GANG WAR RAGES ON!
Jessica Drew finds the answers she's been looking for, but her reunion with her son propels her into a new paradigm. But first, there's a GANG WAR to finish! And Jess won't be fighting alone. Not when her best friend is Captain Marvel!
Rated T+
To say I'm conflicted on the latest developments in Spider-Woman would be an understatement, but that's not necessarily a bad thing. Spider-Woman #3 hit longtime fans with a gut punch of a cliffhanger, but issue #4 decided to follow that up with a right hook that had me reeling. Read Full Review
I think this had the potential to be better, but I thought it was still fairly good for what it was. I am interested in the story between Jessica and Gerry, and I thought the way this ended between them, for now, was good and leaves the door open for my exploration later on.
What is happening? I've usually liked Foxe's work in the past and this run started out at least functional. This feels so weird with Madame Web just coming out. Do writers just hate Spider-Wom(e)n? There are some decent story beats happening here, but the level of bonkers stupidity is just egregious. We have to suspend disbelief for comics, but everything about this issue breaks immersion. What did I just read? At least I can't criticize the pacing; they packed a lot of antics into one issue.
Steve Foxe’s initial arc for Jess has had its ups and downs. It’s been good when Jess has been kicking butt, but has struggled when her entire personality is confined to her being an emotional mother. I don’t like that she is reduced to a blubbering female who is only defined by her motherhood.
With Gang War wrapping up, I’m willing to give this run a few more issues to move onto bigger and better storylines for Jess, but the rope is short.
Well, that was just weird. Instead of Gang War they should have called it Jessica Drew and the Case of the Over-Complicated Info-Dumps.
I mean props where they’re due, Jess being called out for being a poor mother isn’t undeserved, and her cleverly getting Carol not to follow Gerry by demanding her attention showed Jess still occasionally has the smarts.
Sadly, overall…the plotting made little sense, beyond setting up the obvious, and mundane, ending. Jess came over as histrionic rather than emotionally believable, mostly because the script bent over backwards to justify her feelings that it had to be Hydra, instead of allowing her to solve the mystery, and uncover the truth organically. Ultimately, it all felt more