Beneath The Trees Where Nobody Sees #1 IDW W:Patrick Horvath A: Patrick Horvath L: Hassan Otsmane-Olhaou Don’t. Murder. The locals. This is small-town serial killer, upstanding citizen, and adorable brown bear Samantha Strong’s cardinal rule. After all, there’s a sea of perfectly ripe potential victims in the big city just beyond the forest, and when you’ve worked as hard as Sam to build a cozy life and a thriving business in a community surrounded by friendly fellow animal folk, warm décor, and the aroma of cedar trees and freshly baked apple pie…the last thing you want is to disturb the peace. So you can imagine her indignation when one of Woodbrook’s own meets a grisly, mysterious demise-and you wouldn’t blame her for doing anything it takes to hunt down her rival before the town self-destructs and Sheriff Patterson starts (literally) barking up the wrong tree. Thoughts… When I looked at the cover of this comic I thought this is something a little bit twisted. I started reading the issue and thought how quaint this world is. This is the town where everyone wants to live in nice and peaceful, friendly neighbours, everyone just getting along and eating apple pie. Then the trip out to the city happened and turned it all on its head. I sort of knew it was coming from the solicitation but the change from cute to gruesome was so quick it took me by surprise. This is Care Bears meets American Psycho in small town America. The introduction to the characters is done in such a way, that coupled with the art, will have you thinking you are reading a completely different book to what has been described. But that's the beauty of this book. The hiding in plain sight, the innocent persona all lends itself to making the more gory moments of the issue that much more terrifying. I would recommend once you have read the issue to go back again and look at a few of the moments throughout that mirror later parts of the story. This is written really well, it has such a calming tone to it and all the while you are surrounded by a warmth even in the killing, it's not until the last few pages that the feeling is shattered. The art work contributes a lot to that sense of peace and tranquillity. All the characters are cute and cuddly, smiley and bright eyed and bushy tailed. It's like if there was a comic of Sylvanian Families being released. You would not think that anything sinister or evil could ever happen in this world. The colours are all very pastel and make it all seem very unassuming, none of the panels really stick out, until you look closer. That is except the panels where there is the murder, that will stick in your brain for sure. Something that did seem odd, all the characters are animals, our main character Samantha is a cuddly bear but throughout the issue there are animals in their more real world state including an actual bear. Is there something more to the setting and the character design going on? As I go over the issue to write this review I find that I am finding more and more about the issue that I find intriguing and realise there is more going on here than my initial read led me to believe. While I was going to give this a 7 originally I think that would be a disservice to it, and I am actually going to give this a 9 out of 10. There is much more to this than meets the eye and it has been quite a while since a comic has made me go back over it and think deeper about what is really going on. I recommend giving this comic more than one look over as there is something about this story that has captivated my mind.

Cobra Commander #1 Image W: Joshua Williamson A: Andrea Milana C: Annalisa Leoni L: Rus Wooton Thoughts… What an issue, from the outset it was a corker. It was completely not what I expected it would be in any way. I remember G.I Joe from my childhood but I am not sure if this is the same origin or not but I was so thrown by what I saw and read. This has to be one of the most surprising issues in the new Energon Universe. First the story, this has so many WTF moments throughout, it's unbelievable. The origin of the Commander is the first and then it just keeps throwing in more and more. The way it links in to the Energon Universe was another massive moment, I couldn’t believe what I was seeing, I think I even whispered Holy **** under my breath. But it's not just the shock and awe of the issue that made it so good. The pacing is great and the story leading up to each of the reveals is really well written and keeps things flowing nicely. This is a really solid start to the series, full of twists and turns and some really interesting set up for the future. For the art, it is quite angular and sharp and in places it is really colourful and bright. There are some almost body horror moments in the issue and it doesn't shy away from showing the gore and the more visceral moments. There is a lot visually going on in this issue that I can’t mention here as I don’t want to spoil anything, but it will definitely leave an impression after you have finished reading the issue. So much happens in this one issue, this exactly what you want from the start of a new series. It will grab so much attention for its take on the Cobra Mythology and the way it will shape what is to come down the line. This is a really solid start to the series and one that will get people talking I am sure. I would give this issue 9 out of 10 and I think it will be a hard comic to beat this week. Solicitation… In a world where Cobra doesn’t exist, one man’s sinister plans to utilise the mysterious alien substance known as Energon will send shockwaves across the globe.

Feral #1 Image W: Tony Fleecs Art: Trish Forstner & Tone Rodriguez C: Brad Simpson Synopsis… Meet Elsie, Lord Fluffy Britches, and Patch, three indoor cats lost in the not-so-great outdoors during a nightmarish rabies outbreak. Without their humans to protect them, the cats rush to find their way home before they’re eaten by the forest full of rabid beasts on their tails. Don’t get bit. Don’t get scratched. Don’t become…FERAL. Thoughts… This has been a highly anticipated series and one that has a lot to live up to from its predecessor Stray Dogs, and I can tell you from this first issue that it really does live up to the hype. It straight away pulls you in with that now iconic illustration style and you are right back there again but this time it's cats. The story itself is a really great take on the classic zombie tale. The way everything is turned on its head so it is animals rather than humans is done really well and it all transitions really well. There is a great pace to the story and it really does a great job of getting the set up out of the way and then diving in head first to the action/horror part of the story. It also does an amazing job of pulling on the heart strings with these characters, especially Elsie, even people that don’t like cats will find those big blue eyes hard to resist. Artwise if you have read Stray Dogs you know what you are getting here. It's the perfect combination of cute and cuddly with bloody horror. Everything has that children's cartoon look to it that makes everything seem so innocent and friendly but when the story gets going there is a whole new layer to it all, while the illustration stays cute in style the more horror elements get added in with rabid animals and blood and guts. I have been waiting eagerly for this to come out since it was announced and it did not disappoint at all. This issue really does a great job of putting everything into place for the ongoing series. There will be I am sure more than a few shocks throughout the run but this issue sets things up nicely. I liked our 3 main characters and it will be interesting to see what toll events take on them all. This is a really amazing take on the zombie genre and I can not wait to see how this story takes those classic horror elements and how they will shape this world. This is a 9 out of 10 for me all the way, Stray Dogs was one of the best series of 2021 and I think this series could easily take the crown for 2024.

