let a lone power girl book. This is drawn like it is for kids.

Now is it good art for kids? Yeah the art is honestly pretty great for a child audience. The story was literally written as a fairy tale kids story. This entire mini-arc was just a straight up fairy tale.

Williams clearly has no one directing her. This was an ok kids tale but a total miss on what should have been a PG story for typical comic book readers, not 4-8 year olds. I suppose though if you did read it to a kid you might find the crude humor parts fun and your kid wouldnt understand it. That might be a small win. Editorial has failed and Williams seems to lack common sense.

tl dr, its a decent ish kids tale, total miss as a PG book. more

I do enjoy the art, and I enjoy the team Roy went in with. I feel like this will hit a lot harder for Green Arrow fans. For me I read it mostly for the plot and how it seems to be a reflection of the DC universe at this time. Good book, one of my complaints though is how OP Waller is being written. All these people have bombs in their heads... this is less a Williamson issue and more of a DC editorial trying to push Waller so much. Remove that and I like it a lot more. more

I dont know I just feel apathy towards this issue. Its not terrible but why is Hulk chilling with ghosts and why did the genre change to noir for the majority of this issue? Do not get me wrong, I like noir but in a Hulk...?

This also just feels too repetitive. The monster of the week stuff is getting boring. The art does not help. The lack of action makes it so much worse. We need the plot to move forward in a meaningful way. Not whatever we got here. more

As I said in the previous issue, this is where the ride should stop for most people. The first arc had its end and it was lame nonsense with no impact. This just feels like stagnation with some poor characterization around the edges.

Just drop this. Spurrier has no idea what he is doing besides being pretentious. He is not a great writer.

You know I previously thought that the first issue was the 'oh $^&&' issue. No I was wrong. It was this issue. Sam is pretty messed up here. Going to be an interesting come back if it goes that way. Horvath is a great writer.

Art is perfect for the story he is trying to tell. His art just works.

This issue was wild. Really ramped up the story.

The series of the century.

Hot damn does this issue pick up the intensity. Now we're cooking baby!