In conclusion, Bea Wolf is a light, silly and fun reimagining of the ancient epic poem that celebrates the joys of childhood while poking fun at grown-ups. Probably most appropriate for 10 to 12 year-olds with a good vocabulary who will enjoy the humorous details in Boulet's drawings while they giggle at the butt-jokes in Weinersmith's light-hearted prose. As an added bonus, both parents and children will probably learn more about Beowulf from Bea Wolf than they ever did in school.

'Beyond Real' #1 is exactly the type of indie comic I love: a visual feast in which the art carries the story and themes. It"s a comic that explores the deep, existential questions arising out of simulation theory. Or maybe it"s a character study exploring grief and loss within this sci-fi framework. Whatever you take out of it, the entire creative team has obviously given their very best to produce a fantastic book.

Beyond Real #2 is certainly a good comic, but it's missing the elements of the first issue that I really wanted to see explored in more depth. To its credit, the writing, themes, and art once again work together in perfect harmony. The world-building also shows great potential that just doesn't get fully realized in this one issue.

You should pick up 'Beyond Real' #3 simply for the amazing art by Vincenzo Riccardi, especially if you love lively, surreal landscapes in neon-tinged, blacklight-ready colors. Moreover, Kaplan fills the breathtaking scenes with much needed character development as well as interesting musings on the main themes of the story.

'Beyond Real' #4 is a solid next chapter or two chapters in the miniseries. The symbolic journey through two more planes of reality serves as an interesting metaphor for certain struggles artists face, even if the symbolism is a bit too obvious. The art certainly keeps up the miniseries' promise to be a love letter to artists. However, this issue's art just didn't impress me as much as the fantastic art from issues #1 and #3.

There aren't many comics on sale these days like 'Beyond Real.' The fifth and final issue definitely encapsulates everything that makes this miniseries stand out from the pack. It again features a variety of creative art styles, while also bringing the narrative to an emotionally satisfying conclusion.

'Dark Empty Void' #1 sucked me in with the power of the black hole the story revolves around. The intriguing sci-fi concept immediately piqued my interest. But, I was mostly drawn in by the diverse and complex characters. The intricate and emotive images by Chris Shehan together with the colors of Francesco Segala perfectly match the mood of both the narrative and the characters. And I was completely hooked by the well-paced mystery at the center of the sci-fi thriller.

I enjoyed a lot that 'Dark Empty Void' #2 has to offer the complex relationship between the main characters, the subtle symbolism and most especially the wonderful, atmospheric artwork. But at the same time, I just couldn't help thinking about how slow the issue was while reading it. There's not enough excitement.

Strangely nostalgic and amusingly quirky, familiar themes of adolescence are explored through the eyes of a lovable alien robot in an eccentric world of domed cities and anthropomorphic animals.

Zack Kaplan's and Arjuna Susini's Forever Forward #1 is a fairly standard time-travel story with a good concept that fails to live up to its potential.

The games that Kaplan plays with time-travel are a bit too obvious for someone who's already read or seen enough time-travel stories. The life lesson is also too obvious for a more mature reader. Consequently, Forever Forward #2 is just an average comic book for me. But if it's trying to be a comic for pre-teens and teenagers, I'd probably call it a good time-travel action adventure with a positive message.

A few times, 'Hendrix: Electric Requiem' shows how a graphic novel could be the perfect medium for a Jimi Hendrix biography. Unfortunately, most of the book doesn't come close to reaching the level of originality and imagination required to adequately inspire the reader. In the end, we end up with an average biography of one of the greatest rock stars of all time.

For what it is, the Jean Grey: Flames of Fear collection is a very good miniseries held up by the strength of writer Louise Simonson and artist Bernard Chang. I was hoping for more Phoenix mythos than "What If" stories, but with these creators, I can't complain too much.

'Lotus Land' #2 is a solid continuation of the sci-fi noir. The art by Caio Filipe with colors by Patricio Delpeche create exactly the right atmosphere for the technologically advanced, yet somewhat dystopian metropolis. Poelgeest probably lays the noir-mystery on too thick in this issue, leaving me a little too confused by the end of the issue. Still, the overall premise exemplified by the fantastic opening page has me intrigued.

'Lotus Land' #3 is a much more character-focused issue of the sci-fi noir series. At once an origin story for the main character as well as a continual build-up of the central mystery.

Darcy Van Poelgeest continues to build the noir mystery in 'Lotus Land' #4. The art by Caio Filipe with colors by Patricio Delpeche create exactly the right atmosphere. At this point, I'm invested, anxiously anticipating the next issue.

The very slow burn that is 'Lotus Land' #5 has drawn its mystery out about as long as possible. What is revealed is done so mostly in the imagery and subtext. But at the very least, by the end, everything is set up for a revealing finale.

if you like gritty, sci-fi noirs along the lines of 'Blade Runner,' 'Lotus Land' is probably exactly the comic for you, and the final issue doesn't disappoint. It answers all the lingering questions left in the mystery while bringing the story to a resolution.

The central concept of the sci-fi thriller, 'Mindset,' from writer Zack Kaplan encapsulates our modern, smartphone-driven culture so well. John J. Pearson's great art and Otsmane-Elhaou's amazing lettering add layers of depth and intrigue to the thought-provoking examination of what outside factors influence our free will.

'Mindset' #2 gives us more of what made the first issue great. Zack Kaplan, John J. Pearson and Hassan Otsmane-Elhaou continue a fascinating multi-layered exploration of free-will and control based on a mind-controlling app.

