I expected something great and instead got…vanilla. Hated this book and the reviewers that way oversold it (shame on y’all). Even though it was a quick read, it was a real chore to even endure. I could tell right away that it was nothing special. The story was weak. The art was weak. The characters uninteresting. I’d be embarrassed to even put this book on one of my shelves. There are some good horror-type stories to come out in the past year or so worth spending your money on (“Stray Dogs”, “Did you hear what Eddie Gein Done?”, “Something is Killing the Children”, “Monsters”, and “the Nice House on the Lake”).

Immortal Hulk, by Al Ewing, Joe Bennett, et al. (Marvel) OK, so most of you seem to really like this series…it gets high reviews. Additionally, the Ewing/Bennett run has been nominated for Eisners in 2019, 2020, and 2022 for “Best Continuing Series”…the critics like it. However, after reading the first three volumes…no thanks. I think I’m done. The third volume was a real chore to get through. I couldn’t wait to be done so I could move on to something/anything else. Issue #14 was particularly bad (especially with the fill-in art). This whole volume (including both the Devil Hulk in hell and the following arc with the immortality of the gamma characters) left me with the literature equivalent aftertaste of drinking spoiled milk…yuck. The only thing I really liked in this volume was Ewing’s unique use of the character Puck from Alpha Flight/Gamma Flight. He made Puck intriguing and cool. I saw Ewing later co-wrote a Gamma Flight spin-off in 2021 with mixed reviews.

Black Widow, by Kelly Thompson and Elena Casagrande (Marvel) This run seemingly came out of nowhere last year and took home the 2021 Eisner for “Best New Series”. I was pleasantly surprised by the tone and feel of the first volume (“The Ties That Bind”). Even though the 2016 Waid/Samnee series is probably an overall superior run, I’ve reread the first Thompson/Casagrande volume and it’s my favorite Black Widow story. It’s not perfect, (I found at least one major villain flaw and at least one direction I would have preferred they had done differently), but it was a buildup and setup that was just pure fun. I love the friends that come to help and the unique dynamic between each. There is a desperation and a “badassery” exhibited by our heroes. I can see why the series got some hype early on. Unfortunately, the second volume falls really flat and doesn’t deserve to be in the discussion for any awards (don’t waste your money on the second volume). Thompson decided to take the book in a different direction and left behind what made it work.

Marvel’s Voices: Identity #1, edited by Darren Shan (Marvel) I sought this book out after it received a 2022 Eisner nomination for “Best Single Issue/One-Shot” (I was surprised it wasn’t in the “Best Anthology” category). Needless to say, my expectations were high. I enjoyed the first story by multiple Eisner-winner Gene Luen Yang entitled “What is vs. What if”. I felt that we all could have benefited from more elaboration of Shang-Chi’s story. The rest of the content was marginal at best (and that’s being generous). Any reviewer should be able to acknowledge the value of a project that empowers traditionally marginalized groups, but it is irresponsible to mistake an excellent idea with excellence execution. Considering the thousands of eligible books released in 2021, this book does not come close to meeting the distinction for one of the five coveted nominations in the category of “Best Single Issue”.

Coda #1 (2018) by Simon Spurrier & Matias Bergara (BOOM!) I noticed Coda received a 3.9 on Goodreads, 4.3 on Amazon, and an 8.5 Critic Rating on Comic Book Round Up. I gave this series a try after reading their later collaboration, “Step by Bloody Step”. I really wanted to like “Step by Bloody Step” but just had a hard time appreciating the narrative pacing and execution. I thought it might be worth reading something by the creators without the limitation/benefit of the silent gimmick. Alas, similar to their other collaboration, I just had a hard time buying into the finished product.

Daredevil: No Devils, Only God, by Chip Zdarsky and Lalit Sharma (Marvel) 

It was hard not to notice this series after it was nominated for the Eisner trifecta in 2020 (Best Continuing Series, Best Writer and Best Cover Artist) and again in 2021 (Best Writer, Best Penciller/Inker, and Best Continuing Series). Prior to picking it up, the only other thing I had read from either creator was Zdarsky's enjoyable "Stillwater". I'm a big fan of Daredevil and have read all the other seminal runs (Miller, Smith, Bendis, Brubaker, and Waid). I read this volume through Comixology Unlimited. I noticed it received a 4.7 Customer Review score on Amazon, 4.11 on Goodreads, and an 8.3 Critic score on Comic Book Round Up. The first volume was spectacular! Daredevil is the epitome of the street-level hero that gets down and dirty in the grit, stink, and grime of the criminal underworld. He is also one of the more complex and cerebral of Marvel's characters. He has a great supporting cast and I particularly like it when the cameos feel organic and purposeful (which reminds me of the Bendis run). However, I did not care for the direction Zdarsky took the second volume. Daredevil as a probation officer doesn’t really interest me (and I was a probation officer for 12 years). The new supporting characters don’t interest me either. The art dipped as well without Checcetto but I saw he’s back in the third volume so I’ll give it a shot with Comixology Unlimited.

Peter Parker Spectacular Spider-Man #38 (Feb. 2002) by Paul Jenkins and Mark Buckingham (Marvel) Ha! I forgot about this one. I recently reviewed Step by Bloody Step (Image) and decided to re-read all the other silent issues over the years (including some of Marvel's "Nuff Said" theme of twenty-four books from early 2002). I remember Humberto Ramos doing the covers but I forgot they got Eisner winner Mark Buckingham to do the interiors. Paul Jenkins was recently coming off his Eisner win for Inhumans in 1999. I appreciate they included the first six pages of the Jenkins script. Silent books can be tough to pull off. In regards to the use of the silent gimmick in the "Nuff Said" books, I think it really worked with the use of the Murderous Mimes. I could have done without the panel where Spider-man moons the villains. This book isn't great, but it is funny.

Moon Knight (2016-2017), by Jeff Lemire & Greg Smallwood (Marvel) This run heavily influenced the TV series, and (unfortunately) I didn’t really enjoy either one. Lemire’s run has often been described as “trippy” but I’m just not a fan. Instead of being “pulled in” by the constant stop-n-go of the narrative, I was just “put off”. I enjoyed some of Lemire’s other work on both Black Hammer and Gideon Falls. I was also excited to read the run that really helped propel Smallwood’s career (I love his current work on The Human Target). I own several runs of Moon Knight (Huston/Finch, Bendis/Maleev, and Ellis), however, I read this volume on Comixology. After reading more of this, I’ll go back and re-read my other runs and adjust my review based on how well it stands up to the others.

Bitter Root, by David F. Walker, Chuck Brown, and Sanford Greene (Image) The critics absolutely adore this book. The series has been nominated for six Eisner awards (including winning for “Best Continuing Series” in 2020). However, I lost appreciation for the book in issue #3 when the concept of the “Jinoo” monsters is explained in narrative to the reader. The “Jinoo” are people (specifically white people) corrupted into monsters after being infected/tainted by hate (racism). It is further explained, “Black folks…we don’t turn into Jinoo. It just isn’t in us.” I get this a book about confronting racism but then (conversely) we are introduced to the concept of the black infected monsters known as “Inzondo” reserved for “a soul ravaged by great sorrow and pain”. Racism - the belief that different races possess distinct characteristics, abilities, or qualities, especially so as to distinguish them as inferior or superior to one another. Creatively, it’s hypocritical to confront racism while resorting to racist innuendoes. The added distinction was unnecessary for the protagonists’ struggle to be both morally and allegorically just. I’m not prepared to “throw the baby out with the bath water”. The one concept I confronted above doesn’t diminish the characters, the art, or the adventure. There are certainly great concepts within to enjoy. This book had a similar feel, excitement, and quality of Rick Remender’s “Black Science”.

Crossover (2020) by Donny Cates and Geoff Shaw (Image) William at Packrat Comics in Hilliard, OH (www.packratcomics.com) turned me on to this book shortly after its release. At that time, I hadn’t read anything by Cates and he had garnered was coming off some high praise (specifically for his Silver Surfer: Black project). Like it’s namesake, the premise for Crossover seemed like a fun meta-concept amalgam of unsorted toys. The book gained some serious initial interest as fans were intrigued about both the direction the story would go and the cameo appearances Cates could navigate the permissions to include. Crossover would go on to receive a 2021 Eisner nomination for “Best New Series”. In preparation for Eisner voting, I researched the project and creators. I tend to really appreciate extended collaborative writer/artist teams like Cates & Shaw. I saw where they had worked together for a number of years on lesser-known projects like the Paybacks (2015 & 2016), Thanos (2016), and God Country (2017). Having worked and ran a comic shop, I easily identified and rooted for the main characters and found the adventure “fun”. I particularly liked the novel use of the Ben-Day dot effect. I concur with the main criticisms the book suffers from are the disjointed plot and (understandable) use of “B-list”characters. Overall, I found the book fun but fell short on expectations.

Daredevil vol. 2 #28 (Feb, 2002) by Brian Michael Bendis & Alex Maleev (Marvel) I really enjoyed the Bendis/Maleev work on Daredevil. I was reviewing Step by Bloody Step (Image) and decided to re-read all the other silent issues over the years including Marvel's 'Nuff Said theme of books from early 2002. I noticed this was one of the five covers (out of the twenty-four titles) that didn't promote the "Nuff Said" theme on the cover I appreciate the first 9 pages of the script are included in the back of the issue. The script references a broken sword Matt finds on the ground left over from Elektra #6 (which was also written by Bendis and was also part of the 'Nuff Said theme). I still feel its strange Daredevil can feel a red laser dot. Like with most silent issues, its a fast "read". This book is enjoyable but specifically in regards to the use of the silent gimmick, the story did not seem particularly enhanced by the use of the silent gimmick and as a result was one of the less memorable books. This book was okay, but I would not recommend seeking it out based on the gimmick alone.

Deadly Class Vol. 1: Reagan Youth (2014) by Rick Remender and Wes Craig (Image) I first took notice of this book after seeing it listed as #19 on a Coliseum of Comics store top 50 list in Orlando. I new it had been a show on SyFY but had never watched it. I’m a big Remender fan. I’ve enjoyed Black Science, Low, Seven to Eternity, and his Uncanny X-Force run. I don’t believe Deadly Class has been nominated for any industry awards but it has gotten pretty good reviews: 8.8 Critic Review on Comic Book Round Up, 3.96 on Goodreads, and 4.7 on Amazon. Sadly, the first volume didn’t really interest me. I just didn’t really seem to care one way or another what happened to the characters. The art and colors were complimentary and not distracting from the story. I picked it up in trade for the wonderful Image introductory price of $9.99 (I also see it is currently available with Comixology Unlimited). Because of all the fan support, I may give the second volume a try. In regards to similar titles, I would offer I enjoyed both Gerard Way’s Umbrella Academy and Nick Spencer’s Morning Glories.

East of West Vol. 1: The Promise (2013-2019) by Jonathan Hickman and Nick Dragotta (Image) This book had a lot of buzz when it first came out. In 2014 it was nominated for Eisners in almost every eligible category including Best Colorist (for Frank Martin), Best Continuing Series, Best Penciller/Inker (Nick Dragotta), and Best Writer (Jonathan Hickman). From my other reviews you can probably tell I have a unique appreciation for recurring collaborative teams. Hickman and Dragotta actually got to work together a bit on Fantastic Four before starting their creator-owned project. East of West ended in 2019. Over time the series has maintained a strong following and strong support. East of West currently has a 3.9 rating on Goodreads, 4.6 on Amazon, and an 8.8 Critic Rating on Comic Book Round Up. I read this volume through Comixology Unlimited. I’m a big fan of the western genre, but I just didn’t care for Hickman’s take or his main characters (Death and Xiaolian). Crow and Wolf looked really cool, but we learn very little about them in the first volume. I just wasn’t interested enough to hang around long enough to see something bigger unfold.

