Ironheart 2020 #1 was a compelling and interesting read. It's one that fans of both (or either) major events will appreciate. That being said, I stand firm with the statement that fans of Riri that haven't been following along with those events can dive on in here. Just so long as they have a basic understanding of what happened"and they don't mind spoilers.

Ironheart 2020 #2 is every bit the issue that the fans deserved while providing us insight into two very different events occurring within the Marvel universe. It isn't every day you see a crossover such as this, but I have to admit that it was beautifully done.

This may be an annual issue, but it feels right at home with the rest of the story that's been built for our beloved Gwen Stacy, Ghost Spider.

She-Hulk Annual #1 was a fun and interesting read. It doesn't really connect to her series that ended some time ago. Nor does it connect with the current Avengers plot. But that's okay. This plot was all about She-Hulk and the enemies she was up against. And it was fun.

Aliens: Rescue #1 was a great read, especially for fans of the original series (Aliens: Resistance).

America Chavez: Made in the USA #1 is a fantastic start to this latest series. It's perfect for fans who want to keep reading about her, and perfect for fans that want to learn more about her before she makes her major MCU appearance. No matter the reason, do be sure to check it out!

B.b. free #1 was a great start to a new series. It was emotional and intelligent, and it wasn't afraid to allow subtlety to tell certain elements of the story. And let's not forget the conclusion of this issue, which will leave readers anxious to get their hands on the second issue.

b.b. free #2 was another unique and fascinating read from this series. It's a charming read, one that gives us a glimpse into the life of Chulita, while also building up other elements along the way. It almost felt like this issue spent most of its time setting up for something else, which should make the next issue fairly dramatic.

The artwork for this issue was pretty great on the whole. I absolutely adore the cover " it's just so cheerful and cute (yeah, I called it cute). The art for this series is always consistent, no major mistakes or oddities (other than the intentional ones, that is). I love the big eyes and faces the characters have; it furthers the impression that everyone is so open and caring (I mean, look at Sasha's huge eyes and tell me he isn't adorable).

The artwork for this issue is absolutely striking. It's easy to look at the pages between the covers and think that they're on the dull side, but they actually do a wonderful job of portraying real people, with actual flaws and human emotions. It's beautifully done. The covers are absolutely striking (I may have taken a peek at the rest of the covers already). I wouldn't have expected a color palette like this from this series"and yet here they are.

Once again the artwork for this series is amazing. They're not afraid to show the more graphic sides of this story, like Liddy's horse or her nudity (which isn't sexualized in the least). It's all just shown as facts more than anything. The introductory images of the space shift are striking " the hues really make the images memorable.

Like the other issues the artwork for this issue was stunning. In a way I'd argue this was the best artwork so far; not because of the quality (which is very good), but because of how the entirely of the story was carried by the images. There were literally no words used to support the artwork here, so the artwork had to fully stand up on its own. That is not an easy task, and I have to admit I'm incredibly impressed.

Like the last few issues, the artwork for this series has been quite incredible. At times it's easy to consider the work bland, but when you look closer at it, you'll realize the depth of detail and emotion being shown by our almost nonverbal characters. It's quite brilliant and supports the story better than I've seen anywhere else.

Like the other issues in this series, the artwork did an exceptional job of complementing the plot. It was rough and jagged, just like real life.

Basketful of Heads #1 was a fascinating beginning for this series. It wasn't as dark or as disturbing as I expected"but there's little doubt in my mind that those elements are on their way. I also have no doubt that we're going to pay for our emotional investment in the characters.

I loved the artwork for this issue. Snow is so easily overlooked, but it's so easy to get wrong if you're not careful. I think it may have learned a little too much on the 'pretty' side than the 'threatening' side, but it's hard to have people actively moving outside and still be seen in a comic when the snow is that heavy. So I understand the artistic choice at least. I love how expressive they've been making Barbara lately " for example when she was exhausted and essentially using the cafe's table as her bed.

The artwork was pretty great on this issue. I love how the storm and ice are portrayed, as well as Barbara's memories serving as her own personal GPS (little blue ghosts all over the city). It was a clever way of showing her memory in action. I also love how Ethan's features were slowly filled in as she listened to his voice.

The artwork for this issue was pretty decent. The monster had texture and depth drawn in, and it also gave the impression that he was semitransparent, even when there wasn't a person visible inside him. For some reason Batgirl's expressions towards the end of the issue started looking a little funny; less detail on a longer face. I'm not sure what that was about.

This was an interesting issue. At first I thought they were being a little heavy handed with the 'blasts from the past' they kept pulling up, but once I realized there were all connected (both in the issues they appear in and in Barbara's mind) it all started making a bit more sense. I'm hoping we get more answers in the next issue " like what that gun was, or who that guy is, for that matter. I'd also like to know if Fruit Bat is another figment of Barbara's imagination, or if something bigger is going on there.

At least the artwork was pretty consistent with the quality one would expect for Batgirl. It was probably difficult to figure out a way to represent the trap being breached in a literal sense, but they did a pretty decent job, all things considered. Having it be fuzzy and soft at first, and then shown as glass breaking was a really interesting choice, but in the end it was probably the strongest part of the issue.

This was a decent issue, all things considered. It had a solid plot, but it probably could have been stretched out into two issues if they wanted. That would have allowed for more details, more buildup, and more time for the resolution. But it wasn't too rushed, so it isn't all that big of a deal in the long run.

Batgirl #37 had some clever ways of handing the standard tie in, while also having room for a brilliant fight and the introduction of something new and different.

Batgirl #38 brings two plots together in a climatic way, and time will only tell how bad it's going to get.

Bargirl #39 continues to bring Batgirl and the Oracle towards each other, while also providing us with dynamic art and moments.

Batgirl #40 is an intelligent and foreboding tale, pitting Oracle and Batgirl against each other.

Batgirl #41 brings Barbara Gordon a whole slew of challenges that she never expected to face. The story is getting more and more tense.

Batgirl #42 was a vibrant and fascinating conclusion to the Oracle Rising plot arc.

Batgirl #43 is a creative start to a new plot, one full of fantasy and striking artwork.

Batgirl #44 is a compelling read, one with an emotional and romantic focus, all supported by vibrant artwork.

Batgirl #45 is a dramatic and at times horrifying issue, full of careful writing and vibrant artwork.

Batgirl #46 is full of clever writing, luminous artwork, and brilliant character growth.

Batgirl #47 is a brilliantly written tie-in, one that did justice to Barbara Gorden. Combined with beautiful artwork, this is an issue worth reading.

Batgirl #48 is an intricate issue, one that has several elements woven together, alongside bright artwork and intriguing plot arcs.

Batgirl #49 is a bold issue, taking on a dark plot and throwing Babs into danger like never before. Working alongside the plot you'll find bright artwork, carefully portraying the events in a way that increases the impact of it all.

Batgirl #50 is the perfect goodbye to Bab's series, it's bittersweet, empowering, and emotional all in one. Supported by bold art styles, this issue embodies many of the themes and messages of this iconic character.

The artwork is a bit different than I'm used to for this series. I'm not sure if this is a new and permanent change, or if it's just part of the one-shot nature of this issue. While I didn't dislike the style, it was a little bit jarring to jump into it (especially after having just read the second most recent issue, but that's my bad for being so far behind). It's choppier on the whole, and I don't really love the way Batgirl (or more specifically Barbara Gordon) is portrayed. The rougher nature makes it all look more comical (no pun intended), which is fine for a lighter issue like this, but I would be concerned should this art style be used alongside a heavier plot.

The artwork for this issue was pretty solid on the whole. I didn't really like Burnate's design (or his name), though he was certainly dangerous. I love how much raw emotion the artists were able to capture, especially towards the end. Seeing Barbara's breakdown"it was heartbreaking, and the artwork fully supported it.

The artwork for this series has been great so far, and this issue is no exception. I love the raw emotions you can see in this issue " though obviously there was more focus on Helena and her reactions than anything else.

I loved the artwork for this issue. You could really see Helena hurting, the anguish in her face when she realized that no matter how much she wants to, the truth of the matter is she just can't trust her mother. Likewise I loved the panels showing Canary's abilities. They did a fantastic job showing us the increase in power scale for her, leaving us just as worried as she undoubtedly is.

This was a fantastic conclusion to the Full Circle plot; it also wrapped up a bunch of other subplots while it was at it (Helena's mother, Canary's cry, Gus, etc). I know this isn't the conclusion to the series, but it very easily could have been had they wanted to. It'll be interesting to see what the next issue has in store, since it'll be starting off on a clean (well, cleaner) slate.

Batgirls #1 is a brilliant read, with Barabara, Cassandra, and Stephanie's personalities shining bright " both through the writing and the artwork.

I'm pretty happy with the artwork in this issue, though I think my favorite piece would probably have to be the cover. Its macabre theme really hints to what's inside, and it fits the ending perfectly while not giving anything away. The artist did a fantastic job of making all the graphic scenes disturbing, and not by overdoing it on the blood (though there was a decent amount of that). Zsasz's arms were a horrible sight, for sure, but beyond that I find myself impressed by the effort put into them. They have years' worth of scars built up, one over the other, until it creates a whole new texture. It's surprisingly intricate.

The artwork for this issue was pretty fantastic. There are plenty of details, dramatic poses, and close ups to go around. The cover was a bit more stylized, with softer colors diffusing the background. And of course there's the image I already talked about; Batman in full armor. The details are pretty spectacular, and worth checking out when you have a moment.

The artwork for this issue was pretty decent on the whole, though there were some odd moments too. I loved the imagery from the panels were Bruce and Diana almost kissed (even though I was hoping they wouldn't) " it's just too well drawn for me to ignore. I also loved the panels where the Gentle Man was opening the portal (and donning his battle armor), that was pretty epic, if I may say so. Meanwhile, there was one scene where Wonder Woman got grappled by a monster, and"well it looks like she's laughing? I believe it's supposed to be her showing the struggle she's having, but it reads wrong. Also, am I the only one that thinks Selena Kyle looks a lot like Carrie-Anne Moss (as Harper in Jessica Jones) in this issue? Perhaps it's just the haircut and setting combined to make me feel that way.

The artwork was pretty decent for this issue. I loved the expressions in particular; such as Selena's face when challenging Ivy, or the smug expression on Harley's face at the end (which I suppose is really a smug expression of Ivy's?). Ivy's costume looks a bit off though. I always picture her green skintight outfit to be one made of plants, but in this issue it looks more like a green leotard with some plants over the torso. It's oddly one dimensional and flat, which is ironic considering how vibrant and alive it should look.

The artwork for this issue was a bit all over the place. Selena and Bruce looked fantastic, and I'll begrudgingly admit Harley did too (I still don't love the new look, but this is probably the best she's looked in a while). Ivy didn't look right though. The shading on her was flat " you can see the paint brush strokes used for her hair (which wasn't shaded at all) and her costume looked too two-dimensional as well. It was an odd decision, especially considering she was a focal point for the plot.

The artwork for this issue was fantastic. The present and flashbacks were portrayed with different styles, that made the jumps clear (while not having them be jarring). Selena's expressions were probably the highlight of this issue. Though I have to give props to the beauty and intricacy of the dress she ends up with.

I loved the artwork for this issue. I think out of all the panels, page 18 was probably my favorite. Blooster is dramatically (and in a somewhat silly manner) jumping through a window, leaving glass flying all around. It's pretty, it's dramatic, and it still has a comical tone to it despite everything else.

While I found this plot interesting and entertaining, it honestly felt more like filler to me than anything. It's like they were stalling for time while they built up hype for the wedding (not that I blame them for building hype " I actually can both see and understand what they're trying to do here).

It's hard to believe that Batman would have taken all of these events in stride like he did, however the Joker side of things had some really interesting implications.

This is an odd issue, to be sure. In some ways it's better than the first part of this, in that at least they're not having Batman act out of character. Unless you count him being knocked out for being so long as out of character"and you'd have a pretty solid argument for that. It's likely that anybody with any sort of medical training will be screaming at the pages for this one, but besides that, it was somewhat interesting. It's not every day we get to see Catwoman and Joker interact anymore, so it's sort of refreshing in its own way, even if they are trying to kill each other here.