Hound OGN Mad Cave Studios W: Sam Freeman & Sam Romesburg A: Rodrigo Vazquez L: Justin Birth Solicitation… Found nestled and protected within a den of wolves, the journal of Private Barrow, a fresh young soldier drafted into Britain’s royal army during the height of World War I, meticulously and explicitly recounts the events that lead to his death. However, where most men are sent to the trenches, Barrow was sent to a place known only to him as the “gas quarter” — a patch along the western front known for incessant mustard gas attacks. In that place he meets the Hounds and he is soon pulled into a hell that can only come from the savage horror of war. Thoughts… I have read very few comics that are set during WW1 or 2 but something about this OGN made me want to give it a read. As I began reading I found the narration to be quite engaging and I was soon fully focused on the story being told. Baby faced Private Barrow is thrust into a world unlike any he has seen before. He knows the horrors of war already but what he is about to experience will feel like Hell has come to earth. The narration throughout the book is really strong and extremely descriptive, more than once I paused to reflect on what it was saying about the situation our main character is in and war as a whole. There is a moment this story flips and things get extremely dark and everything descends into what would best described as furious madness. There are some really shocking moments throughout the story as it continues, with Barrow really being pushed to the edge of desperation. There is no shying away from the brutality of the story at all, to say that Barrow is irrevocably changed by the events would be an understatement. There is a flashback to Barrow's childhood and I found this to be quite a profound part of the story, and as the book comes to a close the words “War is a sickness” should resonate with the state of the world we find ourselves in today. The art style works really well to emphasize the horrific aspects of the story, thankfully it is not realistic in its style. Something the images do really well is show the fear in Barrows eyes , even when he has a gas mask on, the emotions shine through the images. Likewise later in the story there is a panel and that fear has gone and his eyes almost seem dark as if the spark has gone and all that's left is the reflection of the horrors of the world, he is haunted and that shows in his gaze. At first this book was just a really good read but as I went over it again to do the review and saw more of the little details and really taking the time to digest what the story was telling us I realised that this book was a fantastic read. There is some real depth to the story and this is all heightened with the illustration. Fans of comics set during the war and horror will really enjoy this comic but this should appeal to most comic book readers to be fair. This a 9 out of 10 for me, dark and enthralling and horrific, what's not to like…

Spine-Tingling Spider-Man #1 First (issue) Impressions Marvel Terror continues for the Web-Slinger! After a fight with SPIDER-CIDE, Spider-Man gets taken on the most terrifying ride of his life. If you think you’ve already read the scariest Spider-Man story ever, you may stand corrected after this one! Thoughts… On the cover it says the scariest Marvel comic book ever, when I read this I said to myself yeah whatever….it might actually be right. First thing that hits you as you start to read the issue is the artwork. Those opening pages are really stunning, some of the best Spider-Man images I have seen in a long time. The colours are so bright and vibrant, they are really striking. Later in the issue we see images of other characters like MJ and Aunt May and again they are really amazing. As the issue continues and we get to the horror element of the book the artwork does its job again this time it gives us dark and grotesque. I think this could be one of the best pieces of work Marvel has done for an age based on the art alone. And the story isn’t half bad either. Not your usual Spider-Man story at all. I won’t say too much but this could be an issue of Ice Cream Man or something of that ilk. It was actually genuinely freaky in places and could hold its own with some of the more terrifying indie titles. I have no idea what is going on here at all but that didn’t matter. The story had me hooked early and didn’t let up at all. I was disappointed when it ended and I can’t wait to read the next issue. This issue was a real surprise to me, I read the issue 0 for the series and it was ok but didn’t really impress me, I gave it 6 out of 10. This issue though is a 9 out of 10 all the way. I think it will be hard to top this story this week. I honestly can not recommend this comic enough, if you see it anywhere pick it up and if you have it in your pile read it ASAP. If Marvel can do comics like this then they need to rethink what they are doing on some of their titles.

The Boogyman 1-6 Ablaze Passionate about reading, Elliott has always had a preference for the stories of boogeymen, those monstrous creatures which, at night, hide in the shadows or under the bed to frighten little children. He can’t imagine how much they will change his life… Witnessing the bloody murder of his parents, he will discover that, in reality, boogeymen do indeed exist, and very precise codes govern their existence. When one of the most powerful boogeymen, “Father-Death,” decides to protect him, Elliott finds himself plunged into a terrible conflict at the heart of a universe as terrifying as it is fascinating. Thoughts…What a great series this was, I can remember reading the first issue when it came out and being blown away. The setting and concept was really intense and creepy, the world that was being built was really impressive. The story did not let up at all with each issue pushing the premise further. There was a real sense of urgency throughout the series, with brief respites that are soon interrupted with action packed chases and fighting. Though there is plenty of action in the series there is also a lot of story and mythos that is revealed along the way. There is a deep but understandable world shown to us as the story unfolds. The setting is presented in a very straightforward fashion so although we are given a lot of details it is never overwhelming or confusing. Then we come to the art, this was so perfect for the series. Every panel was spot on. The designs for the characters from the outset and those we meet as the series continues are amazing. Every nightmare creature is unique and terrifying, as they should be being what they are. The artist does a great job portraying motion in the action sequences and the ferocity of the fighting. Likewise in the more quiet moments you can almost hear the rain beating down around our main characters. I think this could be one of the potentially hidden gems that people might not see due to the publisher not being one of the bigger names. This has a very dark feel to it (feels a bit like the Middlewest series by Skottie Young, but set in our world), a modern horror story with its roots in folklore of more urban mythological creatures. This series is definitely a 9 out 10, I would highly recommend to anyone to pick up the trade and even hunt down the single issue.

When The Blood Has Dried #1 - Out 10th April Mad Cave Studios W: Gary Moloney A: Daniel Romero Ulloa L: Becca Carey Thoughts… As soon as I saw the cover of this book I was drawn to it, there was just something about it. So of course I jumped at the chance to read an advance copy. As soon I as i started to read the story had me hooked, the first few pages are on Mad Caves website so I had a little idea of what was coming at the start of the issue but the story shifted to the more peaceful setting of the solicitation just after this and I pulled further into the setting and the lives of our cast of characters. The majority of the story that we are presented with is very tranquil and has a very relaxed tone. The world in which the characters exist seems very idyllic, though there are hints that things are not always the happiest but that life overall for the residents of Carraig an Bhun is one of peace. As the issue continues there are moments that show that things might be about to change. I really liked the way the story grows, we are taken on a tour of the town and we are made to feel comfortable and then that comfort is tainted by a glimpse of what is to come. The way the tension rises is done in such a simple way but the impact hits you hard when you see it. I found this worked really well to establish an emotional connection to the characters and then feel fearful for what is to come as we have knowledge the characters do not and this could really shatter their whole world. The art style is perfect for the setting and tone of the comic. The colours are bright and vivid. The village is a bustling and lived in space, the panels depicting a myriad of different residents all very different representations of the races that make up this world. In the tavern you can feel the glow of the candles, which lends a warmth to the scenes. All of this adds to the feel of comfort that the story is giving us through the narrative. This issue does a really good job of setting the scene and giving us a reason to feel for the characters. We are shown a place of peace and joy, where there can children play in the streets and people going about their normal everyday lives in safety but we know that all that is about to change. Already we are invested in the setting and that is hard to do so quickly with a brand new series. The sense of impending doom is there as the issue comes to a close and I think the next issue will really ramp up the tension. I was really impressed with the issue, it really took me by surprise and I can’t wait to read more. I would give this a score of 9 out of 10.