Obviously Iron Man on the Guardians of the Galaxy got my attention (Bendis too). This series came out in February 2012. They paired Bendis with big name artists like McNiven and Pichelli. Pichelli was super popular at the time based on her other collaboration with Bendis on Ultimate Comics Spider-Man with Miles Morales. There is also an interesting 7-page short story included that pairs Bendis with his long-time Powers collaborator, Michael Avon Oeming. I didn't read Dan Abnett's 2008 run on Guardians of the Galaxy but I was curious as to if this series had any influence on the hit MCU movie franchise that released in August 2014. They have similar takes on Starlord and the lineup (excluding Iron Man). Given all its potential, it was just okay and forgettable. I went back to look at it and realized why it was so forgettable, its essentially only 100 pages of story. Officially, the TPB is 144 pages; however, the included GOTG: Tomorrow's Avengers #1 is 35 pages of mostly short-story filler followed by 8 pages of pinups and adds. Marvel was doing this kind of stuff a lot at the time and $19.99 is too high in my opinion (especially since Image has been doing their introductory $9.99 on most of their trades since before 2012). This volume received a 4.4 on Amazon, 3.71 on Goodreads, and an 8.0 Critic Rating on Comic Book Round Up. I give it a 7/10.

Immortal Hulk, by Al Ewing, Joe Bennett, et al. (Marvel) I picked up the first two trade paperbacks collecting the first ten (10) issues in this run after the latest Eisner nomination for “Best Continuing Series”. This makes the third time the Ewing/Bennett run received such distinction (2019, 2020, and 2022). It is a rare distinction for a team to receive such consistent praise. I like Ewing’s transitions and literature references. Bennett’s art is good and uniquely-fitting for the character. I really wanted to get behind the “horror premise” that was the main theme for this acclaimed run, but it just failed to really execute or engross me. I don’t think I’d ever plan on re-reading the first two trades, however, I’d be willing to try some of the later arcs (it appears volume 4 received the highest reviews).

Immortal Hulk, by Al Ewing, Joe Bennett, et al. (Marvel) I picked up the first two trade paperbacks collecting the first ten (10) issues in this run after the latest Eisner nomination for “Best Continuing Series”. This makes the third time the Ewing/Bennett run received such distinction (2019, 2020, and 2022). It is a rare distinction for a team to receive such consistent praise. I like Ewing’s transitions and literature references. Bennett’s art is good and uniquely-fitting for the character. I really wanted to get behind the “horror premise” that was the main theme for this acclaimed run, but it just failed to really execute or engross me. I don’t think I’d ever plan on re-reading the first two trades, however, I’d be willing to try some of the later arcs (it appears volume 4 received the highest reviews).

Incredible Hulk vol. 2 #35 (Feb. 2002) by Bruce Jones and John Romita Jr. (Marvel) I remember enjoying the Bruce Jones run on Hulk. I was recently reviewing Step by Bloody Step (Image) and decided to re-read all the other silent issues over the years including Marvel's "Nuff Said" theme of twenty-four books from early 2002. I appreciate they included all of the Bruce Jones script in the back of the book. His style just reads like a story utilizing the classic "Marvel Method" for comic writing (there are no breakdowns by page or panel). I like JRJ, however, after reading the script, I feel like the artist missed the essence of what the writer was really trying to capture behind the silent gimmick. So much of what Jones wrote was meant to be captured by the young autistic girl. Silent books are tough to pull off. I feel like the story was a good use of the silent gimmick, however, it wasn't fully realized in the finished work. Let me know what you think.

Maestro: Symphoney in a Gamma Key (2020) by Peter David & German Peralta (Marvel) I was a big fan of the original Future Imperfect storyline from thirty years ago and have reread it several times. Peter David and George Perez were an awesome pair and they would go on to do Sachs and Violens the following year. I found this prequel of Maestro’s origin on ComiXology Unlimited. I noticed it received a 3.9 on Goodreads, 4.6 on Amazon, and 7.6 Critic Rating on Comic Book Round Up. It was nice seeing the opening pages by Dale Keown. Peralta’s art was fitting and complimentary to George Perez’s style from the original. The story was “interesting” but not something I’d likely ever reread. I concur with some of the reviews that the story was lacking. There is some stuff in the beginning that wasn’t really well resolved. If it wasn’t for the interactions with Hercules, i do not think I would ever revisit this book but that part was very enjoyable. I’m reminded of the following quote: “What good is a story you only want to read once?” -Bill Willingham The Maestro character and world are interesting so I may continue to see where David takes them in Maestro: War and Pax and Maestro: World War M.

So I enjoy most of Tom King's Black Label stuff (Mister Miracle, Strange Adventures, Human Target, Super Girl) and I'm reading Rorscharch now...however, I kinda' had to struggle through this one. Even though I am also a fan of Kyle, I just had a hard time getting into the characters and really behind their struggle. In regards to giant space epics, I prefer King's deconstructing character works. The art by Bagenda was complimentary. Omega Men enjoys pretty good reviews (8.5 on Comic Book Round Up, 4.4 on Amazon, and a 4.06 on Goodreads) but it isn't something I'd like pick back up off my bookcase. "What good is a story you only want to read once?" - Bill Willingham

Silver Surfer: Black (2019) by Donny Cates and Tradd Moore (Marvel) I had heard some great things about this book. I gave it a shot when i found it available through Comixology Unlimited. Unfortunately, after reading it in one sitting, I could take it or leave it. Both the writing and the art were a little hard to consume at times. There were parts where I marveled at the brilliance of both Cates and Moore; however, there were also times where I was baffled and a little lost by both. In short, the book suffered from being a bit enigmatic/convoluted but showed moments of brilliance (not for everybody).

Step by Bloody Step (2022) by Simon Spurrier & Matias Bergara (Image) I was immediately sold on this project after hearing the premise. By all accounts, I absolutely should have loved this book...I am sad to say I did not connect with the executed product. A friend had shared the hype about this book after it first came out. I went to a couple of comic shops and couldn't find the first issue so I anxiously waited for the trade to come out. I saw that it was very well received and garnered a 4.0 on Goodreads, 4.8 on Amazon, and an 9.6 Critic Rating on Comic Book Roundup. As you can see from my other reviews, I am normally a sucker for repeat collaboration projects. I had not read CODA prior to reading Step by Bloody Step but I have since gone on to read it on Comixology. Similarly, CODA did not resonate with me either. Bergara's art is fantastically beautiful. He excels at alien and elaborate landscapes. However, I felt Spurrier pacing, Bergara's panel progression/transitions, and even Lopes' color palate made for a clunky experience and hindered my ability to become engrossed in the story. SPOILER: Sadly, while reading it through for the first time, I was unable to differentiate one of the key panels in the book and mistook an adult female for a male child. I went back and reread the series and it validated to me that it was a beautiful project but just not wonderfully executed, and as a result, it just seems gimmmicky. I am a fan of the silent comic gimmick. It can be hard to execute but if done well, it can really pack a punch. My first comic book as a kid was a 1987 silent issue by Larry Hama in GI Joe Yearbook #3 (a call-back/follow-up to his famous silent issue introduction of Storm Shadow in GI Joe #21 in 1984). After reading Step by Bloody Step, I wanted to do a deep-dive on the history of silent comics but found it had already been done. Vincent Pasquill with CBR did an excellent write-up back in 2018 on the history of silent comics entitled "A thousand Words: Silent Superhero Comics, From Steranko to Aja". In his article he covered many of the books I was familiar with and some that I picked up after reading his article. The pizza dog issue in Hawkeye #11 was pure genius and deservedly won Fraction & Aja both the Eisner and Harvey Awards in 2013 for "Best Single Issue". Similarly, the mourning issue by Tomasi & Gleason in Batman & Robin #18 is an excellent example of how use of silent story-telling can really enhance the experience for the reader. I would like to see more projects like this, but I think this story could have benefitted from some narrative exposition at the beginning of each issue.

TMNT: The Last Ronin (2022) by Kevin Eastman, Peter Laird, Tom Waltz, Esau, and Isaac Escorza This book is smoking hot. It came out in 2021 and wrapped up in 2022 with the collected edition coming out in July 2022. It currently sits in Amazon’s #1 Best Seller in Science Fiction Graphic Novels. The series has an impressive 4.9 customer review rating on Amazon, 4.34 on Goodreads, and an 8.8 Critic Rating on Comic Book Round Up. It’s great to see fans clamoring for a worthwhile TMNT project…but (truthfully speaking) we all bought into the gimmick and the hype…not much substance to be had here. While the premise of the last surviving turtle story is compelling, Eastman & Laird joined Waltz in a pretty uninspired except for the gimmick. For me, Tom Waltz is that “kid next door that plays with his toys wrong”. I picked up his stuff back in 2015 leading up to the death of Donatello stunt and hung around for a year waiting to see anything special unfold. That storyline went nowhere and was mediocre at best. I think the team learned from their marketing mistakes back in 2015 and overcompensated with nearly 200 variant covers for the series and an appalling $8.99 cover price on the individual issues. Without giving any spoilers away, we know from the premise that only one turtle remains. Everyone wanted to join in to see who it was, but (I’m sorry to say) it doesn’t matter who is left. The turtle that remains is written in a way he could be any of the four, it literally doesn’t matter which one. He never takes on any of his individual characteristics throughout all five issues. The character’s essence that we knew never comes into play in the story. I also had a problem with the premise as it was conceptualized because I felt it exploited a limitation of the medium. We spent an entire issue following our beloved character, seeing him, hearing him speak, reading his thoughts, but we can’t tell him apart from his brothers until it is revealed to us when someone speaks to him by name. Does that make sense to you when you stop to think about it? This approach would have been cumbersome on screen and I don’t think we should give them a pass on the page. At one point it’s later explained that he’s mutated more over the years and obviously weathered but I’m not prepared to give them a pass If they wanted to withhold the reveal in the first issue until the end, they could have skillfully used a silent gimmick throughout the first issue rather than just operate as though they’re indistinguishable for each other. While Eastman & Laird early stuff portrayed them as indistinguishable, Waltz books portray them differently. Rather than just gripe, how satisfying would it have been as a fan, if we would have gotten a pitch where “what if each turtle was the last surviving turtle?” In other words, what if each of the four turtles got a Last Ronin five issue series. What if you had multiple parallel scenes throughout the story and we got to see each of their four unique personalities affect the outcome? What if there were converging and diverging arcs throughout the five issues. I think that would have made me In 2017 we already saw a superior grim three episode Nickelodeon cartoon story called “Raphael: The Mutant Apocalypse” set fifty years in the future that was intended to be the original cartoon series finale. The story was released as part of season five and relabeled the Tales of the Teenage Mutant Ninja Turtles: The Final Chapters. There is a wealth more character and payoff in that series than what Eastman, Laird, and Waltz are able to throw together.

The Green Hornet Vol. 1: Bully Pulpit (2013) by Mark Waid, Daniel Indro & Ronilson Freire (Dynamite) I noticed this series showed up free on Comixology recently. It received a 3.4 on Goodreads, 4.5 on Amazon, and an 8.4 Critic Review score on Comic Book Roundup. At the time of its release, Waid was coming off his celebrated Daredevil run. The covers were attractive but I was not immediately familiar with the interior artists (Indro & Freire), however, the interiors were very similar to Brent Anderson (Astro City) and Butch Guice (Ruse). I felt the art was complimentary to the story and did not detract from the down & dirty crime noir/pulp feel that Waid was going for in this relaunch. I am not very familiar with the character, but Britt Reid was portrayed more of a jerk than I had realized. Kato was still very cool and capable. I did find the series enjoyable and I could tell in his writing that Waid had a fondness for the character.

