• Quicksilver continues his fight for survival at the edge of reality - and now he must protect his sister, the Scarlet Witch, from forces she can't even perceive.
• Trapped, exhausted and facing an enemy who renders his super-speed useless, Pietro will have to use every trick in his arsenal to save Wanda...but he's running out of tricks.
• Witness a deep dive into one of the most powerful and tumultuous relationships in the Marvel Universe!
Rated T+
Considering what is being done in such a limited setting, this story is quickly making the case for an ongoing series. Read Full Review
Quicksilver: No Surrender #3 is, on its own, a good comic. The character work done by Saladin Ahmed is compelling. However, it feels like this story is running in place. That may be an intentional motif, but that leaves the series feeling repetitive for the reader. I can tentatively recommend it but only for someone who has really enjoyed the last two issues and/or is a big Quicksilver fan. Read Full Review
Easily the best issue yet. If you thought Saladin Ahmed exelled at writing Pietro, wait until this issue when he gets his hands on Wanda. Wanda and Pietro’s relationship is written perfectly, which hasn’t even been tried after the monstrosity himself Jeph Loeb made them lovers in Ultimates 3. The art is amazing as usual. I’m not gonna lie, tears were welling up when I read this issue because it’s just so good
I love my speedy boi and his spooky sister.
Ahmed continues to deliver a very strong characterisation to the main issue, as well as the background ones (if you can even consider them characters).
Pietro delivers an in-depth retrospective on his life with his sister while he works furiously to save her (and some other Avengers I GUESS) in his trap world. It's a stellar script dragged down by unsuccessful art. The two key visual jobs that need to be done are conveying motion and emotion; the contemporary art doesn't do either well. The flashbacks receive much stronger guest art, but counterproductively, they emphasize the limitations and inadequacies of the main visuals at every turn.
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