Edenfrost #1 Mad Cave Studios W: Amit Tishler A: Bruno Frenda L: Taylor Esposito Amidst the snow-capped hills of war-torn Ukraine, teenage siblings Alex and Yuli have lost all but each other in the chaos of the Russian Civil War. Their journey becomes a fight for survival in the face of warfare, but when the siblings uncover the mystical powers of a Golem, will they finally find their place in the world? Thoughts… I have been looking forward to reading this having seen the solicitations. There is a great deal of atmosphere right from the start of the issue. You can feel it as you read through and the story unfolds, given the history and real world events of the time how could you not. The issue is a great introduction to the setting and concept. It introduces the main characters well with the children being the main focus of the story, it's their plight that really adds the emotional depth to the writing. Also we meet the other character from the cover, Colonel Krasnov, who has a charm to him but also an understated sinister streak that he does little to hide. Speaking of sinister his right hand man, Lieutenant Belov, this man, though drawn to seem young and innocent, is surely the devil in disguise, and he seems to relish in the evil deeds he is able to participate in. The writing is well paced, you get the sense of urgency as the children flee for their lives and the desperation that goes with it. You can feel their fear and loss as the story continues and also understand Yuli’s anger with what has happened. The tone then shifts when the Colonel comes into the story, it seems to take a more quiet and menacing tone and you can feel a different type of fear within those panels. The art is really great throughout the issue, really clear and defined. It captures the moments of emotions well, really adding to the overall feel for the story. One character that stands out in the art is Belov, in one panel he seems almost angelic in his appearance then when he is let off his leash his face completely changes and you see the true evil shine through. I really enjoyed this issue, the story is really great and there are some great emotional hooks that pull you in along the way. The concept of the series seems really interesting and we do get a glimpse of the Golem but I think that it will be more the emotion than the supernatural that will keep people coming back for more. There aren’t many issue ones that elicit an emotional response like this issue does, I can’t wait to read on. I would give this 8 out of 10, looking forward to see where this series takes us

Edenfrost #2 - Out 17th Jan Mad Cave Studios W: Amit Tishler A: Bruno Frenda L: Taylor Esposito Thoughts… This issue starts off with a massive reveal about a certain aspect of the story that is present in such a visually stunning way, I was not expecting something like that so early in the series but it perfectly sets up the serious nature of the story, the children must survive no matter what. The last issue ended with the children in a very dangerous situation, to be fair the whole issue they were not safe for a moment. This issue picks up right after that cliffhanger ending and without spoilers, they seem to be no safer though potentially there is a chance for a breather. There is no let up in the tension though at any point in the issue. The whole while you are on edge as Alex and Yuli do what they can to make it through their ordeal. Yuli is a proper little bad ass though, she's not one to mess with by the looks of it and I have a feeling that might lead to things becoming more tense in the future issues. Alex also finds more inner strength throughout the issue and by the end he finds his resolve. As the series continues these two will become quite a formidable pair, but will that be enough to stand against all that is heading their way? The art continues to be great, like the last issue it captures the tones and emotions of the story perfectly. The opening pages of the issue really shine though as we meet a character that was only alluded to or seen in flashbacks in the first issue. The colouring on those pages really makes the whole thing stand out and is such a contrast to the real world the children find themselves in. This issue is a great follow up to the first, despite the children finding a way out of the cold there is still a foreboding tension to the whole thing, like at any moment something could shatter this slightest moment of peace. We know that there is still a search party out there and my new favourite villain character is lurking in the woods somewhere, Lieutenant Belov will hopefully make himself known soon. I am really enjoying this series and can’t help but feel invested in the main characters which only heightens the story for me. This is another 8 out of 10 issue for me, I think by the end of the series though that score can only rise. Solicitation… After a pogrom chases them out of their home, Alex and Yuli flee to a forest in the Ukrainian countryside, where the opposing forces of the Russian Civil War are poised to clash. Desperately seeking shelter from the cold, the siblings take refuge in a lonely hunting cabin only to realise that their new host may be just as dangerous as the threats that await them out in the wild.

Edenfrost #3 Mad Cave Studios W: Amit Tishler A: Bruno Frenda L: Taylor Esposito Thoughts… I have been a big fan of this series since the first issue, I have found it to be a really engaging and enjoyable read. Issue 3 ramps everything up by a 1000, this has so much tension throughout this issue it's unbelievable. While the previous two issues have had that tense feel as the story has been building, this issue will have you holding your breath in anticipation of what is coming. Without giving too much away, we get the moment we have been waiting for, where all the characters are together for the first time and it looks like there is no way to escape their fate… but you have seen that cover right??? The way this story unfolds is just spot on, the pacing really lets the tension build and build. This is my favourite issue from the series so far, but it shows the first two issues did an amazing job of giving us characters and a setting that really resonates with the reader. Without the groundwork that was laid already the impact of what happens in these pages would not have hit anywhere near as hard. There is a real sense of danger in this issue, having an inkling as to what was to come but not knowing what events would occur to get us there, anything could have led us to those final mind blowing pages… The illustration and colour as we have seen from the previous issue are equally as great as the storytelling. But I will say the last 3 pages of the issue are something else, especially the colour work, it feels like the whole world is going to burn. This is the moment I have been waiting to see and it did not disappoint. What an amazing issue this is, it takes what has been built in the first issues and our emotional tie to the characters to really put us through the ringer. My favourite character makes a return here and is the main source of the tension throughout the issue, a great villain that is written so so well. The next issue I believe is the end of the first arc and I think that it will be explosive. I would give this issue 9 out of 10, and fully expect issue 4 to get higher. Solicitation… As the Russian Civil War escalates, the Ukrainian landscape becomes increasingly hostile. Trapped by the enemy that ravaged their village and killed their parents, Alex and Yuli will have to use the unpredictable powers of the Golem to defend themselves despite hesitation about its true intentions.

