Spirits of Vengeance #4
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| Writer | Victor Gischler |
| Artist | David Baldeon |
| Cover Price | $3.99 |
WAR AT THE GATES OF HELL PART 4
Necrodamus' forces mean to upset the balance and cause a deicidal rampage not seen since the Old Testament!
The drums of war beat louder and louder, and the Spirits of Vengeance are the only thing standing between the armies of heaven and hell!
Rated T+
CRITIC REVIEWS Back to Top
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8.0
Monkeys Fighting Robots - Brandon J. Griffin
Jan 19, 2018There's clearly much more for this creative team to say than what we'll ultimately get after the next issue. Spirits Of Vengeance is a strong example of Marvel wasting potential. This is a side of the 616 that needs more exploration. Read Full Review
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7.0
Bleeding Cool - Joshua Davison
Jan 22, 2018Spirits of Vengeance is a very flawed series based around a story that has been stretched astonishingly thin. However, I still had a lot of fun with this issue, and I expect you will, too. Spirits of Vengeance #4 gets a recommendation. Check it out. Read Full Review
USER REVIEWS Back to Top
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9.5
A title who doesn't make some sound ... But is very good. In fact my best reeding of this week. The story is consistent, strong, funny and even if we may bet the heroes will win, he have some doubt. And this title could have been very dark. But they succeed to make it accessible for all ... I would have stayed if Marvel would have choose to make other issue. Cover - Stuck between demon & Angel ... Well not for now, but I find it a little related. 1.5/2 Writing - Gischler start to place the last piece for the final fight. It's a real pleasure to read. 3/3 Arts - I like how baldeon draw the character funny sometime, powerfull when they have to be. That make me want to try Domino. 3/3 Feeling - I came in the 1 thinking I will not like more
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5.0
Satana and Hellstrom let Daddy explain the whole plot and us readers get to listen in. Victor Gischler used up all his creative energy crafting the underwhelming badguy scheme for this arc. All we get for a plot is four exceptionally flat heroes slowly uncovering the scheme. This issue alone features three "tell us what's going on" interviews, and one abortive fight scene does a poor job of concealing how talk-heavy this story has become. While this sort of structure can be made enthralling - half of all mystery fiction is built on skeletons like this - Mr. Gischler overlooked the fact that readers need to truly connect with the protagonists over the course of the investigation. Seeing a few frenetic fight scenes and hearing a few shabby wi more
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9.0
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8.0
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8.0
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8.0
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7.5
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7.0
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