THERE AND BROCK AGAIN!
Eddie Brock has fought and fought and fought some more to get back to the Marvel Universe and fight by his son's side.
IN THIS ISSUE - HE SUCCEEDS! And the charred skeletal remains of Eddie's physical body are REANIMATED by the King in Black incarnate! Wielding the very marrow in his broken bones, Eddie makes his presence in the present known in explosive fashion! Not that you'd expect anything less!
Rated T+
Venom #20 is an endearing comic book that moves Eddie Brock into the next status quo with intrigue. Read Full Review
After months of unnecessary tie-in issues, Al Ewing's Venom finally gets back to the good stuff. Read Full Review
Venom #20 picks up Eddie Brock's side of the story as he returns back to the land of the living in the present day. Of course, he's not the same as he once was with a new level of control of his symbiote powers making him like the Terminator, as one side character puts it. And that's a good thing for this issue. The dialogue is good, the story is well-paced, and the art from Cafu is impeccable as everything feels like a straightforward action issue for Venom. Looking forward to the big brawl teased at the end in the next issue. Read Full Review
Venom #20 grants Eddie Brock a powerful new form and sends him off on a quest to face his demons and save his son, making it an extremely engaging issue. Read Full Review
Eddie returns to the land of the living as Venom continues to evolve in unexpected directions. I can safely say I never have any concrete idea where this series is going next, and it's actually thrilling. Read Full Review
"So, you like your Venom fast and violent instead of slow and cerebral, huh? Okay, hold my beer!"
I want that fucking jacket
Ready indeed.
A really solid issue here as Eddie returns to the present world. This was a much faster read for me than usual with this series, but I enjoyed every second of it. Ewing writes Eddie as an absolute badass here and I think he does a great job of building him up before facing Bedlam in the next issue. Plus, CAFU's back on the art duties and every page is absolutely fantastic.
It's enjoyable nonsense from Al Ewing because he makes it work well and it looks great from Cafu and D'armata.
It's kind of a more grounded issue, but just didn't do it for me. It had some cool visuals, but lacked in plot for me.