The Many Deaths of Laila Starr, by Ram V and Filipe Andrade (BOOM! Studios) I picked this up just after the first issue came out and the mountain of praise that it revived. Since then, the series garnered a 9.6 critic review on Comicbook Round Up, a 4.8 customer review on Amazon and now four (4) Eisner nominations: “Best Limited Series”, “Best Writer”, “Best Penciler/Inker”, and “Best Coloring”. This was quite possibly the hottest book of the year…but not for me. The art and story just didn’t resonate with me. Both the pencils and color seemed peculiar. Likewise, the story seemed better suited as a short-story rather than depicted in a graphic novel/comic. Maybe just a personal case of high praise/impossible expectations.

Amazing Spider-Man vol. 2 #39 (May 2002) by J Michael Straczynski and John Romita Jr (Marvel) I recently reviewed Step by Bloody Step (Image) and decided to re-read all the other silent issues over the years (including some of Marvel's "Nuff Said" theme of twenty-four books from early 2002). I remember this book was supposed to be released in Feb/March but was delayed as a result of the 9/11 special. In regards to the use of the silent gimmick in the "Nuff Said" books, I think this script really worked as we follow the three similar arcs among Mary Jane, Aunt May, and Peter. I think Stracynski cheated a bit with the various use of words to assist with Aunt May's arc. I particularly liked the comparison between Mary Jane and Peter and thought the whole issue could have been just about them. Even though I deat up JRJ a little bit in my review of his Hulk #35 "Nuff Said" issue, I thought he did a good job here. The Straczynski run is marred by the later Gewn Stacy storyline, but this was during the first year in his nearly six year run. They were putting out some pretty good stuff.

Not All Robots, by Mark Russell and Mike Deodato Jr. (AWA Upshot) I picked this trade up after seeing it received a 2022 Eisner nomination for “Best New Series”. I was not familiar with AWA Studios; however, I knew both writer Mark Russell (from his previous Eisner nominations in 2018 and 2019) and artist Mike Deodato Jr. I was a little disappointed with my first impression of the AWA label based on an error on the initial title page of the TPB when they erroneously credited Mike Deodato Jr. as “writer” and no credit as the artist. The book itself was strong. Strong creators. Intelligent story. Complimenting art. Good build up. The theme was dark and heavy. Not a perfect modern allegory but very relevant to modern themes of power, relevancy, obsolescence, tribalism, consumerism, and justice. I think I prefer such heavy themes to be a little more subtle but Not All Robots intended to put them front and center. It felt like a self-contained story (like it should have been a limited series rather than a continuing series).

Paper Girls Vol. 1: (2016) by Brian K Vaughn, Cliff Chiang, and Matt Wilson (Image) The series would amass thirteen (13) industry award nominations including five (5) Eisner nominations, one (1) Harvey nomination, four (4) Ringo nominations, and three (3) Hugo nominations. The series received the unique distinction of winning both the Eisner and Harvey awards for "Best New Series" in 2016. Vaughn won the 2017 Eisner and 2019 Ringo. Chiang won the 2016 Eisner and received a 2017 Ringo nomination. Wilson won the 2017 Eisner and received a 2019 Ringo nomination. The series received recognition by Goodreads on their "Best Comics and Graphic Novels of 2016" with Vol. 1 at #9 and Vol. 2 at #12. Volume #1 received a 3.8 on Goodreads, 4.6 on Amazon, and 8.5 Critic Review on Comic Book Round Up. Strangely, I was late to the party on Paper Girls. Its strange because (1) I've read most everything by Brian K. Vaughn, (2) I was a paper boy, and (3) I'm a child of the late eighties (like Vaughn and the main characters). Recently, I ran into a stranger on a cruise reading Paper Girls. I introduced myself and started up a conversation about comics. Adam explained that Paper Girls was "probably my favorite series ever". It was high praise and I agreed to pick it up if he would agree to read my favorite title (King & Gerad's "Mister Miracle"). I picked up the first trade of Paper Girls at Barnes & Noble for $9. I read the second volume through Comixology Unlimited. While I enjoyed Paper Girls, I didn't find the first two volumes exceptionally endearing. Both the story and the characters were interesting enough to keep me around though Comixology Unlimited but aren't likely to make it on my shortlist. I'm going to convince my wife to watch the Amazon pilot with me and see if that doesn't spark any further appreciation for the series.

Paper Girls Vol. 1: (2016) by Brian K Vaughn, Cliff Chiang, and Matt Wilson (Image) The series would amass thirteen (13) industry award nominations including five (5) Eisner nominations, one (1) Harvey nomination, four (4) Ringo nominations, and three (3) Hugo nominations. The series received the unique distinction of winning both the Eisner and Harvey awards for "Best New Series" in 2016. Vaughn won the 2017 Eisner and 2019 Ringo. Chiang won the 2016 Eisner and received a 2017 Ringo nomination. Wilson won the 2017 Eisner and received a 2019 Ringo nomination. The series received recognition by Goodreads on their "Best Comics and Graphic Novels of 2016" with Vol. 1 at #9 and Vol. 2 at #12. Volume #1 received a 3.8 on Goodreads, 4.6 on Amazon, and 8.5 Critic Review on Comic Book Round Up. Strangely, I was late to the party on Paper Girls. Its strange because (1) I've read most everything by Brian K. Vaughn, (2) I was a paper boy, and (3) I'm a child of the late eighties (like Vaughn and the main characters). Recently, I ran into a stranger on a cruise reading Paper Girls. I introduced myself and started up a conversation about comics. Adam explained that Paper Girls was "probably my favorite series ever". It was high praise and I agreed to pick it up if he would agree to read my favorite title (King & Gerad's "Mister Miracle"). I picked up the first trade of Paper Girls at Barnes & Noble for $9. I read the second volume through Comixology Unlimited. While I enjoyed Paper Girls, I didn't find the first two volumes exceptionally endearing. Both the story and the characters were interesting enough to keep me around though Comixology Unlimited but aren't likely to make it on my shortlist. I'm going to convince my wife to watch the Amazon pilot with me and see if that doesn't spark any further appreciation for the series.

I really liked the hardback color format (popular size and format for some of the other kids books we own). However, the content was more suited for teens than my 8 and 10 year old. Regardless, it’s a fun quirky book. I’m pretty late to this one (even though I saw the movie when it first came out). O’Malley hit most of the awards lists with this series, including: 2005 Doug Wright Award for “Best Emerging Talent” 2006 Joe Shuster Award for “Outstanding Cartoonist” 2007 Harvey “Special Award for Humor” 2010 Eisner “Best Humor Publication” This volume was well received with user ratings of 4.5 on Goodreads, 4.8 on Amazon, and 8.9 on Comic Book Roundup. I’ll continue on with the series and update my review, however, I found the first volume and characters fun, but not exceptional. From all the reviews, the characters seem to really become endearing as the series progresses.

Wonder Woman Historia: The Amazons, by Kelly Sue DeConnick and Phil Jimenez (DC) I picked up this issue at a local comic shop just after it received the 2022 trifecta of Eisner nominations for “Best Single Issue”, “Best Penciller” and “Best Writer”. I read an interview with both creators and Jimenez described being truly inspired on this script and it shows in the finished project. The art is absolutely stunning and truly worthy of the “Best Penciller” nomination. The black label oversized prestige format was well-suited for this endeavor. I am familiar with DeConnick but this origin-telling felt a bit heavy and cumbersome and was vastly overshadowed by the art. The project as a whole reminded me a little of the Eisner-winning series “Promethea” by Alan Moore and JH Williams III, but the story fell short of making it a definitive must-read.

"Best Comics & Graphic Novels for Adults: 2022" Selection by Bookshop.org "The Best Comic Book Series or Graphic Novel of 2022" Selection by IGN "The Best Comics of 2022" Selection by Comic Book Herald "The Best Comic Books & Graphic Novels of 2022" Selection by Thrillist For starters, I'm a big fan of Remender's sci-fi stuff. I heard the buzz on this book and always enjoy the Image introductory price point ($9.99). I noticed the second volume seems to get higher reviews. The story seems like something out of a Guy Ritchie movie. I know people rave about the pacing but I felt like I was missing a few pages setting up the direction of our protagonist in this world. I do love strong execution of silent panels in comics. However, it may have been a case of "hard to meet high expectations" but I was just mildly interested and entertained. I did find it consistent with some of Brubaker's work. The series concluded with issue #11 in September 2022. The second TPB was released in November 2022 with a deluxe hardcover not coming until August 2023. (note: Amazon misrepresents the second TPB as collecting issues 6-10 but Image Comics clarifies on their website #6-11). From what I can tell, it looks like they stick the landing and it will be worth sticking with it through its conclusion. I'll come back and write a review for the entire limited series once I've read volume 2.

I first became aware of this series when Brian Hibbs did an interview with Mark Waid for the Comix Experience "Masterpiece Selection" of Kingdom Come. I thought Waid gave a really good interview. I was familiar with most of Waid's commercially successful runs at the time but asked what was a lesser known body of work he had done that he felt particularly proud of and enjoyed: "Archie...I so dug writing those characters. And I so enjoyed being in that rare place in comics where you can write comedy and drama...I wish more people knew about the Archie stuff because it was some of the best stuff that I have ever written." - Mark Waid (2020) At the time it came out in 2016, Waid was just coming off his celebrated run on Daredevil. He would go on to do 32 issues between 2015-2018. The first six issues paired him with superstar artist, Fiona Staples (4x Eisner Winner, 6x Harvey Winner, and 3x Ringo Winner). Issues 7-10 were drawn by Veronica Fish and 11-12 were drawn by Thomas Pitilli. Fish was a good clean transition from Staples but I don't Pitilli's style incorporates rough linework that seemed a little off for Archie. However, it doesn't really take away from the story but is a huge contrast to the backup Betty & Veronica issue drawn by the amazing Adam Hughes. I was only somewhat familiar with the Archie characters. I quickly came to understand what Waid had hinted at (albeit from a reader's perspective). This series was a welcome light-hearted deviation from my normal reading material. Rather than burn through the series, I actually rationed it out an issue each night and really looked forward to it. I don't quite know how to describe it in the sense that while humorous, I think it is more defined by being light-hearted and surprisingly entertaining. I highly recommend taking a stroll with the kids of Riverdale (the TV series didn't come out until 2017). I picked up the first few volumes of this run and even grabbed some of the Afterlife with Archie.

Batman/Fortnite: Zero Point (2021) by Christos Gage, Reilly Brown, and Christian Duce (DC) I received this as a gift from my wife and son. I appreciated the thought but this book is definitely not in my area of interest. I read it out of a sense of obligation...I was actually surprised. This book was actually smarter and more fun than it seemingly had any right to be. The premise started out juvenile and became pretty cool. What I thought was just a "cash grab" turned out to be a "cash grab and then some". I went back and noticed that Christos Gage wrote the 2012 Angel & Faith series I read that had been nominated for a 2012 Harvey Award for "Best New Series". The art didn't take away from the story. Issue #3 had Snake Eyes on the cover so I don't count that as a spoiler. I would have liked to see more of their interaction throughout the series. Pleasantly surprised.

