By far, issue #28 of Radioactive Spider-Gwen is the best we’ve gotten in a while. That’s not to say it’s been bad, but this issue did some really great things for our most important characters, leaving me fully pleased and eagerly awaiting the next. Yeah, you could still invite your friends over to play the Spider-Gwen drinking game (take a shot everytime somebody says, “Heh.”), but these are some of the best character moments the series has ever given us accompanied by sublime visuals. Definitely check this one out. Read Full Review

"Gwenom" continues to expertly explore new levels of the Venom symbiote that hasn't been previously touched upon in the Spider mythos. Read Full Review

Spider-Gwen #28 is by far the strongest chapter in the "Gwenom" story arc. Jason Latour nails how important it was that Gwen Stacy revealed everything about her life as Spider-Woman to those she is closest to. The reactions of Em Jay, Glory Grant and Ben Parker made Gwen's character development even stronger. On the other side of things Latour was able to add an extra sinister layer to sadistic this universe's Matt Murdock is. Now with everything revealed Latour has created even more excitement for what happens next in the "Gwenom" arc. Read Full Review

OK, we all know The Devil of Hell's Kitchen's back story. To see it twisted so well while keeping to the original is delightful. Now there is much more dialogue then I'm going to let on in the review so as not to spoil everything. And that is delightful too. There is so much more to Matt Murdock then what we have seen in the previous issues. It's refreshing and the writing is so well done as to be expected. This is a Matt Murdock based issued but the small clips of Gwen struggling between her friends, the Parkers and herself is more than enough. Read Full Review

Gwen reveals her identity to her supporting cast in search of some, well, support. Matt Murdock shares his grim backstory and does a superb job of personalizing his struggle with Spider-Woman. A mother of a climax is coming. Jason Latour's script delivers superb characterization. Robbi Rodriguez's art is, for me, holding this issue back. Workmanlike layouts filled with way-too-sketchy panels. Again I get the impression that this is the rough draft of a strong comic that's ready for the artist to start polishing; to call it finished astounds me.