Jhoan Suriel Comic Reviews

Although the story is fairly lackluster and slows down significantly after the fast-paced introductory pages, Kismet and Jani's relationship is the real star of ANTHEM #1. Walters and Freed craft a believable dynamic between the siblings and the diversity is wonderful. However, readers who played ANTHEM and want more of the world will get a kick out of it. Otherwise, as a standalone series, it's hard to recommend.

ASSASSIN NATION #1 is easily one of the funniest series to come out of Image Comics' Skybound imprint this year. Kyle Starks and Erica Henderson play to each other's strengths and have fun along the way. Fans of SEXCASTLE and UNBEATABLE SQUIRREL GIRL will find plenty to love about a murderous lot of assassins paid to protect a big target. It's a must read.

"Assassin Nation #5" barrels through its action-packed conclusion with style and teases the possibilities of more hitman action in the future.

ASTRO HUSTLE #1 is well-paced '70s space opera that's dark at times but invokes a greatest hits of sci-fi epics. Chen Andalou is a refreshing sci-fi lead that thankfully avoids stereotypes associated with Asians. Although the story is nothing new, overall, it's a fun space-faring story with some interesting themes to chew on.

Minor art issues aside, BAD LUCK CHUCK #1 features a charming and care-free female lead. It has great pacing and a strong opening page. Readers who want more a little superstition in their comics, should check out this series.

BARRIER #1 successfully blends a story about immigration, language, and violence into a sci-fi package. Brian K. Vaughan did his homework and carefully took care to show authentic Honduran Spanish. Martin's art is unsettling at times but excellently captures Liddy and Oscar's worlds. It's a must read.

Laugh out loud jokes, insect slaying, and BFF antics make for a fun and entertaining adventure in this issue

BULLY WARS #5 is an excellent-paced finale that wraps up the current arc on a very satisfying note. Thanks to its charming school humor as well as great art and colors, Young and Conley stick the landing. We need more all-ages comics like this from Image Comics.

By the end of this issue, Tony resolves his decision and pays a heavy price for it. CHEW #59 nails down a little bit of everything: action, moments of sadness, and humor with a conclusion that easily stands on its own as a few major loose ends are tied up. Layman and Guillory are going to go out with a massive bang, so definitely pick up CHEW#59 and hang on tight for the conclusion to the series next month!

Like a Thanksgiving feast complete with dessert and drinks, CHEW #60 is a a deliciously satisfying conclusion to Tony Chu's story. By the time I reached the very last page, I was stunned and applauded once I processed it. All good things must come to an end at some point in life. Layman and Guillory deserve to take a bow for one hell of a great series. I'm sad to see the series end as I would love to see a spin-off comic book series featuringOlive and Ginny. Yet, at the same time, I'm looking forward to Layman and Guillory's future endeavors, so all the best to them moving forward.

Spurrier and Bergarara's post-apocalyptic fantasy series comes to a poignant conclusion, placing it among Boom Studio's best comics.

ERRAND BOYS #1 provides a bombastic, sci-fi story wrapped in themes of family and loss. Koutsis' art is energetic and Kirkbride's writing manages to balance some nice humour with the stories dark undertones.

FARMHAND #1 tells a multi-generation story about the horrors of science meeting agriculture. While there are nods to CHEW, Rob Guillory proves that he can tell a fresh and weird story that is intriguing, creepy, and funny. Taylor Wells is the cherry on top that brings the world of Freetown, Louisiana to life. Whether you're a fan of CHEW or someone who likes the premise, this is a must-read series.

Ken Garing delivers another colorful, great-paced issue with excellent panel work and even more rich worldbuilding

Although HEY KIDS! COMICS! #1 isn't going to set the world on fire, Howard Chaykin's WOLF OF WALL STREET meets MARVEL: THE UNTOLD STORY premise about the comic book industry is fascinating. There's betrayal, corporate greed, and resentment. While it's rough around the edges, anyone who wants a semi-realistic account of the heyday of comics will enjoy it. Otherwise, if you're looking for a general history of comic books or a parody of superhero comics, this isn't it.

INVISIBLE KINGDOM #1 offers the best of its influences: intrigue, interesting characters, and a well-realized world. Ward's art alone makes it a must-read for sci-fi lovers. Berger Books has another hit that will surely be talked about for months to come.

