Uh, you seemed to hate this for what it wasn't rather than for what it was. Jessica Drew isn't queer coded and motherhood has long been a part of her character. Ultimate Jessica Drew is gay, not this Jessica Drew.
Last issue's shocking revelations lead to a brutal fight that will push Spider-Woman and the Assembly to their limits! Hydra stole Jess' son. What can she take from them? And who among the Assembly will survive to begin a NEW life as CHAMPIONS?
Rated T+
In this issue in particular, the range of these artists is on full display. You have incredible tense action between Spider-Woman and Gremlin. It carries a terrifying Terminator vibe. There's fire bending, ice attacks, venom blasts and explosions in full bright colors. Read Full Review
Spider-Woman #10 is unexpectedly the series' swan song, but if it has to end, at least it's going out with a bang. Read Full Review
Spider-Woman's search for her son is sidetracked by the launch of Marvel's "New Hotness", ending Jess' latest series with ambiguity and more than a little frustration, despite strong art and some nice character work. Read Full Review
Jessica Drew is one of my favorite non-X-Men characters, so I'm always down for some solo adventures. The art was pretty meh and the writing was ok. The plot surrounding her son was an interesting starting point, but didn't really go much of anywhere. Turning her into the savior and temporary mentor for some misguided hero kids in a story that kicked off with her searching for her son was decent symbolism but not overly deep. The ending was cookie cutter, but that's really how a story like this should end. I enjoyed it for what it was, but I would have liked something with a little more substance. More please! With more of an A-team of creatives on it!
Thank goodness it’s over.
I guess it was nice to see Spider-Woman finally coming off the bench for a few scant moments in the final issue but it amounted to nothing.
There was never any sense of danger, despite the hyperbolically written teasers, and no real resolution to anything. Overall, it was pointless and toothless. If the Gang War section was slow and painfully obvious from the start, the second half amplified both those flaws. There was no mystery in either story because it was obvious how both would progress. Plus what happened to the plot point that Hydra have seemingly been able to make everyone forget Jess had a son? If they have that kind of mind control at their disposal surely that should be a Marvel more