Wonder Woman’s appearance on Mouse Man’s island has led to disastrousconsequences for our hero as she becomes a fugitive on the run. With localstoo afraid to speak, will she ever get the answers she needs to find Etta andEmilie? Can she do it all with a screaming baby strapped to her back?! That’sright, the young daughter of Wonder Woman is along for the adventure!
Wonder Woman #24 can seem simple at the surface, but once the curtain is peeled back, the nuance and deep societal discussion is as riveting as the action. Read Full Review
Wonder Woman #24 provides the context needed to make it a key part of a well-crafted mystery. This is a story that builds tension with every panel, making you feel Diana's frustration and desperation. It takes a seemingly simple premise and transforms it into a captivating exploration of societal nuance and the complexities of motherhood. Read Full Review
This is definitely the strangest issue of King's run so far, the first that veers away from the more traditional epic storytelling he's been using and into the very esoteric style of writing he uses on his more independent projects. I'm not sure if its narrative is always the clearest, but it creates a sense of tension and unsettling oppression that's hard to match. Read Full Review
I loved seeing the different tones of Wonder Woman, from her dynamic fighting skills, to her patience and ability to treat the young girl with kindness, even when she was lost in translation. Read Full Review
Wonder Woman #24 begins to open up Mouse Man's island, bringing the reader in to this unique society. It neatly furthers an intriguing plot through dynamic use of language and lively artwork. With plenty more conflict this month this is certainly a more exciting chapter for "The Island of Mice and Men. Read Full Review
Wonder Woman #24 course-corrects after a frustratingly stagnant chapter, delivering action, metaphor, and meaningful plot progression that deepen Diana's mission while hinting at even bigger revelations ahead. Read Full Review
Daniel Tampere definitely has back problems from carrying this story. Tom King's Wonder Woman feels very stilted and wooden to me, and the pacing/story leaves a lot to be desired. Overall, it's not bad. But at least its better than Jeph Loeb's current run on Batman.