i took a chance on this. With all of the new series constantly being launched by Image, it's hard sometimes to decide which ones are just hype, and which ones are really good. I have to say, Maestros is really good.

It has a lot of familiar elements, but with just enough humor and pathos, not to mention great artwork, to give this a return visit.

The only thing I knew about Bloodshot was that he was one of those creations from Valiant back in the 90's. I faintly remember that Jim Shooter had something to do with Valiant, I think he was the head guru for awhile there. Anyway, I took a chance on this because I like what that Jeff Lemire does, and was pretty surprised how good it was, at least for new readers. Without rehashing everything about his "origin," the reader gets up to speed pretty good.

While just about every super-being these days has a "healing factor," (a great deus ex machina)
and the "hero that just wants a normal life" story has been done to death, this had some depth t it. I think I will stick around for a few issues. more

This issue really tidied some things up for this arc. As usual, Ellis delivers the tech blended with the sorcery stuff really well. Not for the light reader, but really well done. I'm not gonna lie, early on this series had me doubting whether to stay with it, and if Ellis had lost his touch. But I stand corrected. Glad to say so.

A pretty interesting dinner scene concept. Usually I'm not a fan of issue-wide exposition, however King writes Riddler and Joker dialogue so well that it makes for an excellent read. This issue is mostly build up, and will probably read better in the War of Jokes and Riddles trade, but still a great issue.

Often, after reading a particular issue, I like to come on here and
read the reviews of said issue. I was actually shocked when I saw what a low composite score
Batman #29 had been given. After looking at the reviews, it's pretty much split down the middle,
either you loved it or hated it. Hard to figure, as I thought this was an outstanding piece
of writing and art. The whole concept of the dinner "courses was brilliant.

I see everyone raving about Metal, (which I thought was just OK), but trust me, this is the best
bat book of the week, month, or even year. more

I'm enjoying this semi-reboot of Dr. Strange. What attracted me originally, besides my old love of the character, was Jason Aaron. After what he did with Thor, well, it wasn't hard to try this out. I'm not a huge fan of the art, sometimes it's not real clear what's going on, but I'm sure many would think that's a great asset to a book about magic.

I liked how Aaron tied in the idea of Strange "messing up" and having to fix what he did, and of course the whole "using magic takes a toll on you" trope is well-used here. Looking forward to the conclusion, and then hope that the hint of "The Old Ones," Shuma-Gorath, and the Lovecraftian stuff is explored more. more

You feel for everyone in this comic. The sacrifices that Strange is going to have to make. The compassion of Zelma and the bullheadedness of Wong. The art of Bachalo is awesome and the coloring of Thompson is on point. I can't wait to see how this ends.

Two story points begin to come together, the cost of magic and the last of magic being destroyed. There are subtle details in the art that add to the story in interesting ways. It feels as if now that magic is vanishing the surreal art becomes more grounded. The writing gets me with the supporting cast. I think Aaron tries to make them just as deep as Strange himself and it is appreciated. This series seems to have a great team behind it. more