Edenfrost #4 - Out 27th March Mad Cave Studios W: Amit Tishler A: Bruno Frenda L: Taylor Esposito Synopsis… As the Russian Civil War spreads across two continents, the siblings, Yuli and Alex, find themselves in an explosive run-in with the soldiers who killed their parents. In a moment of desperation, Yuli makes a blood pact with the Golem and unleashes a violent assault against the attackers. While struggling to survive the bloody conflict, Alex desperately tries to save his sister from her uncontrollable rage before it consumes her whole. Thoughts… This issue brings the first arc to a close in spectacular fashion. With the shocking events during the course of the last issue leading up to the explosive ending we know we are in for a great issue here. Picking up right in the thick of it all this issue shows a very different side to the Golems power set/mythology. Without going into too many spoilers we get to see Yuli fully unleash her pent up emotions and some really great emotional moments as the story continues. This is the issue I have been both waiting for and dreading at the same time. I have really enjoyed reading the adventures of these two siblings and the struggles they have had to overcome. Their journey mixed in with the story of the Golem was just spot on. The tale of the two trying to survive would have been a great read on its own but adding that extra supernatural element really elevated the story. Fans of the series will really enjoy the first half of the issue, there is a lot of action and tension and some really gratifying moments, when the dust (or snow) settles no one will be the same again. The other half of the issue is much more somber and emotional, this reminds us of the more personal part of the story and the relationship between the two. The dread I mentioned was that this is the end of the first arc, what will we do next month without our Edenfrost? The art as ever was really great, seeing that wolf on the cover in full form within the issue was a visual treat. The art has been really great throughout the series and has really helped to enhance the story in both its quieter, emotional moments and the bigger action scenes and reveals. I have really enjoyed this series from issue 1, I was not expecting it to hit as hard as it did and have found that my enjoyment grew with each issue. It really got its hooks into me and didn’t let go. This issue did a really great job of bringing the arc to a close, and gave it a really satisfying ending. This is a 9 out 10 for me without a doubt, I really hope that there is a 2nd arc to follow soon.

The Devil That Wears My Face #1 Mad Cave Studios Writer: David Pepose Artist: Alex Cormack Letters: Justin Birch The year is 1740, and the Vatican is in turmoil. Grappling with a profound crisis of faith, outcast exorcist Father Franco Vieri is dispatched on a mission of grave importance — to rescue a Spanish nobleman from the clutches of the sadistic demon known as Legion. But when the exorcism goes tragically wrong, Vieri finds himself trapped in a stranger’s body… and learns what horrors lie ahead when the Devil wears his face. Equal parts Face/Off and The Exorcist, Ringo Award-winning writer David Pepose (Moon Knight: City of the Dead, Savage Avengers) and Bram Stoker Award-nominated artist Alex Cormack (Sea of Sorrows, The Crimson Cage) conjure a harrowing tale of terror, action, and body-swap intrigue that will leave comic readers at the edge of their seats. Thoughts… This was one hell of a debut issue to a series, it really knocks it out of the park. You are pulled into the story with the opening pages, they really set the tone of what is to come as the issue continues. The story has a very intense feel to it as you read on, we meet our main character and the setting to the series is laid out before us in such a way that you will feel this is a world that you are familiar with already so we push on with the main event. There are intrigues and manipulations peppered along the way that as the series continues I am sure we will revisit and friends and enemies alike are made that will be pivotal to the plot and the fate of our main character I am sure. But who is our main character? Without going into too much detail, the solicitation gives us a hint as to what happens in the issue, but we have two very different characters to follow within the series. Both are equally as interesting with Father Vieri going to be the main emotional hook to the book and Legion providing the glorious devilish fun I would surmise. The art style definitely compliments the concept and setting, there are some really outstanding panels and pages throughout the issue. The more everyday moments are superbly drawn but Cormack really gets to let loose more than a few times when the demonic elements are portrayed. The exorcism pages in particular are amazing, such depth and colour to them, they really elevate the issue to new heights. This comic is just the sort of thing that I really enjoy reading, I am not religious in any way but give me demons and exorcisms and I’m all in. This story is really atmospheric and the pacing and tone that mixed in with the brilliant artwork makes this a must read. I am not sure what will happen as the series continues but I am there for the whole thing. Amazing work from all involved, I would give this 9 out of 10, just a great read and so well drawn, I want more already.

Space Ghost #1 - Out May 1st Dynamite W: David Pepose A: Jonathan Lau C: Andrew Dalhouse L: Taylor Esposito Synopsis… Greed and corruption flourish in the darkness between stars. With the territories of the Galactic Federation spread far and wide across the vastness of space, pirates and hijackers ransack the distant colonies with cruel disregard for the innocent scientists living within them. Yet there is a cosmic vigilante who metes out justice throughout the galaxy, bringing vengeance to those prey upon the defenceless. Some say he is a policeman who has abandoned the strictures of the law. Others say he is a phantom, the sole survivor of a war-torn planet. And those who have survived his wrath claim he is more a force of nature, able to bend the very elements of Creation to decimate his enemies. Thoughts… I had no knowledge of Space Ghost or the setting going into this comic, I now know it's based off a 60s cartoon series but this comic has really brought this up to the modern day in its tone and feel. This very quickly throws us into the story, all hell has broken loose and things look very bad for those on the space station under attack. This is has a full on space opera feel from the start, and as the issue continues everything seems so big and bold. This has both drama and action in equal measures. There is a lot of tension in the pages and a real sense of danger for the characters that we are introduced to. I am not sure how these characters fit into the previous version of the story but that lack of knowing helped to elevate an already tense situation in the pages. Space Ghost himself seemed to be quite an imposing character, a sort of mix between Superman and Batman all wrapped into one on first impression, will see how that holds up as the series continues. Artwise this is really great, there are some great character designs throughout, some really strange and cool looking alien creatures. The first reveal of Space Ghost is a simple but striking image, definitely setting a good tone for the character. I like the style, everything has a quite realistic look to it and there are some really stand out panels in the issue. I went into this issue with no preconceptions or hype for the character and I think for me that really helped me enjoy the issue more. I found myself drawn into the whole thing really quickly and I really enjoyed it. I liked the tone and the setting and Space Ghost seems to be an intriguing character, I will definitely be reading the series ongoing. I would give this 8 out of 10, definitely worth checking it out if you are in two minds about picking it up.

