Wonder Woman #25 plays with its two artists to setup an unpredictable and sometimes shocking story which pushes Diana's present day storyline forwards whilst continuing to build towards an uncertain and bleak future. Read Full Review

The first two years of this title feel like they're just scratching the surface of what King's building here, and it could be as ambitious as his multi-year Bat-run. Read Full Review

This issue not only advances the present-day story but also firmly establishes the stakes for what's to come, setting up a high-stakes conflict between Diana and a looming apocalyptic adversaryone that, I suspect, Mouse Man knows absolutely nothing about. That said, like many readers, I'm starting to get a little tired of the constant "Mouse Man knows and "Mice have ears dialogue. Read Full Review

Wonder Woman #25 is a beautifully crafted comic that is both emotionally resonant and action-packed. It's not just a story about a hero saving the day; it's about the emotional toll of heroism and the difficult choices that come with it. Read Full Review

Everything about Mouse World snaps into place for me (though probably not everything, I'm sure I'm missing some subtext), and I'm now fully on board with this weird and awesome story. New characters, new concepts and some acts of true heroism are highlights this issue. Read Full Review

Wonder Woman #25 is a very informative future for the future of the series that also takes time to showcase what makes Diana so unique compared to her peers. Read Full Review

Wonder Woman #25 looks undeniably gorgeous. Unfortunately, it is also emblematic of the series's worst habits. Good looking but shallow, which is everything Wonder Woman is not supposed to be. A new villain is introduced at the expense of other characters, and I worry that the series has already run out of interesting things to say. Read Full Review

Videos by ComicBook.comThat's in part due to 80% of the issue still dealing with the conflict on the island, and while certain moments do resonate, so much of the issue feels underwhelming compared to what's happening in the future and in the book's final moments. It's not that the critical parts of this story won't be important, but between the redundancy of the dialogue and the lack of tangible connection to what's happening later, those parts of the story just aren't connecting like they should. Read Full Review

Tom King seems to treat even his extended runs as out-of-continuity Vertigo titles. As a result, you never know which aspects are to be considered canon or not. From Batman, for example, Alfred is still dead, but Bruce and Selina aren't married. I can see how this could be a frustrating and dissatisfying turn off for some readers, seeing core titles being treated as offshoots for several years. And waiting for a payoff from a King title can be the longest of waits. It looks like next issue we might finally learn something the about the amazon who started this whole mess in the first issue two whole years ago! I almost gave up on this run for that reason.

But this style of storytelling has grown on me. I am appreciating the scope of the epic being constructed. I am appreciating this storyline in particular because it's nice to see more of Diana in action then we had been. And of course, the theme of restrictive authoritarianism feels exceptionally relevant. I continue to be curious where this series is going, and the style of how it's getting there is certainly unlike any other comics I know of. The latter is likely the reason for its two (so far) consecutive Eisner nominations for Continuing Series. more

I can really live without yet another "Oh noes, the big bad unstoppable OP has destroyed everyone except the hero!" storyline.

Tom King gives into all his worst impulses. Jumping around to story parts he feels like telling with no justification, tearing down other characters to prop up his own, and of course complete mischaracterizations of the actual title character. This book is rotten.

Awful