For an issue that they've been building up to for the better part of a year...this was only okay. If they hadn't been pushing out so many issues focused on it things might have felt differently, but in truth this really ends up feeling like a copout.

It's clear that Batman was taking out all of his frustration from his failed wedding out on the villains in the city. It's also apparent that he probably went too far. It's understandable, why Batman would seek solace in crime fighting. For the longest time it was all he had, and in many ways he probably felt that way all over again. In a way this trial was the best thing for him " if not for being slapped in the face with the repercussions of his anger, who knows how long it might have taken him to get out of this mood.

This is one of those plots that really makes you sit down and think. There are so many potential reasons and reactions to everything going on that the truth has become almost perfectly obfuscated. We're left grasping at crumbs. Even the great Bruce Wayne/Batman doesn't know the truth.

The artwork was pretty incredible. I love Signal's design " the change from the more dark and brooding colors to black and bright yellow has always stood out for me. Plus it's so sleek looking. Additionally I really enjoyed the design of the few other metahumans we've been shown, especially the cyborg girl who hasn't been formally introduced (heck, she might not even be a meta and I'm just assuming).

I love the artwork for this series, especially the character designs. I've already gushed about Palette, Null, and Killjoy, but there are so many others as well; such as Duke (obviously) both in and out of his suit, Detective Aisi, and the backup Robins. I haven't had a lot of time to get used to any of them yet, but I can still tell them all apart at a glance, which is a big deal for me. I also love the color palettes chosen - especially for the tech and abilities " the way they're portrayed is fantastic.

I love Signal's character design, as well as many of the secondary characters in this series. Detective Aisi's arm is amazing, as is her overall look. Even for a plainclothes detective, she stands out more often than not (though obviously not to the same level as a masked vigilante would).

This was a pretty good read on the whole " most of it was the fight between Stalker and Batman, but seeing that it was a fantastic fight, I'm not going to complain. I do like that they took some time to continue building things up, even while mid-action scene (such as having Barbara trying to investigate the girl). It should help keep the story moving at a good pace, which is what I prefer. I hope this ends up being a longer storyline, I'd really like something to sink my teeth into here.

I loved the artwork for this issue. The fight scenes were outstanding, especially with the fire in the background for dramatic lighting and shading. The clever ways they hid the lady vigilante's identity was well done, though at the time the obfuscation frustrated me (as intended).

I can't believe the raw expression they were able to get on Payback's face. I honestly wasn't expecting it, and I have to say it hurt my heart a little to see him like that (even though I don't like him in the slightest). The action sequences were fantastic as well, which is a plus. I loved the use of brighter backdrops in this issue; it contrasted nicely with the darker subject being discussed.

This was a great plot arc; we have old villains (Payback, Stalker) and allies (Ten) being brought to the forefront as well as the start of a new Robin " something I think we've all known was coming even back when this series was a TV show. I'm really hoping they continue building in this vein, and am anxious to see what happens next.

This was a well written issue, especially when we consider how much was established here. In one issue the creators have successfully established multiple points of interest and tension.

The artwork for Batman Beyond has always been clearly defined and it never changes directions of style. The futuristic look is very sci-fi but also kind of believable, in its own way. The new suit still looks awesome and seeing older versions of all the characters has been fun. The Jokerz in this issue looked particularly good " you can see the Harley influence in a couple of them as well, which surprisingly helped to enhance the effect.

Batman Beyond #28 was an intense read. For a plot arc that I hadn't intended, or truthfully wanted, I have to confess that they've been doing a brilliant job with it. They've meshed the old and the new seamlessly, leaving us with a tale that holds up to some of the classic moments in the Batman series.

I honestly don't feel like this plot is truly concluded. Just like the last plot involving this antagonist, he has a way of coming back around. I think I'd be less content with the conclusion if I thought it was truly the end, though.

Batman Beyond #30 took a turn for the series, forcing characters to stop and assess what is important and who is capable of what. Tough decisions were made. More importantly for us fans, past mistakes were actively discussed as a debate raged.

Even though we could all see the major twist in this issue coming, it was still interesting. Though anything involving Arkham tends to be interesting, so that might not be saying much. I'm hoping we'll see something bigger happen because of this one.

The cliffhanger conclusion has left me anxious, but not as much as I expected. Mostly I'm just curious to see how they're going to resolve everything.

Batman Beyond #35 was a complex issue, with the plot splitting off in various directions. Because of that, it was fast-paced and intense. And then there's the conclusion of this issue"that alone would have been enough to ensure that fans came back for more.

I love how they've managed to fit so much into this issue, while still leaving us with just as many questions. This is the balance I've been wanting to see in Batman Beyond. And I hope they maintain it.

Batman Beyond #36 was a dramatic issue, fulfilling all of the promises of the last issue, and then upping the ante. While it did resolve a couple of the larger plot arcs, there are still tendrils left to hook us into the next wave.

Batman Beyond #37 was a dramatic issue, and that's probably the understatement of the year. The appearance of another classic hero in this timeline is highly exciting, especially given everything else that is going on.

Batman Beyond #38 was a fascinating issue, one that simultaneously danced around the issue while addressing the elephant in the room. This new Batwoman is a tough lady " but she's also not as experienced as the original. At least the fights she's getting into are fun and exciting. And that has left us eager to see the next issue in the series.

Batman Beyond #39 was an intriguing issue, one that dangled the carrot in front of the readers. While we're naturally eager to see who this Batwoman is, we have to admit that there are a lot of other absorbing elements going on at the same time. But all of that is just going to make the wait for Batman Beyond #40 feel that much longer.

Batman Beyond #40 is an interesting issue. It's one that I had been very much looking forward to (for fairly obvious reasons, I believe). I don't quite know how I feel about that big revelation. But I am curious to see where this plot leads.

Batman Beyond #41 has continued to build the tension, with one of the leading villains having more reason than ever to go on a rampage. Simultaneously, the series has started to wrap up several subplots, meaning that a dramatic moment is likely due in the near future, as everything comes together with explosive force.

Batman Beyond #42 was a spectacular conclusion to a new plot arc. I don't know how large the impact will be from this arc, but I'm looking forward to finding out. This has truly been a merger of the old and the new, and that has made it all the more interesting.

Batman Beyond #43 was another interesting addition to this series. As a longtime fan (of both Bruce and Terry), it's always fun trying to guess how far any one plot will go. I'm feeling that more than ever, with the introduction of a blast from the past.

Batman Beyond #44 is an interesting read. Though, I'll confess that "The Eradication Agenda" has brought about many changes and elements that I didn't expect. Therefore, I can't possibly predict what is going to happen next, for good or for ill.

Batman Beyond #45 was an interesting issue, one that brought about many changes, as well as no shortage of risks. It's going to be one of those plots that pushes Terry, alongside his allies, to the extreme, for good, or for ill.

Batman Beyond #46 was an interesting balance of old and new. Old fan favorites combined with new threats and stakes. It's a team that fans probably never expected to see, but, to be fair, the characters involved probably didn't see it coming, either.

I find myself conflicted on how I feel about the art style. On the one hand, I love the implied movement that comes with the more sketchy quality that Mahnke, Paquette, and Jimenez are using, but on the other hand, it feels unfinished in places. The rougher quality is effective in adding psychological tension; you can really see the strain on Bruce Wayne's face while he's coming up against everything he fears the most.

The artwork was the highlight for me in this issue. Fernando Blanco (with the help of colorist John Rauch) did a fantastic job of blending the themes of Wonderland with Crane's overlaying tones of imagery. Throw in some iconic images (such as Batwoman being tied up roses " presumably rope) and you've got a recipe for some beautiful full page images. The color palette was spot on as well " with the tones changing steadily but slowly throughout, indicating changes in events or emotion. Even the way Crane is portrayed changes when Kate is exposed to a different set of drugs. The attention to detail is astounding.

I've always loved the design for Batwoman. The bright red hair against the dark outfit is just so iconic (and no, it doesn't really matter to me that the hair is actually a wig). The second page is likely my favorite for this issue; the bright blue shards of glass are oddly striking, especially when contrasted with her overall darker palette. Part of me almost wishes it was the cover (even though it wouldn't convey the enemy or threat at all).

The artwork for this series shines, as per usual. The use of imagery to indicate Kate's mental health and internal thoughts is brilliant; such as the dead portraits in her abandoned family home. I would love to see more of this, if I'm being honest. Safiyah looked absolutely stunning, as did their small fight.

I loved the artwork for this issue " especially Alice. I know she's already been designed and shown, but I still love her style. She even looked great in all red up on that giant projection. The cityscapes and panoramic were terribly dramatic in this issue, but it helped support the threat of what Tahani and Alice were trying to complete.

The artwork was pretty decent for this issue. Lots of double page spread with dramatic poses and images. I would have liked to see Alice drawn a little differently " I still maintain she looks too maniac to be stable enough to succeed in her goals, but that may just be a personal preference thing.

What has always been so wonderful about Batwoman is she's unafraid to be brutally honest with herself, even if that means being harshly introspective at times. This was no exception, as the internal monologue proved.

This was an interesting issue, though it did feel like it was a little all over the place. It'll probably feel less so once we understand how everything fits together, but right now it feels like two plots were crammed together. It's nice seeing the effects of what happened in Batman #50, even if that isn't a terribly pleasant thought, at least we know they're not going to drop it and pretend it never happened. As for Kate's plot"it'll be interesting to see if and how Safiyah fits into all of this.

Big Girls #1 was an intense, yet fascinating, start to a new series. Personally, I'm already looking forward to reading the second issue, and so on and so forth. Having read this first issue, I can completely understand the comparisons made during the marketing campaign. They're already proving to be spot-on. Though Big Girls is also providing its own flair, naturally. Here's hoping that trend continues.

Big Hero 6 The Series #1 is a fun and family-friendly series, full of little quirks and a fascinating look into the mind of Fred.

Black Canary: Ignite is a fun peek into the backstory of the one and only Dinah Lance, full of bright artwork and characters.

Black Widow #1 is full of creative writing, character development, surprising twists, and absolutely perfect artwork. Altogether, it does the character (and her fans) justice.

Black Widow #2 is a carefully written issue, and it shows. It's rich and intense, full of subtext and creativity. Throw in the bold artwork, and that makes for a fantastic read.

Black Widow #3 is groundbreaking and adventurous, taking risks and having fun all at the same time. Combined with some striking artwork, it's making for one truly memorable series.

Black Widow #4 is a fascinating yet somewhat dark read, full of risks and challenges for a fan favorite character. This series has been a breath of fresh air, with creative writing, brilliant artwork, and so much more.

Black Widow #5 is an intense and thrilling issue, one that portrays Natasha Romanoff as the human she is, with raw emotions spilling out of the pages. Meanwhile, the artwork does an excellent job of portraying that tension, and all the fights surrounding it.

Black Widow #6 is a dramatic beginning to a new plot arc, one that is already proving to be as intriguing as it is intense. The artwork for this issue is breathtaking and works very hard to steal the show on more than one occasion.

Black Widow: Widow's Sting #1 is an action-filled issue, which perfectly portrays all of the challenges Black Widow comes up against on a regular basis. The writing and artwork flow together seamlessly to tell the same story here.

Blackbird #5 is one of the more intense issues in this series, which is saying something. It's absolutely worth reading if for nothing else than to see the gorgeous artwork and dramatic reveals that occur within its pages.

Blackbird #6 was an intense issue, but it also was everything I had hoped for the conclusion of this plot. Actually, it was quite a bit more than I had hoped for. Everything we were told made complete sense, and we were able to see what Nina was going to do about the truth she learned. It was exactly what we needed to see.

Bliss #1 didn't waste any time, instead opting to throw readers straight into one of the biggest moral dilemmas around, and doing so in beautiful detail. It's rich and fascinating, all while being exceptionally dark.

Bone Parish #9 managed to up the ante in ways that I did not expect. They're turning the plot inward, but it's making everything significantly more complex. The end result is a fascinating plot that has plenty of room for exploding " and I'm sure I'm not the only one looking forward to that moment.