Although 'Mindset' #3 isn't quite as strong as the outstanding first issues, it's still a great continuation to an already fantastic series. It starts slow but is saved by a tense and exciting second half.

I would argue that Mindset is the very best comic series of the year. Each issue has left me thinking for days about free will and my cell phone use, all the while wondering what will happen next. In other words, I can't wait for issue #5 to come out next month.

The twist at the end of Mindset #5 alone makes this comic great. It completely changes all that has come before, turning everything on its head.

The final issue of this excellent miniseries brings the all-too-real narrative of a mind-controlling app to an exciting and satisfying conclusion, while revealing even more hidden truths about our modern digital society. The incredible work of the whole creative team has me hoping that 'Mindset' will be considered for a few awards this year.

Whether you should pick up a copy of The O.Z. #2 probably depends on how much you are willing to pay for it, because these kinds of crowdfunded comics often come with a heftier price-tag than a normal double-sized issue. Apart from that, I would definitely recommend this story and the creators are worthy of support. Let yourself get lost in this war-torn fantasy which will remind you just enough of the land of Oz you know, while taking you on an action/adventure you never would've expected.

'Space Ghost' #1 is an action-packed reboot of the classic cartoon character with cool art buoyed by great coloring. It's better than most comics on the shelf, but also doesn't feel much different than any other sci-fi action-adventure.

Space Ghost #2 is a good standalone origin issue that also establishes the series' status quo going forward. Although Space Ghost's origin relies on a well-worn and controversial comic trope, Pepose's writing makes it work both in this issue and in the overall narrative. Jonathan Lau's art is consistently good on the inside. And all of the possible covers are excellent.

Summing up, Space Ghost #3 proves that David Pepose and Jonathan Lau can produce a consistently entertaining sci-fi action-adventure. I enjoyed the focus this issue placed on the villainous Widow, and I like the use of self-contained issues to give the series a fast pace with a satisfying pay-out at the end of each issue. All in all, Space Ghost #3 is a wildly fun ride.

'Space Ghost' continues to be one of the most consistently entertaining comics on the stands right now. In 'Space Ghost' #4, I was most impressed with the excellent artwork by artist Jonathan Lau and colorist Andrew Dalhouse. Furthermore, David Pepose writes action-packed adventures with just enough character and heart to remind you of the best classic cartoons, but a little more grown up this time.

'Space Ghost' #5 continues the reboot's run of fun, action-packed sci-fi adventures. Unfortunately, this chapter tries to do too much with just one issue. Still, David Pepose obviously has a great love for the characters and their relationships, even when those moments feel squeezed into this issue. Jonathan Lau's art is still the highlight, due to the awesome action sequences, even in a slightly weaker showing.

'Space Ghost' #6 provides plenty of good things to keep me interested in the series. The art by Jonathan Lau continues to be excellent. Andrew Dalhouse's colors especially for the villainous Moltar and his molten men are awesome. And Pepose's handling of Jace's and Space Ghost's emotional trauma is authentic and well done. But the heavy theme means 'Space Ghost' #6 doesn't share the same feeling that made the previous issues so much fun to read.

The Incal: Psychoverse is a good addition to the Incal universe that doesn't quite live up to the excellence of previous Incal books.

I'd say 'The Midnight: Shadows' passes the test. I'm sure fans of The Midnight's music will find even more allusions and layers of symbolism than I did. This graphic novel is definitely a must buy for them. But I'd also recommend 'The Midnight: Shadows' for non-fans like me who love cinematic sci-fi adventure loaded with awesome visuals, good character work, plenty of nostalgia and thought-provoking themes.

For what it is, The Ministry of Compliance #1 is really very good. But, in the end, it is much more a conspiracy-filled political/espionage thriller rather than a social commentary framed in an alien invasion story. The writing and art are good enough to keep me intrigued. Unfortunately, I'm just not sure that it's really what I was hoping for when I originally heard about the premise.

'Unnatural Order' #1 by Christopher Yost, Val Rodrigues and Dearbhla Kelly feels like a condensed version of a fairly standard swords and sorcery fantasy story with truly excellent art. It unfortunately lacks character development, instead presenting lots of plot. While the bulk of the story feels average, the last-page reveal is intriguing enough to get me to check out issue #2.

In Unnatural Order #2, Christopher Yost provides much more character depth to the villain, the Druid, as well as the main character, John Murphy. The story also really gets going. The mixing of sci-fi with swords and sorcery separates this series from others on the shelf. But, even without this aspect, the excellent art of Val Rodrigues and Dearbhla Kelly would be reason enough to check out this series.

In conclusion, Unnatural Order #3 is a little better than issue #1, but not as engrossing as issue #2. The art continues to impress. And the characters have grown on me. But it just doesn't seem to live up to its full potential. And it should definitely showcase its compelling main villain more often.

'Unnatural Order' #4 ends the first story arc by completely usurping expectations, taking the the sci-fi/fantasy action-adventure in a new direction. This causes a bit of disconnect from the first three issues, but also creates a more interesting narrative.

Way of X #3 presents a complex, thought-provoking discourse on sex and reproduction. Through characters of wonderful depth and complexity, the issue gains heart and compassion. Maybe the best of the great 'Way of X' series so far.

The character work and the good-natured ribbing of 90s culture are the real strengths of 'Youth Group.' The overall story and art are alright, but nothing exceptionally fantastic. Unfortunately, for a story about an evangelical Christian youth group, there isn't much theological depth. And I just couldn't get past the few elements that conflict directly with my own Christian beliefs.