Absolute crap.

Brutal! Insane! And with guest artists who understand what this comic must go through. Conan will never give up fighting, no matter the threats he faces, unless he himself wants to give up, and that's far from happening here.

It goes by so quickly, especially the transition from a flat-bodied teen to a teen with juicy breasts, that it's actually quite good! Obviously, the author doesn't care and shows that promiscuity speaks louder than the loving bonds of her parents, especially when we don't know why the girl has been hated by her parents since birth. A pornographic miniseries, open to the public, without fear of censorship, featuring disturbing moments.

There's no bad miniseries related to the Gun Honey universe; each one is a delight! Beautiful, sexy women, extremely prepared for high-risk missions. The interior art is responsible for transmitting the reader's adrenaline.

This is the kind of book that makes you feel sick when you see the positive reviews it gets on the internet just to attract the attention of an uninformed person who would spend money on such crap. I see more and more the deconstruction they're doing to Hulk and the limitless attempt to bring Planet Hulk back. The more I see the interior art, the more I ask for Joe Bennett's return. If you make videos ripping this book to pieces, count on me to engagement.

Worse than Hickman nonsense are those who believed that Phillip Kennedy Johnson's Hulk would have great prominence as Worldbreaker (don't worry, reality will hit without mercy for these people).

What's saddest about this run, besides getting worse at the point zero of not going anywhere, is the fact that it gets high ratings every time that Nic Klein comes back to bring joy to an installment, but that doesn't change the fact that Phillip Kennedy Johnson is incapable of writing a story that goes beyond this, he's just showing how in the end the Hulk will merge with this teenager that will result in a new monster, or the Hulk being saved by her in the most pathetic way possible.

The writer doesn't like the character, it's clear in the scripts he writes that everything aims to leave the Hulk as a pawn for Charlie to elevate himself, it's pathetic to an extreme level that aims to make the character's stories boring.

Calling a comic like this bad is insulting a bad comic that you read and hope something good will come of it. The Incredible Hulk, now not at all incredible, has become a generic character. Phillip Kennedy Johnson is removing everything from this character that made him a classic due to his popularity that was achieved over a long journey. It's depressing! The story by Greg Pak, despite being silly, is the best thing about an issue that contains several stories and MOST of them are boring. The feat that this writer achieved was to make people move away from this run.

It's impossible to have fun with what PJK is doing, and the most incredible thing (as much as he says Hulk is) is that this run is still being published without even having enough commercial appeal to be good. There's no way to give it a 7 or 8, because it's so boring and so unattractive. The writer has no idea what to do with the character, if I were him I would be ashamed, even more so considering the absurd "skin" ideas, as if he were ashamed of his own.

Cancel this crap Marvel!

A complete disgrace when it comes to the monthly tedium of issue after issue. It didn't even deserve a grade of 1, but rather zero!

Marvel wants to destroy itself, they don't want the old fans for these books, they just want the 3%, this is clearly a way for Marvel to try to get at Joe Bennett by showing that they used his concept to make people see that what Phillip Kennedy Johnson is doing is the right way, while for them, Bennett was doing it wrong, because he didn't agree with the entire editorial. They still recruit TERRIBLE artists, if only the art was bad, but the script is also bad, and here, not even Nic Klein shows up to make up for the atrocity of the guest artists.

If you still have the patience to read this, keep reading just to see where this is going, but don't worry, this is easily forgettable and the only thing worth watching is rooting for Phillip Kennedy Johnson to leave and never come back. The more he tries to emulate the Immortal Hulk, the more people distance themselves from this run and the less commercial appeal he has. Come back Joe Bennett!!!!!!!!!!!!!!!!!!!!!!!!

Before I point out the absurdities of yet another banal issue, I wanted to know how much Marvel pays its employees? For PKJ to be insisting on this bubble until now, he must only be needed for this by Marvel's editorial team. This guy clearly doesn't know how to give direction to the character, he's more lost than Cates, a guy who got along well with Superman, and doesn't know how to write the Hulk? Does he really not know, or does he not want to write because he's angry that the character is too serious for him to give a solid approach. If I were in his skin, I would be ashamed to do this for a mainstream, because he's only fooling himself, and not the people who distanced themselves from it. While Joe Bennett reigns eternally with his art as the Brazilian who revitalized the Hulk by working alongside a progressive writer but with both focused on a complex approach, this writer only shows how boring he made the character, and even if he leaves, which he established, it was with this intention, so that others will do the same and the Hulk will never again become an interesting character. What a shame, this could have stopped, if it had been a problem with the art, like it was with Aaron's run near the end, but Aaron took it upon himself to make the narrative interesting, but even with that PKJ didn't learn. Pathetic and absurdly despicable!