I'm still loving the tones of the series. And while this issue was slightly more graphic than the last couple, it didn't hit that point of being overly gory. It's a tough balance, and one that I respect. And of course, now I'm looking forward to seeing what the fallout will be in the next issue.

Bone Parish #11 did a brilliant job of moving the plot forward. It's begun to weave all of the plot lines back in together, surely setting up for a very dramatic conclusion to the series. I still have questions, and I sincerely have no idea what is going to happen before it ends. And I couldn't be more excited to see what happens.

Bone Parish #12 was an ideal conclusion to a dark and disturbing tale. Wrapping in the cycle of life and death was a good choice. It added a cyclical concept to the plot, both supporting the arc and hinting towards something else along the way.

Captain Marvel #1 was a strong start to the new series. It allayed any fears I had about the new creative team and even got me looking forward to all the future issues. I'm curious to see where the newly introduced plot is going to take us.

The tones of this issue were the highlight, without a doubt. It left me wishing that we could almost see Captain Marvel in a dystopian world all the time. That's the mark of a well-done plot and setting, if I may say so. Despite the heavier tones, the issue did manage to squeeze in a few laughs, leaving everything perfectly balanced.

Captain Marvel #2 was another strong issue for the series. The antagonist is a bit on the heavy-handed side, but a) that's totally fine, and b) he's a villain from another series. So you can't even blame this series for him. I think using him here was well done, and goes a long way in furthering the points frequently shown in Captain Marvel series.

I love that this issue brings the past in as well, both with a couple of subtle references, and one major appearance. It's frustrating sometimes to see a series ignore previous events in a character's timeline, so it's refreshing to see them tackling this problem head-on.

Captain Marvel #5 concludes the current plot arc, but thankfully not the series. It was everything I could have asked for out of a conclusion, as it covered everything from wrapping up all the points to laying the groundwork for the next plot.

This issue took a dramatic fight scene, a classic comic trope, and mashed them together for a unique (and at times hilarious) plot. And I sincerely cannot wait to see more about this plot. Or to find out how far the gossip train will spread amongst our heroes.

Captain Marvel #7 was a whirlwind of an issue. It was one of the better tie-in issues I've seen, not just for War of the Realms, but in general. And it was a majorly fun team-up, to boot, so it was a win all around.

Captain Marvel #8 was an intense but interesting read. The intensity makes sense, given that it's following War of the Realms and a strong sense of foreshadowing. It was a strong lead to a new plot"one that'll be interesting to see where it ends up.

“Falling Stars” has been a rollercoaster for many fans, and the tale isn't over yet. We know that there's going to be at least one more issue in this plot, before diving into the one that so many people online have been talking about. (Hint: it involves one of the symbiotes).

Captain Marvel #11 had a little bit of everything in it, along with a brilliant conclusion. I know many fans have been eagerly looking forward to the next plot arc, but I personally enjoyed this one immensely. Though I'd be lying if I said I wasn't anxious to find out what happened next...

Captain Marvel #12 was a heavy-hitting issue, one that wasn't afraid to pull punches. Literally. There's a whole lot more going on behind the scenes in this plot, as it's already begun to hint at. And I for one, cannot wait to see what lies ahead.

Captain Marvel #13 had big shoes to fill, thanks to the dramatic and alarming previous issue. And yet it held up to fans' expectations, while also keeping to the promise made. It was intense and brilliant and full of action. And it's going to make for a very memorable issue.

Captain Marvel #14 was another dramatic event in this plot arc, and I honestly couldn't get enough of it. This issue had a little bit of everything, all in the right proportions, and that made for one memorable issue. The conclusion to this issue is making me more than a little bit anxious to see what happens next. But that's not a bad thing. Or that surprising, given how much I've been enjoying "The Last Avenger" to begin with.

Captain Marvel #15 is one of the most dramatic additions to the latest plot arc. That is really saying something, given how enthralling this entire arc has been. I know that I, personally, can't wait to see what will happen next.

Captain Marvel #16 was the dramatic and epic finale to this plot arc fans deserved. It was worth the buildup, and probably then some. Many fans have fallen in love with this version of Carol Danvers, taking into account her stubbornness and determination to save as many lives as possible.

Captain Marvel #17 was the perfect issue to follow the last plot arc in the series. It still threw a serious villain at Captain Marvel (and her friends), while also feeling a bit freer to have some fun. This is likely something that happens to Carol all the time, so it's a delight to see portrayed here.

Captain Marvel #18 somehow found a way to up the ante, all while dealing with a major event from the Marvel Universe. It's the start of something new for Carol, and fans can only begin to guess how it's all going to play out.

Captain Marvel #19 was the perfect blend of plot and event tie-in. The adventure that Carol is on is not one we expected, but it's been brilliant, nonetheless. The war is affecting her life, as it's affecting everyone else. Yet she might be gaining something in the process"assuming that things aren't about to go horribly wrong (fingers crossed).

Captain Marvel #20 carries forward so many different elements, all of which flawlessly work together to create something grand and exciting. This is by far one of the best tie-in arcs seen in quite some time, providing lots of fun and character development all at once.

Captain Marvel #22 is the start of a new plot arc for Carol, and yet it is one that feels familiar. Connected to Captain Marvel: The End, this plot is going to give fans a chance to finally get some answers, all while leaving room for hope"and concern. Only time will tell how Carol is going to resolve the current situation she's found herself in.

Captain Marvel #23 is an intense, yet enthralling read. It gives us a glimpse into a dark and twisted future. It's a future that readers can't help but hope will be avoided"even while we desperately devour all the little details provided.

Captain Marvel #24 is a thrilling read, with more than one mic-drop worth talking about among fans. The ending alone is enough to have me counting down the days until the next issue, all while thinking about the revelations that have already occurred.

Captain Marvel #25 is another impressive addition to Captain Marvel's career. I know that I can't be the only fan (well, fangirl, and no shame in it) that's ecstatic to see that final page for this issue. Now to see where it all leads.

In many ways, I am sad that Captain Marvel #26 brings a wrap to this plot arc. Still, it's impossible not to be extremely curious about where things will go from here. As the saying goes, when one door closes, another one opens.

I've been looking forward to Captain Marvel #27 ever since I saw the cover (and those variant covers! Swoon), and it did not let down. It was entertaining, human, and exasperating all in one, and made it the perfect issue to follow such an intense plot arc.

Captain Marvel: Braver & Mightier #1 is a solid introduction to a new series. It looks like they're going to be focusing on the more human elements in Captain Marvel, while also trying to push her to even higher heights. Sounds about perfect for her character, doesn't it?

Catwoman #25 marks the 25th issue in her latest series, and it comes with three dynamic stories, full of brilliant and bold artwork.

Catwoman #26 is a bold issue, melding her past and her present together in one unique narrative, all while setting up for future conflicts. Supported by bright and charismatic artwork, this is an issue for the fans.

Catwoman #27 is a fast-paced issue, one that sets the scene while also providing a strong reminder of Catwoman's past. All in one. Complimented by creative artwork, it has a story worth telling.

Catwoman #28 is bold and fierce, reminding readers that Catwoman is far from being out of the game, despite what some of her enemies might like to think. It's full of action, and the brilliant artwork supports all of it.

Catwoman #29 is a bold issue, one that weaves together multiple storylines in order to create something new. It is full of surprises, clever moments, and vibrant artwork.

Catwoman #30 is an interesting issue, one that feels like it's setting up for another dramatic series of events. The artwork is dark and brooding, and suits the plot quite nicely.

Catwoman #39 isn't afraid of color or daring adventures, as it sets up for a new series of events for the one and only Selina Kyle.

Champions #8 is a visually striking issue, full of character development and changes to keep fans occupied.

Champions #1 is a powerful issue, giving a voice to younger generations, creating parallels (both to Marvel's past, and current real-life events and emotions) in evocative ways. Combined with the artwork, it all makes for a memorable issue.

Champions #2 is a powerful and poignant issue. It doesn't pull punches, and instead tells a story that will hit very close to home. Supporting all of that writing one will find striking artwork, which makes brilliant use of light sources and color.

Champions #3 is a harrowing read, of that there is no doubt. Yet it is also a powerful read, one full of raw and real emotion, and supported by colorful and dramatic artwork.

Champions #4 is full of tense moments, vital characters development, and so much more. The bold artwork helps to increase the impact of this plot, which is already fairly intense.

Champions #5 wraps up the current Kamala's Law/C.R.A.D.L.E. plot arc, and it does so in a way that is reminiscent of major Marvel moments in history. It's a powerful read, and a visually stunning issue to top it all off.

Champions #6 is a bold and busy issue, with the Champions still reeling from the last arc. Yet there's no time for a break, as new plots and enemies are already being established. The art does a great job of capturing the wrongness of what is happening in the series.

This was a really intriguing start to a new series. At first I didn't think I was going to enjoy it (I actually put it down two pages in for a break before I continued), but once I got into the swing of things I found myself really invested in the world being developed here. I was absolutely shocked and horrified by the end revelation, which means they did their job right. I wonder how much of the rest of the world is just as twisted as that.

Crimson Flower #1 is one of the most unique series of the year, with bold storytelling decisions, even brighter artwork, and a sense of fact and fiction merging together to create something new.

Crimson Flower #2 is a dark and twisted issue, one that really dives into the whole hunt for revenge concept. It made excellent use of folklore elements to tell this harrowing story, influencing both the narrative and the artwork in striking fashion.

Crimson Flower #4 was a bold and interesting issue, one that took risks and concluded the series in dramatic fashion. The artwork and story both will be remembered for quite some time.

Crone #1 was a strong start to a new series, one that subverts all expectations of what it means to be a warrior.

Crone #2 continues the tale of Bloody Bliss, while also being part cautionary tale for readers.

Crone #3 was a vibrant and concerning tale of the aged warrior, full of striking scenes and colors.

Crone #5 was a beautifully written conclusion to a compelling series, one that is full of striking and evocative artwork.

It's great to see this series going again. And while this issue didn't end on a cliffhanger, I really am looking forward to seeing the next issue. I can't wait to see what sort of mess Charlie gets into next!

Crowded has been a whirlwind of a series, one that keeps taking these crazy twists and turns. And while it didn't slow down in issue eight, it did stop and take a look at some other vital elements of the series. It'll be interesting to see where this goes, in the long run.

This series is clearly getting ready to put our team on the offensive, and that means that things are about to get crazier than ever. I can't wait to see what happens next.

Crowded #10 was a bit of a diversion from the main plot. And yet it built up so much, proving that there are a whole lot more fans need to learn in this series. It also went a long way in pushing forward character development, all while building the tension. I can't wait to see what the next issue has in store, given everything that has been happening.

Crowded #11 was a dynamic and charming read, one that pitted our two leading characters against one another, all while forcing them very far out of their element. The twists and turns in this series have been both highly engaging and unpredictable"and worth checking out. I personally can't wait to see what happens next.

Crowded #12 was a fantastic and highly entertaining reading experience. It kept me on the edge of my seat while reading, and I sincerely hope that I'm not the only one. It was full of drama and tension, naturally. But it also went a long way in reminding us of the humanity and past of the characters we've come to love. And don't forget all of that foreshadowing dropped at the end of the issue!

Dark Agnes #1 features bold artwork alongside a brave and daring (yet reckless) character.

It's certainly something that's going to leave an impact on the event and its readers, and it's not going to be forgotten easily. Regardless of what-ifs, this what-if in its own only opens another door to an even darker place.

As for the artwork, I'm in love. That's all I can say. It's visually striking, the covers are been superb so far, as have the color palettes and design choices. I enjoyed seeing how her powers were portrayed; for example, the moment when she transitioned from human (well, vampire) to shark, it was well done. While it reminded me of an Animorph cover, it didn't read as being nearly that hokey.

Like the past couple of issues, I absolutely love this cover. It's stunning, to say the least. Having her representing in a glowing bright white while the lions are white dipped in red makes for a striking image. The blue background both complements and contrasts it all perfectly. I also approve of the artists' choice to represent the end of the world vision in hues of not just red, but purple. It helps make it stand out from all of the other apocalyptic representations out there. Plus it shows us rather than telling us that the sun has been blocked from reaching the earth (while having a blocked out sun may sound like the vampiric dream, one must consider the cost).

