Ultimately, "Comeback" is a pleasant surprise. It arrived on the scene without much fanfare, but told a compelling story with a high concept that delivered. Brisson is a writer to look out for in the future, and Michael Walsh is a star artist with a bright future. He's already been tapped to draw the upcoming "X-Files" book at IDW. Catch up on this book now and you can say you knew them when. Read Full Review

Allin, this wasn't the best issue of the series, but taking into account everything that led to it, it's a great, if not altogether satisfying reason to come back one last time. Read Full Review

Viewed on a macro scale, this story does have some emotional resonance is the end, but it's definitely not the showstopper it could have been, given the interesting moral undercurrents that have been apparent in the series so far. But this time travel story has been incredibly ambitious, and is worth checking out for the fine details that Brisson has worked into the central concept, and for Walsh's concise visual storytelling. If the chops on show in "Comeback" are any indication, we've got plenty to look forward to from this team. Read Full Review

Visually, Walsh delivered consistent artwork, but as ever, it owed a great debt to Jordie Bellaire's vibrant colors, which enlivened an otherwise lackluster issue. While I'm glad that the characters we came to love over the past five issues met with mostly happy (or well-deserved if not happy) endings, I can't help but wonder what Brisson would have done had he had more time and more pages to explore the world he'd so lovingly built. Read Full Review