Blow Away #1 - Out 17th April Boom Studios W: Zac Thompson A: Nicola Izzo C: Francesco Segala L: DC Hopkins Synopsis… Unyielding wildlife photographer Brynne Brautigan, isolated in the remote cold of Baffin Island, sees something she can’t unsee. An argument, followed by an outburst of intense violence between two nearby climbers-did she just witness a murder? In a frantic search for the truth, Brynne discovers just what she’s looking for, but little does she know that more than the silent white of winter is keeping her company… Thoughts… This is a really interesting first issue, there is something about it that holds your attention the whole way through. There is a great tone to the narration, it did a good job of getting into your head and making you feel you are there with the character. It's one of those comics you will want to go through twice, once to read it then again to pick up on the little details you may have missed along the way. It is very atmospheric in its setting, you can really feel the biting cold through the art work. The setting and story are presented really well here, we get a little background on the premise and the main character, also a hint that there is more to Brynne than meets the eye. The issue sets everything up really well and although the solicitation gives us a lot of information this is just the bare bones of the story. This issue adds a lot more context and nuance to the whole thing. I have noticed that my perception of the story has shifted as I have looked over the pages multiple times, what I took from the first read through has changed as I have gone over the issue again, there is definitely that feeling of can we trust our eyes with what we are seeing…. The artwork does a great job of adding to the tone of the series, everything is so stark and white. There is a real sense of isolation and that the surroundings are perilous. The style of the illustration is interesting, there is quite an angular look to the main character and the few others we see. Although the majority of the colouration is white, there are also some great uses of colour and shadow throughout as well. I really enjoyed the introduction to this series, this issue does a great job of setting the stage for a really interesting arc. There is a really big shocker at the end of the issue that I didn't see coming at all, that cliffhanger and the great combo of the premise and illustration and of course brilliant storytelling make this a must follow series, add it to your pull lists now. This is an 8 out of 10 for me and I can't wait for issue two

Canary #1 (of 5) Comixology Writer: Scott Snyder Artist: Dan Panosian Letters: Richard Starkings When a horrific shooting disturbs the peace of a sleepy town in the Old West, Marshal Holt is called upon to investigate. But as Holt digs deeper, he discovers that evil may just run to the core, and it all seems to stem from a place called CANARY. Thoughts…. Issue 1 sees us meet the main characters and introduces the setting, it also starts to build up the unsettling atmosphere that goes throughout the issue. As the story evolves from what seems like a senseless and unexplained murder to being something much more sinister there are a number of times that the illustrations will make you feel uneasy, especially when introduced to Johnny Apple, the unlikely murder suspect with his wide staring eyes and persistent smile (see the page attached to this post). There is much more going on here than meets the eye and links to Marshall Holt's past. The Illustration style here definitely matches the story and the main character, there is a lot of dark colour and shadow to the issue and that only helps to heighten the feeling of dread. There is a flashback section to the book and the colours seem brighter and more clear as if to show that the character has gone through something that has marked him with darkness that he now carries with him. I stopped reading at the first issue to write this review so this would be my first impression before reading further, I have a feeling this story will get a lot darker as it continues on. I have high hopes for this series given the creative team behind it. Issue 1 gets an 8 out of 10, will it maintain this score by the end of the series?

Love Me: A Romance Story #1 Mad Cave Studios W: Francesca Perillo A: Stefano Cardoselli C: Lorenzo Scaramella L: Buddy Beaudoin Synopsis…New York City, sometime in the far future, where robots like JoJo have taken over the tasks humans no longer want to perform…like driving a taxi. JoJo is pretty happy with his lot in life but feels as though something is missing…then he meets Gilda and it’s love at first sight. But the course of true love is a bumpy one and JoJo is going to find that out firsthand when he discovers that Gilda is entangled with the mafia that runs his beloved city, and they’re very much against this potential union for their own reasons. Watch out, JoJo! Thoughts… This first issue is a really pleasant and completely different type of story. The whole thing has a really fun tone to it. The writing and art style go really well together to make this a light hearted and joyous read. There is a great feel to the narrative, everything is so full of fun. This issue does a really great job of setting up the concept and getting us to really like the main character of Jojo. It also sets up a little bit of what could be coming up in future issues, as there are a few mentions of robots not being that well liked at all, so maybe there will be a darker turn to the story. As I mentioned above the writing for the story has a really fun tone to it. It is a nice change to have something so light and happy for a bit, this is quite refreshing with what I normally read. Jojo has almost a child-like innocence to him, so optimistic and positive about every aspect of his existence, there is a real contentment to his life. You can’t help but be drawn into the world of Jojo, with his routines and love of Nina Simone, I have a feeling that we will see a different side of things as the series continues but for now this is a world full with mostly joy, just don’t listen to Frida too much as she seems a little less enthused by the world but she is a cat and they are hardly ever happy. The artstyle is certainly unique and suits the story to a tee. Everything is bright and colourful, buildings are drawn from a strange perspective. The panels are really busy with little details but at the same time they are not overwhelming. You will want to go back through the book after you have read it to look at all the panels to see if there are little things you missed, like slogans and signs tucked away. There are some real great uses of colour throughout the issue, and they are really big and bold full page visual experiences. Even the lettering is presented in different styles throughout all of which adds to the visuals of the whole thing. As soon as I started reading this issue I knew I was going to enjoy it. This is an interesting story and something very different from a lot of the comics we see monthly. This is definitely a very visual book but at the same time the writing is cleverly done. This has a great tone and the concept is intriguing, I look forward to seeing where this goes from here. I would give this 8 out of 10, it is nice to have a fun read though that ending….