A white family bonds with an African-American woman, whose son uses the Hulk to exact revenge on his abusive white father. A victimized woman, the shamelessness of this idiotic writer (who, believe it or not, served his own country and now embraced progressive ideology) in trying to tell a self-contained story like in Immortal Hulk #1. The perfect tool (since Cates) that Marvel has been using to show that the Hulk is an uninteresting character. Terrible art, with a pamphlet-like script. A book that isn't even among the most requested of the month, where even the shitty Absolute Batman and the garbage written by Jonathan Hickman manage to outperform in sales. Keep going Phillip Kennedy Johnson, show us all how low you've sunk since you won an Eisner, show everyone that you only write this shit to ride the success of Immortal and to make some money, when in fact the one who should be following up on this concept was Joe Bennett, both in the script and in the art, and not the victimist Brit who shits on Thor today.

So it's up to me to evaluate yet another stupidity disguised as a comic book. The Savage Hulk doesn't swear; he's supposed to be Banner's savage side, behaving like the scientist's inner child (who's not even a scientist anymore, more like a homeless person). The classic Hulk persona was distorted to make this version a stupid version of that persona created specifically for the writer himself and his share of readers who don't buy this book, so that it at least becomes a relevant factor alongside other garbage that, inexplicably (I think due to this generation's lack of embracing any trash they see), managed to become bestsellers, like Imperial and Absolute Batman. This isn't a Hulk story, but rather the decadent culture of the writer being portrayed at its most rotten level, as in an issue where the Absorbing Man leaves a bar in a rotten tribute to Jack Kirby, which clearly proves the author's vision, who believes Kirby came from the trash, just like him. The problem might not so much be the wokeness, which is abundant in Immortal Hulk, but here, there's the wokeness and even a shoddy script with guest artists that only reinforces the idea that this series will be shelved and people will wait for, either a one-show or a miniseries that brings the real Hulk back. There's something a user commented about one of the writer's last pathetic interviews: that even in the visceral (and perfect) horror of Immortal Hulk, it was still a Hulk story at its most chilling. Here, we have this writer's entire life portrayed, which no one wants to know about. We have feminism, white men becoming extinct, but we don't have anything like The Incredible Hulk, and, of course, a mischaracterized Betty Banner. According to what was established in Immortal Hulk, she didn't reach the Below Place, like Banner's cousin and Leonard Samson, when that's not how the story in Immortal Hulk went. Another point that demonstrates Phillip Kennedy Johnson's incompetence as a Hulk writer (his worst work, without a shadow of a doubt) is that he could have used Betty to tell a visceral horror story with an R rating, but he probably didn't read Immortal Hulk #19. He didn't take advantage of anything when she causes memorable slaughter, especially with Joe Bennett's art. Anyone who read that issue knows is one of the most brutal issues of Immortal Hulk. PKJ remains a directionless writer, more motivated to write Superman than The Incredible Hulk, who seems to write the story just days before the issue is published. A weirdo who should follow his path and forget about the Stan Lee and Jack Kirby character, whom he simply doesn't care about, being used as a tool for deconstruction by an entire editorial. When this is over, he'll be known as the Hulk writer who was thrown into limbo, since this is Marvel, and they can erase it if they want and restart everything, while this guy will only be used as a tool, but from what I understand, a tool to show everyone that he's incapable of writing an Immortal Hulk sequel, taking nothing away from the best run the Hulk has ever had.

A very creative noir of classic monsters, and the art is very good.

Completely dispensable and unable to keep up, we know what happens next: the character's mind is messed up since a deconstruction run, and then the bloodthirsty villains will take advantage of this to turn him into a villain under the false pretense of bringing him back with his original symbol, all aimed at serving a progressive agenda. It's definitely not the Punisher who should be rebooted; Marvel doesn't have the guts for that... Without ENNIS, there won't be a Punisher for now, simple as that! Red Band is a label that only aims to strengthen the woke; there's nothing violent about it. Hulk, Punisher, Spidey all Rip with Stan Lee.

Because of one-shots like this one, which end with forced lesbianism that has nothing to do with the character except the pamphleting of a feminist writer, who regrettably pushed this concept for years (although obviously alienating many readers), she needs to leave Dynamite and go to Titan. After Gronbekk run, nothing good will come of this character; the quality will only plummet.

It concludes on the same level it began, and having a TPB of this miniseries is more than essential to reread a beautiful tale by Solomon and its well-developed reboot.

It continues to maintain its promising quality and at no point does it become repetitive or boring, each story holds the reader's attention.

Very creative! The pages evoke a brutality not seen in Terminators for a long time, not since Cameron's original film. It wasn't by chance that it was changed to Terminator: Metal; there's still a lot to be told, and we'll still have issue #10. Congratulations to Shalvey! And the art doesn't compromise.