For comic fans that haven't tried Archie, I highly recommend taking a stroll with the kids of Riverdale. While humorous, I think the comics are better defined as being light-hearted and surprisingly entertaining. At the time of this release, the CW Riverdale series wouldn't come out for another year. The premise of Betty & Veronica #1 is the kids of Riverdale have to save Pop's store from being bought out by a big coffee franchise. Adam Hughes artwork is exceptionally beautiful but his writing is a little "off-beat". I'm unfamiliar if Archie's dog (Hot Dog) is commonly used as a narrator but Hughes opens with him, closes with him, and we get a brief intermission because he had eaten pages 19 and 20. It was silly aside with excessive word balloons and an excuse to draw Betty and Veronica in swimwear. As expected, Adam Hughes did some strong enjoyable work n this one.

Black Widow (2016) by Mark Waid & Chris Samnee (Marvel) Can lightning strike twice (two Eisner winners fresh off their monumental Daredevil run)?…Eh. I really enjoyed Samnee’s art and style (it’s clean, cinematic, consistent, and lends well to both action and drama). As for the story, I didn’t care much for the Headmistress/Red Room plot and actually preferred the Weeping Lion storyline. This first issue started off fun and fast-paced, however the first trade bogs down a little. Conversely, the second trade is paced too fast and doesn’t flush out some of the subplots very well. The second trade seemed like we were missing some tie-ins. I’m not sure how this run holds up to the Nathan Edmondson run (I put that on my reading list after re-reading this since it first came out). The first Kelly Thompson trade was really good but the second was absolutely terrible.

Critical Role - Vox Machina: Origins # 1 (2017) by Matthew Mercer, Matthew Colville & Olivia Samson (Dark Horse) I didn’t really take notice of this series until I saw it prominently displayed at a Coliseum of Comics store in Orlando, FL. They had it ranked #6 in their top 50 comics. I noticed that the series also received a 4.4 on Goodreads, 4.8 on Amazon, and 8.1 Critic Rating on Comic Book Round Up. Even though i don’t know the creators or the characters, I enjoyed the first issue and will give the first season a try.

Our Take: 5x Hugo Award-Winning writer, N.K. Jemisin’s complex Sci-Fi epic “Far Sector” deserves praise for its world building and beautifully-rendered art by Jamal Campbell. The setting was fascinatingly layered but unfortunately the murder mystery and political intrigue failed to fully captivate. Interestingly, Jemisin also introduced a new green lantern ring that (while not quite as powerful) did not require a battery but slowly recharged itself. However, this unique limitation did not really come into play. The series was enjoyable but did not meet the high expectations that preceded it. 8/10 For the full review: https://www.comicsappreciationproject.com/far-sector-review/

Lumberjanes (2014) by Noelle Stevenson, Grace Ellis, and Brooklyn Allen (BOOM! Studios) I took notice of this book while at a Coliseum of Comics in Orlando. They had Lumberjanes displayed as #37 in their “Finest 50” comics. I noticed the book also won two Eisner Awards in 2015 for “Best New Series” and “Best Publication for Teens”. I shared this book with my boys (8 and 10) and we all enjoyed it. They liked watching Gravity Falls, so it was an easy pitch. They have been asking for more volumes. Apparently, the main series ended with issue #75 in late 2020, however I also saw it got picked up by HBO in 2020 for an animated series (no updates currently available on that project).

Once & Future, by Keiron Gillen and Dan Mora (BOOM! Studios) I took notice of this book after it was nominated in 2020 for an Eisner for “Best New Series”. It’s a fun ride and the creative team seems like they’re having a blast with it as well. I appreciate the consistency from both the creative team and the content. As of this review, Gillen & Mora just came out with issue #26 and the first 21 issues are available on Comixology Unlimited. The series has been consistently good (4.8 customer reviews on Amazon, 9.0 on ComicBook Round Up, but only a 4.0 on Goodreads). I would note, I said “good”, not exactly “great”. It’s more the equivalent of a fun, action adventure “popcorn flick”. I only dabbled in some of Gillen’s other work (Darth Vader and Wicked + Divine) but I’ll give him credit, there are times where the grandma character has made me literally laugh out loud. Mora’s art is great, but I go back and forth if his art is too “mainstream”/clean and maybe the book could benefit from something a little darker. However, the colors by Tamra Bonvillain are a great compliment to both his art and the story. Looking for fun, stop here.

Radiant Black, by Kyle Higgins and Marcelo Costa (Image) I took notice of this book after it received an Eisner nomination for Best New Series. Like most Image books it has a great introductory price point. The writer (Kyle Higgins) also wrote Power Rangers for BOOM! Studios and it appears he was inspired to put his own twist of that story and marry it with some concepts that made Invincible work so well. The art was adequate and likely patterned after Ryan Ottley’s style from Invincible…but (coming from a big Invincible fan) this finished product just doesn’t resonate with me. The characters, scenes, and story were just "OK" and didn't seem fresh or strong enough to really justify its inclusion into the category.

Radiant Black, by Kyle Higgins and Marcelo Costa (Image) 

I took notice of this book after it received an Eisner nomination for Best New Series. I thought the first volume was good (not great). I found the second volume more interesting as the story began to be flushed out. Oddly, both the art and story were a little hard to follow at times. This book is worth sticking with for a while.

Supergirl: Woman of Tomorrow, by Tom King and Bilquis Evely (DC) I picked this issue up at a local comic shop just after the run received a 2022 Eisner nomination for “Best Limited Series”. The TPB isn’t due out until 7/25/2022. I’ve had some “ups and downs” with writer Tom King but respect his ceiling is pretty high when he’s on his game (e.g. “Mister Miracle”). I wasn’t familiar with Artist (Bilquis Evely) but thought the art was very appealing throughout. The plot was pretty simple/straightforward. The characters and motivation were good (not necessarily great). I definitely enjoyed the first issue well enough to seek out the rest and give it a real go.

Barbaric (2021) by Michael Moreci and Nathan Gooden (Vault) I first took notice of this book when Wes from Thinking Critical rated it “Best Indie Comic of 2021”. This past week Don from Heroes & Villains in Warner Robins, GA said it was his favorite book right now so I picked it up. I noticed Barbaric received a 4.1 on Goodreads, 4.6 on Amazon, and 9.2 Critic Rating on Comic Book Round Up. I really enjoyed this book. The art was strong and reminded me of Once & Future. I can see why so many people enjoy both the tone of the story and the characters. The book doesn’t take itself too seriously which makes it easy to get into, enjoy, and get behind.

Ethan at Heroes & Villains (Warner Robins, GA) referred this book to me. The book had a good creative team but had both a bizarre and intriguing premise. The comic was well received on Amazon with a 4.8 but only garnered a 3.94 on Goodreads and an 8.5 Critic Rating on Comic Book Round Up. Batman: The Three Jokers is another DC Black Label imprint project. At one time, the DC Black Label was the company’s imprint “dedicated to giving premier writers and artists the chance to expand on DC’s unrivaled characters with unique, standalone stories set outside DC continuity”; however, the company has since retroactively added classic collections, under the Black Label imprint. As a result, DC has created a book-by-book ambiguity has to if the story is part of regular continuity or canon. Based on some of the following comments by the creators, it is still a little ambiguous if the story is canon or not: “Three Jokers is an in-continuity story. It really focuses on Bruce, Barbara and Jason and the pain that the Joker's inflicted on them as individuals. It's a mystery about the three Jokers operating at the same time and what that means. It's an exploration on healing and pain and healing right versus healing wrong…It's going to change their relationship with the Joker and how you see the Joker forever." -Geoff Johns (2018) “It's in continuity like Killing Joke is. You can take it, or leave it. We are going to introduce some pretty gutsy stuff in Jokers that's never been done before. So the fans can react to it and they can decide if they want it part of main continuity or not, like Killing Joke.” -Jason Fabok (2019) “That's a complicated answer…and I think it's up to the readers and the bigger universe if there's things in this that play out elsewhere." Geoff John’s (2020) Three Jokers was bizarre but enjoyable. I appreciate the homage and integration as a companion piece to both the Killing Joke and a Death in the Family storylines. However, I think the one thing that undermined the virmisiltude of the story for me was an exploration of the limitation of the medium (I covered a similar concept with the recent TMNT: The Last Ronin). As a reader, we can’t tell the difference between the jokers as they are drawn/depicted, but it’s bewildering as to why the actual characters would suffer from the same limitation. Arkham videos/interviews/recordings or their own first-hand experiences should have been enough for our crime fighting detectives (e.g. facial recognition). Apparently writer Geoff Johns flatly discounted that they were never meant to be confused as alternate universe variants. The result is just a little bizarre, but hey, I can suspend disbelief as well as the next person, but I prefer my comics to tap into the strengths of the medium, not rely on hooks based on the limitations of the medium.

Beta Ray Bill: Argent Star, by Daniel Warren Johnson (Marvel) I picked this trade up after seeing it received a 2022 Eisner nomination for “Best Limited Series”. I was not familiar with the creative team or their prior works. I enjoyed the introduction by Donny Cates and the interview with Walt Simonson. The art was “fine” but not particularly to my liking. I did enjoy the story, scenes, and characters. When reading this, I could not help but read conceive a Taika Waititi quirk and flare to both the delivery and (imaginary) score. The solo book evolves into an enjoyable team book. For those not particularly familiar with the character, this book definitely leaves a favorable impression.

Black Widow (2016) by Mark Waid & Chris Samnee (Marvel) Can lightning strike twice (two Eisner winners fresh off their monumental Daredevil run)?…Eh. I really enjoyed Samnee’s art and style (it’s clean, cinematic, consistent, and lends well to both action and drama). As for the story, I didn’t care much for the Headmistress/Red Room plot and actually preferred the Weeping Lion storyline. This first issue started off fun and fast-paced, however the first trade bogs down a little. Conversely, the second trade is paced too fast and doesn’t flush out some of the subplots very well. The second trade seemed like we were missing some tie-ins. I’m not sure how this run holds up to the Nathan Edmondson run (I put that on my reading list after re-reading this since it first came out). The first Kelly Thompson trade was really good but the second was absolutely terrible.

Low Vol. 1: The Delirium of Hope (2015) by Rick Remender and Greg Tocchini (Image) I have really enjoyed some of Remender’s other sci-fi work. I loved Black Science, Seven to Eternity, and his previous collaboration partially with Tocchini on Uncanny X-Force. From my other reviews you can probably tell I have a unique appreciation for recurring collaborative teams. I think Remender captured my shared thoughts in an interview: “That really is the magic, when you can work with somebody and you have a friendship that forms out of it. The work, I think, benefits from that -- the collaboration is more pure than work.” -Rick Remender (on his work with Tocchini) Tocchini’s art was absolutely beautiful on this book. I enjoyed his blending of fantasy (with wonderful splashes influenced by the likes of Frazetta and Vallejo) paired with fantastical sci-fi tech. I purchased the trade with the great Image introductory price of $9.99. The first volume got decent reviews including an 8.1 Critic Review on Comic Book Round Up, 3.62 on Goodreads, and 4.4 on Amazon. Personally, I enjoyed the story so much I’m already on volume three. It’s a unique take on a family space opera. Along those lines, I think if you liked Remender’s Seven to Eternity, Vaughn’s Saga, and Al Ewing’s We Only Find them When They’re Dead, you’ll enjoy Low.

Mouse Guard: The Owlhen Caregiver and Other Tales, by David Petersen (BOOM!/Archaia) I sought this book after it received a 2022 Eisner nomination for “Best Single Issue/One-Shot”. Peterson gives us three stories centered around service and concern for the well-being of others. It is a charming, timeless, beautiful heartfelt escape.