MidState #1 Comixology W: Lee Loughridge A: Mack Chater L: Rob Tweedie Solicitations Disgraced clairvoyant Paul Rinaldi teams up with the town’s rookie detective in an attempt to get to the bottom of the many missing persons cases. Thoughts… I didn’t really know anything about this going into it, just it was Lee Loughridge doing the writing rather than the colours, so it had me intrigued. The issue started off really strong visually, and quite trippy, which gave the whole thing a what going on feel to it. There is a heavy feel of mystery to the issue, some things do get explained as the issue goes on but there are plenty left to explore in upcoming issues. I liked the way the issue kicked off and how the characters are introduced. Paul seemed so awkward and troubled, his infamy around the town seems to have had a massive negative impact on his life. In contrast Abi is more bright and confident, more laid back but at the same time she can’t let go of the feeling there is more going on than meets the eye. This mismatched pair will make an interesting team as they try to unravel the mystery of what is really going on. The mystery of the missing people is something we are given a glimpse of, but that raises even more questions as to what is really going on. The illustrations are clear and defined, and there is an almost tranquil tone to the colours for most of the issue. There is a lot of white behind the panels, sometimes there is more white on the page than there is panels. And then there are the opening pages to the issue, inky black pages that look like oil spilt on the page with flashes of light and fingerprints and echoes of words. This intro really does a great job of unsettling the mind before you get into the main bulk of the story. I liked this first issue, the intro pages got me straight away then as the story continued I got pulled in. There is something very strange going on for sure and that mystery has me, and then you add in that very shocking and visual last page, I am in for the full run for sure, I need to know what is going on and how it's all connected. I am going to give this an 8 out of 10, great first issue, does just what is meant to do, can’t wait for issue 2.

Mugshots #1 Mad Cave Studios W: Jordan Thomas A: Chris Matthews L: Lucas Gattoni Synopsis…Brighton, UK. 2008. The kidnapping of a young woman starts a chain of events that will set con artists, gangsters, killers, and corrupt police on a collision course of violence. Meet John Bannan, self-proclaimed bastard and loving uncle, in this tale of family trauma, betrayal, murder, and revenge that threatens to bring the city’s whole underworld down. Thoughts… The characters in this story really had a clear voice, you could hear their words as you were reading the issue which really helped draw you into the comic. The story gets going really quickly, doing a great job of introducing the premise of the series. We learn a good deal about the type of person John is, he has no problems being the bad guy when it suits and family is really the only thing that really means anything to him, it make him a sympathetic character but at the same time we know he will be able to do what is need to get the job done. It feels a bit like Guy Ritchie had done Taken, it definitely has a more English gangster film feel to it throughout. The illustration side of the comic is quite striking, it seems like the details are stripped back though there are still clear emotions and such from the characters, what stands out most is the way the pages are coloured. Pages vary from being mainly blue to mainly orange with the only other colouration being bold blacks and whites, it gives the whole thing quite a unique look and elevates the issue. I really enjoyed this first issue, the setting and tone are really great, you can feel the English influence to the whole thing. This has a feel to it all as you read it, and you could see the likes of Danny Dyer and Vinnie Jones playing this in the Netflix adaptation, calling each other muppets and the like. I would give this a solid 8 and can’t wait to read the next instalment

Rumpus Room #1 AWA Studios Writer: Mark Russell Artist: Ramon Rosanas Colourist: Ive Svorcina Letterer: AndWorld Design Bob Schrunk is rich, mega mega rich and he seems to basically do whatever he wants whenever he wants. After all he is rich, to him people are disposable but they do have one useful quality… Thoughts…This issue introduces us to the main characters and setting in such a way that even though Bob is beyond a shadow of a doubt a very nasty man you can’t help but like him. Don’t get me wrong you will very much hate him, spoiled, rich and self absorbed but the way he is written sells him to us as a character and he really makes this book special. The set up on the ongoing series is likewise written well, you get lulled into a false sense of security by the initial interactions between the main characters but soon the rug is pulled out from under us and we are thrown into the reality of the situation. Anyone that has seen the previews and solicitation for the series will know that Bob is up to something quite sinister and the reveal of that second half of the story is done really well and we are quickly brought up to speed with how dire the situation is with a few lines of dialogue all of which is completely turned on its head on the last page, leaving things on a great cliff-hanger moment. The art style is crisp and clear and the colours are bright while we are in Bob’s house while when we go to the Bob’s “guests” the colours are much more muted. There are some great quirky little bits sprinkled in like the art on his wall and his extremely bizarre sculptures in his gardens. Also Bob’s trusted staff are strangely dressed, mascot style costumes, all very unsettling. I had fun reading this issue, especially Bob’s interactions. He really makes this issue pop which is all down to Mark Russell's excellent writing. All of this and the mystery of what is actually going on makes for a really great comic. Looking forward to seeing what future issue add to the series. I would give this issue a solid 8 out of 10

Rumpus Room #2 AWA Studios In RUMPUS ROOM, a new-agey technocrat billionaire named Bob Schrunk keeps an assortment of people who’ve offended him in some way imprisoned in his subterranean “rumpus room.” Every week, his prisoners must vote out one cellmate to a horrible fate: their bodies ground up to make the not-over-the-counter facial cream that hides Bob’s morbid skin condition. Bob is in total control, but there’s just one thing he doesn’t know: his most recent “guest” is a cop, and she’s carrying a concealed gun. Thoughts… We pick up right where issue 1 left off, and we get a chance to meet the other people trapped in the basement. There is quite a mish mash of people being held prisoner by Schrunk and there seems to be established groups within the Rumpus Room. There are some interesting people but one stands out more so than the others but I won't spoil that here, but the identity does show us just what Bob is really like and how disposable people are to him. This second issue does a great job of expanding on what we saw in the first issue. We find out a lot more about the setting and the people involved. Bob's character is expanded on as well as the prisoners tell their tales. There are a couple of little bits that piqued my interest, one of which was a mysterious man in the shadows Woodrow, who seems to be the first or at least longest held person. The other is the meeting that Bob is getting ready for, what will he do when he has to face the board? He seems a man of extremes so I can’t even imagine I am enjoying this series and can not wait to see where it goes next. I think it's one of those series that could go anywhere. I would give this 8 out of 10

Sins of the Salton Sea #3 AWA studios Writer: Ed Brisson Artist: C.P. Smith Letterer: Hassan Otsmane-Elhaou After the action packed previous issues and the shocks that came at the end of issue 2 we have a slower paced more personally driven issue as we learn more about our two main characters, with their backstories being fleshed out a bit more. Thoughts… This series continues to be an engaging and thrilling read. This issue has a slightly different feel to the previous issues as it slows things down and we get some more details about our cast of characters especially Wyatt. The issue seems to be a bridge between the first half of the series and the final 2 issues, as not only do we get a look backwards but we also get a few plot points that will move the story forward and lead us through to the series conclusion in issue 5. It is harder to talk about the issues while still in the preview stage as I do not want to give anything away. The art continues to be interesting and I am still really liking the way the lettering is being done. The issue ends is again a cliff hanger and I can not guess where we are going to go from here, all I know is it will be one hell of a ride. Another great issue from one of the series of the year, I would give this issue 8 out of 10 and really can not wait to read the next issue to see where its all leading then on to the final issue which I am convinced will be mind blowing

