The humor, mystery and action all played perfectly in this comic, and now that the introduction is out of the way, we can see Bat-Harley in all her glory. Read Full Review

A strong start to a new era for Harley Quinn. Read Full Review

An excellent start by the new creative team of Frank Tieri and Inaki Miranda. Theres a devilish love of the character and a cool, fresh tone that make this title a CONTINUED WINNER! Read Full Review

This issue is a solid start, although I didn't find the humor to be on the same level as the Palmiotti/Conner run. Still, if you liked that run, you're going to feel right at home with this one. Harley should be fine to stay one of DC's most successful characters. Read Full Review

Art is awesome! I love the shading and darker colors by Miranda and Skipper. The cover looks cute like an average Harley issue, but the art makes it look like Suicide Squad which is cool because she's great in that. Read Full Review

Frank Tieri and Inaki Miranda kick off an all-new era for Harley Quinn, and they come out literally and figuratively swinging in a Man-Bat story arc called "Batter Up"! We haven't had a Harley book with a heavier horror theme in a good while and the Langstroms are always great to be featured as villain (or anti-heroes as the case may be"we don't know for sure what the story is here yet). The art feels a little heavy for a book that continues to rely on a certain amount of potty humor, but Tieri comfortably makes this transition without overturning the applecart of what his predecessors left behind. That alone is a nice achievement and it'll be exciting to see where this book goes from here! Read Full Review

All-in-all I can say I like the story and where it's heading. Read Full Review

I'm going to give it a shot, but I have concerns for the future of one of my favorite characters. Read Full Review

Unusual for this series, the worst part of this issue is the artwork. It seems unfinished and out of proportion at times. The story is some good fun, with genuinely funny moments that might make you smirk. Laughing out loud would be too much for current times. Folks these days can barely muster an "lol." Read Full Review

Its been awhile since Ive seen Man-Bat, so a return engagement was welcome. However thetruth was a little bit of a zig-zag of logic. Inaki Mirandas artwork isserviceable, her inking a bit heavy-handed for my taste, but your mileage mayvary. Read Full Review

I have to admit, considering how silly the bat-person concept is; they handled the transitioning pretty well. It only slightly looked like the cover of an Animorph book. The art style has changed, aiming for a slightly more detailed and realistic look. I think combining this art style with Harley's grief was actually a pretty good decision " it allows us to see the details that show just how much she's hurting (and they were able to go beyond the smudged makeup bit, since that doesn't always equal crying with Harley). As far as my favorite panel from this issue goes, it has to be Arkahm's gates in page 14. They're so intricate and stylized, plus the (dead) ivy growing up both pillars really adds to the foreboding nature of the place. It's perfect. Read Full Review

The new creative team is off to a rocky but acceptable start. There might be an adjustment period, but I think they can pull off a good comic. Read Full Review

On top of everything else, the new creative team has some pretty big boots to fill on this book, and they don't nail it this time out. Read Full Review