The artwork for this series has been simply stunning, and this issue is no exception. As usual, the cover is my favorite - the bright gold chain and the deep purple background are a very striking combination. Though I'll confess when I first saw a thumbnail for this issue, I thought she was holding a spear or light or something in her hands. Samael is well designed too; he's large and intimidating, but I'm happy they chose to have him be calm and poised rather than feral. It actually makes him scarier, in my opinion.

The cover for this issue is stunning as always. I don't think the chosen image is as strong as some of the others, but the color palette is striking (and complements the bomb in the background, so bonus). The artwork inside is equally striking, though obviously some pages more than others. The magical shield Valla used was beautiful (and apparently pretty effective), and as much as I hate to say it " the distant images of the bomb were very pretty as well. Especially the out of orbit images. The final panel had the best still image, which is the perfect way to end things before a break.

Darkhawk: Heart of the Hawk #1 is a powerful and memorable issue. It's a true celebration of the character, telling a story that both he and his loyal fans deserve. This is an issue that raised my fading hope, giving me a reason to believe we'll be seeing more of Darkhawk someday. Hopefully soon.

I'm curious to see where this series leads in the long run. This issue set some expectations, but a lot of it was vague enough that I can see it going several different ways. Admittedly, that went a long way in making me more invested in the series.

Dead End Kids #2 proved that the first issue was not a one-hit wonder. It continued the tale that captivated readers while adding more complexity along the way. The twists and revelations in this issue made it anything but predictable, leaving us with a true mystery on our hands.

Dead End Kids #3 was the conclusion that all series deserves. It tied up everything, but not in the stereotypical neat little bow. That's too clean for this series. But what we were given is exactly the sort of ending we needed to see, in many ways.

Deadpool #1 is a fast-paced and action-packed first issue to Deadpool's latest series. It brings with it a few surprises, in the form of walk-on characters. But it also has plenty of memorable new monsters to showcase, and in general, simply has a lot of fun being exactly what it is.

Deadpool #2 was a surprising mix of events and emotions, but the end result was something new and yet so utterly Deadpool. The decision to add new characters (mostly cameos from other series) was an excellent call, as Deadpool is at his best when he has people to interact with.

Deadpool #3 was a surprising issue, one that pitted Deadpool against a classic antagonist, but with unexpected results. It's so easy to assume that, because Deadpool is hard to kill, he'll win every fight. This whole plot has been a strong reminder of the challenges he can still face.

Deadpool #4 was every bit as chaotic and entertaining as I was hoping. But more than that, it added weight and import to everything that Deadpool and the monsters have gone through up to this point. It gives us hope for what can potentially follow, and I'm very much looking forward to seeing that.

Deadpool #5 was not the issue I was expecting it to be " it was so much better. This issue mixed emotions and tones in a way that only Deadpool is capable of, creating a reading experience with a message hidden within. It's exactly what the fans deserved and needed right now.

Deadpool #6 is a busy issue, but not in a bad way. There's plenty of elements for a variety of fans to enjoy, from the action to the drama, and so much more. It's an issue that quickly bounces between intense and fun, showing off some impressive writing skills.

Deadpool #7 is an action and chaos-fueled addition to Deadpool's series, but in the best of ways. Along with plenty of battles and banter, there's still room for drama and surprises. That final revelation at the end of this issue is going to leave readers eagerly waiting for Deadpool #8.

Deadpool #8 is a surprising issue, full of action and so much more. It's the “more” that is surprising, in this case. Deadpool is being pushed to all-new levels in this plot arc, and that is starting to show.

Deadpool #9 is another frantic and fun issue about the merc with a mouth. This is an issue that has a little bit of everything " action, drama, romance, Jeff, comedy, and more. It makes for a great and memorable lead. All while setting up for whatever adventure is going to be next.

Deadpool #10 is, without a doubt, one of the most hilarious crossover issues I have ever read. I'd like to think that is saying something, and hope that other fans feel the same way about it. This was one fun and chaotic mess, meant in all the best possible ways.

The artwork was perfect for this story. Lots of bright colors and more focus on solid shapes than details, which makes the cherubs seem more humorous than threatening (I wonder if that'll change later?). The cupid/cherub guys are pretty cute " they're not overly baby-ish (which can just be creepy), while still being clear of what they are. The more realistic wings were a nice touch as well.

The artwork has been consistently great these past two issues. The cupid characters all look alike on the whole, but have great expressions (especially when they're angry or confused). There is one graphic scene, but the artist did a great job of having it be graphic but not gory; it was the perfect balance, if you ask me. I still love the chosen color palette, and this issue cover has probably been my favorite so far.

This has been such an interesting series. I'll admit that I find myself loving to hate Philo.

I adore the artwork for this series. I'm not one to intentionally seek out a gory series"but they've kind of nailed it here, if I may say so. The series started out showing more blood than viscera, but as things progress so do the graphic details. They're essentially desensitizing us to what's happening to the cupidae, and it's pretty interesting (and just a bit cool).

The art style was consistent throughout the series, and truly it was perfect for the story being told. There were a lot of graphic fight scenes that could have been worse, but the artist chose to imply the gore by showing lots of red and blood. Yet they also showed gore as needed. It's an interesting and fine balance. Likewise, the character designs were perfect. Zoe looks like a total 'girl next door' type but with her own quirks to hint at the personality Philo is forgetting about. Philo himself looks like a guy that thinks a lot of himself, and even that changes throughout the series. His expressions become more open and concerned, more human. In short, the art supported this series perfectly.

Death's Head #1 is the start of an insane and hilarious new miniseries. I can see why they limited to four issues, even while considering it a shame that it won't go on longer. It's already proving to be just as fun and chaotic than expected. And it's pulled in even more named Marvel characters than I was expecting.

Decorum #1 is a creative feast for the eyes, full of bold style decisions and character introductions.

Die #1 made heavy use of suspense, taking advantage of the fact that we didn't know what was going on. That will likely have to change in future issues, as we learn more about the world the characters have been sent to. It'll be interesting to see how they end up connecting the different storytelling styles.

Die #2 lived up to all the promises that the first issue made. The further the story has gone, the easier it is to understand the fear all of the characters are experiencing. You can start to really understand why they would prefer the dull and broken lives to this one any day of the week.

It's so exciting to see Doctor Mirage getting her own series again. And Doctor Mirage #1 certainly starts the series off with a bang. The twists in the first issue alone are enough to get readers coming back for more. I'm looking forward to seeing how this series will progress.

Doctor Mirage #2 read completely differently from the first issue, but that's not a bad thing. The clever artwork and storytelling style allowed us to learn even more about the situation Mirage is in. Though it has perhaps left us with even more questions to be answered.

Doctor Mirage #3 was a surreal masterpiece. The artwork and the plot combined to leave the reader unsure of the truth. And the end result was something luminous and vibrant. I already can't wait to get my hands on the next issue, and I know I'm not going to be alone in feeling that way.

Doctor Mirage #4 was a terrifying, moving, and powerful issue. It upped the ante, putting Doctor Mirage into even greater risks, all while slowly revealing the truth of the world she is trapped in. It's been a whirlwind of an adventure, and there is still more left to this tale.

Doctor Mirage #5 was a breathtaking read. As with any series conclusion, it had a strong bittersweet sense to it. But it also fulfilled the promises that have been made during the entire arc. It may have left fans with many questions. But it also left one single, vitally important promise. That promise? Doctor Mirage will be back.

Domino: Hotshots #1 was an interesting and fast-paced issue. There was a strong balance between the serious and the humorous in this issue, which is to be expected. Neena has a way of calming down even the worst of moments. Which is good, because they're going to need that with what is sure to happen in the following issues.

Domino: Hotshots has been an interesting and intense series so far. It's been full of new team-ups and snappy one-liners. Domino: Hotshots #2 continues that trend, but it also throws even more into the mix. As if the newly formed team didn't have enough to deal with. But it does make for an interesting read.

Dragon Age: Dark Fortress #1 is a tense start to a new series. It's richly detailed, full of backstory and foreshadowing. Throw in the dramatic artwork, and it is a memorable issue that fans of the franchise will enjoy.

Dragon Age: Blue Wraith #1 is the bloody beginning to an all-new Dragon Age story.

Dragon Age: Blue Wraith #2 is an issue full of careful storytelling and brilliant artwork.

Dragon Age: Blue Wraith #3 concludes the series, giving each character a chance to shine, and providing us one last chance to see such vibrant artwork.

Dragon Age: Blue Wraith #3 concludes the series, giving each character a chance to shine, and providing us one last chance to see such vibrant artwork.

Dryad #2 is a carefully written piece of work, all while providing simply stunning artwork to perfectly carry the story.

Dryad #3 is a fascinating issue, complete with bright and beautiful artwork, as well as some curiosity invoking revelations.

Dryad #4 is an issue full of family drama and dynamics, bright artwork, intense action, and no shortage of intrigue.

Dryad #5 is a bold new series demanding attention. Bright artwork sits alongside unique characters and plots, to create something new.

Dryad #7 is an emotionally compelling read, raising questions and answers alike, all through the use of lush and vibrant artwork.

I still adore the artwork of this series. Having Tair and Rion be visual opposites of each other was brilliant, they're striking but distinct from one another (as are their daraka). One scene stood out to me in particular " the scene with the Empress showing us her back. I love how her dress is cut to allow her wings freedom. Too often we see designs just pretending it isn't an issue, rather than addressing the practicality of it head on. It's nice to see that the artist thought this one through.

The artwork is of a flatter style, with minimal shading and only using details when needed. I actually really like this style; it forces the focus on the typography, color palette, and characters. Plus when details are provided I know they're likely to be important, which is a nice touch.

Eve #1 is an evocative and powerful beginning to Eve's story. It's so easy to picture her struggles and the world around her. The story and artwork resonate, bringing the story home in ways that cannot be ignored.

Everything #1 is full of bright artwork and disturbing elements hidden just beneath the surface - hinting at a darker truth waiting to be revealed.

Everything #2 combines the weird and the psychedelic, telling a story like no other.

Alright, I know I've probably talked your ear off about this issue as it is (Can you tell I love Lovecraft and anything that has even the smallest bit to do with it?) but I'd like to take a minute to talk about the artwork. I love that the artist did something slightly different from standard for graphic novels " the lines and edges aren't clean, sometimes they even give the illusion of cross hatching. I love this because it really helped to make the world seem more real, and as a bonus it stood out more on the shelves too.

I'm still in love with the art style used; it's such an overlooked style, but it really works with this sort of plot. It's rougher and textured which makes certain scenes seem more gory or horrifying (which I imagine is exactly what they were going for).

The art style is the same as the last couple of issues; a rougher sort of hand drawn look about it. I think it's perfect for the story being told here. It almost adds a bit more of a horror element on its own, like you know the style carries its own emotion and weight with it.

I'm thrilled that the art style has remained the same through all of these issues. The rougher sketchy quality to the artwork really adds to the horror element being told. The use of color palette to imply tone and moods is brilliant as well.

I'm still enjoying the rougher quality to the artwork with this series. This issue had some gore, which was accented by the sketchy style. It helped make the scenes grotesque without them being graphic. It's an interesting balance, all things considered.

For a new series, Exorsisters certainly looks like it has a lot of potential. Like any new series it's still in its settling in phase, but once past that, I thought it could prove to be really intriguing. Already we've had a couple of mysteries hinted at us.

The series has been really enjoyable so far. The mystery of who the twins really are has been solved, but there's likely still so much more to their story. Exorsisters #2 even took the time to set up for the next plot, which is always appreciated. There is a chance that the series could become a freak of the week sort of thing, but as long as it stays humorous I'd be okay with that.

Exorsisters is one of those series that isn't afraid to beat up its main characters, both physically and emotionally. That sometimes results in it being a rough read, but it does go a long way in making sure we're emotionally invested in the series. Unsurprisingly, this issue has kept that trend, with the new backstory revealed.