Sins of the Salton Sea #4 AWA Studios Writer: Ed Brisson Artist:C.P Smith Letterer:Hassan Otsmane-Elhaou This is the penultimate issue of the series and sets the scene for what will no doubt be an explosive ending to this amazing series. In this issue we learn the true meaning of being a Son of the Salton Sea. Thoughts… Another great issue of what has become one of my favourite series this year. The story has really ramped up with each issue and this one throws us a curveball that will have you thinking have we been seeing the Sons in the wrong light this whole time. The morality of the situation could be reasoned away as doing the right thing, the needs of the many way of thinking as the alternative is too horrible to let happen. The writing of this series has really been great, the story is intriguing and well paced. This issue leaves us with a massive cliffhanger, a real you can’t leave it there moment. The art has likewise been complementary to the series, though from the start I found the art not quite to my liking for the characters but the backgrounds and the colouring that brings it all together and makes it that much more striking. I have been really impressed with the lettering throughout the series, little variants in font and text bubble style to show changes in tone and mood. And without spoiling anything, the last page of the issue is a single word but I have never seen a word in a comic resonate and visually echo like it does there, great work I can not wait to see how this story ends, from the first issue it has had me hooked. This needs to be made into a TV series or film for sure, the whole setting would work so well. I would say this is another 8 out of 10, and definitely a must read.

Space Ghost #1 - Out May 1st Dynamite W: David Pepose A: Jonathan Lau C: Andrew Dalhouse L: Taylor Esposito Synopsis… Greed and corruption flourish in the darkness between stars. With the territories of the Galactic Federation spread far and wide across the vastness of space, pirates and hijackers ransack the distant colonies with cruel disregard for the innocent scientists living within them. Yet there is a cosmic vigilante who metes out justice throughout the galaxy, bringing vengeance to those prey upon the defenceless. Some say he is a policeman who has abandoned the strictures of the law. Others say he is a phantom, the sole survivor of a war-torn planet. And those who have survived his wrath claim he is more a force of nature, able to bend the very elements of Creation to decimate his enemies. Thoughts… I had no knowledge of Space Ghost or the setting going into this comic, I now know it's based off a 60s cartoon series but this comic has really brought this up to the modern day in its tone and feel. This very quickly throws us into the story, all hell has broken loose and things look very bad for those on the space station under attack. This is has a full on space opera feel from the start, and as the issue continues everything seems so big and bold. This has both drama and action in equal measures. There is a lot of tension in the pages and a real sense of danger for the characters that we are introduced to. I am not sure how these characters fit into the previous version of the story but that lack of knowing helped to elevate an already tense situation in the pages. Space Ghost himself seemed to be quite an imposing character, a sort of mix between Superman and Batman all wrapped into one on first impression, will see how that holds up as the series continues. Artwise this is really great, there are some great character designs throughout, some really strange and cool looking alien creatures. The first reveal of Space Ghost is a simple but striking image, definitely setting a good tone for the character. I like the style, everything has a quite realistic look to it and there are some really stand out panels in the issue. I went into this issue with no preconceptions or hype for the character and I think for me that really helped me enjoy the issue more. I found myself drawn into the whole thing really quickly and I really enjoyed it. I liked the tone and the setting and Space Ghost seems to be an intriguing character, I will definitely be reading the series ongoing. I would give this 8 out of 10, definitely worth checking it out if you are in two minds about picking it up.

The Infernals #1 Image W: Noah Gardner & Ryan Parrott A: John J Pearson with Lola Bonato L: Hassan Otsmane-Elhaou Solicitation… Abraham “Abe” Morgenstern, the son of Satan, has one month to live. Before he dies, he must decide which of his three wayward children—volatile narcissist Nero, conflicted field operative Jackal, or troubled schoolgirl Bee—will inherit his shadowy empire. But will Abe ever be able to truly cede control of the Apocalypse? Or does the Antichrist have something else up his sleeve… Thoughts…. For some reason I kept forgetting about this book but finally I have read it, and had I known how good it was I would have read it straight away. This had such an interesting style to it in both the writing and the illustration it really did a great job of selling the concept perfectly. The story itself is quite interesting and the issue does a good job of setting the scene and introduces all the main players, Sam is definitely a highlight as Abe's right hand man. This comic has a great look, the colours and background imagery and the lettering make this visual striking it a way you don’t get to see very often. The issue has quite a lighthearted tone to it while at the same time giving us some very sinister moments throughout. The way we meet the characters is quite cinematic in a way, it has a really good flow and great pacing. I like the setting up that is done in this issue, there are a number of things that are put into motion that will make things quite interesting going forward I am sure. There is quite a bit of dark humour throughout the issue which just adds to the overall feel of dealing with some devilish characters, each with their very different personalities, and I am sure this will also lead to a fair bit of friction throughout the series. As good as the story is though it is the visual components that really make this issue shine. Throughout the issue the style of illustrations change, colours shift and at times fade completely. In the background of some of the pages are medieval depictions of demons and devils. There are a lot of vibrant colour choices throughout , deep oranges and red as if showing the fires of Hell themselves. There is a lot of darkness throughout the issue but the last couple of pages are almost blinding in the contrasting colour palette. Also the lettering throughout really goes a long way to not just be words but also be part of the visual experience, changes of colour of the word bubbles and even the words themselves all help paint the picture of what we are being shown I really liked this first issue, there is something about it that really appeals to me. It has a good concept and the writing is great. The visuals of the comics are what really sold it to me and I am looking forward to seeing what we are presented with going forward. I would give this 8 out of 10, it will be interesting to see what issue 2 brings us, but I am expecting great things from this run

