In order to find and rescue her former espionage partner, Sue Richards will have to step over a line of conduct that would horrify her family if they were ever to find out. How will this leave the Invisible Woman changed?
Rated T
In these five issues of her miniseries, we have seen Susan Richards do things with her powers that weve never seen her do before, and very clever things at that. Weve also seen her do something that a heroine of her kind and her stature is not meant to do. All things considered, it was a good story, well put together. But it also serves as a reminder of who The Fantastic Four really are and what their real place is in the scheme of thingsa place much loftier than the world of espionage. Read Full Review
If nothing else, this miniseries serves as a strong argument for Invisible Woman being capable of carrying a solo ongoing. Read Full Review
Invisible Woman-as-spy seems to have been a nice enough experiment that could prove to be that much more interesting in future outings now that Waid has established the basic premise of the series. The balance between a personality of a galaxy-class superhero interacting with strange alien life forms by day and international espionage by night seems like a fun one to explore. It hasnt been the thrust of Waids series, but now that the Invisible spy has come into full view, there is real potential for further fusion if Marvel wants to explore it in greater detail. Sue Storm is a fascinating character for Marvel-style espionage stories. Given the right fusion of spy and superhero, the characters own series could easily have the right appeal for an ongoing series. Read Full Review
INVISIBLE WOMAN #5, much like the series as a whole, has its peaks and valleys. It begins on the high of the Maria Hill cameo, only to drop when she opens her mouth. It goes back up with Sues powers, only to descend again with Tintreachs over-the-top insanity. Mattia De Iulis art may be a peak, but the final issue of Mark Waids spy story feels like a valley. Read Full Review
Great mini series that needed to be a proper 12 issues to let thing develop properly but other than the crammed feel at the end, It's a good Waid book! Mattia de lulis is a great artist that delivers gorgeous art but he needs to work on his bright daylight scenes because they are too bright so maybe a bit more detailed sky hues and shadows.
when I say Mark Waid is one of my favorite comic book writers from Marvel Comics, this is exactly why.
The art remains fantastic, with Mr. De Iulis going above and beyond on "tormented Sue" faces. The script doesn't quite live up to the art, tying up the plot threads in a simple, predictable bow and undercutting some thoughtful ideas about Sue by conveying them in clunky language.
So Aidan is just a killing machine for all these years and he just randomly decides to spare Maria’s life? This was a good issue but a writer of Mark Waid’s caliber can definitely do better than a glaring plot hole like that. Mattia de lulis was great as usual
This had good moments and bad ones, like the rest of the miniseries.
This just didn’t really do anything for me, I dunno.
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