I am really over DC's event comics that are not what DC promises. The reveal feels convoluted and outside the character of the murderer. DC continues to get a pass on these books that are supposed to rewrite the status quo but never do. Doomsday Clock never is out in a timely manner and we have long passed the promise of the importance of Dr. Manhattan being a major part of the DC Universe. Dark Knights Metal though many enjoyed( I did not) was quickly overshadowed by the weekly Justice League relaunch. Almost every New Age of Heroes book has been cancelled. DC Black Label got bogged in controversy and DC did not stand by their product but the extremely slow release schedule of every title makes it seem like an afterthought.

We are here again with this book where a fan favorite DC character is being taken in a direction that few like.

Why bother? more

I truly love this comic and all that it is about. I wish it came out more often.

Beautifully drawn, great writing, and a world you want to sink your teeth in.

This series is just not that good. It has gone from ok to barely ok from start to finish. The story is basic and straight forward. Logan was brought back to be Wolverine in a comic world where I thought we had already filled the void. X-23 was a great Wolverine and Old Man Logan was fitting the more mature material better. Most would be better served to read a synopsis and just pick up when the new Wolverine #1 comes out.

We have not gotten a single good Wolverine is returning storyline that was intended to be a Wolverine storyline. The best story about him was in the pages of Thor. The miniseries searching for Wolverine flopped. The Soule Return of Wolverine is a mixed bag at best, and the timing is bad because we have already moved on to Age of X-man and War of the Realms.

Just skip it. more

Kelly Thompson is the clear correct choice to give Captain Marvel her fresh start. The book has the right tone and really sets up the character in context. I know that the mission is to Make Carol Danvers more earthbound but I do help there is a balance made with her space adventures. Kelly Thompson writes a true jumping on point and Carman Nunez Carnero really supports with quality art. Kelly starts are off with a sense of time. I'm a little confused on continuity. Captain Marvel clearly joined the Avengers in Jason Aaron's book but in her solo title, it seems like the ask happened before the dark celestial storyline. It is a little confusing for readers of both books but it likely easier for those jumping on.

All in all I loved it and plan to pull the monthly book for the first arc and then see if it is worth keeping in a regular pull list.

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Bitter Root has become my favorite monthly series to read. If ever there was an Image book with huge potential for TV and film options this is it. David Walker and Chuck Brown have written the greatest book of their career.

This book has something for everyone with characters and a tone unlike anything else anyone is writing. Sanford Greene continues the high level of art in this book. The book drips character and detail on every page.

I truly hope I get to read this book 50 issues later as one of the best at Image. We will see.

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Champions #1 is a great start that shows you just what this team is about. I also think it captures its age group really well. Jim Zub and Steven Cummings are a really good team for this book. The tone of this book is optimistic. The attitude is one of we want to make a difference and we are making it happen.

Champions is the kind of book that you should read if you want some classic we are good guys hero work in the world that we have now. Human trafficking, natural disaster, and other world dangers are real for us now and the Champions are supposed to be the heroes we need right now. This is a nice contrast with the Avengers because they are trying to find there place in a nation that mistrusts them.

This is a solid jumping on point but it is worth going back and reading Champion up until this relaunch. more

Tom King is a strange person. He can be like Bendis with ignoring continuity and what others have built into these characters, but he does it with massively less charm and heart. Tom King at this point seems to be writing Batman and Batman family like he really wants off the book. This is the thinnest in this issue so far. Nothing really changes aside from Batgirl seemingly taking a lead in this investigation. I use investigation loosely because this book has not read as a strong mystery. Clay Mann is a great artist and the book looks good but that is about it. Some characters don't look quite how they currently look. Heroes in Crisis sometimes feels like it was supposed to have been a Black Label book because at least the world and story would feel more dangerous. DC started out writing really strong stories after rebirth and they made a plan that really made sense, but so far no event to me has worked out the way they said, and I feel like this book will be forgotten soon and DC will move on to the next thing. more

A strong issue to jump back into Cloak and Dagger with. This MDO is all about Cloak and Dagger trying to figure out there new normal. Can they enjoy what makes them work well together while also having some boundaries and personal lives? It is an interesting question. The story is straight forward and the art maintain a sense of stark contrast in tone. The elements of creepy horror are there and this MDO made me wish we could go further and make Cloak and Dagger a Marvel MAX title.

This book is already more mature then the average marvel title and there is definitely room to grow in that direction, but with the issues DC has had with Black Label I am doubtful for that relaunch.

