Lark and Gaudiano's art continues to impress, and the secret weapon that is Matt Hollingsworth's colouring adds another dimension to their already pretty linework. As the sepia flashbacks segue into the cool blue of the Paris night, the sense of atmosphere is palpable, and the atmosphere of darkness and danger which is created by the artists during the fight sequence never sells the gritty, serious qualities of the story short. I think that when Brubaker announced that he would be returning to a more "swashbuckling" style of Daredevil story, I half expected him to lose the edge that the book had maintained under Bendis, but there's been no sacrifice in that department as far as I can see. Yes, the style of storytelling is different, and Daredevil under Brubaker definitely feels like more of a crime comic than it has done in the past few years, but the only apparent loss is the unending focus on Matt's character - and as the book has moved further away from the "outing" storyline whi Read Full Review

Daredevil #91 was another solid effort by Brubaker and Lark. They consistently deliver a good read each and every month. Things are starting to come to a boil with this story arc and we are in treat for an exciting finish. Daredevil is definitely one comic book well worth your money. Read Full Review

So, while the issue is not all that important in the ongoing arc, I cant really say that I didnt enjoy reading it. If youre not pulling Daredevil regularly, you wont be wowed if you start now. But something tells me this is just the calm before the storm -- and the calm wont last long. Read Full Review