Once & Future, by Keiron Gillen and Dan Mora (BOOM! Studios) I took notice of this book after it was nominated in 2020 for an Eisner for “Best New Series”. It’s a fun ride and the creative team seems like they’re having a blast with it as well. I appreciate the consistency from both the creative team and the content. As of this review, Gillen & Mora just came out with issue #26 and the first 21 issues are available on Comixology Unlimited. The series has been consistently good (4.8 customer reviews on Amazon, 9.0 on ComicBook Round Up, but only a 4.0 on Goodreads). I would note, I said “good”, not exactly “great”. It’s more the equivalent of a fun, action adventure “popcorn flick”. I only dabbled in some of Gillen’s other work (Darth Vader and Wicked + Divine) but I’ll give him credit, there are times where the grandma character has made me literally laugh out loud. Mora’s art is great, but I go back and forth if his art is too “mainstream”/clean and maybe the book could benefit from something a little darker. However, the colors by Tamra Bonvillain are a great compliment to both his art and the story. Looking for fun, stop here.

This was actually not a hard sell. Its somewhat of an American version of League of Extraordinary Gentlemen set in 1898 with all larger than life historical folk heroes. I could see this being a role-playing game. I wasn't that familiar with writer Adam Glass or artist Pat Oliffe but they both had a large body of work and collaborated on this series for 17 issues between 2016-2018. It was a smart story with good covers and visuals. I found it enjoyable but not near as definitive as Moore and O'Neil's League of Extraordinary Gentlemen (which in turn got its influence from PJ Farmer's Wold Newton Universe). 8.5/10 This volume got a 4.3 on Amazon, 3.78 on Goodreads, and a 8.6 Critic Rating on Comic Book Round Up.

Usagi Yojimbo Vol. 1: Bunraku and Other Stories (2019) by Stan Sakai (IDW) I was disappointed to see Stan Sakai recently announce he was moving the series back to Dark Horse, especially after his recent success with IDW. His beloved series took garnered much attention by taking home the 2021 Eisner Awards for “Best Continuing Series” and “Best Lettering”. He also won the 2021 Ringo Awards for “Best Cartoonist” and “Best Series”. Even with all that success, the exodus from IDW follows the loss of several other major properties and it appears Sakai will be publishing with Dark Horse through his own new imprint (Dogu Publishing). Vol. 1 of the current IDW series received a 4.9 on Amazon, 4.4 on Goodreads, and a 9.5 Critic Rating on Comic Book Round Up. This series was a lot of fun and I was even able to enjoy it with my 8 year old. We also watched the new Netflix series. I am happy for the success of Sakai and his character.

Afterlife with Archie took the comic community by storm in 2013/2014 and was the top selling graphic novel of 2014. According to Comichron, the last time Archie hit #1 on a comic sales chart was in 1969. The ten-issue series ran from 2013-2016 and was nominated for four Harvey Awards (Best New Series, Best Continuing Series, Best Cover Artist, and Best Letterer) and two Eisner Awards (Best Cover Artist and Best Letterer). One of my friends turned me on to this series pretty early. Interestingly, the series premise started from a variant cover to issue #23 of "Life with Archie" from 2012 drawn by Francesco Francavilla in which he spoofed the title with "Afterlife with Archie" and drew a zombie Jughead lurking toward Archie in a graveyard. It was a surprisingly good twist on an old staple that worked. However, the series seemed to lose momentum as it suffered delays through the second arc. They also incorporate Sabrina the Teenage Witch and Josey & the Pussycats into the storyline. I haven't watched the CW Riverdale series that ends with season 7 in 2023. I know fans have clamored for them to do an "Afterlife with Archie" storyline.

I first became aware of this book when Brian Hibbs did an interview with Mark Waid for the Comix Experience "Masterpiece Selection" of Kingdom Come. I thought Waid gave a really good interview. I was familiar with most of Waid's commercially successful runs at the time but asked what was a body of work that he had done that he felt particular proud of and enjoyed that may have been a lesser known work. "Archie...I so dug writing those characters. And I so enjoyed being in that rare place in comics where you can write comedy and drama...I wish more people knew about the Archie stuff because it was some of the best stuff that I have ever written." - Mark Waid (2020) At the time it came out in 2016, Waid was just coming off his celebrated run on Daredevil. I was shocked to discover that he got paired with superstar artist at the time, Fiona Staples (4x Eisner Winner, 6x Harvey Winner, and 3x Ringo Winner). Unfortunately, she would only get to stick around for the first volume. I'm sure she would admit it doesn't hold up to her work on Saga but still not too shabby. I was only somewhat familiar with the Archie characters. I quickly came to understand what Waid had hinted at (albeit from a reader's perspective). This series was a welcome light-hearted deviation from my normal reading material. Rather than burn through the series, I actually rationed it out an issue each night and really looked forward to it. I don't quite know how to describe it in the sense that while humorous, I think it is more defined by being light-hearted and surprisingly entertaining. I highly recommend taking a stroll with the kids of Riverdale (the TV series didn't come out until 2017). I picked up the first few volumes of this run and even grabbed some of the Afterlife with Archie.

Batman (2011) by Scott Snyder and Greg Capullo The Snyder/Capullo run was high quality. I remember reading the first three arcs when they first came out. I recently rediscovered them through Comixology. The Zero Year stuff by Snyder was a lot of fun. I was surprised by the Tynion credit on this one. It is a little weird to read Batman cuss and flick off the bad guys. However, it’s fast-paced action, quality art, and a fun read.

Bone Vol. 7: Ghost Circles (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut, this series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for?

Bone Vol. 8: Treasure Hunters (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut, this series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for?

Comic Book History of Comics: Birth of a Medium (2017) by Fred Van Lente and Ryan Dunlavey (IDW) I stumbled upon Van Lente & Dunlavey’s works after reading the 2022 Eisner-nominated series Hocus Pocus (which is visually inspired and presented in much the same way but about this history of stage magic and mystery). The Comic Book History of Comics series is a simple yet brilliant project that does a great job informing while entertaining the reader. I was able to download this series through the ComiXology Unlimited and could not get enough.

Daredevil: Know Fear, by Chip Zdarsky and Marco Checchetto (Marvel) It was hard not to notice this series after it was nominated for the Eisner trifecta in 2020 (Best Continuing Series, Best Writer and Best Cover Artist) and again in 2021 (Best Writer, Best Penciller/Inker, and Best Continuing Series). Prior to picking it up, the only other thing I had read from either creator was Zdarsky's enjoyable "Stillwater". I'm a big fan of Daredevil and have read all the other seminal runs (Miller, Smith, Bendis, Brubaker, and Waid). I purchased this TPB for about $14 on Amazon. I noticed it received a 4.8 Customer Review score on Amazon, 4.29 on Goodreads, and an 8.7 Critic score on Comic Book Round Up. The first volume was spectacular! Daredevil is the epitome of the street-level hero that gets down and dirty in the grit, stink, and grime of the criminal underworld. He is also one of the more complex and cerebral of Marvel's characters. He has a great supporting cast and I particularly like it when the cameos feel organic and purposeful (which reminds me of the Bendis run). SPOILER - the second volume in this series falls off quite a bit from the first. I was disappointed in the direction Zdarsky takes it after Know Fear. However, this volume had some really great conceptualized story visuals by Zdarsky and equally strong renderings by Checchetto, accompanied by some beautiful covers. Anyone who enjoys the character should enjoy this volume.

Oblivion Song (2018), by Robert Kirkman and Lorenzo De Felici (Image) Fun premise. Plenty of unknowns to explore. I picked up the first volume just shortly after a friend informed me the series had come to a close. Kirkman’s Invincible and Walking Dead are staples in my library. I figured Oblivion Song was worth a chance (especially at that Image entry price point of only $9.99 for the first TPB). The art was good but I agree with some of the other reviews that the coloring didn’t enhance the experience. As interesting as the art was, depth was hard to grasp with the coloring and I feel there were some complex effects you could have generated bouncing between our world and another dimension. Coloring aside, I enjoyed the premise. The first volume was definitely good enough to bring me back for more.

Reckless: Destroy All Monsters (2021) by Ed Brubaker, Sean Phillips, and Jacob Phillips (Image) I acknowledge in a lot of my reviews how much I tend to appreciate long-standing creator collaborations. If i like a particular work, I’ll naturally find other projects they worked on together either before or after to search for that same reoccurrence or “spark”; Ed Brubaker and Sean Phillips are quite possibly the most acclaimed tour de force in the medium (amassing an impressive ten Eisners). This super team took home Eisners for “Best Original Graphic Novel” in 2019 with “My Heroes Have Always Been Junkies” and “Pulp” in 2021 (which was one of my favorites). Late 2021, they released the third installment in the Reckless series with Destroy All Monsters. The book received three (3) Eisners in 2022 for “Best Writer”, “Best Original Graphic Novel”, and “Best Coloring”. I should note that Sean’s son, Jacob, has joined them on coloring the last few projects and received his own nomination. The book is the best received in the series, with user ratings of 4.3 on Goodreads, 4.8 on Amazon, and 9.6 on Comic Book Roundup. Context aside, the book was good. I love the art and format. I hadn’t read the previous Reckless books (but that didn’t seem to detract from the story and the book fits well as a stand alone). The characters were interesting and worth returning to, but the story was somewhat smaller in scale than I had hoped. It definitely had the feel or influence from Tarantino’s “Once Upon a Time in Hollywood”. Very enjoyable, not exceptional.

Our Take: Supergirl: Woman of Tomorrow adds to the wealth of quality projects put out by Tom King that are worthy of a prominent place on your ever-limited shelf space. This story is an instant classic that helps Supergirl step out from the shadow of her famous cousin to reveal the depth and complexity of a truly ‘bad ass’ character capable of epitomizing truth, justice, and a better tomorrow. 9/10 Go here for the full review: https://www.comicsappreciationproject.com/supergirl-woman-of-tomorrow-review/

The Department of Truth, by James Tynion IV and Martin Simmonds (Image) In 2021, I picked up this trade just after it received Eisner nominations for “Best New Series”, “Best Continuing Series”, and “Best Writer”. Tynion went on to win “Best Writer” for his body of work in 2021. In 2022, both the series and Tynion are recognized with nominations again (“Best Continuing Series” and “Best Writer”). Volume 1 was extremely well-developed and well-executed. It’s intended to be dark and heavy, but manages to be intelligent and engrossing. Simmonds art is very fitting for the theme (reminds of a combination of Sienkiewicz and Maleev). Volume 2 had a slight drop-off in momentum from the first but I was still amazed by the quality of what Tynion and Simmonds were piecing together.

The Good Asian, by Pornsak Pichetshote and Alexandre Tefenkgi (Image) I picked this trade up just after it received a 2022 Eisner nomination for “Best Limited Series”. I really appreciated the historical context and references both throughout the story and the added appendix in the back. I enjoyed the setting, genre, and found the art very complimentary. As far as the crime story, I wasn’t exactly blown away, but I am definitely intrigued with the overall quality of the book to come back for the next one. I have already shared this book with a friend.

I first took notice of this book after it was nominated for two Eisners back in 2021 ("Best New Series" and "Best Cover Artist"). I was somewhat cautious with this series because I seem to be one of the few people that didn't particularly care for Ewing's "Immortal Hulk" run. The art was very appealing. I read the First two volumes through Comixology Unlimited. It was a fast, enjoyable, and engaging read. When I set it down, I felt I had read something special. Ewing's use of time and flashbacks was very poignant. If you liked this book, you would probably enjoy Rick Remender and Greg Tocchini's "Low" (Image).