THE MADNESS #1 AWA Studios Writer: J. Michael Straczynski Penciler: ACO Inker: David Lorenzo Colorist: Marcelo Maiolo Letterer: Sal Cipriano From the mind that brought us the Resistance Universe and Telepaths comes a brand new hit series….THE MADNESS... In THE MADNESS, Sarah Ross has been using her power as a thief, stealing from the rich and…well, keeping it. Until the day she stole from the wrong person, a highly placed official who pressures the government to assassinate her. The plot, aided by so-called “good” superheroes sponsored by the government, misses her but wipes out her family. Driven mad by grief, and laser-focused on revenge for the murder of her family, Sarah and a hidden side of her personality – an imaginary friend who may be more real than she believes – goes after these superpowered operatives determined to take her revenge, at any cost. Thoughts…What a great first issue, this really sets the series up well. There is a lot of action throughout as well as some big emotional hits. We meet all the players although we don’t get a lot of information on any of the super powered people here I am sure we will learn a lot more as the series goes on. It sets the tone of the story well, showing the corruption and complacency of having power. This is highlighted in the pages where the superheroes are approached, this section of the issue in particular is done really well. We know from the solicitation what we have coming up throughout the series and at the end of the issue we get a glimpse of Sarah's hidden side but we are left wanting more as the issue comes to a close. The issue, as you would expect, is written well and has great pacing, we get all the info we need to get a full picture of the events and the motivations of not only our main character but the supporting cast as well. The heroes are suitably sinister or easily swayed to do the wrong thing here and it will be interesting to see them fleshed out a bit more once the story gets going. Also without going into too much detail I like that our main character though superpowered has limitations. Artwise it is crisp, clear and bright, definitely a “superhero” look to the overall style of the book. Massive explosions and big colourful pages all lend themselves to the theme and give it a look one would expect of the genre. With Sal Cipriano's lettering presenting the story to us in his usual style everything is easy to follow and has the right impact on the eye as you read through the issue. I really liked this first issue, now the set up is all complete it will leave you wanting more, I am looking forward to seeing what this series gives us going forward, this is an easy 8 out of 10, get your orders in ASAP, fans of what Straczynski has done before with AWA will find this right up their street for sure.

The Madness #2 AWA Studios Writer: J. Michael Straczynski Pencils: ACO Inker: David Lorenzo Colourist: Marcelo Maiolo Letterer: Sal Cipriano The imaginary friend from Sarah’s childhood has returned as a murderous alter ego. The Madness has completely taken over Sarah, and it’s determined to track down and destroy the people who killed her family. They know she survived their attempted hit, but is there anything they can do to stop her? Thoughts…The first word that comes into my head while reading this issue is intense. What an outstanding follow up to the series premiere. This issue takes what was set up in issue 1 and turns it up to 1000. From the start of the issue you are pulled right in and you have no choice but to read from cover to cover. The story and tone are spot on, the main character is written with such an interesting origin story, definitely a likeable anti hero and although her actions maybe extreme you can understand them. To accompany the writing we get some stunning artwork, so bright and colourful at one minute and then changing to a darker style to match the story tones. This has that big superhero feel to it with its finely polished style and bold lettering. The designs are simple but striking, you can’t miss Raven crimson red eyes in every panel. The whole look makes such an impact as you read through the issue. I had in my head that we have seen similar stories of superhero revenge or tales of powered people doing what they want behind closed down but this does stand out from the crowd for sure. I feel that the setting is all laid out for us now with issue 1 setting the scene and this issue tells us all we need to know about Sarah/Raven and now it's where the story really gets going and we see what she is really capable of. This series was always going to be a hit, how could it not be but this issue definitely drives it home and I can not wait to see where the next issue will take us, another solid 8 out 10 without a doubt

The Ribbon Queen #1 AWA Studios Writer: Garth Ennis Penciler: Jacen Burrows Inker: Guillermo Ortego Colorist: Dan Brown Letterer: Rob Steen There is something ancient and terrible loose in the world of men. Something that hates them with burning passion, that bears a grudge born of ten thousand years. Something that wants its revenge. NYPD Detective Amy Sun has a problem: Three years ago, a young woman was rescued from a serial killer by a police tactical unit. Now she’s dead, and Amy has a bad feeling that the SWAT team leader is responsible. As she investigates the existence of a corrupt cabal within her own precinct, Detective Sun soon discovers that there is something else on their trail – a force of vengeance older than the human race itself has awoken, invoked by the tormented murder victim in the weeks before she died, and is out for the blood of the guilty, who soon find themselves suffering a fate more gruesome than anything they could have dreamed of. The Ribbon Queen has come to New York City…and when she learns the truth, Amy is not at all certain that it should be stopped. Thoughts…What a start to a series, this hits everything spot on. This is an intense read from start to finish, the tone really draws you in and you can’t help but read on. The characters are well written and all have something about them that makes you want to know more about their story, especially Amy Sun and her backstory, which I assume we will be diving into as the series continues. From the first page you are pulled into the setting, we are given a police procedural feel to the opening and I think that will help move the story along. Although they are fairly standard tropes for this sort of story I think the put upon police Captain and then the friend at the morgue help give the story a sense of familiarity that makes it easier for us to be sucked in, it is almost safe and comforting. But that safety is soon ripped away and you will feel anything but comforted by the end of the issue. There is some real darkness in this story and that starts even before the introduction of whatever the Ribbon Queen is. There is human darkness to contend with here and sometimes that is even harder to comprehend as that is very much real. The art throughout the issue is as great as the story, it's clean and clear without being over-detailed although there are a couple of panels that are really impressive right at the end of the issue. All in all this was an amazing first issue, and I think that the series will only get better as it goes on. This is another great series from AWA and shows just how strong of a team they have creating this year, I would give this issue a solid 8 out of 10.

Kill Your Darlings #1 Image Writer: Ethan S. Parker & Griffin Sheridan Artist: Robert Quinn Letters: John J. Hill Eight-year-old Rose loves nothing more than to play pretend in a magical land of her own creation. To her, that world is as real as our own, from her fluffy friends to the terrible evil that lurks at the centre of it all. In one night, the line between fantasy and reality will disappear, an ancient hunger will feed again, and Rose will be pulled into a gruesome saga that began centuries before her birth. Thoughts…… This was a great read, the story pulls you in with what seems like quite an innocent setting seen through the eyes of Rose as she imagines heroic battles and fantastic kingdoms. This contrasts with the starting pages of a young girl being burnt at the stake centuries earlier as her parents look on. We learn that Rose lives with her mother and that life is far from perfect as the struggles of raising a child on her own are plain to see in the pages of this issue. Half way through the issue things take a sinister turn and everything is turned on its head for Rose and her “imaginary” kingdom. The writing for the issue is done well and the character of Rose is easy to relate to as we see her want attention from her struggling mother yet caring mother. The art style is crisp and clear, with great detail but not over the top realism. There is a colour contrast between pages where Rose is in her own world and where she interacts with her mum, almost all the colour drains from the page when real life seeps into the issue. I am definitely interested in seeing where this story goes as this issue sets up what could be a very engaging story with more than a few twists and turns along the way. I would give this a 7.5 out of 10