Both chapters of this issue set up a quality foe in Negative Man and a more mysterious enemy pulling the string. What makes the book so good is how human Cloak and Dagger feel. They are people who have been through a lot and Marvel would be wise to lean more on the gritty homicide lane for this book.

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Shades of Grey is a strong Trade with a lot to offer. The Marvel Digital Originals are an interesting experiment for Marvel. For those wondering I will explain the system, though Cloak and Dagger broke from the traditional method for this first arc. The MDO's work really smartly. There are 3 issues that span one arc. Each issue has 2 chapters that are the size a full monthly comic issue. The books come out for three months and on the 4th month, there is a paper trade you can by in your local comic shop. The individual chapters are all digital and purchased primarily through Marvel's online store.

Currently, the MDO line includes Jessica Jones, Luke Cage, Iron Fist, Daughter of the Dragon, and Cloak and Dagger. Basically, all the Marvel TV show books except Daredevil and Runaways because those books come out already in monthly paper issues. They have all been really strong and this system makes a lot of sense.

Overall this was a great book to bring back Cloak and Dagger. The story was high stakes and really helped returning and new readers find out just who these characters are. If you have picked up this trade expecting the same or similar story to Cloak & Dagger the TV show then you will be disappointed. However, if you remain open-minded you will still get a wonderful story and arc that takes you through the stages of an actual break up set to a superhero story with some fun horror elements thrown in.

Sometimes pacing and keeping certain panels straight can be a challenge. You may find yourself going back to get your baring on where the story is going, but what is always clear is the strain between Cloak and Dagger and how the villain of this story exposes them. Any Cloak and Dagger fan should be excited about this book and the future MDO arcs to come from this series and the other MDO books.

If you bought the books online and still want to keep a paper copy this series is worth the double dip but I wish Marvel could give us some ability to save on the paper copy if we already bought the digital. That would be perfect and I would happily through in an extra few bucks just to keep a paper copy on my shelf.

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I really have been enjoying what Marvel is doing with MDO titles. This kind of out of the box thinking is really a great idea. Marvel needs to find better ways of letting these kinds of titles find an audience and grow without the burden of monthly paper sales and this is a smart option.

Hopeless brings this story home nicely and continues his deconstruction of a break up. Both characters have moved past the complete turmoil that is breaking up, but now they are in a place uncertainty. The final phase of being broken up is finding your new normal and I would not be surprised if that is the theme for the next volume of Cloak and Dagger. Likely the next book will follow the 2 chapter issue style of the other MDO books and that will lend itself well to the writing and art style. more

I truly have come to love this book. The book at this point can be a little confusing to keep straight of who is in control of who's mind. There is an element of confusion and vertigo to this issue. What makes this book so good is that it continues to deconstruct what makes Cloak and Dagger who they are. Hopeless in this issue really breaks down their communication or lack thereof. This book remains consistent with strong storytelling and quality art. more

the true villain of this book is taking more of a shape and he is just the kind of enemy best suited to Cloak and Dagger. Each issue is really about the different components of breaking up. This one is about reliance. The basic truth is that these two have not found a way to not rely on one another. The simply can not fully divorce their lives and in a past filled with regrets misunderstanding what happens when you need that person you are trying to leave. Cloak's hunger is not going anywhere and neither is Dagger's stubbornness. Though the biggest obstacle they face together knows them just as well as they know themselves. He knows how to get in their heads. Hopeless has made a villain that is the living embodiment of a toxic environment. Style point for that.

It is also important to note just how great the art has been in this digital series Messina has done brilliant, bright, and creepy work setting the tone for this book. more

Dennis Hopeless has done an amazing job of really unpacking something as simple as a bad break up and allowing that concept to grow into a full blown superhero series with horror and crime elements. Mistrust is the main idea of this book. How can trust someone willing to let you starve and how can you trust someone you think is always on the edge of being horrible? Dennis seems more comfortble writing the dialogue and world of Dagger while just being more about the pain and image of Cloak. That is not uncommon but it would be nice to see Cloak with a support network, but in the end Cloak's loner status makes him more of an unknown and his complete reliance on Dagger is something that helps create the tension of the book. Loved this issue. more

Issue 1 of CLoak and Dagger starts off stong and drops us in on the current place that Cloak and Dagger have found themselves. The question this series seeks to answer is can this duo really exist without the other. Their relationship strain is at the center of this issue and them being separated and trying to find an identity outside of what they used to be is the core of the book.

Many of us struggle with who we are after a break and this book takes that concept and makes into a superhero story. There is a lot to like with this book. more