If you're a Terminator fan, and have more admiration for the 1984 film, you'll find a lot here that goes far beyond the 90s film sequel.

Marvel clearly doesn't like the Hulk, or rather, its editors. One embarrassment after another, unfortunately, is him becoming a bigger piece of shit than he already is in the MCU.

What you're seeing here isn't a comic worthy of attention, but rather some woke shit whose websites (which no one cares about) rate it as a 10, when, for them, comics should be just that: stupid fun and that's it. The kind of mentality of a teenager (which we understand so far), but what makes the praise even more bizarre in the face of this shit is that they come from nerdy adults (which in itself has always been a derogatory term) who want to set this rotten example for people. So, BE CAREFUL! Read this crap online, DON'T BUY IT! DON'T CONSUME IT! You won't see anything here, nothing violent or gory enough to impress you. Castle is practically a poorly made animation, and its 80s sidekicks, like Microship, are in the clutches of Wilson Fisk, who should be just the Kingpin and nothing more, but here, they gave him an upgrade (the same thing Peter David did when he defeated the Hulk with a single punch). The intention is to deconstruct the Punisher, Chuck Dixon had already opened our eyes, and we are vaccinated (or at least a good part of us) so as not to be corrupted by the red plague.

Tynion writing an interesting miniseries, leaving his nonsense aside and more focused on the script.

I must spoil it, because it's so entertainment! What little the nineties had to offer (and they weren't all that wonderful, believe me), offered the basics: fun: Frank has his face carved up, and then he undergoes surgery and, believe it or not, he turns black, temporarily distancing himself from his pursuers and acting alongside Luke Cage. The only rule of the Punisher, black or white, is this: if you're guilty, you're dead!

My first reaction when I got my hands on it was contempt. But it's interesting how this develops, because he's still the Punisher! Yes, bullets fly, there's plenty of brutality, but it's all in keeping with the character, his essence. This was Marvel in 2009, before the progressive plague.

It's fun! And I think these futuristic tales are great; it's like renting a VHS tape and going back to the days of video stores.

Really stupid. Be smart, don't buy.

Whenever I'm here, the ratings of this landless Woke Hulk will plummet. I feel sorry for those who praise this when in reality the writer is just throwing crumbs and using any positive reaction he gets as fodder. This is the empty, unattractive world of progressives. Anyway, nothing happens; it's an absurd disservice to the Immortal Hulk, who walks in the light of a deservedly acclaimed run. Hulk is treated like an idiot, and art only repeats itself. The feat this has achieved, three years since it was published, is to make us read and despise it. It's not even downloadable. I edited parts of the review, although I could mention other negative points about this writer.

An honorable celebration, it's amazing how this book just gets better!

I have nothing to complain about, they are fun horror stories to read, it's way above Creepshow.

When a feminazi has all the freedom to write a creator-owned feminist story, what you get is this shit, a fucking woman with big tits and a fucking flat body running the whole damn thing.

Really dark.

All of them (except Dracula) are very good.

After contributing to AWA's Sacrament (which today only cares about woke), Frusin returns in this miniseries that is also obscure.

Anyone praising a book like this either doesn't know the Punisher or is doing it so he'll one day be noticed by an editor and Marvel will call him to secure his place in the fold. Such cases have become common, as seen with David Pepose and others who are asked to write stories for these characters, where they put their own ideas and nothing more. But with Palmiotti, things become even more regrettable, since, like Jason Aaron, when both are called upon, they write good stories: Aaron for Titan's Savage Sword of Conan, and Palmiotti for Mad Cave's Pop Kill. Here, we have Jimmy's easy money from a Marvel dominated by progressivism (which I believe Charlie Kirk's death will change in the future), in a cancerous story where Frank Castle—SPOILERS!—is transformed into a zombie with shitty art and, otherwise, letting feminism take over. As for the iconic skull symbol, it's only used to further an agenda (as it is currently in the 616), everything is red like communism, and here, the uniform is a tremendous lack of creativity, which is the same one used when the character was replaced acting in the service of a woman. Here, they are more bossy than ever! Perfect shit, don't waste your money. NO ENNIS, NO PUNISHER!!!!!!!!!!!!!!!

