Too fast-paced at times, this issue is still damn good and it is nice to see that James Robinson is moving towards a climactic and definitive finish as he wraps up the series. Read Full Review

With this great and well put together story that Robinson and Kirk have been set up it's sad to know the series will soon be ending again (but for how long?). Even with an end in sight, it does not take away from the excellent work that FF fans have been getting in the pages of this current series. Even with elements from Original Sin shoe-horned in Robinson has been able to keep his story on track not allowing it to become a mess. Read Full Review

All in all Fantastic Four #13 was a good issue. If you haven't been reading the series up to this point, then I suggest you go buy the rest while you guy. Not only are you getting more details on what's going on but also seeing what makes this issue great for the Fantastic Four. Read Full Review

Once again, Leonard Kirk and Karl Kesel's art is terrific - expressive, original and animated. Read Full Review

Robinson does a magnificent job of offering the reader substantiation on the story he has been building since "Fantastic Four" #1. The disparate storylines begin to dovetail together in this comic book, but Robinson keeps the mystery and the scope under wraps, giving readers just enough to trigger reactions and garner anticipation. The writer doesn't deliver the big reveal in "Fantastic Four" #13, but he does prove to readers that they couldn't have been more wrong about whatever they thought might be happening in the first half of this series. This issue puts the First Family back in the heart of the Marvel Universe, and for at least reminds readers that this is "The World's Greatest Comic Magazine" as this story continues to build into a classic in the making. Read Full Review

A somewhat by-the-numbers issue, as plot elements continue to build but are essentially going through the motions, as always, without displaying any genuine motivation nor concern for true implications. The "caper film" moment is nice, but without twists or complications it's close enough to the characters simply walking out the door that it defuses any tension that was meant to be inherent to the situation to begin with. If that's the pattern, then why believe any of the other attempts to create high-stakes moments? Read Full Review

Best FF book I've read in a really long time. It's kind of a bummer that it got this good just before the cancelation.

Meh