Absolute Batman is a bold reimagining of the Batman mythos. Since the Dark Knight has always dwelled in the shadows, this Absolute universe is a perfect fit. Scott Snyder masterfully reworks the mythology in intriguing ways, while Nick Dragotta's energetic art practically leaps off the page.

The second issue of Absolute Batman continues the bold trajectory of the first, expanding upon the opening story arc. Snyder's writing demonstrates a deep understanding of Batman and a unique ability to reimagine the character. Dragotta's art continues to delight the eye.

Tom Taylor's Detective run begins with a strategic long-term approach. He skillfully expands Batman's mythology. He also introduces a life-altering choice for Bruce Wayne and creates intriguing mysteries for the Dark Knight to solve. The potential for these elements to unfold in captivating ways is immense. Taylor's writing is exceptional, and Mikel Janin's art perfectly complements the story.

Tom Taylor's writing and Mikel Janin's art continue to be exceptional. The story advances with great skill, leaving this reader eager for more.

G. Willow Wilson has transformed a classic Batman villain into a captivating protagonist, deserving of her own series. She skillfully constructs an intriguing world around Poison Ivy that draws readers in. Marcio Takara's art is the perfect complement.

Cody Ziglar continues to impress with his strong grasp of comic book storytelling. He excels at crafting intricate character relationships and dramatic arcs that evoke the best qualities of soap opera writing. While the flashy super heroics draw readers in, it's the compelling cast of characters and their evolving dynamics that truly captivate.

This is a promising start to the series. The story is well-structured and offers numerous intriguing possibilities. The team members have a good dynamic, and the humor is well-placed. However, the art style is a bit of a miss for this series.

I'm not a fan of Federico Vicentini's art style for this series. I believe Spider-Man comics generally benefit from a cleaner, more classic art style. I find this style to be chaotic and confusing. However, Cody Ziglar's writing is exceptional. He has done more to develop Miles Morales' character and his supporting cast than any other writer. This issue is a prime example, showcasing the excellent characterization of the relationship between the Vulture and his granddaughter, Tiana. It would be ideal to have a different artist to fully complement Ziglar's strong writing.

Josie Campbell delivers a solid performance with 'The Big Red Cheese.' The writing is entertaining and captures the tone and characterization well. Dan McDaid’s art is adequate. Nothing really spectacular here but still a good solid reading experience.