After a long break from writing the Hulk, Pak returns for an interesting retcon, and what little is offered here is the best Green Scar you'll see so far (if you want to see more of him besides Planet Hulk, check out his brief return in Immortal Hulk #33). A very good tale, where everything has been set up since a prologue to Planet Hulk. Here, we see the Hulk in a version that varies between a savage persona and even a killer instinct (which Peter David wrote in Tempest Fugit), and Pak develops this very well. For World War Hulk fans, more specifically in issue #2, there are some Green Scar lines that refer precisely to that issue.

They should have ended it with the one-shots, because that's completely idiotic and unappealing. It's all clear for something that should be portrayed in a more visceral way, YOU'RE IN A CROSSOVER WITH GODZILLA, DAMN IT! And I felt a cancerous MCU influence in this, especially with Banner's appearance with his embarrassing lines.

DC's only decent miniseries for the adult Black Metal imprint seems to have been their farewell, as after this great story, with obscure art, the imprint was unable to publish anything else that resembled that quality.

Finding words to express how despicable this is is a difficult task, but the indescribable deconstruction of it transcends any limits of a bad, generic, or even boring story. It's always going to be the same: they want to erase the Immortal Hulk, and this is being a letter of contempt for the run, especially when we know it's aimed exclusively at Joe Bennett, not Al Ewing, since Bennett was removed from his profession without having done anything to deserve it. One thing that gives me hope is that since that writer was removed from DC for having reached the level of venting her hatred (the famous "good" hatred) on someone who was murdered, perhaps in the future, when that incompetent tool named Phillip Kennedy Johnson is removed from his profession, people like him, we know very well, they offer them money, and they'll do everything, absolutely everything you can imagine to achieve conservatism. The useless, like Cates, uses Immortal Hulk tropes, showing that he didn't read all fifty issues and didn't fully grasp the meaning of the story that solidified the Hulk. Here, he defecates all his progressivism against the deity (Jesus), the enlightened being who came to raise awareness. Then, the son of God is corrupted by feminism, by the red cancer, since these parasites have their own understanding of what God is, which is what they themselves created. Furthermore, we have an absurdly distorted Savage Hulk, and anyone with the common sense to understand Immortal Hulk #50 knows that those balloons about him understanding the entire origin of the mother of the red plague are incoherent, because he lacks that capacity, or at least not the absurd understanding that this lame writer with his trumpet presents. This run has no light of its own, and the more they try to poorly replicate the Immortal Hulk, the more the Immortal Hulk itself consolidates, and the more this pamphlet will be seen as something that should be erased from the chronology.

Completely dispensable and unable to keep up, we know what happens next: the character's mind is messed up since a deconstruction run, and then the bloodthirsty villains will take advantage of this to turn him into a villain under the false pretense of bringing him back with his original symbol, all aimed at serving a progressive agenda. It's definitely not the Punisher who should be rebooted; Marvel doesn't have the guts for that... Without ENNIS, there won't be a Punisher for now, simple as that! Red Band is a label that only aims to strengthen the woke; there's nothing violent about it. Hulk, Punisher, Spidey all Rip with Stan Lee.

