Event Leviathan #1 fails to build on the momentum of the Leviathan Rising one-shot. Instead, it simply spins its wheels; Bendis doesn't offer many new nuggets of information in the story. The event may be a slow-burn mystery but, with such a dull first issue, Bendis may have already smothered the flame of the fans' intrigue.

This story has potential and Conner's art is generally fun to look at, but it flaunts the comic's R-rating.

Deadpool Annual #1 is funny enough to make up for the fact that it misses the mark when it tries to tackle serious subjects.

Landy's second character-driven installment is enjoyable but it doesn't quite kick the mystery into high gear.

The promising idea behind Fearless #1 can't save it from lackluster content inside the comic itself.

Ms. Marvel's conflict with the Super-Skrull is a fresh match-up but the story lacks the mystery you'd hope for when a Skrull is involved.

Amazing Spider-Man #32 acts as an intriguing jumping off point for Spidey's next mini-event.

Though Amazing Spider-Man #33 isn't an explosive introduction to Marvel 2099, it still leaves the reader excited for the story's next steps.

Writer Maurene Goo, artist Takeshi Miyazawa, color artist Ian Herring and letter Ariana Maher compliment each other beautifully with their presentation of Cindy Moon as a courageous hero who makes a difference both in and out of her costume.

Doctor Doom looks more menacing than ever and Spider-Man is in over his head as Nick Spencer continues to develop the first stages of Marvel 2099.

A balance between a traditional Fantastic Four story and a typical event tie-in; this issue focuses on Franklin Richards, who's now a stereotypical teenager.

Under Dan Slott, Fantastic Four continues to focus on the family. The latest issue is no different; the heroes have to overcome a driving test and Franklin remains a stagnant character. The art team makes the most of the script by complementing its sci-fi elements.

In her latest solo adventure, Harley Quinn tries to fight the good fight, but her past just won't let her go.

Invaders #7 succeeds as a throwback to Civil War but falls somewhat short as the beginning of a new story.

Brian Michael Bendis' run on Justice League begins on a strong note. The bulk of the story may seem ordinary, but this narrative is packed with a compelling analysis of the godlike status of superheroes. The breathtaking art from Marquez and Bonvillain perfectly complement Bendis' script.

Between a compelling mystery and art that's ripped right from a horror movie, Marvel Zombies: Resurrection #1 is the total package.

Miles Morales: Spider-Man features a solid Spider story but the contrasting art styles make it a jarring reading experience.

Ruins of Ravencrofr: Dracula #1 pays tribute to classic horror movies and brings the Count to life.

Amazing Spider-Man #34 features exciting story beats, dynamic art and a reference to a beloved meme.

Jim Zub and the art team start Black Panther and the Agents of Wakanda with a strong first issue that establishes the team and offers a hint of what's to come.

Chainsaw Reindeer #1 won't blow you away with a profound story but it's still a lot of fun.

Slott's script is technically sound, but several marvelous images can't save this issue from its boring flashbacks.

Landy offers fresh twists on the classic buddy cop dynamic and packs genuine emotion into this action thriller.

With Justice League #25, writer James Tynion IV delivers a riveting prologue to "Year of the Villain," DC's upcoming company-wide event. By the end of the issue, the reader will be left begging for the official introduction to the expansive crossover.

X-Force #1 is a deconstructive slow burn but the ending will make you want to stand up and shout.

Percy crafts addicting relationships and the art elevates the narrative's tonal shifts, which makes X-Force #2 a must-read comic.

Absolute Carnage has been amazing from the start but it keeps getting better with each passing issue.

The finale of Absolute Carnage features some of the series' strengths but it doesn't match the quality set by its predecessors.

Bendis launches an exciting investigation and the art team complements his script with striking settings and facial expressions.

The juxtaposition of the past and present elevates Spencer's exploration of Spider-Man's thought process and reminds the reader how deeply personal Spidey's rivalry with Norman Osborn is.

Jason Aaron and the art team combine to make Moon Knight an unstoppable adversary for the Avengers.

Empyre begins in solid, unspectacular fashion.

Saladin Ahmed and the art team remind us what Spider-Man is all about.

Frank Tieri and the art team combine to deliver a fun horror story that strengthens the mystery surrounding Ravencroft.

This self-contained story may have long-term ramifications for Shazam, and the art strongly complements the story.

The story, art, coloring and lettering all combine to make THE BATMAN WHO LAUGHS #7 a horrifying thrill ride.

Venom #16 is one of the best issues of Cates' run on the series so far and it redefines Brock's relationship with the symbiote.

Percy's script features a heartfelt exploration of Logan's character, and the art team perfectly complements every narrative beat.

Tom Taylor's new zombie story exceeds its genre by offering tender moments and gutting, understated terror.

Empyre still hasn't quite lived up to the hype, but a strong script from Slott and impressive art makes the latest issue a success.

Empyre #5 won't blow you away, but Ewing's solid script continues the series' pattern of consistently rich storytelling.

Phillip Kennedy Johnson's script and the art team's patriotic images perfectly complement each other in a strong first issue.

Loki #1 successfully captures the heart of Loki and sets up a promising future for the series.

Thanks to some unexpected twists and stunning art, Midnight Vista #1 is a successful beginning to a new alien abduction story.

Venom #25 is the perfect book to celebrate the return of comics as we know them. It pays tribute to the character's past and paves the way for his promising future. With Cates at the helm, Venom remains in good hands, and we can't wait see what happens next.

Bendis and Walker reunite the team and advance the DCU's most compelling mystery. The art team complements the story by using lifelike facial expressions and clever foreshadowing.

Behind a superstar creative team, Absolute Carnage continues to emerge as the best comic event of the year.

No comic is perfect but Absolute Carnage: Separation Anxiety #1 is a practically flawless horror story that happens to tie into Marvel's newest major event.

The dynamic pairing of Scott Snyder and Greg Capullo continues to please, as they team up to create a masterful story.

The art team perfectly complements Ewing's powerful script and Outlawed #1 makes it impossible not to tune in for more.

Absolute Carnage #1 gives you all you can ask for in the first chapter of a crossover and it also raises expectations for future events.

In Absolute Carnage #2, the entire art team is clicking, which continues the series' excellent start.

Death Metal #2 continues the electric start to DC's latest major event, and it leaves the reader feeling optimistic about the series.

With Silver Surfer Black #1, Marvel delivers an exceptional introduction to a new miniseries and it also functions fairly well as a standalone issue. The art is consistently a sight to behold and the narration deserves to be reread multiple times for its heartfelt expressiveness.