The other two tales are notable both for their art and for the metaphysical elements they involve. Elektra faces off against demons in Japan in the mostly silent story “Assassin.” And in “Rendezvous” we see two sides of Elektra, a white and dark, battling each other through the familiar looking streets of Kevin Eastman's New York City. Read Full Review

In the final (?) issue, Elektra goes through one nicely-rendered flashback adventure before things are closed out with a pair of gorgeous, artsy strips that are a real pleasure to look at.

It rustles my jimmies that the final strip doesn't credit the poet who wrote the words. Sure, plugging a line into Google will tell you it was WWI poet Alan Seeger, but it would have been much classier for the creators to credit him.