So it's up to me to evaluate yet another stupidity disguised as a comic book. The Savage Hulk doesn't swear; he's supposed to be Banner's savage side, behaving like the scientist's inner child (who's not even a scientist anymore, more like a homeless person). The classic Hulk persona was distorted to make this version a stupid version of that persona created specifically for the writer himself and his share of readers who don't buy this book, so that it at least becomes a relevant factor alongside other garbage that, inexplicably (I think due to this generation's lack of embracing any trash they see), managed to become bestsellers, like Imperial and Absolute Batman. This isn't a Hulk story, but rather the decadent culture of the writer being portrayed at its most rotten level, as in an issue where the Absorbing Man leaves a bar in a rotten tribute to Jack Kirby, which clearly proves the author's vision, who believes Kirby came from the trash, just like him. The problem might not so much be the wokeness, which is abundant in Immortal Hulk, but here, there's the wokeness and even a shoddy script with guest artists that only reinforces the idea that this series will be shelved and people will wait for, either a one-show or a miniseries that brings the real Hulk back. There's something a user commented about one of the writer's last pathetic interviews: that even in the visceral (and perfect) horror of Immortal Hulk, it was still a Hulk story at its most chilling. Here, we have this writer's entire life portrayed, which no one wants to know about. We have feminism, white men becoming extinct, but we don't have anything like The Incredible Hulk, and, of course, a mischaracterized Betty Banner. According to what was established in Immortal Hulk, she didn't reach the Below Place, like Banner's cousin and Leonard Samson, when that's not how the story in Immortal Hulk went. Another point that demonstrates Phillip Kennedy Johnson's incompetence as a Hulk writer (his worst work, without a shadow of a doubt) is that he could have used Betty to tell a visceral horror story with an R rating, but he probably didn't read Immortal Hulk #19. He didn't take advantage of anything when she causes memorable slaughter, especially with Joe Bennett's art. Anyone who read that issue knows is one of the most brutal issues of Immortal Hulk. PKJ remains a directionless writer, more motivated to write Superman than The Incredible Hulk, who seems to write the story just days before the issue is published. A weirdo who should follow his path and forget about the Stan Lee and Jack Kirby character, whom he simply doesn't care about, being used as a tool for deconstruction by an entire editorial. When this is over, he'll be known as the Hulk writer who was thrown into limbo, since this is Marvel, and they can erase it if they want and restart everything, while this guy will only be used as a tool, but from what I understand, a tool to show everyone that he's incapable of writing an Immortal Hulk sequel, taking nothing away from the best run the Hulk has ever had.

Absolute crap.

Brutal! Insane! And with guest artists who understand what this comic must go through. Conan will never give up fighting, no matter the threats he faces, unless he himself wants to give up, and that's far from happening here.

It goes by so quickly, especially the transition from a flat-bodied teen to a teen with juicy breasts, that it's actually quite good! Obviously, the author doesn't care and shows that promiscuity speaks louder than the loving bonds of her parents, especially when we don't know why the girl has been hated by her parents since birth. A pornographic miniseries, open to the public, without fear of censorship, featuring disturbing moments.

There's no bad miniseries related to the Gun Honey universe; each one is a delight! Beautiful, sexy women, extremely prepared for high-risk missions. The interior art is responsible for transmitting the reader's adrenaline.

Worse than Hickman nonsense are those who believed that Phillip Kennedy Johnson's Hulk would have great prominence as Worldbreaker (don't worry, reality will hit without mercy for these people).

A very creative noir of classic monsters, and the art is very good.

Because of one-shots like this one, which end with forced lesbianism that has nothing to do with the character except the pamphleting of a feminist writer, who regrettably pushed this concept for years (although obviously alienating many readers), she needs to leave Dynamite and go to Titan. After Gronbekk run, nothing good will come of this character; the quality will only plummet.

It concludes on the same level it began, and having a TPB of this miniseries is more than essential to reread a beautiful tale by Solomon and its well-developed reboot.

It continues to maintain its promising quality and at no point does it become repetitive or boring, each story holds the reader's attention.

Very creative! The pages evoke a brutality not seen in Terminators for a long time, not since Cameron's original film. It wasn't by chance that it was changed to Terminator: Metal; there's still a lot to be told, and we'll still have issue #10. Congratulations to Shalvey! And the art doesn't compromise.

A white family bonds with an African-American woman, whose son uses the Hulk to exact revenge on his abusive white father. A victimized woman, the shamelessness of this idiotic writer (who, believe it or not, served his own country and now embraced progressive ideology) in trying to tell a self-contained story like in Immortal Hulk #1. The perfect tool (since Cates) that Marvel has been using to show that the Hulk is an uninteresting character. Terrible art, with a pamphlet-like script. A book that isn't even among the most requested of the month, where even the shitty Absolute Batman and the garbage written by Jonathan Hickman manage to outperform in sales. Keep going Phillip Kennedy Johnson, show us all how low you've sunk since you won an Eisner, show everyone that you only write this shit to ride the success of Immortal and to make some money, when in fact the one who should be following up on this concept was Joe Bennett, both in the script and in the art, and not the victimist Brit who shits on Thor today.