Exorsisters #4 is really starting to move the plot forward at an exceptional pace. We still don't know everything that's going on here, and that's a good thing. Cate and Kate are dealing with something that they've never seen before"on multiple fronts. From creatures pretending to be something they're not, to complicated plots that they haven't even begun to unravel.

Exorsisters #5 successfully ups the ante of the series, while also reminding us of everything that these two sisters have to lose. This series has always had fun with its concept, never taking itself too seriously. But it also isn't afraid to remind us that these girls do in fact have feelings, and have been through hell (literally) and back.

It is shockingly good to have Exorsisters back and updating once again. This series has been fun from the start, but with the new arc that Exorsisters #6 brought with it, things are certain to get more intense from here. I, for one, am very much looking forward to seeing what happens next, all while seeing how these strange sisters deal with it all.

Fairlady #1 was a strong start to this new series. It still has a long way to go with the story, but I get the impression that we're going to learn a lot more about our main characters, as well as the world at large.

Fairlady #2 lived up to both my expectations and the promise of the series. In many ways I think that the second issue surpassed the first, which, of course, has resulted in my expectations being raised for the next issue.

The adventure of Fairlady just keeps getting more and more interesting as time goes on. This issue was the most complex one to date, and with good reason. The writing coupled with the art style makes for an immersive reading experience.

All in all, this issue was wonderful. The bounty was not something I expected to see"and yet it was something I feel that any reader can sympathize with and support. That certainly made the whole ordeal a lot more entertaining.

Fairlady #5 was perhaps the strongest issue of the series, weaving old plots into the new and creating something so much larger than readers have ever expected. Jenner's perspective was retrospective in a way that made it oddly perfect for the last issue.

Family Tree #1 is a dark and disturbing introduction to a unique series. One that is sure to send chills down your spine.

Family Tree #2 is an intriguing issue, one that delves into the past, while making us more concerned about the present.

Family Tree #3 takes a fun twist on the concept of family drama, filly the pages with a different interpretation as well as brilliant artwork.

Family Tree #4 boasts some clever writing, intense character development, and brilliant fight scenes.

Family Tree #5 is an intense read, one full of vibrant artwork and sudden changes in both perspective and setting.

Family Tree #7 is a haunting issue, full of character development, surprising reveals, action, and some striking artwork.

Family Tree #8 is another horror-filled issue, portraying all of the change and loss one family, in particular, must go through. Supported by creative art styles, this is one memorable issue.

Family Tree #9 stands out among the rest of the series, with Josh's perspective taking center stage, as well as several other key changes. That tone and unique art style are still very much present.

In Family Tree #10, the action and drama seem to feel stronger than ever, as Josh struggles to keep his family whole and safe. As per usual, the creative artwork really brings this series to a whole new level.

Family Tree #11 is full of action, drama, horror, and change. It's creatively written and illustrated, leaving strong impressions in the minds of all fans and readers.

Farmhand #6 brought with it a new plot, but it's tied in so well with the previous plot that it doesn't really feel that way. It's building upon everything we've been shown before, increasing the tension. We know that something is going to break, and soon. We just don't know how it's going to happen yet. Farmhand has been a truly unique and exciting read so far. It's not afraid to be itself, and it really does stand out amongst the rest. It's a blend of a lot of different tones and elements that seem contradictory, but end up being something quite fascinating.

This issue was also shockingly emotional, which I think was also needed. It reminded us that the people at stake are just that"people. They're flawed, broken, and hurting, but they're still people. I'm very much looking forward to the next issue to find out where that cliffhanger is going to lead.

Farmhand #8 was everything I had hoped it would be. Actually, it was quite a bit more than that. I was curious about the stranger shown at the end of the last issue, but none of my guesses could have competed with the truth.

Part of me is sad that this is the season wrap-up for Farmhand. The rest of me is curious to know how many more seasons are planned. I'm sincerely not sure how far Guillory is planning on taking this plot, but I'm anxious to find out.

Farmhand #11 went out of its way to build up towards something larger. We don't yet know how explosive this plot is going to get. This issue left us in a desperate state. We know that things are going to get worse before things get better. But now we know how few avenues seem to be available.

Farmhand #12 is one of those issues full of drama and danger"and yet you can't help but feel like it's all building towards something even bigger. And thus I'm finding myself quite excited to see what will happen in the next issue, and for more than one reason. Anybody else feeling that way?

Farmhand #13 was a chilling and delightful issue to read. That sounds like a contradiction, I know. But any horror fan out there knows exactly what I mean by that. This series has been so much fun to read, and I'm honestly looking forward to seeing what will happen next. Though, I can't even begin to guess at what the next dramatic revelation will be.

Farmhand #14 was another chilling, but brilliant, addition to this series. It's officially hit a point where I'm practically counting down the days until the next release. That's how intense and fascinating this plot has become.

Farmhand #15 was a haunting tale, one that revealed the past to such a dramatic effect. It truly would not be the same series if they were to remove the family drama. Or the horror, for that matter. Together they merge and create something new and perfect.

Fearless #2 lives up to the expectations created by the title, with fun and daring plots and brilliant artwork.

Fearless #3 brings us yet another beautiful and dynamic issue focusing on the ladies of Marvel.

Fearless #4 lives up to its name, giving us bold plots and brilliant artwork.

The artwork is exceptionally clean " no spare lines anywhere to be seen and very minimal shading. This does sometimes give the illusion of everything being a bit more on the blocky side, but it is also reminiscent of manga as well. It's an interesting blend between the two, in a way. I will say that all the characters introduced have amazing hair, especially Nicholas. The artist did a fantastic job making all three of them very distinct (different facial structure, hair style, hair color, etc) yet bold.

Firefly #6 was a fast-paced read worth every minute. It was both tense and funny, depending on what was happening " and who was doing what. But everything balanced out, making for a really interesting read on the whole.

There were a lot of memorable moments in this issue, some more humorous than others. And while I don't know where this plot is going to lead in the long run, I have been enjoying the journey so far. The real question is, what will the next issue bring with it?

Firefly #8 still has the crew split apart - but there are even more twists for them to deal with. How will the crew deal with this one?

Firefly #9 is a beautifully drawn issue, while also being a strong reminder for why Mal can't ever seem to escape his past.

Firefly #10 is an emotional issue and a strong reminder that you can't always take the war out of the soldier.

Firefly #11 brings us some beautiful artwork alongside a shocking twist or two.

Firefly #13 is an issue full of shocking twists and stunning artwork, showing a happy medium between television and comic series.

Firefly #14 is full of creative twists and turns, and some truly breathtaking artwork. Together they've created a memorable issue for the readers.

Firefly #15 is a unique reading experience, one that contains interesting subplots and striking artwork.

Firefly #16 brings with it creative plots, fun character development, and vibrant artwork worth looking at.

Firefly #17 features bold artwork, clever character development, and plenty of action to go around. Altogether, that makes for a memorable issue.

Firefly #18 has a unique plot and some absolutely beautiful artwork to back it up.

Firefly #19 is full of bold scenes, colors, and lots of character development, all of which throws a unique spin on this beloved series.

Firefly #20 is an interesting issue that portrays events and stories surrounding the rest of the crew, all with brilliant and bold artwork.

Firefly #21 took a lot of risks, and it shows. The tone has altered for the series, though thankfully several characters have stayed true to their roots. The vibrant colors and carefully designed contrast make for bold statements.

Firefly #23 is an issue that takes risks, as with the rest of this entire plot arc. It's not a plot fans expected to see in this series, and has some odd notes. Though it does succeed in being quite the surprise. The intense and bright artwork makes for a stark contrast.

Firefly #24 has brought with it many risks and changes, courtesy of the new characters that have been introduced over the course of this series. This is the second to last issue of this event, and things are starting to wrap up. The artwork is excellent, while the writing has been unafraid to take risks.

Firefly #25 is an issue unafraid to take risks, as it merges two plot arcs together in creative " and highly surprising " ways. The bold character designs and vibrant colors keep true to the heart of this series, while leaving room for some memorable moments.

Firefly: Watch How I Soar is beautiful and heartbreaking all in one, as Wash takes center stage and finally gets a chance to tell his story. Fans of the original series will know painfully well what the entire tale is building up to, and even the striking artwork can't distract from that fact.

Firefly: The Outlaw Ma Reynolds was an interesting diversion set in the universe of Firefly, and is full of stunning artwork.

Firefly: Bad Company #1 is absolutely worth reading if you've been following all of the Firefly comics so far. Or even if you haven't, but simply want to learn more about Saffron. It has the classic Firefly feel to it, with all the tone we know and love. I have to confess that I love that in the end we couldn't take what we were told as truth. Once it was revealed that it was Saffron who was narrating, it suddenly threw everything into question. It's such a classic Saffron thing to do"make us question the truth and perspective. It's a perfect representation of her character.

Firefly: Blue Sun Rising #0 is an interesting issue, pulling in completely new and different elements into a series so well known to the fans. Supported by bold and bright artwork, it's one that will make fans stop and think.

Firefly: Blue Sun Rising #1 wraps up the current plot arc, as well as the crossover event. It's satisfying to see everything cleaned up so neatly, leaving room for a new plot to begin. Meanwhile, the artwork showcased a variety of characters, emotions, and scenes, and did so flawlessly.

For the most part I loved the artwork for this issue. They've followed the establish art style for the Flash comics, and continued to make the two red Flash suits clear (one being Wally the elder and Barry), which is greatly appreciated. Sometimes the outfits have me wondering " how can a suit that's so tight that it shows every muscle and bend be flexible enough to allow for all the fighting they do? Mostly this criticism is directed at Tornado-Man; the dude was oddly ripped (even though all he did was fly inside a mini-twister).

Folklords #1 was an interesting start to what is sure to be a fascinating and memorable miniseries. It has proven to be fast-paced and witty, pushing Ansel's story to a nearly comical extreme. It will truly be interesting to see where this series goes, given how many issues it has left.

Folklords #2 had a lot of disturbing"yet fascinating"undertones. And it's impossible not to be intrigued by what is unfolding right in front of us. Ansel's quest was one that sounded interesting right from the start. But it's the twists and turns that are keeping this tale interesting. And I, for one, am looking forward to seeing how this latest twist concludes.

Folklords #3 fully invested me back into this dark and twisted series. Where before I had merely been curious, now I sincerely can't wait to see what happens next. The creative storytelling style alongside the darker elements has made this a series to follow. And I for one am looking forward to seeing where it goes.

Folklords #4 continues the trend of twisting and warping fairytales. Yet it's still a surprising read, one that merges well with the core of the plot. This issue is arguably the most thought-provoking issue of the series thus far, and that will certainly make it a memorable one.

Folklords #5 was a dramatic read, being an issue full of surprising twists, action, and so much more. It felt like the first plot arc has been properly wrapped up here while setting us up for many more events in the future.

I love the artwork for this series. Especially the character designs. Each character is so unique and full of personality. Lance is obviously the badass one, you can tell right away just by looking at him. Tasha doesn't necessarily look like a spy (does a spy have a specific look?) but she does look like a techie. John looks like the tall dark and handsome sort, but also a bit of the bad boy as well, which fits. And as mentioned a couple of times, Apollyon is wonderfully designed as well. I love the choice of using mostly purple in her color palette; it gives her a regal feel like still letting her look threatening.

As for the artwork; I still love Apollyon's character design and color palette. I know we're only two issues in, but the cover with her standing there dramatically is by far my favorite. My other favorite scene for this issue would have to be the rift opening up around all those bright race cars. It was dramatic, detailed, and bright. All of my favorite things rolled into one.

I love the almost rough quality to the artwork, and while there weren't that many rifts shown this issue, I did enjoy what I got to see. I still adore Apollyon's character design, and appreciate the way the fights have been drawn in this issue (accurately but not with excessive graphic detail).

Gen:LOCK #1 is going to be an issue that lives up to fans' expectations of the series, though perhaps we're all still reeling from DC picking up the series (along with RWBY, for those that are curious). As a fan desperate to see more of the series, I couldn't be more excited by the comic book version coming out. I'll gladly take anything they're willing to give us, and I imagine I'm not the only one feeling that way.