Wynd (2021) by James Tynion IV & Michael Dialynas (BOOM!) I first took notice of this book prominently displayed at a Coliseum of Comics in Orlando, FL. It later went on to be nominated for a 2022 Eisner award for “Best Publication for Teens”. Tynion has been red hot and I actually have some of Dialynas’ TMNT stuff. However, I missed their previous collaboration on the 2017 “the Woods” series (also by BOOM!). I regularly acknowledge how much I tend to appreciate long-standing creator collaborations. The first volume is divided into six chapters. I was curious but somewhat uninvested in the first half. However, I really enjoyed chapter 4 and the remainder of the story. Some of the dialogue was really poignant and not overly heavy-handed. The book was nominated for a GLAAD Media Award as it depicts the struggle of a boy with both his sexuality and his mystic heritage. Tynion is an open member of the LGTBQ community and does a strong job of capturing our protagonist’s internal conflict and place in the world. I found the story appropriate for both the category it was nominated for Teens (ages 13-17) and even the ages 9-12 category.

Wynd vol. 2: The Secret of the Wings (2022) by James Tynion IV & Michael Dialynas (BOOM!) I first took notice of this book prominently displayed at a Coliseum of Comics in Orlando, FL. It later went on to be nominated for a 2022 Eisner award for “Best Publication for Teens”. Tynion has been red hot sweeping the Eisner and Ringo awards for “Best Writer” in both 2021 and 2022. I checked my collection and actually had a couple of Dialynas’ TMNT stuff. However, I missed their previous collaboration on the 2017 “the Woods” series (also by BOOM!). I regularly try to emphasize continuing creator collaborations. Initially, I gave the first volume four stars, however, the story really stuck with me. Over the next couple of days I found that it simmered as one of the most enjoyable books I had read in a while. I went back and gave the first volume five stars and began recommending the book to friends. The second volume is consistent with the first and has received a 4.3 on Goodreads, 4.8 on Amazon, and a 8.2 Critic Rating on Comic Round Up. The series was nominated for a GLAAD Media Award as it depicts the struggle of a boy with both his sexuality and his mystic heritage. Tynion is an open member of the LGTBQ community and does a strong job of capturing our protagonist’s internal conflict and place in the world. I found the story appropriate for both the category it was nominated for Teens (ages 13-17) and even the ages 9-12 category.

Black Widow, by Kelly Thompson and Elena Casagrande (Marvel) This run seemingly came out of nowhere last year and took home the 2021 Eisner for “Best New Series”. I was pleasantly surprised by the tone and feel of the first volume (“The Ties That Bind”). Even though the 2016 Waid/Samnee series is probably an overall superior run, I’ve reread the first Thompson/Casagrande volume and it’s my favorite Black Widow story. It’s not perfect, (I found at least one major villain flaw and at least one direction I would have preferred they had done differently), but it was a buildup and setup that was just pure fun. I love the friends that come to help and the unique dynamic between each. There is a desperation and a “badassery” exhibited by our heroes. I can see why the series got some hype early on. Unfortunately, the second volume falls really flat and doesn’t deserve to be in the discussion for any awards (don’t waste your money on the second volume). Thompson decided to take the book in a different direction and left behind what made it work

Bone Vol. 6: Old Man's Cave (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut, this series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for?

Bone Vol. 9: Crown of Horns (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut, this series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for?

Die Vol. 2: Split the Party (2020) by Kieron Gillen and Stephanie Hans (Image) I absolutely loved this series. The art didn’t immediately speak to me, but (like the characters) it all quickly came together and I would come to enjoy everything about it (her covers were amazing). Whether it’s described as “Goth Jumanji” or “D&D Jumanji”, the premise is simple, but the story and characters are fun and complex. It is a very smart and well conceived project. Anyone who has ever taken their RPGs a little seriously, should appreciate the effort into this work. I shared this series with all of my old role-playing buddies. I thought Gillen's RPG history lessons/interviews in the back of the TPBs were very interesting. The series wrapped up with issue #20 in September 2021. It was finally collected into a one volume hardcover in November 2022. The series was well received. It was nominated for a Goodreads Choice Award for "Best Graphic Novel & Comics" in 2019. It was nominated for the British Fantasy Awards for "Best Comic / Graphic Novel" in 2020, 2021, and 2022 (winning in 2020 and 2021). It was also nominated for the Hugo Award for "Best Graphic Story or Comic" in 2021, 2021, and 2022. Volume 2 received a 4.0 on Goodreads, 4.7 on Amazon, and 9.3 Critic Review on Comic Book Round Up. I am on my first re-read of the series and the second volume it really hits its stride, which reminds me of the following quote: "What good is a story you only want to read once?" - Bill Willingham

Die Vol. 3: The Great Game (2020) by Kieron Gillen and Stephanie Hans (Image) I absolutely loved this series. The art didn’t immediately speak to me, but (like the characters) it all quickly came together and I would come to enjoy everything about it (her covers were amazing). Whether it’s described as “Goth Jumanji” or “D&D Jumanji”, the premise is simple, but the story and characters are fun and complex. It is a very smart and well conceived project. Anyone who has ever taken their RPGs a little seriously, should appreciate the effort into this work. I shared this series with all of my old role-playing buddies. I thought Gillen's RPG history lessons/interviews in the back of the TPBs were very interesting. The series was well received. It was nominated for a Goodreads Choice Award for "Best Graphic Novel & Comics" in 2019. It was nominated for the British Fantasy Awards for "Best Comic / Graphic Novel" in 2020, 2021, and 2022 (winning in 2020 and 2021). It was also nominated for the Hugo Award for "Best Graphic Story or Comic" in 2021, 2021, and 2022. Volume 3 received a 4.0 on Goodreads, 4.8 on Amazon, and 9.4 Critic Review on Comic Book Round Up. The series wrapped up with issue #20 in September 2021. It was finally collected into a one volume hardcover in November 2022. I am on my first re-read of the series and the third volume is really engaging, which reminds me of the following quote: "What good is a story you only want to read once?" - Bill Willingham

Die Vol. 4: Bleed (2021) by Kieron Gillen and Stephanie Hans (Image) I absolutely loved this series. The art didn’t immediately speak to me, but (like the characters) it all quickly came together and I would come to enjoy everything about it (her covers were amazing). Whether it’s described as “Goth Jumanji” or “D&D Jumanji”, the premise is simple, but the story and characters are fun and complex. It is a very smart and well conceived project. Anyone who has ever taken their RPGs a little seriously, should appreciate the effort into this work. I shared this series with all of my old role-playing buddies. I thought Gillen's RPG history lessons/interviews in the back of the TPBs were very interesting. The series was well received. It was nominated for a Goodreads Choice Award for "Best Graphic Novel & Comics" in 2019. It was nominated for the British Fantasy Awards for "Best Comic / Graphic Novel" in 2020, 2021, and 2022 (winning in 2020 and 2021). It was also nominated for the Hugo Award for "Best Graphic Story or Comic" in 2021, 2021, and 2022. Volume 4 received a 4.1 on Goodreads, 4.7 on Amazon, and 9.5 Critic Review on Comic Book Round Up. The series wrapped up with issue #20 in September 2021. It was finally collected into a one volume hardcover in November 2022. I am on my first re-read of the series and the fourth volume sticks the landing, which reminds me of the following quote: "What good is a story you only want to read once?" - Bill Willingham

Overall, Ducks: Two Years in the Oil Sands is an insightful, thought-provoking, and deeply personal story wonderfully rendered and intimately satisfying. 9.5/10 For the full review: https://www.comicsappreciationproject.com/ducks-review/

The Human Target, by Tom King and Greg Smallwood (DC) I had been waiting to read this run as a collection but had to gobble them up after it received a 2022 Eisner nomination for “Best New Series”. Greg Smallwood’s artwork is absolutely amazing (so clean). It was a shame he wasn’t nominated as well. Tom Smith can be kind of “hit or miss” with me. I didn’t particularly care for his Batman stuff or Omega Men. Strange Adventures was OK. On the other hand, I’ll stand by Mister Miracle as one of the best projects I’ve ever read (definitely worthy of its nine Eisner nominations). So where does that leave The Human Target? It’s a deep, character-driven, slow burn that we’re only halfway through. The first six issues were excellently conceived and executed. I have high hopes they Smith and Smallwood stick the landing with the second half of this series.

"Twelve days. That's all I get to find who murdered me. And I just spent today fighting, drinking, screwing, and killing." I'll make sure to avoid any real spoilers but man. I had been waiting to read this run as a collection but had to gobble them up digitally after it received a 2022 Eisner nomination for “Best New Series”. Greg Smallwood’s artwork is absolutely beautiful (so clean). Tom King was already controversial in comic circles before this book. Whether you hate him or love him, either way he evokes strong feelings from fans. He seemed to upset a lot of people with this Human Target story. I didn’t particularly care for his Batman stuff or Omega Men. On the other hand, I for one enjoy most of his Black Label DC character deconstructing projects like Strange Adventures and I’ll stand by Mister Miracle as one of the best projects I’ve ever read (definitely worthy of its nine Eisner nominations). So where does that leave The Human Target? It’s a deep, character-driven, slow burn that we’re only halfway through. The first six issues were excellently conceived and executed. I have high hopes that King and Smallwood stick the landing with the second half of this series because issue #6 really packed a punch. "All I need...is one punch."

Pulp (2020) by Ed Brubaker & Sean Phillips (Image) I took notice of this story after it won the 2021 Eisner for “Best Graphic Album - New” and contributed to Brubaker’s “Best Writer” nomination. The hardcover and softcover have similar cover prices so I purchased the hardcover. “Pulp” did not disappoint. It’s a fast enjoyable read. If you love the genre, you’ll love this book.

Something Is Killing the Children vol. 2 (2020) by James Tynion IV and Werther Dell’Edera (Boom!Studios) Something Is Killing the Children hits hard and was very well received by both critics and fans. Volume #3 received a 4.25 on Goodreads, 4.8 on Amazon, and a 8.9 Critic Rating on Comic Book Round Up. It has been nominated for ten major industry awards (winning seven). In 2020 the series was nominated for the Eisner, Harvey, and Ringo awards. The following year, James Tynion IV would win both the Eisner and Ringo awards for “Best Writer” for his body of work in 2021. In 2022, the series won the Eisner for “Best Continuing Series”, the Ringo for “Best Series”, the Ringo for “Best Single Issue”, and Tynion won both the Eisner and Ringo for again for “Best Writer”. I tend to shy away from horror comics but a friend introduced me to this book and I absolutely loved it. A brief summation is “a mash-up of Buffy meets Stranger Things”. The art, story, characters, and feel are all superb. I found I tend to really enjoy Tynion’s non-superhero based stories (The Department of Truth and The Nice House on the Lake). I didn’t care much for his Batman run. However, I can not praise this book enough.

Something Is Killing the Children vol. 3 (2021) by James Tynion IV and Werther Dell’Edera (Boom!Studios) Something Is Killing the Children hits hard and was very well received by both critics and fans. Volume 3 received a 4.3 on Goodreads, 4.9 on Amazon, and a 9.0 Critic Rating on Comic Book Round Up. It has been nominated for ten major industry awards (winning seven). In 2020 the series was nominated for the Eisner, Harvey, and Ringo awards. The following year, James Tynion IV would win both the Eisner and Ringo awards for “Best Writer” for his body of work in 2021. In 2022, the series won the Eisner for “Best Continuing Series”, the Ringo for “Best Series”, the Ringo for “Best Single Issue”, and Tynion won both the Eisner and Ringo for again for “Best Writer”. I tend to shy away from horror comics but a friend introduced me to this book and I absolutely loved it. A brief summation is “a mash-up of Buffy meets Stranger Things”. The art, story, characters, and feel are all superb. I found I tend to really enjoy Tynion’s non-superhero based stories (The Department of Truth and The Nice House on the Lake). I didn’t care much for his Batman run. However, I can not praise this book enough.