INVISIBLE KINGDOM #2 ups the stakes and does some world-building in the process. We meet a few new characters, learn more about Vess and Grix's pasts, and get a nice paced issue. Ward continues to take risks with some a great amount of panel variety and fantastic art.

INVISIBLE KINGDOM #3 delivers a strong and satisfying middle act that moves at a brisk pace. The art continues to remain excellent. With the heroines united, it remains to be seen if Wilson and Ward can maintain that momentum. But it's the build up to the next two issues that should leave readers excited for what's to come. That said, this is the series' strongest issue to date.

"Invisible Kingdom" #5 is a satisfying first act that successfully balances character-driven plot with high-octane artwork. It's a must-read series for sci-fi comic fans looking for a good space-faring romp with a conspiracy element.

"Invisible Kingdom #7" teases some new developments between the Sundog crew and the Riveters while Ward's art continues to find new ways to engage readers.

"Isola" #9 is yet another well-paced and intriguing issue with fantastic art and excellent colors that should not be missed.

Come for the unique kaijus, stay for the quirky prison drama.

With the passing of the spear comes a new, inexperienced heroine who requires training. The focus on a Latina lead deserves to be commended because more heroines of color in comics is always a great thing in these times. MAGDALENA #1 explores the existential crisis that is retirement while ushering in a new era. It's one hell of a treat that's sure to please old fans and embrace new fans with open arms.

This inaugural thriller is sure to rock readers' socks off. While the premise is a familiar one, the art and use of period music sets it apart, giving it a film-like flair reminiscent of movies such as Drive and Scott Pilgrim vs. The World. It's a strong start to a five part series that's bound to get more funky.

MONSTRESS #19 reveals a few twists and fleshes out Maika and Kippa. The pacing is good, panels flow well with an air of despair, and there's a few teases set up like chess pieces. The new revelations no doubt will come into play in future issues. Welcome back MONSTRESS!

Joe Casey and Ulises Farias tell an entertaining and funny adventure. Fans of metal will get a kick out of all the references to bands such as Metallica and Iron Maiden. Melody Often's colors make the comic feel like eye candy. Rus Wooton also deserves a special mention for some excellent lettering work.

No One Left To Fight #2 reveals some new characters as its post-saved-the-world road trip adventure continues to intrigue at a glacial pace.

"No One Left To Fight" #3 provides additional insight to the enigmatic Vle and crew while it tackles more serious themes as the road trip continues on.

OPTIMUS PRIME #1 is a great introduction to the beginning of a new crossover comic book series. It explores the identity of the titular Autobot leader, introduces a new batch of inexperienced Autobots who see him as a messianic figure, and explores how the past is connected to the present. While the plot is a bit predictable, there's no denying the layer of social commentary that's underneath it and the cliffhanger sets up for something bigger. I'm looking forward to seeing how the other Hasbro comics tie into the bigger at story large when issue #2 rolls out next month.

OUTPOST ZERO #1's premise about teenagers coming of age in a planet they hardly know feels like a familiar story. However, once it gets going, the creators offer enough intrigue to grab and hold a reader's attention. Its greatest strengths are Sean Kelley McKeever's diverse teenage cast, the excellent art from Alexandre Tefengki, and the wonderful coloring of Jean-Francois Beaulieu.

RED DOG #2 continues to flesh out the mysterious planet Kirawan by showing off some of its dangers and introducing readers toa full set of robot pooches that are sure to play a role in future issues. Cohen and Atkins also touch upon several points in this issue that bring up more questions that have yet to be answered. Aside from the lack of characters of color, it's a solid issue that pushes the plot forward.

SCALES AND SCOUNDRELS #6 focuses on some much needed character development for Dorma and Koro. The themes of loss and individualism tackles are handled maturely. With SCALES AND SCOUNDRELS #6, Girner shows he's not afraid to touch upon serious topics. Plus It's great to see Dorma kick ass and take names.

SCALES AND SCOUNDRELS #7 brings an incredibly satisfying end to the Dragon's Maw arc with some really good themes. The writing and art remain consistently good and reach new heights.

While they dialed back on epic battles and big revelations, Sebastian Girner and Galaad explore some of the most mature themes yet in this issue with identity at its core. The introduction of new characters and new locations breathes new life into the series as Luvander faces a moral dilemma. Galaad's art continues to remain consistently good.