Gen:LOCK #2 has found a way to keep fans invested by dangling a mystery right in our faces. That, combined with some brilliant action and cute moments from our characters, is more than enough to keep many fans reading. Or at least, it's enough to keep this fan dedicated to the comics! Only time will tell where this series is going to take us in the long run.

Ghost-Spider #1 was a fantastic first issue to Gwen's newest series. It's vibrant and full of life"just like Gwen Stacy. And of course, we appreciate the ironic mirroring between the two fresh starts here. It was a nice touch.

Ghost-Spider #2 is most assuredly the calm before the storm. And while a fan would never actively root for something bad to happen to Gwen"it will be interesting to see how it all plays out. The foreshadowing in this issue was well done, being both creepy and interesting.

Ghost-Spider #3 did an excellent job of telling us three stories (perhaps four) all at the same time. And while we can assume that at some point those plots are going to merge, we don't yet know how. And I, for one, am looking forward to seeing it happen.

Ghost-Spider #4 was another fun issue in this series. The tension has been building for four issues now, leaving fans wondering when it's all going to burst. But we're going to appreciate Gwen's small (ish) break in the meantime.

Ghost-Spider #5 was another fascinating installment in Gwen's adventure. There's something so satisfying about seeing the consequences of Gwen's time spent on two different Earths. Not to mention that this is a plot that has been building for quite some time.

Ghost-Spider #6 is a fun diversion for our Gwen Stacy " while also taking the time to set up something looming on the horizon. It's a perfect balance and one that will go a long way in holding our interest.

Ghost-Spider #7 was a fascinating read, one that brought two new characters to the forefront, alongside an old antagonist to counter their appearance. I, for one, am insanely excited to see where this goes. The whole new plot is balanced out nicely by the new harmony that Gwen seems to have found in her own life.

Ghost-Spider #8 was a shockingly intense issue, one that moved steadily forward with the main plot. All while providing insight into Gwen's reaction on what is happening on Earth 616 (the "main" universe). I, for one, am very much looking forward to seeing what the next issue brings with it. While this one does not end with a cliffhanger, it is more than enough to keep me on the edge of my seat in the meantime.

We've received another fun and thrilling issue with Ghost-Spider #10, all while setting the stakes for something more. I love that all of those subtle moments before now added up to something, and I sincerely cannot wait to see how far those elements are going to be pushed.

Ghosted in L.A. #1 went a long way in establishing the characters and story, but I'm looking forward to seeing the plot progress in the next issue. I imagine that is where we'll get into the thick of things. That being said, I feel like this is going to be a series to keep an eye on.

Ghosted in L.A. #2 was a fun read, even if at times I cringed about Daphne's choices. That being said, the series has proven to be oddly self-aware, with the characters being fully capable of talking about and admitting their mistakes. It's one of the things that makes for such great character building.

Ghosted in L.A. #3 meets and exceeds all expectations, perfectly upping the ante, so to speak. It takes the series from something more casual and turning it into something more relatable and intense. And the cliffhanger is enough of a reason to leave fans desperate to see the resolution.

Ghosted in L.A. #4 was a whirlwind of a read. It was shockingly emotional and intense"and that's considering the subject of the previous issue. It's been fun to see the darker side of the series. Even better, the series is still holding onto its more optimistic tones, so it is still a perfect escape for fans out there.

Ghosted in L.A. #5 was another delightful addition to this series. It has a strong sense of charm, thanks to its heavily character-driven plot. The series is like no other out there, and is oddly refreshing because of it.

Ghosted in L.A. #6 was another intriguing addition to this story. It feels like we're slowly learning about this house and the ghosts stuck in it. And yet, there's clearly so much more to this story. Here's hoping that Daphne starts getting us some answers soon.

Ghosted in L.A. #7 was another fun and enthralling read. The complex characters have made this series something truly standout. And I, for one, am very much looking forward to seeing what the big reveal will be in the next issue.

Ghosted in L.A. #8 was a shocking read, but perhaps not for the reasons, you might expect. This was an emotional peak in the series, forcing character development and changes left and right. Not knowing how far those changes will go, I've got to admit that I'm excited to find out.

Ghosted in L.A. #9 was another thrilling issue, one that took a different turn of events. It is very much still the series we've fallen in love with. But the plot has been firmly moved forward, all while taking more risks than ever before.

Ghosted in L.A. #10 is arguably the most dramatic issue of the series, which is saying something. We're finally getting a chance to see where all of that buildup has been leading to, and it sure is looking dark. And interesting. I, for one, cannot wait to see what happens next, or how far this plot will be pushed.

Ghosted in L.A. #11 is the standout issue of the series"so far. It's the culmination of months of work, and it shows. For that reason, it is an issue we've been waiting for, and it was absolutely worth that wait.

Ghosted in L.A. #12 was everything the fans (myself included) could have hoped for. It was sweet and carefully written, allowing for a complete sense of closure. While I would have been happy to see the series go on, I respect the conclusion we've been handed.

This was an absolutely hilarious issue. It was probably funnier than the last several, as the humor and banter seemed to be particularly on point. Luckily no major changes seem to be on the way for the girls, though there is something building up with Ed's plot. We'll just have to see where that one leads us.

This was a great issue. It covered on some real emotions that can crop up between friendships. While Ester was in the wrong for how she treated Ed, Ed also handled the situation poorly. In the end everyone acted like adults, which is a big deal. That's not something you see every day.

This was another fantastic issue of Giant Days, though, on the whole, it did feel more balanced between the characters than other issues have been. While Esther probably got the most screen time, all three of the main characters had their own issues to deal with, all getting a few pages each. The inclusion of the party at the end, which had all three of them together, was a nice touch. It all flowed very nicely, and even set up a couple of new plots. It's likely that we'll be seeing an Esther focused plot next, or it could be Susan.

Giant Days #53 did a lot of heavy lifting in this issue, wrapping up plots will still being surprising and entertaining.

Giant Days is wrapping up, yet our creative team is doing everything possible to help us say goodbye to these beloved characters.

Giant Days: As Time Goes By #1 was exactly the goodbye we needed. It has a bittersweet plot and bright panels full of our favorite characters.

It's sad to have to say goodbye to a beloved series. But at least Giant Days: As Time Goes By #1 made it a bit more bearable by giving the characters the send-off they all deserved. And okay, it does help to know that John Allison has already started a new project (Steeple).

I love the rougher style and color choices being made for this series. It fits the tone perfectly. It allows them to show graphic scenes without having it become a total gore-fest. It sort of reminds me of the art style in the Walking Dead, which is actually pretty perfect, because the tones are alarmingly similar.

On the whole I really liked artists work. The shading was a bit odd at times, especially when they were showing us more 'ordinary' scenes like Jess at work (though it's possible this was intentionally done " split the character's world into neat divisions). Additionally there are times where the faces characters make are quite humorous, and I don't think that was intentional. All that being said there was a lot to enjoy here; the bright and distinct color palette is exactly what I would want for a Green Lantern comic, and the way artists portrayed movement through lines and debris flying was superb.

I absolutely love the character designs we've been seeing lately. Singularity Jain is striking " both in her typical form (pale with darker accents, such as her lipstick) and her feeding form (what else could I call it?). In that form we see darkness creeping into the lighter tones on her skin. It's a really interesting and oddly beautiful arrangement. The Molites are adorable (I've said that already); they're small and pink and they look almost childlike, meanwhile the Ungarans are red and human looking, which combined with their anger makes them a striking contrast to the Molites (whom I am very afraid for).

I'm not super thrilled about the fact that the Molites on the cover look so drastically different from the Molites on the pages (though admittedly they look slightly less different when they're rampaging females). Like many other Green Lantern issues, the artwork here cuts details when it can. Frequently the focus is on specific parts of a scene, and usually, all the detail is dedicated there. Which I'm usually fine with unless they drop details on the face. That's just a pet peeve of mine.

I absolutely loved the artwork for this issue; both Jess and Simon have such iconic looks to them, so when you add in the Green Lantern colors/uniforms and superhero poses, and you have two fantastic looking characters. Plus the way energy is interpreted/shown here was very striking (no pun intended) and I really enjoyed the detail and choices made for the pods shown at the end. There were some silly expressions made, but one could argue that they were intention, so I'm going to mostly overlook those.

The artwork was pretty stellar for this issue as well. Not just in the dramatic moments (though those were fantastic), but in the more subtle points as well. What really struck me was the crazy smile Liseth had while giving her little speech " she looked so happy while talking about some pretty horrible things, it was jarring. It made me realize just how messed up she really was.

The artwork was decent for this issue, though at points it felt like it was lacking in detail; especially around their faces. Though the simplicity really works for the backdrops, which I adore, so that's something. A couple of the close-ups for Simon and Jess were really striking " their eyes in particular were so wonderfully drawn and colored. They really struck me. More of this please!

As per usual, I love the artwork for this series. Hellhole didn't look as dirty and rundown as I would have guessed, but otherwise everything else was spot on. My favorite, unsurprisingly, had to be the giant pig (more like boar) construct Jess summoned. Despite its massive scale it had plenty of detail to it, while not overpowering the rest of the image (mainly the residents running out of the way).

As per usual the artwork in Green Lanterns is fantastic. The fight scenes in this issue were particularly well done (with lots of light and clear indicators of the kidnapped heroes being controlled). Likewise the last panel showed was probably my favorite in the set, it's bright and dramatic and also has me very concerned about Night Pilot. In short, it's the perfect image.

The artwork for this issue was pretty solid on the whole. Though I'm torn on how I feel about some of Jess' expressions. It's clear they were trying to show us how hard she was concentrating, but they just sort of end up looking a bit off, though maybe that's just me. As per usual I loved the constructs shown, even the tendrils that sort of looked like boogers. And there were plenty of dramatic poses as well (I think Simon and Night Pilot got the best ones this issue).

The art for this issue was bright, like I've come to expect with the Green Lanterns series. I love the way they drew the cyborgs and the Free Machine System (which in itself is a cool concept). I was surprised by the somewhat sudden change in style and color for the black hole on the last panel, but that just make its appearance even more shocking (which was appropriate).

I loved the artwork for this issue. The distortion around the black hole was beautifully done " it's enough for us to know something is seriously wrong, but it isn't exactly overdone either. It's a hard balance to find. The world Simon was seeing, upon entering the black hole was interesting as well. I thought he would see what Jess was seeing, but instead he sees a world tinted by green. I'm not sure if it's the green of the woods everything happened in, or the green of the rings. Perhaps a bit of both?

This has been a really interesting plot so far. I'll admit that while I was really (morbidly) curious about Jess' past I didn't expect it to be like that. For some reason I thought I had a good grasp on what happened, but her reliving the memory proved that there was still a way to surprise us readers, and man did they ever. If you think that you wouldn't care seeing her friends (ones that were dead before the start of the series) die like that, then you're in for a surprise. It turns out you don't need to know them that well to fear for them, or to feel their pain. It was terrifyingly well done, especially considering the current social climate. I'm sure that was pointed.

Another interesting issue. I'm glad we finally know what happened to Jess, and that she was even able to get some sort of resolution out of it. I like that the hero of the day (Simon, in this case) was able to save the day by talking instead of fighting. It's an interesting twist on things. I'm both worried and anxious to see what happens next with this plot; it's not fully wrapped up yet and there's one issue to go, so I guess we'll see.

This issue has been interesting. It's different from the others; in that it's not terribly clear what is actually going on. We're missing the whole beginning of this story, clearly in an attempt to obfuscate the truth from us. We can only hope that the next issue will give us more answers than this one will. On the bright side this one did do a good job of getting us emotionally invested in what was happening, so there's that.

This was an okay conclusion to the plot. It's nice that they acknowledged that Hal had been going after Jess for longer than this plot, though there are still many questions to be answered. Having Simon back Jess without hesitation was wonderful to see, even if parts of the plot got a bit clunky at times. It'll be interesting to see if the next issue, titled What is Corrupting the Central Power Battery, is related to what has happened to Jess' ring or not. It seems like a big coincidence, doesn't it?