Stray Dogs, by Tony Fleecs and Trish Forstner (Image) I picked this trade up after seeing it received a 2022 Eisner nomination for “Best Limited Series”. When making recommendations, I often use mashup descriptors like the one on the front cover “…crossbreed Silence of the Lambs with All Dogs go to Heaven” (which gave me a really good idea of what I was getting into). I saw the creative team had previously collaborated on “My Little Pony” which gave me both some healthy skepticism and curiosity at the same time (I know some A-list creators that had similar humble beginnings and I’m big on collaborators that stick together). A quick thumb-thru confirmed the animated art-style was strong/clean and created a nice juxtapose with the foreboding turn we were promised on the cover. I found the story and characters charming, smart, and enjoyable. Stray Dogs was a pleasant innocence-lost story worthy of a future re-read and recommendation to friends looking for something unique.

A fun fast read about learning to be grateful. We heard about this book as part of the Comic Experience Graphic Novel Kids Club for the month of January 2023. The theme of the story was be grateful not just for what you have but the people in your life. At first, the main character (Dul) didn’t realize how hard her mom works for them. Dul traded away a game her mom gave her and later realized it might hurt her mom’s feelings so she tried to get it back. With the help of her friend ,Misa, they go on a crazy adventure to recover a terrible game that no one but her should have wanted. Dul and MIsa work really hard to get the game back. My favorite scene is when she defeats a jerk named Betu at the local arcade in the game she really wanted, Encounter Champions 2. Her best friend, Misa, cheers her on. The jerk didn’t think a girl could beat him. I can relate to Dul because we both really like video games and have to do things we don’t want to do. I really like how the author made a bunch of features in the book like a video game. In one page, it’s say’s “talk to the salesman.” I think this book was influenced by the Scott Pilgrim adventures because they have a lot of similar video game stuff. In conclusion: I think I’d give the book a 10 out of 10, because on one page Dul falls onto the ground and everything turns black except there’s a big light shining on Dul and it says “game over.” She chooses to continue and keep going. She tells her mom the truth and everything is OK.

Superman Smashes the Clan (2019) by Gene Luen Yang and Gurihiru (DC) I thoroughly enjoyed this project. Gene Luen Yang has been on fire and he had read his previous collaboration with Gurihiru on the continuing adventurers of Avatar: The Last Airbender. Superman Smashes the Clan took home multiple awards in including the 2020 Harvey Award for “Best Children or Young Adult Book” and the 2020 “Mike Weiringo Spirit Award”. In 2021, it won two Eisner Awards for “Best Publication for Kids (9-12)” and “Best Adaptation from Another Medium”. The story utilizes the unfamiliar strange Golden Age version of Superman from the old radio shows. He doesn’t have all the same power-set we normally associate with the modern version of the character. I purchased the graphic novel for $12.49 from Amazon. I read it in two sittings. The art was very complimentary. The story was purposeful and charming. It enjoys a 4.53 rating on Goodreads, 4.9 on Amazon, and 9.3 Critic Rating on Comic Book Round Up.

Best New Series - The Nice House on the Lake, by James Tynion IV and Álvaro Martínez Bueno (DC Black Label) Best Writer- James Tynion IV, House of Slaughter, Something Is Killing the Children, Wynd (BOOM! Studios); The Nice House on the Lake, The Joker, Batman, DC Pride 2021 (DC); The Department of Truth (Image); Blue Book, Razorblades (Tiny Onion Studios) I’m not much of a horror fan (that being said), I gobbled this trade up in one sitting. Tynion is hot off winning both the Eisner and Ringo awards for Best Writer in 2021 and the critics haven’t forgotten him in 2022. “The Nice House on the Lake” is nominated for Best New Series and Tynion is once again up for Best Writer. Regardless of the other reviews, this book is a fun marriage of both the best aspects of the 1963 classic “The Haunting” and the TV show “Lost” (if that description doesn’t interest you then you’re closed off to this theme and wasting your time). The art is very complimentary to the project and adds a complexity that is both smart and engrossing. I found the ensemble interesting and relatable. Even if the payoff fails to deliver (like “Lost”) the ride will have been well worth it.

Ultramega, by James Harren (Image Skybound) I picked this trade up just after it received a 2022 Eisner nomination for “Best New Series”. I was surprised creator James Harren didn’t receive a nomination for “Best Writer/Artist” as well. Man! This book is fun! It works on every level. Harren is paired with Eisner-winning colorist, Dave Stewart. At first, I thought the art was a little “raw” (like Frank Miller) but it really fits with the messy vibe of the story. I’ll take more of this.

"We Only Find Them When They’re Dead" (2020) by Al Ewing and Simone Di Meo (BOOM! Studios) I first took notice of this book after it was nominated for two Eisners back in 2021 ("Best New Series" and "Best Cover Artist"). I was somewhat cautious with this series because I seem to be one of the few people that didn't particularly care for Ewing's "Immortal Hulk" run. The art was very appealing. I read the first volume through Comixology Unlimited. It was a fast, enjoyable, and engaging read. When I set it down, I felt I had read something special. Ewing's use of time and flashbacks (specifically in issue #4) was very poignant. If you liked this book, you would probably enjoy Rick Remender and Greg Tocchini's "Low" (Image).

Bone (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut, this series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for?

Bone Vol. 1: Out From Boneville (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut. The series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for?

Bone Vol. 2: The Great Cow Race (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut. The series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for? "The Great Cow Race" won the Eisner for Best Serialized Story and made the "Top 100 Storylines" of all time according to CBR's "Comics Should Be Good" by Brian Cronin.

Bone Vol. 3: Eyes of the Storm (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut. The series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for? Some of my favorite scenes in the series is in the third volume with the shenanigans with Phoney and Smiley at the tavern.

Bone Vol. 4: The Dragonslayer (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut. The series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for? By the fourth volume the series is in full stride. Phoney is at his best/worst. Bartleby was a cute addition.

Bone Vol. 5: Rock Jaw (1991-2004) by Jeff Smith (Cartoon Books) My favorite run in all of comics. After all these years and rereads, the characters feel like family to me now. I couldn't wait to share them with my children. From humble buildings, to a Scholastic juggernaut, this series won eleven (11) Eisner Awards and eleven (11) Harvey Awards. I own both the original black and white hardcover versions and the new Scholastic color versions. The series is divided into nine books making three distinct acts. The first two acts are some of the best in comics. The character interactions are so enjoyable. However, the series does get darker as it goes on, so by the third and final act, we are pretty deep into the world Smith built and we have lost most of the whimsy and charm that resonated so well at the beginning. However, Smith sticks the landing and he has endured as one of the most beloved independent creators in the medium. I met him years ago at a convention and he was gracious and sincere. I hope Netflix can get the animated series back under production. If you haven't read this series, what are you waiting for?

This is a wonderful fresh take on a familiar character In 2011, the blind vigilante got a bold relaunch by industry legend Mark Waid paired with a talented stable of award-winning artists (including previous collaborator, Marcos Martin, the father-and-son team of Paolo and Joe Rivera, and future fan favorite, Chris Samnee). The three-year run deviated from some of the previous series themes and sought to take the character in a brighter direction. The resulting work produced the most critically acclaimed Marvel books in the modern era by receiving twenty-one (21) award nominations (a feat only rivaled by Fraction and Aja’s 2012-2015 Hawkeye run which adopted a similar feel and approach. Hugely Influential Unlike all the other brilliant runs (Miller, Smith, Bendis, Brubaker, and even Zadarsky), Waid’s Daredevil steps into the light and leaves an even more endearing take on Matt Murdock. Fans forget prior to Brian K. Vaughn’s Saga, Waid’s Daredevil was the industry darling that redefined the recipe for success. The art was so pure, clean, and consistent. 10/10

I became aware of this spectacular piece of work after Chris Piers with ComicTropes gave it such high praise as the #2 on his top ten list of 2021. The book was also recently nominated for three Ringo Awards for (1) Best Cartoonist - Writer and Artist, (2) Best Original Graphic Novel, and (3) Best Non-fiction Comic Work. I am hardly a fan of the horror genre, but I found this book as a gripping, intense, guilty pleasure. I was in awe of the raw dark graphic storytelling by Schechter and Powell. Put it on your top shelf (away from children). UPDATE: This book did a clean sweep and won all three categories at the 2022 Ringo Awards.

Die Vol. 1: Fantasy Heartbreaker (2018) by Kieron Gillen and Stephanie Hans (Image) I absolutely loved this book. I picked up the Image introductory TPB with their $9.99 price point (I read the later volumes through Comixology). The art didn’t immediately speak to me, but (like the characters) it all came together and I would quickly enjoy everything about it. Whether it’s described as “Goth Jumanji” or “D&D Jumanji”, the premise is simple, but the story and characters are fun and complex. Anyone who has ever taken their RPGs a little seriously, should appreciate the effort into this work. I thought the history lessons/interviews in the back of the TPBs were very interesting. I’m looking forward to the collected hardcover in November 2022.

"It's gonna be a slobber knocker!" Honestly, this book wasn't really on my radar until Chris at ComicTropes picked it as his #1 comic of 2022. If you are familiar with our site, most know I am a huge fan of ComicTropes. Chris's research, production quality, and knowledge are top notch.  Death, loss, perseverance, necromancy, and wrestling?!? Loved everything about this book. A fun, quirky, crazy, heart-wrenching original story. Worth every penny. The series came to a close with issue #7 in December 2022. The collected trade paperback was just released earlier this month (March 2023). Its too early in the year for the award season but the series has received great reviews from both critics and readers (4.7 on Amazon, 4.6 on Goodreads, and a 9.3 Critic Meta-Rating on ComicBook Round Up). The trade paperback carries a hefty $24.99 price-point but I appreciate the gloss accents that really "pop" on the matte cover. The book also has a variant cover gallery in the back.  I discovered Daniel Warren Johnson last year when he was nominated for three Eisner awards. His five issue mini-series Beta Ray Bill: Argent Star was nominated for "Best Limited Series". His masterful 8-page "Generations" story in Superman: Red & Blue #5 was nominated for "Best Short Story". Lastly, he was also nominated for "Best Writer/Artist". Johnson has a distinctive art style combining bold linework and expressive character designs. In Do a Powerbomb!, Johnson utilizes dynamic action sequences to capture the energy and excitement of professional wrestling. The book is filled with vivid, over-the-top characters and larger-than-life moments that will appeal to fans of the genre. Overall, Do A Powerbomb! is a compelling and thoroughly entertaining read. Regardless of if you are a fan of the sport, Do a Powerbomb! is a fun and engaging read definitely worth your money. 10/10

Fantastic Four: Full Circle(2022) by Alex Ross (Marvel) “YES. More of this please.” How could you not enjoy the labor of love this tribute project represents? Goodreads is a notoriously strict community and only gives the book a 3.93 (out of 5); however, it got a 4.7 on Amazon, and 9.8 Critic Rating on Comic Book Round Up. I gave it a perfect score. I thoroughly appreciate a master that has nothing left to prove, still able to find a creative spark to reinvent themselves. Ross released some videos on his YouTube channel revealing the lengths of his new processes. He also expressed his deep appreciation for Kirby’s work and even the influence of Neal Adams on his penciled style. (While often the main criticism by reviewers) I think Ross’s story reflects a deep love, insight, and understanding of the characters. The FF were in worthy hands and the result was pure comic gold. You’ll likely be hearing more of this project at next year’s award ceremonies.