SCALES AND SCOUNDRELS #9 is a successful experimentation into the realm of silent comics, thanks to a balance of great story pacing, great art and lettering. The themes of loneliness, longing, and storytelling can resonate with anyone. The shades of grey character motivations in this issue also call to mind THE WITCHER series. As SCALES AND SCOUNDRELS approaches its 10th issue, the world, the story, and the art continue be on a roll.

SCALES AND SCOUNDRELS #10 explores themes of ostracism, trauma, and rebellion. The addition of new antagonists in the form of the council adds yet another interesting wrinkle to the series' world. Long-time readers will find this issue incredibly satisfying with a really good payoff in the end.

SELF/MADE #1 is a well paced story with a fascinating sci-fi premise about self-determination. Although this issue is marred by too much exposition, Eduardo Ferigato's art and Marcelo Costa's colors make up for it. Color me interested in following the series well into 2019.

THE HIGHEST HOUSE TP is an intriguing story that's perfectly paced and throws in a political subplot to stir the pot. The art and colors are absolutely stunning. Moth's transformation from a simple slave to a leader is a journey worth seeing to the last page.

STRANGER THINGS: SIX #1 is a solid prequel to the STRANGER THINGS mythos. It retains the sci-fi horror feel of the TV show. In addition, the titular character, Six, is a well-written lead with a set of mysteries that haunt her. That alone makes it worth checking out. Plus this comic respects readers' time and moves at a good pace even as it jumps back and forth in time.

New details and revelations makes for another well-paced issue.

While the star-crossed lovers premise sounds familiar (SAGA anyone?), THE NEW WORLD #1 is surprisingly excellent. The story is instantly captivating from the moment readers are introduced to its protagonists. Once the prologue ends, the story kicks into high gear and doesn't let go until the very last page. This is easily one of Image Comics' best mini-series. If you're looking for a new twist on ROMEO AND JULIET, you won't want to miss this sci-fi romance thriller.

"The Weatherman Vol. 2 #4" continues to deliver stylish action and humor as the stakes continue to get higher for Nathan, Agent Cross, the rest of the crew.

TEENAGE MUTANT NINJA TURTLES/USAGI YOJIMBO #1 delivers on the entertainment factor in spades. 20 years after the last comic crossover series, Sakai has still got it and delivers a fun, action-packed, and hilarious new adventure featuring the Turtles and the rabbit ronin. Luth's colors are icing on an already delicious cake. I'm looking forward to seeing what comes next!

TEENAGE MUTANT NINJA TURTLES DIMENSION X #1 is a smartly written tale of deceit, emotions, and physics. While it's a bit hard to recommend to new readers, fans of the ongoing IDW Publishing TMNT series will enjoy it. Tunica's art alone is worth the price of admission because it invokes a bit of MONSTRESS.

TEENAGE MUTANT NINJA TURTLES DIMENSION X #2 is a solid continuation of what was built by the last issue. I was bummed out that issue's planet didn't have much a backstory to it and found the plot's humor lackluster. With the focus on Anemon and Eymo's relationship, the Turtles become mentors. Like in the last issue, the Neutrinos don't have much any characterization aside from being pilots/mechanics. That being said, the panel layout is fantastic in this issue.

This issue is a love letter to wrestling and it shows. Stump is quite a fun character until the very last page. As a middle issue, it is a powerslam with high flying action and humor, sprinkled with more serious themes.

Thanks to funny, witty dialogue and a novel change of setting, TEENAGE MUTANT NINJA TURTLES DIMENSION X #4 is a delight. The story and art style successfully move at a brisk pace akin to action films.

The final issue of the series tackles themes of individualism versus collectivism, marginalization, and the impact of war. While TEENAGE MUTANT NINJA TURTLES DIMENSION X #5 doesn't quite go out with a bang, the stage is set for the Trial of Krang in TMNT #74. As a standalone series, DIMENSION X has been a great expansion of the TMNT universe.

TRANSFORMERS #1's hard reset for IDW's long-running series is a promising start. It's clear that Ruckley, Hernandez, Whitman, and Lafuente understand the mythos. It's safe to say that this new reboot is in good hands.