Overall this was another near-flawless issue of Criminal. Brubaker writes crime noir like no one else, and Phillips’ art, while perhaps not for everyone, definitely fits the tone of the book. I love how this tied into last issue, and look forward to how this piece of the Criminal puzzle fits into future books.

Paper Girls #30 gave me everything I wanted in a series-ending issue. It had callbacks, feels, and a sense of closure for the book that leaves readers happy, even though it’s sad to see it go. In short, it “delivered.”

Very good intro to the team— just what a #1 book should be. MacKay mostly hits the voices of the characters, excelling at writing team leader, Carol Danvers. Art is good but I wish it was a little clearer and more colorful at times.

A really good, if at times a bit cliche, introduction to a new-ish character. The art is fine throughout, and the issue ends with a hell of a cliffhanger.

This issue felt short, but maybe it was just the quick pacing that had me burning through the pages. There were the usual bits of WTF moments, scares, and added intrigue with the Rebecca mystery. As usual, Sorrentino’s art style matched Lemire’s tone, and we got another good issue of Gideon Falls.

This was a terrific ending to the first arc of the series and has me wondering what will bring Daredevil out of retirement. I can’t wait to see what this creative team has in store for Matt Murdock and the readers.

Tank Girl Forever’s first issue gives fans more of what they’ve come to expect from the last handful of series, and that’s a great thing. This opening shot may be a tad generic, just like the genre it’s spoofing, but Martin’s witty dialogue and Parson’s gorgeous art don’t disappoint. This fan truly wishes the current Tank Girl team could keep putting these books out “forever.”

In Lemire I trust, but this opening issue was pretty “meh” to me, and the art didn’t do anything to hide the lackluster feel of the normally edgy Black Hammer side of things. Hopefully the story picks up in the next issue and we can get past catering to the DC contingency.

Good world building and some cool moments, along with the usual Snyder groaners (we get that you know Batman’s creators, Scott). The art is good, yet I’m not a fan of some of the character designs. Hate the cape. I’m going to throw this out there since I haven’t seen it yet: Mad Hatter involvement.

Overall, I didn’t love the issue, but I didn’t dislike it either. A bumpy start threw me off, and the setup to get Invisible Woman on her private vendetta was a little contrived. The art is great throughout, aside from the Doublemint twins at the beginning. The little character moments were my favorite parts, and enough for me to warrant checking out issue two.

A decent start to a title IF you already know a bit about the characters. Not something I’d go out of my way to continue.

Overall this issue had its fun moments, its good Russell (satire), its bad Russell (preachiness), and ongoing terrific art from Stephen Byrne. I’m not sure about the underlying arc of the Math family, and I’d like a little more Wonder Twins powers activating. Hopefully both are resolved in the final two issues.

Stephen Byrne’s art is stupendous as always, and Russell can have witty moments when his self-righteousness doesn’t get in the way. The message is a good one, but I’m tired of getting hit over the head with it repeatedly. I hope the next arc gets back to what we saw in issue one- namely more of the Twins’ fish-out-of-water experiences, and less over-reaching social commentary.

Overall Blossoms 666 has been a worthy addition to the Archie Horror titles. Cheryl Blossom is one of my favorite characters, and I liked the Anti Christ angle of the book. This final issue however left me scratching my head at times and wishing there was a more definitive ending, while still leaving room for future volumes. Otherwise, Cullen Bunn did a good job with the scares and cast of characters, and Laura Braga's art was top-notch. I hope this team comes back and we get true "winner" between the devilish duo of Riverdale.

In this first issue Matt Fraction serves up a fractured storyline that gives readers an unnecessarily far back background into the title character. It reminded me of the tired joke used in movies where the interrogator tells his captor to start at the beginning, and they literally start at the beginning, reciting childhood memories. There were some genuinely funny moments, and I have no complaints about the art. I think I have to just chalk this one up as something I don’t get/it’s not for me.

Poor writing and dialogue get in the way of what could be an interesting story, wasting some good (especially character) art.