Before I point out the absurdities of yet another banal issue, I wanted to know how much Marvel pays its employees? For PKJ to be insisting on this bubble until now, he must only be needed for this by Marvel's editorial team. This guy clearly doesn't know how to give direction to the character, he's more lost than Cates, a guy who got along well with Superman, and doesn't know how to write the Hulk? Does he really not know, or does he not want to write because he's angry that the character is too serious for him to give a solid approach. If I were in his skin, I would be ashamed to do this for a mainstream, because he's only fooling himself, and not the people who distanced themselves from it. While Joe Bennett reigns eternally with his art as the Brazilian who revitalized the Hulk by working alongside a progressive writer but with both focused on a complex approach, this writer only shows how boring he made the character, and even if he leaves, which he established, it was with this intention, so that others will do the same and the Hulk will never again become an interesting character. What a shame, this could have stopped, if it had been a problem with the art, like it was with Aaron's run near the end, but Aaron took it upon himself to make the narrative interesting, but even with that PKJ didn't learn. Pathetic and absurdly despicable!

This is the kind of book that makes you feel sick when you see the positive reviews it gets on the internet just to attract the attention of an uninformed person who would spend money on such crap. I see more and more the deconstruction they're doing to Hulk and the limitless attempt to bring Planet Hulk back. The more I see the interior art, the more I ask for Joe Bennett's return. If you make videos ripping this book to pieces, count on me to engagement.

If you still have the patience to read this, keep reading just to see where this is going, but don't worry, this is easily forgettable and the only thing worth watching is rooting for Phillip Kennedy Johnson to leave and never come back. The more he tries to emulate the Immortal Hulk, the more people distance themselves from this run and the less commercial appeal he has. Come back Joe Bennett!!!!!!!!!!!!!!!!!!!!!!!!

Marvel wants to destroy itself, they don't want the old fans for these books, they just want the 3%, this is clearly a way for Marvel to try to get at Joe Bennett by showing that they used his concept to make people see that what Phillip Kennedy Johnson is doing is the right way, while for them, Bennett was doing it wrong, because he didn't agree with the entire editorial. They still recruit TERRIBLE artists, if only the art was bad, but the script is also bad, and here, not even Nic Klein shows up to make up for the atrocity of the guest artists.

A complete disgrace when it comes to the monthly tedium of issue after issue. It didn't even deserve a grade of 1, but rather zero!

Cancel this crap Marvel!

It's impossible to have fun with what PJK is doing, and the most incredible thing (as much as he says Hulk is) is that this run is still being published without even having enough commercial appeal to be good. There's no way to give it a 7 or 8, because it's so boring and so unattractive. The writer has no idea what to do with the character, if I were him I would be ashamed, even more so considering the absurd "skin" ideas, as if he were ashamed of his own.

Calling a comic like this bad is insulting a bad comic that you read and hope something good will come of it. The Incredible Hulk, now not at all incredible, has become a generic character. Phillip Kennedy Johnson is removing everything from this character that made him a classic due to his popularity that was achieved over a long journey. It's depressing! The story by Greg Pak, despite being silly, is the best thing about an issue that contains several stories and MOST of them are boring. The feat that this writer achieved was to make people move away from this run.

The writer doesn't like the character, it's clear in the scripts he writes that everything aims to leave the Hulk as a pawn for Charlie to elevate himself, it's pathetic to an extreme level that aims to make the character's stories boring.

What's saddest about this run, besides getting worse at the point zero of not going anywhere, is the fact that it gets high ratings every time that Nic Klein comes back to bring joy to an installment, but that doesn't change the fact that Phillip Kennedy Johnson is incapable of writing a story that goes beyond this, he's just showing how in the end the Hulk will merge with this teenager that will result in a new monster, or the Hulk being saved by her in the most pathetic way possible.