That scene is a great micro-example of an artist getting to hone sequences and their storytelling while working as the singular creator in terms of the finished product. Its a testament to both Zdarskys skill as a writer to trust Phillips storytelling decisions as the artist, colorist, and letterer, to convey those little details that compound to the intended effect, and to Phillips' ability to execute the written word and tell the story and action through his visuals. Newburn is one of the strongest crime books currently on shelves with Image (which is saying something when looking at that shelf as a whole) and deserves to be on everyones pull list. Its a book that keeps on giving and feels just as rewarding as snapping interior pieces into a work-in-progress jigsaw puzzle. Read Full Review

Another solid issue. Good art. Newburn remains great crime.