This was an interesting issue. They're clearly building up for something big here, but it's anyone's guess where they're going to go with it. It should be interesting though. Seeing how tough John is was pretty cool, though obviously it stinks to see him hurt so badly. Here's hoping he comes back with a fury " it'd be incredibly satisfying to see him kick some blue butt after all of this is said and done.

This was a pretty intense issue, all things considered. It's hard not to reel from all of the implications happening here. In the course of just a few issues we've lost a Guardian, had John Stewart betrayed by his ring and then seriously injured, Mogo losing control to storms, and planet Penelos under attack and nearly eradicated. That's a lot to take in. It also says a lot about the enemy they're establishing. After all, if this is what these guys are doing in what is merely they're opening act, what could possibly follow?

This has been an intriguing plot so far. There are only so many forces and entities that can affect the Green Lantern force like this, so it's been interesting to see this one, even if it has been kicking ass and taking names at the same time.

The artwork for this issue was okay, on the whole. The constructs were spot on, which considering how big of a role they played here is a very good thing. However some of the expressions and faces were a bit off. For example Jess' face on page 7 is downright jarring (it's the eyes). That's just one example, and sadly every time that sort of thing happened it did interrupt the immersion of the plot. Otherwise the artwork was good and fit in with the typical Green Lanterns art style.

Guardians of the Galaxy #1 started off the new series with a bang. It's not the series I expected"but I think it could be even better than that. It's amazing how many characters and locations they were able to fit into just a single issue, and how they succeeded in keeping them all distinct. The plot looks like it's going to be an interesting one. Even though it's only going to be six issues long, it's clear that they have big goals to reach within that time frame. I also have a feeling that the events that occur within this series will end up affecting other series"

Guardians of the Galaxy is not quite the series that I had expected it to be, but it really has been an interesting read so far. They're making good use of their expansive cast to build up the tension, giving us an idea of the battle we're heading towards.

Gwenpool Strikes Back #1 is perfect for fans who have been lamenting her series loss. And it is especially soothing for those lamenting her loss once again, with the cancellation of West Coast Avengers. Sure, we'll have to deal with that loss all over again when the series concludes. But perhaps we'll get the ending we've been hoping for, or an open-ended opportunity to see her again.

There is plenty to love from Gwenpool Strikes Back #1 - especially for all of the fans out there.

Gwenpoole Strikes Back #2 is full of memorable moments, with the plot and the artwork coming together perfectly.

A lot of this series could be interpreted as a commentary on the need to buy comics you love. And there is a certain point to that. The series with lower numbers (IE: Gwen's previous series) get canceled. And while that is a shame, it is also a fact of life. Unfortunately, the cancellation means something much darker for this quirky little lady"

This issue is giving me hope that we'll see more of Gwen in another series down the line. Perhaps that is merely wishful thinking. Only time will tell.

Gwenpool Strikes Back #3 is an overall brilliant issue, giving fans the best that Gwen has to offer, alongside some dramatic writing and colorful moments.

Gwenpool Strikes Back #4 brought us Gwen at her best, and it is full of insane and quirky moments, as well as some excellent artwork and writing.

Gwenpool Strikes Back #4 may be the second to last issue in this miniseries, but that hasn't slowed Gwen down any. If anything, she seems to be upping the ante in regards to her antics. This issue took her quest for relevancy to a whole new level " and the end result was something as fantastic as it was insane.

Everything came together to bring us the conclusion we deserve in Gwenpool Strikes Back #5.

It's hard to believe that Gwenpool Strikes Back #5 concludes this series. In many ways, it's so tempting to pretend otherwise. At least this series has given fans a new sense of hope, and a feeling like we'll have a chance to see this amazingly adorable and quirky character again.

I'm a big fan of cleaner lines in the Green Lantern comics, so I love what Sciver and Sharp are doing with this issue. Everything they draw is clearly defined, even the impact lines. That combined with the bolder colors (compliments of Wright) known to the GL world and this is exactly what I would expect for artwork in this series.

Some of my favorite panels for this issue actually include some of the heavier conversation pieces; Ganthet and John taking about serious things while little Somar-Le is creating green zig-zags in the background is oddly evocative and striking. It really brought home that everything they've done is for the future (well, I can safely say that about John at least, maybe a little less so for the Guardians?). The close-ups during this scene are absolutely outstanding, Sayd looks striking, Ganthet regal, and John's eyes are so bright and green its borderline alarming. The time spent on their faces is really quite wonderful, and it may be spoiling me just a bit. Keep this up and I'll start expecting it all the time!

Are you ready for another issue of buildup? No? Well, then I'm sorry but I have some news for you (but in all seriousness it wasn't the frustrating type of buildup, it simply is what it is).

The cover for this issue is probably one of my favorites, at least out of the last few batches. I loved the dramatic poses and expressions, not just on the cover, but in general. Though I think Guy wins the angry face contest " Kellic's angry face was just too over the top (seriously, look at it! I half expected spittle to come flying off the page). I love the honeycomb shielding that's being used " I know it isn't a terribly original concept for a shield, but it really looks fantastic, especially with the chosen color palette.

I loved the artwork for this issue, but I pretty much say that all the time for the Green Lantern series. To be fair, I am a big fan of bright colors, which is something the lantern series pretty much has to make liberal use of. They also excel at their dramatic poses, which is a huge plus if you ask me.

The artwork was pretty decent for this issue " the blood from our beaten lanterns wasn't gory, but it was in large enough quantities for us to understand just how bad the situation was. And as always, we got some dramatic Green Lantern posing, which is fantastic. What really struck me though was the background for the first fight scene shown. It's so easy to forget that there are backgrounds when something major like a fight is occurring, so I'm really happy to see that the artists didn't overlook it here. The landscape and plants are so lush; it really adds an extra element to things, especially with the blood spattering over it.

The artwork was great for this issue; I couldn't help but wince every time I saw Kyle's injuries. They did a good job of making them look terrible, but not graphic (a tough balance when dealing with superheroes). I particularly loved the last panel with Kyle. I won't lie, I absolutely scoured that image for any additional details I could get out of it.

If you're hoping for some of those classic Green Lantern poses, you're in luck. This issue is absolutely full of dramatic poses. I think Kyle probably got the highest number of them, but considering he's juiced up on Hal's ring that one sort of makes sense. John also got a few dramatic poses in, which is always appreciated. Though I'll admit seeing a guy's chest and butt in the same pose just makes me wince in pain (I would not be happy if my back was contorted like that), but hey, they're superheroes, so I guess they can take it? There weren't too many constructs in this issue, which is sad; but there was a lot of emotion being shown on our character's faces, which I was happy about.

The cover for this issue is probably one of my favorites, at least for now. Both Hal and Kyle are beautifully rendered, while also being clearly shown as being connected to each other via the ring. It's actually pretty clever " somebody not reading the series wouldn't know that, and thus wouldn't get a spoiler. That's the perfect combination for a cover if you ask me.

The fight scene between Hal and Zod was so well done in this issue. The artwork for it was fantastic, lots of dramatic poses and a boatload of constructs to cram into every panel. The artist did a fantastic job of making the fight interesting and epic. I couldn't be happier with how it looked.

This issue was mostly spent setting up the Darkstars and Tomar-Tu's transition into their corps. There wasn't any fighting really, but it was still incredibly interesting. I love the time spent setting up Tomar-Tu's perspective on justice and the lack of permanency Green Lantern justice has. This made his choice to join the Darkstars wholly believable.

This has been a great plot so far. I love the introduction of the Darkstars " a darker and more brutal form of the law. They're an interesting counter point to the Green Lanterns and everything they stand for. I wonder how far the Green Lanterns will go to survive and win? Will they dip into gray scale characters? Or more? I can't wait to see.

So I'm happy with this changeup. Here's hoping it proves to be as interesting as I think it'll be!

This has been a fantastic plot. Every time it looks like they've hit the top, they manage to find a way to up the ante again.

This plot has been a never ending source of twists and turns and surprises. Every time it seems like the path is clear, something else is thrown in the way. Last issue we were shocked when Guy became a Darkstar, and this issue it's that Arkillo ran to stop Guy. What will be next?

This Darkstar plot has been absolutely fascinating. They've done a good job of creating an enemy that both threatens and reflects the Lanterns. They're what the Lanterns could have become, if they chose to let go of their ideals and sense of justice. That's what makes them so terrifying, in their own way. The conclusion to this plot should be interesting, though it'd be nice of the Darkstars become a lingering and repeating threat to the corps.

The steady buildup for this plot has been really impressive. The Darkstars threat has been consistently raised each issue, without bringing them into a realm of disbelief. They're also a perfect mirror for the darker side of the Lanterns, which was likely the intent. They're really the perfect antagonists for the Green Lanterns, so hopefully we see them again even after this conflict has been resolved.

Harley and Ivy are back - and Ivy's gotten a new design! Good to know the last one didn't last all that long.

If you've been following Metal and all it's tie ins, this is no doubt a book you will want to read. If you aren't that interested in Metal then you can skip this issue. Despite Venditti doing the best he can with the tie-in, it's really not necessary to read unless you are trying to read all the Metal tie-ins. It's more of a distraction from the great work that's been going on in the book. It feels disjointed from the rest of the series and would be best enjoyed by those all in on Metal.

Along with a wonderful cover are a few stunning and memorable images inside the issue. One I've described in detail above, but there are a handful of others (such as the second page, where Harley has her makeup running and her nose red from crying). The artists do a fantastic job with close-ups, but unfortunately, this art style loses definition in the faces as they get pushed away from the foreground.

I'll admit I found the art style change a little off-putting at first, but if I'm honest I don't usually like it when they change artists, it takes me an issue or two to settle into things usually (which is probably why I can't stand it when they bounce all over the place). Some of the scenes didn't read the way they wanted to, I believe. The scene where everyone (minus Harley and Madame Macabre) leave the grave looked wrong; they all looked angry instead of sad (faces pulled tight, arms swinging, etc.). Harley's outfit for this scene is also odd " a black full body suit of some sort? I'm not sure what's going on with that. On the bright side, Harley's manic expressions were on point, though sometimes bordered on overdone (see the scene where Harley is dressed in meat). The mesmerizing ass effects were pretty cool and also really funny to say (seriously, try it).

The artwork was pretty on par with the rest of the Harley Quinn series; it's bright and cheerful and makes room for humorous details. Lately I've been reading enjoying that when Harley is accentuating something or being really loud the words will be written in a different color. It's a small detail sure, but it's pretty effective. It's also something that's done to Joker's laughter, so it shows Joker's continued influence on Harley's life.

I have to admit, considering how silly the bat-person concept is; they handled the transitioning pretty well. It only slightly looked like the cover of an Animorph book. The art style has changed, aiming for a slightly more detailed and realistic look. I think combining this art style with Harley's grief was actually a pretty good decision " it allows us to see the details that show just how much she's hurting (and they were able to go beyond the smudged makeup bit, since that doesn't always equal crying with Harley). As far as my favorite panel from this issue goes, it has to be Arkahm's gates in page 14. They're so intricate and stylized, plus the (dead) ivy growing up both pillars really adds to the foreboding nature of the place. It's perfect.

The artwork was pretty decent for this issue, with a few highlights in particular. I loved the cover, but I already mentioned that earlier. I also really liked the transition from Bat Harley back into normal Harley. It was pretty cool and admittedly slightly comical (but in a Harley humor sort of way).

I'm not sure how I feel about the art style in this issue. It was good, but it was also different. All of the characters (Harley included) look slightly different here, and I'm not sure I like all the chances. Harley looks younger and more "cutesy" which I feel is an even further deviation from her original character, but I've also sort of gotten used to it at this point. The rest of the artwork is fine, other than the slight changes mentions they more or less stick to the art style expected for Harley comics.

I have to say I am not a fan of the latest look for Harley. She looks like a Bratz doll (or something similar) with the big eyes and long face. She's even farther away from her original design than I've ever seen her, and that's really disappointing. I keep hoping to see her go back to her roots at some point, but so far no luck. Other than Harley's look the artwork was great, especially Killer Croc.