One of the best runs in the past decade Rightfully, the most critically acclaimed Marvel run in the past decade. This series was nominated for a Marvel record twenty-two (22) combined Eisner and Harvey awards. It also received the Goodreads Choice Award for “Best Graphic Novel” in 2013. This book will remind you why you love comics and raise your expectations for what both the industry and medium are able to provide readers.

Invincible (2003-2018), by Robert Kirkman, Cory Walker, and Ryan Ottley (Image) Championed as “the little book that could”, this series has been surprisingly consistent throughout its lengthy run. Nominated for multiple Eisners (including “Best New Series” and “Best Continuing Series”), what started as a guilty pleasure quickly turned into an enduring staple in my collection. Whether you have binged this series or been along for the whole fifteen year ride, it’s been fun, real fun. It’s a credit to the genre. I appreciate that even Walker recognizes Ottley’s superior art. The pacing of this book is a little fast. I would have welcomed them to allow some of the arcs to “breath” a little more (the characters are that endearing). Invincible always deserves a 10 out of 10.

Invincible (2003-2018), by Robert Kirkman, Cory Walker, and Ryan Ottley (Image) Championed as “the little book that could”, this series has been surprisingly consistent throughout its lengthy run. Nominated for multiple Eisners (including “Best New Series” and “Best Continuing Series”), what started as a guilty pleasure quickly turned into an enduring staple in my collection. Whether you have binged this series or been along for the whole fifteen year ride, it’s been fun, real fun. It’s a credit to the genre. I appreciate that even Walker recognizes Ottley’s superior art. The pacing of this book is a little fast. I would have welcomed them to allow some of the arcs to “breath” a little more (the characters are that endearing). Invincible always deserves a 10 out of 10.

Mister Miracle (2017) by Tom King and Mitch Gerads (DC) I get it, Tom King can be hit or miss (I didn’t care for Omega Men or his Batman run). However, I found Mister Miracle a welcoming, truly original story that spoke to me and re-inspired me about the medium (at the onset of the pandemic). I think the climax of the story (issue #11) is damn near perfect. I was surprised to find out the story was a solicited project and not a pitched labor-of-love by King and Gerards (essentially, DC gave King a short list of three available characters he could use and he chose to write something on Mister Miracle). This book hits on all cylinders and was rightly honored with nine Eisner nominations through 2018 & 2019 (including five wins for Best Artist x2, Best Writer x2, and Best Coloring). This is probably my most recommended series in the past couple years and skyrocketed into my top three favorite runs of all time. Check out the extensive interview with King and Gerads by one of my real-world heroes (Brian Hibbs with Comix Experience): https://youtu.be/Abkrn9nnlMg

Monsters (2021) by Barry Windsor-Smith (Fantagraphics) I read this as preparation for 2022 Eisner voting. It would later earn three (3) well-deserved awards for Best Graphic Novel, Best Artist/Writer, and Best Lettering. I don’t know if I’ve ever seen such a labor of love to this extent in the medium. His style, story-telling, and talent definitely evolved over thirty-five (35) years he spent working on such a lofty project. I don’t mind saying, in the 90s I was too much of a fanboy to really appreciate BWS, but his magnum opus was both definitive and endearing. Highly recommended. BWS rarely grants open interviews, but check out the Comix Experience special Brian Hibbs did full of insight and gems: https://youtu.be/yY6HwW1bQYE

Nightwing #87, by Tom Taylor and Bruno Redondo (DC) Taylor and Redondo’s run continues to earn high praise from the critics. The series received five (5) 2022 Eisner nominations for”Best Continuing Series”, “Best Penciller”, “Best Cover Artist”, and issue #87 was nominated for “Best Single Issue”. Issue #87 is a fun action-packed brilliant use of craft and storytelling. If you like superhero comics you will enjoy this issue. If you don’t like superhero comics, you’ll still enjoy this issue (it’s that good). I really like how Taylor understands and embraces the contrast in characters of Nightwing and Batman. Taylor’s outlook for the character is very positive, hopeful, and demonstrates loyalty and compassion for his friends. Redondo’s artwork is very clean, bright, and accomplished. Nightwing is the full package. Give me more like this.

Saga is an epic space opera written by Brian K. Vaughan and illustrated by Fiona Staples. The ongoing series was first published by Image Comics in March of 2012. The series follows the story of Alana and Marko, two lovers from opposite sides of a long-standing intergalactic war between the planet Landfall and its moon Wreath. Alana is a former soldier from Landfall, while Marko is a former soldier from Wreath. Alana and Marko, decide to run away together with their newborn daughter, Hazel (who serves as the narrator of the series). They are pursued by various factions who want to capture or kill them due to the existence of their relationship and child. As they travel across the galaxy, they encounter a wide range of fantastic characters, including other refugees, bounty hunters, robots with emotions, and talking animals.   Brian K. Vaughan has been praised for the story's humor, character development, emotional depth, and complex world-building. The series features characters of various races, species, genders, and sexual orientations, and it explores issues of identity, prejudice, and discrimination in a nuanced and thought-provoking way. Fiona Staples' artwork is regarded for its detail, vibrancy, and imaginative designs. The series has also become known for its bold and unapologetic approach to graphic depictions of violence and sexuality, which are integral to the story's themes and character development. Many fans and critics have hailed Saga as an instant classic and an era-defining influence for modern comics. It has been credited with helping to expand the audience for the medium beyond its traditional demographic. Its influence can be seen in the many comics and graphic novels that have followed in its wake, and it has helped to push the boundaries of what is possible in the world of comics. "I knew that this was going to be a book about family but it wasn't going to be quote unquote 'family friendly'. I really wanted to do something that sort of pulled no punches and was really an adult sophisticated take on war and life in our modern world." - Brian K. Vaughan The series achieved some amazing milestones sweeping "Best Continuing Series" at both the Eisner and Harvey Awards for three years in a row between 2013-2015. In all, the series has received over thirty industry awards.  Co-creator, Fiona Staples, did all the cover work, interior pencils, inks, and colors. She amassed a dozen industry awards for her work on Saga between 2013-2017. She became the first female to ever win the Eisner for "Best Cover Artist". Additionally, she is only the second female to win the Eisner for "Best Penciller" (her fellow Canadian and fellow Brian K. Vaughan collaborator, Pia Guerra, won the award for her work on Y: The Last Man).   Saga has been plotted as a complete 108 issue story. The series took a hiatus after issue 54 in July of 2018 and did not return until January 2022. The two creators decided early on that they would never use fill-in artists and explained their extended hiatus: "It took seven years to get the story to this point, and being under intense deadline pressure nearly the whole time was starting to wear me out....and Saga‘s increasingly heavy themes began to hit close to home! It felt necessary to take a step back and let the book and ourselves breathe for a bit." - Fiona Staples I previously consumed this series piecemeal as the trades were released (up until their hiatus). I just went back for the first time and reread them in succession (one volume per night). The characters, setting, and themes had always stuck with me, but I genuinely forgot how amazingly well executed this series is rendered. Two masters at the top of their craft. Heartfelt character investment mixed with shock and awe in every issue. Because of the graphic nature of the content, its not necessarily for everybody...but it is definitely worth all the praise. 10/10    

Something Is Killing the Children, by James Tynion IV and Werther Dell’Edera (Boom Studios) Something Is Killing the Children hits hard and was very well received by both critics and fans. In 2020 the series was nominated for the Eisner, Harvey, and Ringo awards. The following year, James Tynion IV would win both the Eisner and Ringo awards for “Best Writer” for his body of work in 2021. Now once again, both the series and the writer are up for 2022 awards. I tend to shy away from horror comics but a friend introduced me to this book and I absolutely loved it. A brief summation is “a mash-up of Buffy meets Stranger Things”. The art, story, characters, and feel are all superb. I found I tend to really enjoy Tynion’s non-superhero based stories (The Department of Truth and The Nice House on the Lake). I didn’t care much for his Batman run. However, I can not praise this book enough.

Strange Adventures (2021) by Tom King, Mitch Gerads and Evan Shaner (DC) King tackles another long-standing relatively unsung DC character and deconstructs them for a modern audience. It’s another DC “Black Label” project (similar to Elseworlds) which tends to exist outside normal DC continuity. My previous exposure to Adam Strange was mostly limited to the 2004 series by Andy Diggle & Pascal Ferry (4.8 on Amazon). While some readers may already have strong feelings about Tom King or even Adam Strange, regardless, Strange Adventures deserves recognition as a masterful venture within the genre. The series showed up on the “best of” lists for the Washington Post, Variety, and Entertainment Weekly. It received 2021 Eisner nominations for “Best Limited Series” and “Best Penciler/inker”. It was also nominated for the 2022 Hugo Award for “Best Graphic Story or Comic”. It received a 4.2 on Goodreads, 4.7 on Amazon, and 8.3 Critic Rating on Comic Book Round Up. To quote one of the main characters (Alanna Strange), “It’s a grand space opera about a hero thrown into a faraway land and he marries a princess and he leads the natives and he wins the war”…(or is it?) King does a spectacular job with the pacing and climax of the series. I particularly enjoyed his portrayal and use of Mr. Terrific. It was a skillful decision on the different use of artists Gerads and Shaner for the modern story and flashbacks. The book is beautiful. I also appreciated both the quality of the hardcover and the simple incorporation of the story elements as Adam’s memoir into its design. I thoroughly enjoyed this book. Here is a link to an excellent write-up on it by Entertainment Weekly: https://ew.com/books/best-of-2020-behind-the-scenes-strange-adventures/

I first became aware of this title after it received three Eisner nominations in 2022: Best Anthology, Best Writer/Artist (Daniel Warren Johnson), and Best Short Story ("Generations" by Daniel Warren Johnson). The 8-page "Generations" story by Daniel Warren Johnson was simply AMAZING. It reflected a pure love for the character and a beautiful message. Because it is an anthology book, I ranked each of the stories individually: Fetch - 9/10 De-escalation - 8/10 Your Favorite - 8/10 Red Sun...Blue Dot - 9/10 Generations - 10/10

In 2021, I picked up this trade just after it received Eisner nominations for “Best New Series”, “Best Continuing Series”, and “Best Writer”. Tynion went on to win “Best Writer” for his body of work in 2021. In 2022, both the series and Tynion are recognized with nominations again (“Best Continuing Series” and “Best Writer”). Volume 1 was extremely well-developed and well-executed. It’s intended to be dark and heavy, but manages to be intelligent and engrossing. Simmonds art is very fitting for the theme (reminds of a combination of Sienkiewicz and Maleev). I loved this book.

I was hooked from the beginning. It's a mash-up of 'Toy Story' meets 'Pan's Labyrinth', with elements of Winnie the Pooh', 'Chronicles of Narnia','Indian in the Cupboard' and even 'Saving Private Ryan' mixed together. The result is an endearing tale of courage, love, betrayal, sacrifice, hope, doubt, and friendship enjoyed by the whole family. One of my top ten favorites.

I was hooked from the beginning. It's a mash-up of 'Toy Story' meets 'Pan's Labyrinth', with elements of Winnie the Pooh', 'Chronicles of Narnia','Indian in the Cupboard' and even 'Saving Private Ryan' mixed together. The result is an endearing tale of courage, love, betrayal, sacrifice, hope, doubt, and friendship enjoyed by the whole family. One of my top ten favorites.