I never thought it'd be possible, but The Flintstones is the best of DC's Hanna-Barbera revamp on the rack. Mark Russell writes a hilarious comic with biting satire and social commentary that hits the bullseye so accurately it's scary. Steve Pugh draws recognizable yet modern and redesigned characters that works well. If you're looking for a funny and almost subversive comic about modern day, but set in the stone ages, The Flintstones is the one to read. Highly, highly recommended!

Moon Knight #2 is another great entry from Jeff Lemire and Greg Smallwood. While only on issue two, it is becoming one of the best Moon Knight series in a long time.

A terrific one shot story that delivers. Perfect for introducing new readers to the title's tone while also telling a spooky tale. It never stops sending chills down your spine.

Kill or be Killed might be Sean Phillips and Ed Brubaker's best work yet. Until now the top spot was taken by The Fade Out, but Kill or be Killed is unlike anything else from the duo that I'm dying to see what comes next. Yes, there are elements the two have used before but the addition of the supernatural is a much-needed departure. Sure, it's only on issue two, but I'm hooked and have been enthralled with the story. Issue two doesn't disappoint, both from art and story, and I highly suggest everyone go give this one a read.

I Hate Fairyland #5 is a great end to the first arc of Skottie Young's mad and twisted fairy tale. If you think you're the audience for this book and are intrigued, go out and by it.

Secret Wars #9 is a wonderful conclusion to the event, that has a respectful send off for Reed Richards. Artwork is fantastic and extremely detailed. The best part about the story is that it has a conclusion, and changes nothing about the Marvel universe, leaving nothing to repair later.

For fans of D&D, Heavy Metal, Dragons, Lord of the Rings, and just a touch of Wheel of Time, this could be the next big series to keep an eye on.

Rumble #1 is a great return for previous readers and introduction for new. Arcudi is setting up another crazy, monster filled fantasy story and Dave Rubin's art is a terrific fit for it.

Prez #6 packs a bunch of humor and satirical bite into the closing issue of the first mini-series. It's a satisfying conclusion but leaves me wanting more. I just hope there's more to be had.

Aliens: Defiance #1 starts as a by the numbers Aliens story. By issues end it's clear this series is going to be much more.

Warren Ellis has made Karnak a great title with a revamped character that is cold and brutal. Issue two has great action and the majority of the artwork is great. I hope the delays don't continue.

The Fix #2 is a hilarious comic full of unique characters and ridiculous scenarios that you can't help but like the leads. Spencer and Lieber work wonderfully together and I can't wait for more.

A great issue of the series, though not the special kind you would expect for a fiftieth.

If there was a time to be a Transformers fan, now is the perfect one. With the comics and toy line (and soon cartoons) all carrying the same event, there is tons to be excited about. The Transformers: Titans Return one-shot is perfect to get readers of all kinds hooked. My hope is that those who find the Titans Return toys cool will check out the comics, and vice versa. The writing and art team on this issue do a terrific job of setting the story up and introducing readers to what is coming next. I can't gush enough about this and even though I'm a GIGANTIC Transformers fan, I'm confident that all readers will enjoy this. If you're curious about Transformers comics, this one will prove how great they can be.

Donny Cates and Ryan Stegman are off to a killer start in this new volume of Venom, with ideas that could be refreshing in a Venom comic.

Nighthawk #2 is a well written, dark book that touches on some hot button issues. Fans of Squadron Supreme or dark stories should check this hidden gem.

Disappointing compared to the first two, Renato Jones: The One% #3 reads like a scatterbrained Sin City rip off. The artwork is great and the strongest element by far.

Moon Girl and Devil Dinosaur #3 is a great, fun book for readers of all ages without pandering to young readers. It's got some good art and, of course dinosaurs.

Civil War II #0 is low on action, high on long drawn out conversation. If reading Carol Danvers having a therapy session sounds fun, this is the book for you. The art is gorgeous though.

The Hellblazer: Rebirth #1 is a great relaunch for the title and brings John Constantine closer to his roots, even if in a toned down fashion. The original setting, returning characters and classic Constantine games are present which makes it the closest to the original Vertigo run that DC has gotten. First time readers will find a great introduction into the magician's twisted world won't be lost. Long time readers should enjoy it too, as long as they don't mind a slightly tamed version of Hellblazer.

Transformers #52 has some great character moments and improved artwork. It is the beginning to something that might be extremely entertaining.

A good start and introduction even though it jettisons the "legacy" character for his replacement.

Justice League of America Rebirth #1 is standard "round-up the team members" fair. There's nothing new or unique in the story that a seasoned comic reader won't have already seen dozens of times already. Readers who absolutely must see things from the beginning will want to pick this up, but nothing of consequence happens. Ivan Reis is the standout, with his artwork picking up the slack. The last preview page interests me the most and makes me want to see where this goes, but if things don't pick up quick I'll be dropping this soon.

Transformers: Sins of the Wreckers #2 is a fun book for readers and a great one for Transformers fans.

I was bummed that Ghost Rider #1 wasn't as good as I hoped. I've come to know what to expect with Felipe Smith's Ghost Rider but this opening issue fell short. With odd characterization and half of the title character's main story taken up by the insanely annoying Totally Awesome Hulk, the book falters. Luckily, the art in both stories is enjoyable with Moore's being an amazing standout. Hopefully future issues won't feel as flat and maybe we'll get some more Tradd Moore artwork.

Vikings vs. Unicorns #1 is a fun, soaked in rainbow-colored blood good time. Though it may have its flaws, fans of Norse mythology and vikings for sure will want to give it a try.

M.A.S.K. Revolution #1 is a decent start to introducing M.A.S.K. to the new generation but falls a bit short of its potential. The "gimmick" of the property is barely seen and the issue is one long character introduction. While it's not bad, the "military soldiers trying to make the cut" trope has been done before. There is promise though, with lead hero Matt Trakker now African-American and the updated suit designs by artist Tony Varas looking sleek and cool. I'm dying to see M.A.S.K. make its return and interact with all the Hasbro properties, making the eight year old Wilson jump for joy.

Not even medicinal herbs can help this comic's story and jokes better. Recommended for fans of the franchise only, those that may be out there.

Do yourself a favor and DON'T BUY THIS COMIC! Don't even read it! I'm shocked it's getting a second print and if it wasn't for our rating system automatically calculating the total, I would give this book 1 out of 5 stars. I haven't hated a comic this much in a long, long, long time.