I'm not going to lie, the newest design of Harley Quinn is driving me crazy, and not in a good way. S looking more and more like a Bratz doll smashed together with Tank Girl. The rest of the character designs have stayed the same, it's just Harley they're changing. I'll admit the artwork itself it just fine, in fact it's really well done, it's just that she no longer looks like the character I love, and that is incredibly frustrating.

This issue definitely had a 'gangs all back together' vibe to it (which is ironic, since they're still missing somebody). It was a little cheesy at times (like the tossing Harley in the air thing), but it did have its moments too. I'm hoping we'll see more of Scarface and his plans in the next issue; if he's not directly resolved in the conflict resolution for this plot I'm going to be deeply disappointed.

I'm still really not happy with Harley's latest look. I swear it was even worse in this issue " she looks more and more like a goth Barbie than the original Harley first introduced. I'm not saying change is bad, but in this particular case, I don't think the character migration was really needed. Her looks are matching her personality-less and less, which is a shame. Everything else in this issue, art-wise, was great, so I guess I can't complain too much.

The artwork was decent. I have questions about their choices for how to age Harley, but I guess that all comes down to artistic license. I'm not a fan of the gray skin though, especially when coupled with minimal aging seen elsewhere. It feels a bit lazy, on the whole.

Hawkeye: Kate Bishop #2 lets Kate's full personality loose, resulting in plenty of quips, a bit of danger, and some bold artwork. But it's the little details that really bring this series to life.

The artwork for this series is amazing. The cover for issue two is by far my favorite of the series so far, which is saying something. It suits the series perfectly, and it really makes Erin's story appear that much more tragic (which I didn't think was possible). I like the rougher quality to the art, it makes it feel more real and fits in well with characters that have been beaten as much as these guys.

The artwork is just as wonderful as it has been the past two issues. The cover is probably my second favorite (the cover for the second issue maintaining its hold on number one), and it obviously tells us which character will be getting the most development in that particular issue (I really like that trend " I hope they keep it up). The demons were a little bland and unremarkable; they looked more like a stereotypical depiction of a demon than anything else. I was hoping for a bit more from this series, but then again they're probably the lowest level demons, so hopefully the higher ups are more unique (and if so, I sort of hope for our team's sake they never come across them).

I still love the artwork for the series, especially the combination of somber tones over brighter colors. It works shockingly well. I also love how each of the main characters is completely different and distinct from the others. It isn't easy to have a cast that large and still have that much variation in them.

The art style for this series has been absolutely enchanting. The use of bolder colors really makes the series stand out from the rest on the shelves, as does the rougher line work and shading. It all fits thematically with the story being told, which reduces any breaking in the immersion. Instead we can really just focus on the characters, their stories, and their adventures.

The artwork has done a wonderful job supporting the story being told here. It's light and brightly colored, but also has no fear of showing blood and pain. And while violence does rear its head from time to time, it is never overdone or overly gory, something that surely would have taken away from the story.

The Immortal She-Hulk #1 is a brilliant issue, diving into the backstory of one character, pulling out all of the emotions possible, and supporting it with marvelous artwork.

Ironheart #8 was an important issue in terms of setting up for something bigger. But the heart to heart and cameos make the issue completely worth checking out. Especially if you're a fan of either character involved.

Ironheart #9 is visually striking while also giving us a story to remember, with plenty of cameos.

Ironheart #10 is a compelling issue, pulling together the more humorous elements and some heavier tones in Riri's story.

Ironheart #11 brings with it an emotional set of surprises, alongside some very dramatic poses from our favorite heroines.

Ironheart #12 is the sendoff that fans deserved from this series. It's a chance to say goodbye, all while seeing Riri finally accept herself for who she is.

Jessica Jones: Blind Spot #1 may have been a reprinting, but I found myself just as enthusiastic to read it the second time around. And of course, there's the hope that it will reach new readers this time around.

Jessica Jones: Blind Spot #2 was everything fans could hope for, living up to the expectations from the first issue, and carrying it forward. This is an intense and entertaining series. But it's also not the sort that's taking itself too seriously. Between that and Jessica's snark, you'll find plenty of room for levity in this otherwise dark series.

Jessica Jones: Blind Spot #3 is a highly entertaining read. One that found the balance between anxiety and entertainment, with the end result of a memorable experience.

Jessica Jones: Blind Spot #4 was a dramatic, yet highly entertaining, read. This is one of those issues that upped the ante in every way possible, leaving readers anxious to see what happens next.

Jook Joint appears to be an emotionally compelling tale. The fact that the creative team cares so much about taking care of their audience while also telling this story speaks volumes to their sincerity and humanity. Regardless of how long this series ends up running, it seems like it'll be worth keeping an eye on.

Jules Verne's Lighthouse #1 is a bold take on a classic, infusing science fiction elements into an already thrilling tale. The story lends itself well to this new world (universe), and the artwork is the perfect fit for the story being told.

Karmen #1 is a dark yet captivating beginning to this miniseries. One that feels wholly human " as well as something entirely other. Here we see an angel of death, yet she is nothing like we might have imagined.

Kaya #1 is a bold introduction to a new world created by Wes Craig. Readers looking for a battle for survival should enjoy what this tale has to tell.

Lady Mechanika: The Monster of the Ministry of Hell #1 is the epitome of the series thus far, delving into Lady Mechanika's past and surfacing all sorts of surprises.

Lady Mechanika: The Monster of the Ministry of Hell #2 is an intense read, supported fully by brilliant artwork, careful character development, and outstanding color choices. All of which combine to make the whole for fans to appreciate.

Loki #1 was a strong start to this new series. It's already looking to be as exciting and chaotic as I had been hoping " which is saying something. I loved the inclusion of the War of the Realms plot, plus all of the cameos that went with it. Including the littler one. It was a nice touch.

Loki #2 was an interesting follow-up to the first issue in the series. It threw in more twists and complications to the tale"which proves that the story truly does revolve about this character of mischief. Oddly enough, it puts certain elements taken for granted into question"which is a refreshing change. On the whole, this issue will be perfect for readers hoping to learn a bit more about Loki. Or just seeing more of Loki doing what he does best"get himself into trouble.

The conclusion alone is surely enough of a reason to get fans coming back for later issues. It'll be interesting to see how Loki handles this situation, or his end of the bargain, for that matter.

Loki #4 is worth reading"especially for any fans of Loki out there. It's been fascinating watching him pick up the pieces of his life. But this issue pushed that plot further than I expected, and is clearly setting up for something much bigger looming on the horizon. And personally? I can't wait to find out what's going to happen next.

Lucy Claire: Redemption is a dramatic and beautiful start to a brand new thrilling series.

Lucy Claire: Redemption #2 is a brilliant and bold issue, full of intense character backstory and brutal fights.

Lucy Claire: Redemption #3 is an intense issue full of sharp character development and stunning artwork.

Lucy Claire: Redemption #4 contains within it several careful storytelling techniques, as well as some truly vibrant artwork.

Lucy Claire: Redemption #5 is a tense issue, full of danger and blood, as well as answers and hope. Combined with brilliant artwork, it's an issue worth checking out.

The artwork for this issue was great, and if I'm being honest half the reason why I wanted to read it in the first place. The colors are bright and bold " especially in the backgrounds, and they're unafraid to mix colors and add texture as needed. I like that both versions of Lucy are distinct " yet you could still immediately tell it was her. That was very well done, if I may say so.

I'm liking the way this series is playing out so far. The humor is fierce, and it doesn't bother hiding the fact that it's poking fun at popular series. It is what it is, and it's going to have fun in the process. Which is pretty cool, actually. I want to know more about the experiments Lucy's parents have been working on, and I'd still like confirmation on how 'accidental' the whole thing is with Lucy being affected by what they've done. I'm hoping later issues will reveal this for us.

This has been an interesting series so far. I wouldn't mind if the pace was a bit quicker, but mostly I'm saying that because there's only two issues left, and I still have so many questions. I'll admit that all of the characters come off as a bit juvenile. I'm okay with that for Lucy and Welsey (because duh) but it's a bit off-putting when the adults talk just like the teenagers. Thankfully we don't see many adults (that aren't in the Storyscape) so it isn't a big deal.

This issue felt like it was missing something. A shame, really. For such a huge betrayal and revelation there was relatively little emotional reaction to it. Especially when one considers the maturity of the characters involved. The emotional elements seem to get glossed over frequently, which it turn makes the whole series feel a little shallow. It's still fun and interesting, just lacking some depth.

Ludocrats #1 is a chaotic introduction to a series that will be iconic and memorable, with characters full of massive personality and vibrant artwork to support their tale.

Ludocrats #2 is an exceptionally vibrant piece of work, portraying quirky characters and even more offbeat (yet entertaining) scenes.

Ludocrats is an insane and quirky series, one full of unique characters, plot arcs, and artwork.

Ludocrats #4 is an issue full of bold colors, and even bolder characters. It's insane, quirky, and shockingly entertaining.

Ludocrats #5 is the chaos fueled conclusion to the series, with lots of fun moments, twists, and surprises along the way. Throw in the varied artwork in this issue, and it becomes something truly memorable.

I'm happy that the art style switched back to something more like the original issues. It's not that I hadn't liked the previous styles, more that this style fits the feel of the series better. As per usual all of the Lumberjanes are adorably drawn, while also being their own unique selves. I love that it's so easy to tell them all apart, and that they each have their own style and temperament to go with it.

As per usual the artwork for this series is adorable. There isn't a ton of attention to detail, and yet every camper has their own distinguishing feature(s) and are easily identified at a glance (even if I don't always recall their names"but that's mostly on me and my bad memory).

As per usual the artwork is perfect for this series. Its bold lines and colors along with the simpler designs really suit the stories being told, but still allow for each character to be distinct and fun in their own way. The creepy crawlers shown at the end made my skin crawl, but I guess that's a good thing?

While the story may be taking a different turn than is usual for the Lumberjanes, the artwork has been spot on as per usual. It's bright, cheerful and fun. Where the art lacks in detail is more than makes up for with its personality. The representation of the glowing fungus was a nice touch " especially when the colors changed while they were being chased.

Additionally it's interesting that the mess hall group still hasn't noticed that three of their members are missing. Yes, the cabin is jam-packed, but you'd think that at some point they'd wonder why Ripley wasn't wreaking havoc someplace or something like that. She's not exactly a discreet person"

Lumberjanes #64 was a fun and chaotic tale - exactly what we want to see from this team.

Lumberjanes #65 is setting up for one crazy plot - which sounds about right for these adventurers. The artwork is fun and light and perfect for the plot at hand.

Lumberjanes #66 brings us a whole new goddess for the Lumberjanes to deal with, and with her some brilliant scenes and humorous moments.

Lumberjanes #67 brings with it a fun-filled plot, bright colors, and oh yeah, let's not forget a battle between two goddesses.

Lumberjanes #68 was another exceptional addition to the series, with one adorable and endearing twist at the end that proves how inclusive this series really is.

Lumerbjanes #69 is a fun start to a new plot, one that is full of intrigue and history.

Lumberjanes #70 is an endearing issue, full of history and character development, not to mention a fair amount of fantastic artwork.

Lumberjanes #71 is an issue full of endearing artwork and surprising revelations, combining to make for a memorable read.

Lumberjanes #72 is an entertaining read, one that reveals the history of the camp, all while being perfectly supported by iconic and memorable artwork.

Lumberjanes #73 is a fun and delightful introduction to 'The End of Summer' event, showcasing our favorite characters, all while introducing new plots, adventures, and dilemmas. As well as a lot of fun artwork, naturally.

Lumberjanes #74 is vibrant and emotional, setting up for the conclusion of the series, all while giving everyone a chance to say goodbye.

Lumberjanes #75 is a bittersweet issue, with the larger size allowing for even more buildup, and one more chance to say goodbye. The characters and artwork are everything that fans could have hoped for.

Lumberjanes: Somewhere That's Green #1 was a blast to read. My only regret is that it was a standalone issue. It was fun to see the crew on a more casual adventure. And while I know it's unlikely, I sure wouldn't mind seeing more of the new characters introduced. This issue did a wonderful job of nailing the whimsical nature shown in the series. It was abstract and fun, and not afraid to just be itself. That's what makes this series so fantastic.